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Examples of Nude renaissance art
The birth of venus analysis of art
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The Birth of Venus, by Sandro Botticelli, after 1482, was the choice for my writing assignment. It can be found on page 401, in our textbook, The Humanistic Tradition, by Gloria K. Fiero. The painting is a tempera on canvas and is 5ft x 9ft ½ in. Canvas was often used because it was less expensive and easier to transport. The Birth of Venus was one of the first non-biblical female nude paintings. Many of the earlier artwork of nude females were of Eve. As I was doing research, I found many different opinions and interpretations of the work. Often nude female artwork enhances a demeaning image of the female. In my opinion, this picture was way more than the nudeness of the female. It represented natural beauty and love. The soft pastels and flowers floating in the water made it seem natural and peaceful. The details that appear in her hair and the lines of her pose were very elegant and made the piece so beautiful. The details of her hair blowing in the wind and the drape blowing like a flag. Although she is nude I believe Botticelli showed the femininity and curves of her body in a romantic way. In much of my research she was referred to as the ancient Goddess of Love- Born of the Sea. This painting was unlike any other renaissance paintings that I have seen. The typical renaissance artwork seems to show more solid figures that represent people. The Birth of Venus appears to be almost angelic features in their characters. It is believed she emerged from the sea as a grown woman. Looking at the painting I can almost visual being in the fantasy of the painting. It seems like Zephyr the god of winds and breeze- Azura were embraced as one blowing soft wind pushing Venus to shore where she would be met and draped wi... ... middle of paper ... ...impressed with the painting. There were indications that the painting by Botticelli was banned for almost 200 years because of the nudity. Since his painting in 1486 there have been many other paintings. Some fuller figure, some with more deformity, and some with more symmetric. Then there were more paintings with women nude and revealing more of the body. Botticelli’s, The Birth of Venus, may have been controversial for a minute but once you look beyond the nakedness of the picture one can find the great beauty that it entails. Often I have found some nude paintings and artwork distasteful and awkward. This however, was not the case with The Birth of Venus. This was absolutely breathtakingly beautiful. I found it to not only beautiful but very inspiring for true love. True love for nature, elegance, expressions of femininity and the hope of something new.
As time kept passing, more and more magnificent sculptures were made by numerous artists. One of the most memorable sculpture was Aphrodite of Knidos, goddess of love and beauty. Back in the Late Classical Period, the civilians were only used to seeing ideal male nude bodies, but Praxiteles decided to make a different approach and sculpted the first female nude. Because he obviously had never seen a goddess before, he used his imagination and sculpted bathing Aphrodite as humanlike possible. He did not make it look idealistic, but instead made it beautiful with flaws.
Whether the Venus of Willendorf was carved in the likeness of an actual woman or was created to act as an aid to perpetuate the species it is obvious her form was considered desirable since someone made such an effort to carve her.
Firstly, Birth of Venus is example of the classical Early Renaissance’s composition while Galatea displaying the High Renaissance’s characteristic pyramidal composition. In Birth of Venus, the composition is simple and narrow; all four figures are in the front-ground with a sea-view background. Differently, in Galatea, for example the left bottom of the scene, a cupid in the front-ground and a mermen holding a woman are placed in the middle ground while Galatea and another man who riding a horse are in the background. Secondly, the postures of Galatea are much dramatic and dynamic than the Birth of Venus. Raphael employed figura serpentinata that the postures of figures in Galatea are serpentine and relaxed and more energy.
The difference is that one is considered a goddess and the other is known to be a prostitute. The goddess is depicted with a chunky body and the prostitute's body has a sensual nature. She is lying on an oriental stole on a couch. She is wearing pearl earrings, a choker around her neck, and a bracelet on her arm, a flower in her hair and the kind of shoes she has on confirms the idea that she is a lady of the night life, along with the black cat that symbolizes that she is a prostitute. Another difference is that there's a maid standing right next to her fully dressed. as if to make you more aware of her nudity. She is holding flowers and has a blank look on her face. The public or the critics could not accept or understand why he would replace a goddess with a prostitute. Also it was not the nudity that appalled people; this was common and had been for centuries but only in a different perspective. The viewers were scandalized by the brazen look on her face. It had more of a bold challenging look. The painting made a bold stand and was too much to accept. The people were so upset by it that the administration had to take extra safety measures to keep the
...e of Knidos, created by Praxiteles, can only be found in copies today, but at the time was the first sculpture of a goddess nude. He had transformed marble into the soft and radiant flesh of the goddess of love and taking on a worldly sensuousness. Originally located in a rotunda where it could be seen from all angles. Female nudity was very rare to the Greeks, especially that of a goddess. The sculptor made it look like Aphrodite’s nudity was nonchalant, which made it more sensuous with a welcoming look on her face. With several copies, all being found to be slightly different, all still capture the goddess’s womanly beauty that is not too sexually aggressive. With he hourglass torso, sloped shoulders, large hips and thighs, slim calves and ankles, and small feet and hands, this statue is the polar opposite of any manly figure, which is why it is known to be luring.
It offers and understanding that women were held at a different standard then than they are now. This figurine shows that women had a larger mid-section but was because they either needed the body fat for long, cold winters or the better idea was because it showed they were fertile and they were able to produce babies and keep the legacy going on. It also provides a better image of what the men and women had to go through in order to survive, like the long hard winters, the needing to hunt for food and could mean sometimes not having food. Venus of Willendorf was not considered an obese women, “where features of fatness and fertility would have been highly desirable”, (PBS, 2006). I can use this article because it explains the whole point about a women’s image. Women were not looked at how skinny and “good looking” they were in a pair of jeans. Women, in this time, were looked at as if they can be fertile or not. Being able to have children was a huge thing in this time since it was one of the point of living, to have a
It is determined the Antonine Woman as Venus is a woman of aristocratic status. The portrait is made of fine-grain marble, a medium only upper-class persons could afford. Also, only persons of wealth could afford to have such a protrait made. The woman is portrayed as Venus, a goddess who is connected to the imperial family, and members of a royal family would often have themselves depicted as a deity. (De Puma 26) We know she is being portrayed as Venus because of her bare breast and the upper-arm ring. The bare breast is a key to Venus because she is the goddess of sexuality and desirability. The upper arm ring can be an attribute of Venus as the Statue of Aphrodite (Venus) by Praxiletels displays the same jewelry on a nude body. (Fantham 175)
I choose to look at the painting “The Toilet of Venus” or more commonly referred to as “The Rokeby Venus” by Diego Velalazquez. The “Rokeby” part came into effect, because the painting was originally displayed in the Morritt Collection at Rokeby Hall in Yorkshire, before being moved to its current home in the National Gallery. Diego Velazquez was born in Seville in 1599, and went on to become one of the most brilliant and influential painters ever to come from Spain. He lived in Madrid for most of his adult life, and was employed as a court painter. Throughout his career, he tackled a wide variety of subjects, such as landscapes, scenes from real life, and mythological/religious figures. He was a master realist who excelled at capturing essential features upon the canvas. He painted “The Rokeby Venus” between 1647 and 1651, and was his only nude portrait, as well as the first one in Spain, at that time. Initially the painting met with some disapproval, especially from the Church, since it was a nude, but eventually the work received great praise, and became known, as being one of the most beautiful and significant portrayals of Venus in the history of Western Art.
The Venus of Willendorf is one of the earliest sculptures of the body made by humans during the Paleolithic era. She was made from limestone native to her location and covered with red orche. Despite standing only 4.4 inches, the purpose of the Venus of Willendorf is widely debated. Some will say the exaggerated breasts, navel, and vulva connects her to fertility as a representation of a mother goddess. Others, such as those in my class, believe her to be a figure of body image. The stumpy female figure features hanging breasts, an obese middle and belly, and distinct buttocks in all, represents a realistic form of a severely overweight woman. Due to the hash ice-age environment of where she’s from leads one to believe fatness and fertility would have been highly desirable. Whether the sculpture was based on a fantasy or a real life model the infatuations with the idea of self-acceptance through body
The painting was deemed scandalous and inappropriate by the people of the mid-1800’s. In more ways than one the painting disregarded society’s standards of the time. The painting depicts two women and two men having a picnic together in a nature setting. Upon hearing this description one might envision a peaceful, harmless illustration and thus wonder why it may be hard to imagine this painting as upsetting. The two men in the painting were fully clothed in modern clothing of the time period, while one woman was completely nude and the other was in her undergarments. By juxtaposing the fully clothed men with the naked women, Manet challenged “Academy Standards” of French painters of the time. According to the “Academy Standard” nudity was supposed to be reserved for religious, mythological or classical characters, and the women in Manet’s Luncheon on the Grass were none of the above. In fact, the two women are suspected to be prostitutes, and the men, their customers. In illustrating the men with modern clothing, Manet’s image alluded to the subject of prostitution which was a very real issue at that time. Manet questioned the morality of society and the people by illustrating prostitution in such a real, modern way. This was a tremendous scandal because prostitution was not discussed and especially not illustrated on a large scale canvas, it was pushed under the rug and overlooked by society. The painting was highly criticized and rejected at first, but later became widely renowned. It paved the way for a new, modern artistic development. It shaped and reformed the idea of what was conventional for artists to paint and what was accepted, widening the freedom of creators, allowing them to illustrate real problems they saw in their
Botticelli depicts Venus standing a relaxing pose with long golden wavy hair that falls to her knees skin blemish free and pale as the seafoam she’s born from with one hand (right) gently placed over her right breast she uses the other (left) grasping for
This paper explains the history and development of the nude art in the Renaissance and Medieval period. In the Renaissance age the patrons and artist readopted the antiquity of the classical Greek into representation of nude. This is an epoch when drastic changes occurred in which Christian authorities no longer viewed the nude art as something conflicting or shameful. In contrary they believed that nude being reformed in ancient in classical antiquity portrays divine characteristics and emancipates the light that is pure and heroic (Long, 2008; Bonfante, 1989; Tinagli, 1997). To establish a further understanding why during the Renaissance age nude art brilliantly portrayed human anatomy, the work of some most remarkable artists such as Michelangelo, Botticelli, Masaccio and Durer are described (Long, 2008) These minds welcomed the classical antiquity into their paintings and sculpturing and often the Greek athletic figures and mythological Venus figure were used as ideal models in depicting nude art (Bonfante, 1989). The classical renewal of nude art had specific roles attached to both male and female nude, in the world of art. The religious figures were depicted in antique forms as to convey their theological status and importance. In contrast to the Renaissance period, the Medieval representation of nude art was rare and Religious authorities oppose its development as they believed it may lead to sin and degradation (Long, 2008; Steinberg, 1983). In short this paper will present a historical overview of the nude art and how the diverse cultural attitude towards depiction of nude existed in each period.
orbit is the most circular of any planet, with an eccentricy of less than 1%.
Venus in Botticelli's painting is a Renaissance beauty. During the Renaissance women were believed to look more attractive if they had some weight to them. It was believed that this weight make them more prepared for child birth, and basically healthier. Venus has weight in the painting. Without this weight I do not feel that she would have such a strong impact on her viewers. Another strong point of Venus's presence is her wonderful long and flowing red-orange hair. It flows around her body keeping her pose modest, yet revealing. In all of this beauty it can be easy to overlook the unnatural length of Venus's neck, and the steep fall of her shoulders. Venus's outline is wonderfully graceful, and it is the grace that makes the print so wholesome and beautiful. If Botticelli would have chosen a slimmer or less natural Venus the harmony of the picture would have been destroyed.
These works may be labeled objectifying also because a male painter painted them. Today, these works could be seen as empowering to women. The first painting gives off an emotional ride of one duplicated woman or two women. The second painting shows an emotional journey of prayer and relaxation of a woman sitting in the lotus position. The third painting could represent a strong and empowered women respecting herself and her body. Times have changed and so have views of women in society which have influenced a change in how people view nude women in