Nora’s Struggle For Freedom in A Doll's House
In many cultures, a woman is expected to assume the role of the submissive, attentive wife. Often, a woman's role is limited by society to that of wife and mother. Henrik Ibsen, in his play A Doll's House examines the consequences of the stereotypical roles of women in marriage. Isben allows the reader to follow Nora, the main character, “along her difficult journey to regain her self-esteem and self worth”(Durbach 153).
From the very first lines of the play, we notice the status quo between Torvald and Nora. Torvald is the stereotypically strong, dignified husband while Nora is "little skylark twittering" (Isben 148). Torvald's continual reference to Nora using bird names parallels Nora's image of herself. For example, in the first act, Torvald continually refers to Nora as his "little featherbrain," his "little scatterbrain," his "squirrel sulking", and most importantly his "song bird." These images of weak birds characterize Nora as a weak person. The simple twittering, little birds we see every day are very susceptible to cold weather and to dying and so is Nora. The image of a "little featherbrain" and a "little scatterbrain" indicate stupidity. Nora can't think for herself because her thoughts are scattered and unorganized.
In contrast, we are led to believe that Torvald is the loving and accommodating husband. He treats Nora like a child. She, not knowing any better at this stage, acts accordingly. For example, as a child forbidden by its mother from eating candy before dinner, Nora hides her "forbidden" macaroons from Torvald. Acting as a parent, Torvald suspects her hiding macaroons from him. He repeatedly asks her if she is sure she didn't eat any macaroons. Nor...
... middle of paper ...
...ous struggle to break free of her caged prison. In the beginning of the play, she is first weak and child-like. She then gains some strength to stand up to Mrs. Lind, even going as far as helping her, and to push off Krogstad. “She finally, after realizing Torvald's true character, breaks free of her cage and does what birds do best – Fly”(Templeton 1636).
Works Cited and Consulted
Durbach, Errol. A Doll's House: Ibsen's Myth of Transformation. Boston: Twayne, 1991.
Goodman, Lizbeth In James McFarlane (ed.): The Cambridge Companion to Ibsen. Cambridge University Press. 1994
Ibsen, Henrik. A Doll House (1879). Trans. Rolf Fjelde. Rpt. in Michael Meyer, ed. The Bedford Introduction to Literature. 5th edition. Boston & New York: Bedford/St. Martin's Press, 1999.
Templeton, Joan. "Is A Doll House a Feminist Text?" (1989). Rpt. In Meyer. 1635-36.
Henrik Ibsen’s A Doll House, which was written during the Victorian era, introduced a woman as having her own purposes and goals, making the play unique and contemporary. Nora, the main character, is first depicted as a doll or a puppet because she relies on her husband, Torvald Helmer, for everything, from movements to thoughts, much like a puppet who is dependent on its puppet master for all of its actions. Nora’s duties, in general, are restricted to playing with the children, doing housework, and working on her needlepoint. A problem with her responsibilities is that her most important obligation is to please Helmer. Helmer thinks of Nora as being as small, fragile, helpless animal and as childlike, unable to make rational decisions by herself. This is a problem because she has to hide the fact that she has made a decision by herself, and it was an illegal one.
Nora is perceived as a helpless women, who goes out and wastes money that was earned by her husband. To Torvald, Nora is merely a plaything, which could be what the title of the play, "A Doll House", was hinting at. He found her helplessness to be attractive, because he was the one that was in control. For instance, when they received the Bond from Krogstad, Torvolld said, "I wouldn't be a man if this feminine helplessness didn't make you twice as attractive to me" followed by "It's as if she belongs to him in two ways now: in a sense he's given her fresh ...
Simonds, W. E. "Henrik Ibsen." Dial 10.119 (Mar. 1890): 301-303. Rpt. in Literature Resource Center. Detroit: Gale, 2011. Literature Resource Center. Web. 25 Mar. 2011.
Northam, John. 1965. "Ibsen's Search for the Hero." Ibsen. A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall.
Abortion is a common practice that may be performed for several reasons, all sharing the same end result, the termination of an unwanted pregnancy. In cases such as rape, incest or a simple lack of responsibility when having sex, having an abortion is a choice that some women may encounter. There are different types of abortion in today’s society. Some which are too scary to even dream of. There are two types of abortions: Spontaneous abortions; miscarriages and Induced, this is the deliberate termination of the fetus.
Mifepristone: also known as RU-486, the chemical causes an abortion by interfering with the function of the placenta, starving the unborn child to death. Prostaglandins are then administered to expel the fetus. This method of abortion takes place over the span of several days; the average woman using it bleeds heavily for more than nine days, but some women have bled for over four weeks. Mifepristone is just beginning to be used in the US. Long-term health risks are not yet known. Methotrexate: though not approved by the FDA for this use, a methotrexate injection kills the unborn child by interfering with the growth process (cell division).
Henrik Ibsen’s play A Doll House examines a woman’s struggle for independence in her marriage and social world. Through the use of character change, Ibsen conveys his theme that by breaking away from all social expectations, we can be true to ourselves. When Ibsen presents Nora Helmer, we see a “perfect” wife, who lives in a “perfect” house with a “perfect” husband and children. The Helmer children have a nanny that raises them. By having the nanny, Nora has the freedom to come and go as she pleases. Torvald Helmer, Nora’s husband, will begin a new job as bank manager, so they will be rich, which will make her “perfect” life even better. Torvald even calls Nora pet names like “my sweet little lark” (Ibsen 1567) and “my squirrel” (Ibsen 1565). These names may seem to be harmless and cute little nicknames, but the names actually show how little he thinks of her. “Torvald uses derogatory diminutives to address Nora” (Kashdan 52). Torvald talks down to her. Nora is “regarded as property rather than a partner” (Drama for Students 112). He isn’t treating her like a real person. In Torvald eyes, she isn’t an equal. “Nora is viewed as an object, a toy, a child, but never an equal” (Drama for Students 109).
Torvald Helmer is the stereotypical Nineteenth-century husband, as he is a controlling, condescending patriarch. By referring to his wife with diminutive names, Torvald propagates the "women are lesser that men" stereotype and keeps his wife in a position of subservience. In line 11 of the first act, we come across the first instance of Torvald's bird references to Nora with "Is that my little lark twittering out there?" This reference is the first of many in which Torvald refers to Nora as a lark. Often this referencing is preceded by diminutive terms such as "little" and "sweet, little." Torvald also refers to Nora as a squirrel, a spendthrift, a songbird, and a goose, these terms also preceded with a diminutive. The significance of th...
As humans, we cannot create nor destroy life, as nothing we do is of true free will. God is who dictates what comes into existence, and our actions, according to cosmological argument, are not self-caused. According to this argument, a person cannot kill what it didn’t create because is it ultimately the creation of God, not us, and it is up to Him as to how long each of his creations are in existence for. In this light, abortion cannot be viewed as wrong, as it is God who leads a woman to the decision to...
Torvald is not only demanding mentally and physically, but also financially. He does not trust Nora with money. He feels that she is incapable and too immature to handle a matter of such importance. Torvald sees Nora as a child. She is forever his little "sparrow" or "squirrel". On the rare occasion that Torvald does give Nora some money, he worries that she will waste it on candy, pastry or something else of Childish and useless value. Nora's duties, in general, are restricted to caring for the children, doing housework, and working on her needlepoint. But overall, Nora's most important responsibility is to please Torvald. This makes her role similar to that of a slave.
Abortion, in my opinion, has been one of the largest debataable issues in American Society. There are so many aspects and views to examine before one can even begin to form their own opinion. In order to discuss an important issue such as abortion, we must first understand what it means. Abortion is the ending of a pregnancy before the fetus has developed and grown enough to live outside the mother. When abortion happens naturally before the 20th week it is called a spontaneous abortion, or miscarriage. If it happens naturally after the 20th week it is termed a late fetal death or a still birth. An abortion caused by a medical procedure is called an induced abortion. Most induced abortion are performed in the first trimester or first 12 weeks after conception.
...ined that abortion is morally wrong and destructive in all circumstances. God, the ultimate creator who decides the fate of all humans who come into existence, is the only One with the ability to choose life or death for His people. For us to make this decision ourselves, we are taking dominion over God and disregarding the Predestination that He intends for each living person.
Women may have an abortion for a variety of reasons, but in general they choose abortion because a pregnancy at that time is in some way wrong for them. “Abortion is the removal of a fetus from the uterus before it is mature enough to live on its own” (Kuechler 1996). When this happens spontaneously we call it a miscarriage. Induced abortion is brought about deliberately by a medical procedure that ends pregnancy. Legal abortion, carried out by trained medical practitioners, is one of the most common and safest surgical procedures. “About 1.5 million American women choose to have induced abortions each year. Less than 1% of all abortion patients experience a major complication associated with the procedure” (Kuechler 1996).
Nora Helmer was a delicate character that had been pampered all of her life, by her father, and by Torvald. She really didn't have a care in the world. She didn't even have to care for the children; the maid would usually take care of that. In every sense of the word, she was your typical housewife. Nora never left the house, mostly because her husband was afraid of the way people would talk. It really wasn't her fault she was the way she was; it was mostly Torvald's for spoiling her. Nora relies on Torvald for everything, from movements to thoughts, much like a puppet that is dependent on its puppet master for all of its actions. Her carefree spirit and somewhat childish manners are shown throughout the play with statements such as, "Is that my little lark twittering out there?" (1). "Is it my little squirrel bustling about?" (2). A lark is a happy, carefree bird, and a squirrel is quite the opposite. If you are to squirrel away something, you were hiding or storing it, kind of like what Nora was doing with her bag of macaroons. It seems childish that Nora must hide things such as macaroons from her husband, but if she didn't and he found out, she would be deceiving him and going against his wishes which would be socially wrong.
Ibsen, Henrik. "A Doll House." Ibsen : Four Major Plays - Volume 1. Trans. Rolf Fjelde. New York: Signet Classics, 1992. 43-114. Print.