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Analysis on doctor faustus
Tragic downfall of dr faustus
Tragic downfall of dr faustus
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Few things are more tragic than the destruction of tremendous talent and potential. Dr. Faustus was a man who was “glutted...with learning's golden gifts,” a master of many forms of earthly knowledge, who could have used his ability and learning to any end (). Yet like many men blessed with almost inhuman giftedness, Faustus's potentiality, even his self-defined goals, terminates in an explosion of folly. Faustus's prideful lust for god-like power leads to the ultimate ruin of not only his intellect, but his life, making him a most pitiable tragic character (could I call him a tragic Hero?).
Faustus's first item of desire and downfall is a lust for power through knowledge, and the accompanying hubris of thinking he can master this omniscient omnipotence. Only someone in defiance of God could so singlemindedly pursue the sin of Babel; Faustus embraces magic, in which “ a world of profit and delight,/ Of power, of honour, of omnipotence,/ Is promised to the studious artisan”(). Despite his chances for later repentance, the doom of Dr. Faustus was determined when he decided that “ A sound magician is a mighty god:” He wishes to be greater than God, even to the point of selling his soul. His friends immediately recognize the tragedy of his case. “Were he a stranger, and not allied to me, yet should/I grieve for him” (). This marks the beginning of the deterioration of his intellet. The words of his tutor Cornelius ring true: “ The miracles that magic will perform/Will make thee vow to study nothing else”(). Faustus leaves behind all other courses of study, all noble knowledge, to garner enough power to feed his pride.
His dreams begin magnificent and proud, but his concept of what it means to be a god diminishes somewhat when it ...
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...law through the course of the story. His pride has swollen to such an extent that he has become his own god.
To God? he loves thee not;
The god thou serv'st is thine own appetite,
Wherein is fix'd the love of Belzebub:
To him I'll build an altar and a church,
And offer lukewarm blood of new-born babes. ()
As Faustus's death approaches, he responds by carousing and indulging even more while still in possession of his faculties, as he lays in a desperate panic on his deathbed, his intellect is no longer subject to reason. His power lust has overcome him, and has left him in a state of complete presumption. “Swoln with cunning, of a self-conceit,/ His waxen wings did mount above his reach,/And, melting, heavens conspir'd his overthrow” “For vain pleasure of twenty-four years hath Faustus lost eternal joy and felicity”. What could be more tragic.
In Marlowe’s The Tragical History of Doctor Faustus, Faustus tries to reach divinity through knowledge; this desire drives his pact with Lucifer. Adrian Eckersley proclaims in his literary journal, “Why doesn't Dr Faustus just repent? Adrian Eckersley compares Marlowe's unrepentant sinner with Claudius in Hamlet,” that once Faustus obtains supreme knowledge he is nothing special. This is not the case; the character, Faustus, obtains awesome familiarity in subjects only shared by God and the Devils. In the literary journal, “'Falling to a diuelish exercise': The Copernican Universe in Christopher Marlowe's Doctor Faustus,” Gabrielle Sugar argues that Faustus does not have total access to infinite knowledge. Since Mephistopheles will not disclose to Faustus whether Copernicus is correct or not, Sugar believes that he does not have knowledge that “exceeds human boundaries” (Sugar, LRC).
This excerpt reveals that Faustus, although he has had much success and is widely recognized for it, yearns for further discovery, a limitless experience, a power that physically is beyond him. Later in the same scene, he clearly states his solution to this quandary, “A Sound magician is a mighty god. Here Faustus, try thy brains to gain a deity” (63 – 64). In order to achieve this for even a limited time however, he must exceed natural human boundaries. In his search for a means to do so, he forms a new boundary, namely the loss of control over his soul, in scene 5 through a contract with Lucifer.
Faustus is an ambitious character. In the first Chorus he is compared to Icarus as “his waxen wings did mount above his reach”, much like in the story of Icarus whose waxen wings melted when he believed he could fly away from Crete and reach the sun due to his high ambition. This also shows that Faustus is self-conceited because he believes he can do such impossible things. Faustus also shows his great ambition in his life story. He strived to be the best in his subject area of Divinity, and was eventually regarded with a “doctor’s name”. Faustus’ main ambition however is to become greater than God. He wishes to have the omniscience of God, so he can know “all the secrets of foreign ki...
...ifer because Faustus himself is at fault for being deprived of the joys of heaven. He sought the devil because he did not believe in heaven and wanted to experience earthly pleasures; however, once he realized that he was damned, Faustus seeks and believes in God and wants to experience the very same heavenly joys that first thought of as vile. It is evident that Faustus only wants to feel joyous: he does not want to feel pain in hell; he simply wants the power and notoriety that come with being one of Satan’s disciples.
As first introduced, Dr. Faustus appears to be an individual full of ambition that has made a name for himself within the academic community and is well respected by his peers. However, because the knowledge of man was something that he had appeared to have easily mastered, Faust becomes discontent with it much like a child tires of an old toy. Here Marlowe establishes the binary of want versus need, in which a gift is bestowed upon an individual who has put forth little to no effort in obtaining it and as a result possesses an overall lack of appreciation for its value. This applies to the young doctor in the sen...
He has grown sick of the pursuit of knowledge as he sees it, and believing himself to have become educated in all of the worlds major subjects, seeks the power of God himself (Ellis-Fermor, 74). Through the art of conjuring spirits, commenting, “…A sound magician is a mighty God…” (Ribner 7). The human lust for power has reached a new height in Faustus, and to attain what he desires, the easiest means are demonic. On his way to making the decision to enlist infernal forces in his quest for power, Faustus is prodded by friends, Valdes and ...
Although Christopher Marlowe's Doctor Faustus has outclassed every one at Wittenberg with his academic studies, he is "still but Faustus, a man." Proud of his accomplishments, he desires to become a superman. His judgment clouded by the sin of his pride, he misunderstands his knowledge and dismisses the disciplines of medicine, philosophy, law, and divinity. He lusts for God's capability to "make men live eternally or being dead raise them to life again," believing the devil's arts of magic and necromancy can provide the power, honour, omnipotence and, most importantly, the wealth he craves. His deluded pursuit of the immediate pleasures such wealth can yield brings upon himself the risk of eternal damnation. By conjuring the devil, Faustus removes himself from the influence of the Holy Ghost and God's love, instigating attacks of despair, and internal conflicts as personified by the Good and Bad Angels.
III. Faustus is portrayed as a very individual character. He changes and is shaped by the events that happen all around him. Everything he does affects his future outcome. For example his decision to give up his studies of medicine were very un-stereotypical of a character that is studying to be a doctor to do. Even more so is his decision to take upon the necromantics of the devil. He says, “Then read no more; thou hast attain'd that end: A greater subject fitteth Faustus' wit.” (1.11) He believes that he has learned enough information about all the great things of the world and there is nothing left to study that will intrigue him as much as magic will. His curious personality affects the play because his decisions determine the plot. For example the Seven Deadly Sins entice him so he becomes convinced not to repent his sin. This characterizes him as gullible, curious and adventurous. He becomes obsessed with his magic and he absolutely loves having the powers to do anything he pleases. An example of this is when he conjures up Helen. He knows he can do whatever he wants without reservation so he chooses to conjure the woman who launched a thousand ships. This shows that not only is he gullible, curious and obsessed but also Faustus only wishes for the best in whatever he does; the best that will please him.
The prologue of Dr. Faustus introduces the audience to Faustus' character through the use of a chorus. The play opens with Faustus concluding that magic is the only art form great enough for his mind. The Good and Bad Angel first appear in Scene 1 of the play. Two scholars are introduced in the next scene. One of the two scholars thinks Faustus can still be helped while the other believes it to be too late. Mephostophilis comes to Faustus in Scene 3. He agrees to tell Lucifer that Faustus will sell his soul for 24 years of power. The audience is offered some comic relief in the next scene when Wagner, Faustus' servant, conjures two demons to scare a clown into being his servant. It is in Scene 4 that Faustus shows any regret for what he has done. He calls out to Christ for help, but is easily diverted with a promise from Lucifer. Faustus performs a sort of mockery himself in the next scene when he visits the Pope and torments he and his friars. Faustus rescues Bruno from the Pope and in the next scene they return him to the Emperor. After scamming a horse courser in Scene 10, and entertaining the Duke and Duchess in Scene 11, Faustus' 24 years is coming to an end. Regret begins to enter Faustus' mind again in Scene 12, where an old man tells him there is still time to repent. Instead of repenting Faustus is persuaded otherwise by a conjured figure of Helen of Troy. In the final scene Faustus pleads with God for help, as the devils drag his body out of the room. The chorus arrives on stage again and warns the audience of falling into the evils that Faustus did.
Faustus is not a villain, though; he is a tragic hero, a protagonist whose character flaws lead to his downfall. Marlowe imbues him with tragic gr...
Unaware that he is guilty of committing these sins, pride first leads Faustus into being extremely greedy, and this greediness acts in opposition to the will of God. While ambition is admirable, it appears to be a negative trait when it is not used for good. It appears that Faustus wanted to gain this knowledge for himself and not for the well-being of all people. Being so adamant about gaining this power
“Marlowe’s biographers often portray him as a dangerously over–ambitious individual. Explore ways this aspect of Marlowe’s personality is reflected in ‘Dr. Faustus.’ ”
Doctor Faustus, also referred to as The Tragical History of the Life and Death of Doctor Faustus is a play by Christopher Marlowe. This play is based on a German story where a man sells his soul to the devil in quest for knowledge and power (Sales 340. The protagonist in this play is Doctor Faustus. Doctor Faustus was hungry of power and knowledge and in search for them; he sold his soul to the devil. At first, he was very happy with the praise he received from the people as they considered him a hero. Later on, Faustus learns that he committed a grave mistake of selling his soul to the devil for twenty-four years. Even though he felt remorseful for his mistakes, it was already late for him. He is later found by his fellow scholars dead and torn from limb to limb. Faustus was a heroic fool who only thought of power and never thought of eternal damnation.
This soliloquy shows that Faustus is eager to learn magic, which reflects on how people during the Renaissance were interested in science and nonreligious aspects instead of God.
Many powers are much too mighty for mortal souls, a lesson that Frankenstein and Faust learn by the end of their tales. While voluntarily excommunicating themselves from society, both characters accomplish a portion of their goal and yet they remain unhappy because they never control the "perfect" life they have built for themselves. In Faust, the intelligent gentleman Faust, seeks spiritual wholeness in knowledge. Through years of hard study, Faust becomes knowledgeable in math, sciences and religion and yet he becomes inept and incapable of having any romantic or physical relationships with the outside world.