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The Importance of the Automobile in The Great Gatsby
F. Scott Fitzgerald's The Great Gatsby was written about a time of gaiety for a certain set of people. One of the major thematic aspects of the book is driving and the automobile. At the time the book was written the car had begun its establishment as a national institution. This is apparent in one of the central events in the book. Tom's unfaithfulness first comes to light from a car accident in Santa Barbara. He misguides the car and the misdirection of his life is made glaringly evident. The automobile affected Fitzgerald and it influenced the writing in The Great Gatsby.
Driving is equated with living. Nick Carraway, describing their ill-fated trip from New York in Chapter Seven of The Great Gatsby says, "...we drove on toward death..."(143) This is both literal and metaphorical. They were driving toward the horrific scene of Myrtle's death. The entire novel deals with living, which is a movement toward death. Driving becomes a metaphor for living. Automotive transport becomes the rhetoric for describing everything. Even nature is related to automobiles. Nick describes the season in terms of elements associated with cars. "Already it was deep summer on roadhouse roofs and in front of wayside garages where new red gas-pumps sat in pools of light..."(25). For these people driving is about the new way of getting around quickly and living life fully. No one is exempt from being touched by the influence of cars. Fitzgerald incorporates the automotive metaphor into every aspect of his novel.
This is especially evident when Fitzgerald describes people. Often the basic terminology used is automotive related. Daisy describes Tom as a "great big hulking physical specim...
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...ed" that draws the automobile metaphor into it. It is the hit and run style of living that makes The Great Gatsby such a wonderful book, and Fitzgerald's continuous use of cars helps to keep this a vivid image.
Works Cited
Berman, Ronald. The Great Gatsby and Modern Times. Urbana: U of Illinois P, 1994.
Dillon, Andrew. "The Great Gatsby: The Vitality of Illusion." Arizona Quarterly 44.1 (1988): 49-61.
Fitzgerald, F. Scott. The Great Gatsby. New York. New York.: Scribner., 1995.
Godden, Richard. "The Great Gatsby: Glamor on the Turn." Journal of American Studies 16.3 (1982): 343-371.
Mizener, Arthur, ed. F. Scott Fitzgerald: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, 1963.
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
In The Great Gatsby, Fitzgerald uses reckless driving as a metaphor to show the carelessness of the wealthy characters. Many of the characters are reckless drivers, such as Jordan Baker and Daisy Buchanan. They don’t seem to care about the well-being of other drivers that they may hurt from being bad drivers. In the novel, driving techniques symbolize social status and character which later channels death and destruction. In The Great Gatsby, the author uses reckless driving as a metaphor to show readers how people of higher social class live their lives in destructive ways.
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
This story revolves around a character known as Miss Adela Strangeworth whose ancestral home is Pleasant Street which also happens to be the setup used to develop the story. However she is from the initial stages of the story portrayed as an old lady that is relatively calm and harmless especially with regards to the lives of her neigbours. She is portrayed in the story with the author as a proud lady who believes in the fact that she owns her town perhaps a factor that is evidenced by the way she interacts with the members of her community. Her constant conversations with the members of the community perhaps paint her as a relatively calm, loving and caring lady to the members of the community.
Cohen, Adam. "Jay Gatsby is a man for our times" The Literary Cavalcade New York: Sep 2002. Vol.55, Iss.1; Pg.1-3
Work Cited Fitzgerald, F. Scott. The Great Gatsby. London: Penguin Books, 1990.
Sutton, Brian. "Fitzgerald's The Great Gatsby." Explicator 59.1 (Fall 2000): 37-39. Rpt. in Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol. 157. Detroit: Gale, 2005. Literature Resource Center. Web. 24 Feb. 2011.
In the East Daisy becomes corrupt, and the color change is the way that the reader is shown this. change in her, and the death of Gatsby's dream of marrying Daisy. As I have shown, cars play a very important part in helping portray. the darkness of The Great Gatsby. The cars symbolize death and despair of the story and help to characterize some of the main characters.
Everyone is in a consumer’s hypnosis, even if you think you are not. When you go to a store and pick one brand over the other, you are now under their spell. The spell/ hypnosis is how companies get you to buy there things over other companies and keep you hooked. Either through commercials or offering something that you think will make your life better by what they tell you. For example, you go to the store and you need to buy water, once you get to the lane and look, there is 10 different types of water you can buy. You go pick one either because the picture is better or you seen the commercial the other day and you want it. During the length of this paper we will talk about two important writers, Kalle Lasn the writer of “The Cult You’re in” and Benoit Denizet-Lewis writer of “ The Man Behind Abercrombie & Fitch”. They both talk about similar topics that go hand and hand with each other, they talk about the consumers “Dream”, how companies recruit the consumers, who cult members really are, how people are forced to wear something they don’t want, and about slackers.
Isaac Albéniz was a nationalist composer, and one of the greatest composers Spain has ever produced. Among the many musicologists who have researched and written about the music of Albéniz, and the many pianists who have had occasion to comment on it, there is universal agreement regarding the artistic merit of his magnum opus, Iberia. Its rich harmonic vocabulary, rhythmic complexity, extensive dynamic range, and the ambitiousness of its architectural design are indeed praiseworthy; and in most respects, Iberia is a quantum leap forward from Albéniz's earlier works in the nationalist style. However, if - as the vast majority of the aforementioned commentators have done - we were to focus most of our attention on this one work, we would undoubtedly fail to come to terms with that which is the very essence of Albéniz's music.
Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, 2004. Print. The.
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
Trilling, Lionel. "F. Scott Fitzgerald." Critical Essays on Scott Fitzgerald's "Great Gatsby." Ed. Scott Donaldson. Boston: Hall, 1984. 13-20.
A majority of people purchase items they want and not what they need. Some individuals believe the falsified advertisements, which make it look like certain items are needed for survival. In the article, “What’s Changed?” Jane Hammerslough discusses materialism and how it has significantly grown in modern societies. Every purchase an individual’s makes impacts their place in society as well their values. The exemplary example, with reference to Hammerslough’s assertion is the text, “The Cult You’re In” Kalle Lasn, discusses a cult-like nature of consumer culture on Americans. Lasn uses the word ‘cult’ as a metaphor; he does not mean an actual cult, but American consumers seem to be in a group that procures the same commodities. Hammerslough
Themes of hope, success, and wealth overpower The Great Gatsby, leaving the reader with a new way to look at the roaring twenties, showing that not everything was good in this era. F. Scott Fitzgerald creates the characters in this book to live and recreate past memories and relationships. This was evident with Gatsby and Daisy’s relationship, Tom and Daisy’s struggling marriage, and Gatsby expecting so much of Daisy and wanting her to be the person she once was. The theme of this novel is to acknowledge the past, but do not recreate and live in the past because then you will not be living in the present, taking advantage of new opportunities.
In The Great Gatsby, Fitzgerald uses an automobile to foreshadow the death of Myrtle Wilson. After the party in chapter three, Nick observes a coupé