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Literature and women in the Victorian century
Literature and women in the Victorian century
Alice in Wonderland vocabulary
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Alice in Wonderland by Lewis Carroll is a novel that is overloaded with clever instances of word- play and puns. The Mock Turtle’s Story in Chapter 9, is one of the most significant display of puns within the story. The Mock Turtle is consistently utilizing of throughout his story about his former education. The Mock Turtle tells Alice about the courses he took in school which are parodies of the real subjects taught in school. This reminds Alice of her own education, which happens to be a significant theme in the book. Alice’s Victorian upbringing contributed to her beliefs that she was properly educated, and extremely intelligent. Her conversation with the Mock Turtle causes her to become confused and forget what she has learned in school. Furthermore she sees that what she was taught in school, doesn’t have use or apply to Wonderland. Perhaps Carroll’s use of word-play deployed in this chapter was to mock some of the subjects taught in school in his time, and how they have no use in the real world.
Education is one of the major themes in Alice in Wonderland, and possibly represents Carroll’s view of the Victorian education system. Throughout the novel, Alice makes references to her previous education, and how proud she is of it. For example in chapter 1, Alice uses words like “latitude” and “longitude” yet she doesn’t even understand what they mean. This is one of the first examples in the novel of how her prior schooling is useless in Wonderland, as she lacks the knowledge of finding her way. Then in chapter 2 when Alice meets the mouse, she says “Perhaps it doesn’t understand English, I dare say it’s a French mouse, come over with William the Conqueror.” (19). Alice’s knowledge of history is clearly flawed, as William the Conqueror existed hundreds of years before her. Apparently, her education wasn’t as superior as she thought it had
When Alice turns around she sees the Duchess trying to be friends with her and making Alice uncomfortable. The Queen of Hearts then walks up and asks Alice if she has heard the Mock Turtle’s story yet. Then saying she hasn’t Alice is escorted by the gryphon to go listen to the Mock Turtle’s story. On the way to meet the turtle the gryphon told Alice the queen never executes anybody. When they finally get there the gryphon asks to hear the story and the turtle says sit down. He then starts by saying he used to be a real turtle once. The Mock Turtle then tells about school and his teachers from when he was young and how they “lessened” their lessons everyday.
Carroll’s works illustrate a firm understanding of nonsense. His stories and poems thrive in fantastic worlds of imagination. Because of this, they effortlessly thrive in the worlds of children, as well. Carroll writes with the mind of a child. He understood that, “For young children, whose brains are struggling to comprehend language, words are magical in any case; the magic of adults, utterly mysterious; no child can distinguish between "real" words and nonsensical or "unreal" words, and verse like [his] brilliant "Jabberwocky" has the effect of both arousing childish anxiety (what do these terrifying words mean?) and placating it (don't worry: you can decode the meaning by the context). Lewis Carroll, in whom the child-self abided through his celibate lifetime, understood instinctively the child's propensity to laugh at the very things that arouse anxiety…” (Oates 9)
Many aspects of the time period are made a mockery through puns and witty remarks from the
One of the main purposes for writing Alice in Wonderland was not only to show the difficulties of communication between children and adults. In this story, almost every adult Alice talked to did not understand her. At times she messed up what they were saying completely as well, which many times stick true to real life circumstances. This book shows that kids and adults are on completely separate pages on an everlasting story. Carroll points out that sometimes children, like Alice, have a hard time dealing with the transition from childhood to adulthood, 'growing up.' Alice in Wonderland is just a complicated way of showing this fact. Lewis Carroll's ways with words is confusing, entertaining, serious, and highly unique all at the same time. And it's safe to say that it would be difficult to replicate such and imaginative technique ever again (Long 72).
Although the novel is notorious for its satire and parodies, Alice’s Adventures in Wonderland main theme is the transition between childhood and adulthood. Moreover, Alice’s adventures illustrate the perplexing struggle between child and adult mentalities as she explores the curious world of development know as Wonderland. From the beginning in the hallway of doors, Alice stands at an awkward disposition. The hallway contains dozens of doors that are all locked. Alice’s pre-adolescent stage parallels with her position in the hallway. Alice’s position in the hallway represents that she is at a stage stuck between being a child and a young woman. She posses a small golden key to ...
Lewis Carroll's Wonderland is a queer little universe where a not so ordinary girl is faced with the contradicting nature of the fantastic creatures who live there. Alice's Adventures in Wonderland is a child's struggle to survive in the condescending world of adults. The conflict between child and adult gives direction to Alice's adventures and controls all the outstanding features of the work- Alice's character, her relationship with other characters, and the dialogue. " Alice in Wonderland is on one hand so nonsensical that children sometimes feel ashamed to have been interested in anything so silly (Masslich 107)."
In such a cherished children’s book, Alice’s Adventures in Wonderland, written in 1865, has caused great commotion in political and social satire. It slowly but surely grew into one of the most adored publications in the Victorian era, expanding into today’s modern age. Lewis Carroll was the pen name utilized by Charles L. Dodgson and has forth created a sequel named Through the Looking Glass, And What Alice Found There composed first in 1871. In short, the text of the story presented with a feminist approach, a corrupt judicial system of Victorian England, the caucus race, and the absence of a childhood, the evolution of species, and Marxism.
As these assorted items fly by, it represents the idea of childhood also flying past as a child is forced to devote themselves to proper manners and focus on always being perfect, supported by Alice’s attempt at curtseying during this section. This obviously does not help her situation, instead resulting her in experiencing a malaise feeling, however, it is how she was ‘trained’ to act back in the real society and this action (alongside other pointless actions) have been enforced in her brain to the point where they are almost instinctual. This results in Victorian society members at the time being encouraged to ruminate over the nature of their own strange etiquettes. Carroll appears to be mocking this system of logic through the clear uselessness of this system (in regard to how only one-person benefits – the Hatter) yet how absolute each character is in their belief that it is the correct method to follow. While the vast majority of characters in this story follow along with these seemingly redundant rules, Alice opposes them and, as her journey progresses, fights harder against them, becoming increasingly more obnoxious to counter the rudeness of characters who call her out for not fully understanding their customs. This relates to how children cannot be contained and
Lewis Carroll’s Alice in Wonderland follows the story of young Alice trapped in the world of Wonderland after falling down through a rabbit-hole. The rabbit-hole which is filled with bookshelves, maps, and other objects foreshadows the set of rules, the ones Alice is normally accustomed to, will be defied in Wonderland. This conflict between her world and Wonderland becomes evident shortly after her arrival as evinced by chaos in “Pool of Tears” and Alice brings up the main theme of the book “was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I am not the same, the next question is who am I?” (Carroll 18). After Alice fails to resolve her identity crisis using her friends, Alice says “Who am I, then? Tell me that first, and then, if I like being that person, I’ll come up: if not, I’ll stay down here til I’m somebody else” (Carroll 19). Hence in the beginning, Alice is showing her dependency on others to define her identity. Nevertheless when her name is called as a witness in chapter 12, Alice replies “HERE!” without any signs of hesitation (Carroll 103). Close examination of the plot in Alice in Wonderland reveals that experiential learning involving sizes leads Alice to think logically and rationally. Alice then attempts to explore Wonderland analytically and becomes more independent as the outcome. With these qualities, Alice resolves her identity crisis by recognizing Wonderland is nothing but a dream created by her mind.
Known for its utilitarianist ideals, the education system of the Victorian Era limited the thoughts, speech, and actions of the individual; People were the product of the Victorian society in which they were raised. Many Victorian novelists highlight this mechanization of human beings, as it contributed to the identity crisis epidemic of the Victorian Era in which children were especially affected. In Alice’s Adventures in Wonderland, Lewis Carroll uses the emphasis of facts in the Victorian education system, the likeliness of Victorian Society to discourage the use of the imagination, and the importance of ideal male and female roles of the Victorian citizen, imposed on children at a young age, to create Alice’s confused character analogous to the identity crisis of children during the Victorian era.
Alice’s interactions with the characters of Wonderland reflect her struggles with adults in real life. Naturally curious as she is, Alice asks questions to learn from the adults. Since they understand the subject at hand well, they do not need to express their thoughts in order for them to understand themselves. However, Alice does not see this internal
During the late eighteenth and early nineteenth centuries, education became an overwhelmingly important weapon in the fight against ignorance and injustice of earlier times (Urban, 2009). With the spread of Enlightenment across several countries, the newly created world in America was one of hope, fear, and uncertainty of new ideas. Education and enlightenment were to become the keys to future of the new world and the building blocks for our modern society. Unbeknownst to many at the time, education was going to be the missing link between the present and the future. It would be the stepping stones from the ideas of Enlightenment to the actuality of newly developed philosophies, discoveries, and theories about a changing world. Progress was
Alice’s quest in Wonderland is not well though-out, in fact her encounters are disordered. Having her encounters be unpredictable places Lewis Carroll fairy-tale under Gothic horror. Without a doubt, Alice’s experiences can be illustrated as a nightmare. More importantly, the usage of satire and symbolism by Lewis Carroll gives Alice in Wonderland a meaningful note. All the different characters used in Wonderland essentially come together to form a secret lesson, this secret lesson being teaching children the turmoil of having to grow up. Lewis Carroll utilizes the rabbit hole, growing and shrinking, identifying oneself to characters, and Alice herself as symbols. Like in the “real world,” the only known laws in Wonderland are of chaos.
...sm. I’d argue that, although anti-didactic, the story does contain lessons. However, in true romantic fashion, they’re intended for the adults. To reiterate, the Romantics believed that children were good as they were. Any lessons included in Alice’s Adventures in Wonderland would then be intended for adults, as are the lessons in Blake’s Songs of Innocence and Songs of Experience. To paraphrase Carpenter, the innocence and imagination of childhood offers redemption to fallen adulthood.
Alice in Wonderland belongs to the nonsense genre, and even if most of what happens to Alice is quite illogical, the main character is not. “The Alice books are, above all, about growing up” (Kincaid, page 93); indeed, Alice starts her journey as a scared little girl, however, at the end of what we discover to be just a dream, she has entered the adolescence phase with a new way to approach the mentally exhausting and queer Wonderland. It is important to consider the whole story when analyzing the growth of the character, because the meaning of an event or a sentence is more likely to mean what it truly looks like rather than an explanation regarding subconscious and Freudian interpretations. Morton states “that the books should possess any unity of purpose seems on the surface unlikely” (Morton, page 509), but it’s better to consider the disconnected narrative and the main character separately, since the girl doesn’t belong to Wonderland, which is, as Morton says, with no intrinsic unity. Whereas, there are a few key turning points where it is possible to see how Alice is changing, something that is visible throughout her journey. Carroll wants to tell the story of a girl who has to become braver in order to contend with challenges like the pool made by her own tears, or assertive characters, like the Queen.