Youth and Corruption
Youth is an important factor in the character development in the Portrait of Dorian Gray by Oscar Wilde, Dorian is a child and his actions have no negative impact upon his own physical being, unlike the rest of the world. Once Dorian understands his actions have no impact upon his body and his soul takes the brunt of his actions he stops maturing and reverts from a kind, compassionate, and caring person to a child caring only for his own wants and desires. With body and soul separated by the portrait Dorian finds himself free to do as he pleases without consequence. What drives Dorian towards a life of sin? A simple answer is corruption, which is agreed upon by many but the cause is different to Dorian it is art, to Henry it is the person them self, and to Basil believes it is youth. While there are many other potential sources these are the points which stand above the others
Basil’s questioning of Dorian marrying an actress from the slums of London begins to show Basil evolving to a position of the super ego he knows what is right yet is over ruled by the devil on Dorian’s Shoulder, Lord Henry. Both men idolize youth they both make Dorian Gray to be the symbol of youthfulness. Basil is ultimately self-defeating when he presents the portrait Dorian Gray and he begins to idolize the lifestyle of Lord Henry. It is made clear to Dorian that it is Hippocratic to change your ways to appear pure after a lifetime immorality. “Even the cardinal virtues cannot atone for half-cold entrées,” (Wilde). Even though he is warned early of the risks of the lifestyle, Dorian follows in the ways of Lord Henry. A life of hypocrisy is comparable to the aristocratic life Dorian lives he, “can flaunt [his] moral views about [h...
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...s not till they had examined the rings that they recognized who it was (Wilde, 241).” A man of great influence and power is reduced to nothing through a life of corruption and hypocrisy.
There is but one corrupting force, the most fascinating and unpredictable of all, the human mind. Dorian led him self astray by listening to the inputs of the men savor the arts and enjoy youth. Dorian chose to stray from righteous and pious path he was on against the advice of Basil, to follow in the ways of his friend and mentor Lord Henry Wotton. The human mind is capable of amazing things but can easily lead itself astray.
Works Cited
Wilde, Oscar. The Picture of Dorian Gray. New York: Barnes and Noble, 1995. Print.
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Lindsay, Jack, and Lucius Apuleius. "IV-VI." In Apuleius and The golden ass . Ithaca: Cornell University Press, 1979. 88-148
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In the beginning of the book, Dorian seems to be an innocent, charming, beautiful young man, and even referred to as “a wonderful creation” (ch 2). Dorian is described as this amazing person, with looks comparable to a God, charm that could swoon any woman, and a mesmerizing persona about him with the ability to draw anyone near, yet he seems to be so imperceptive to himself. His attitude of simplicity causes readers to be fond of him, passing their first judgments that he could not possibly be evil. As the story moves along readers see the first inkling that Dorian may not be so perfect. Dorian comments on “how sad it is…[that he] shall grow old, and horrible, and dreadful. But the picture will remain always young” (ch 2). This statement lets readers inside Dorian’s thoughts, showing how shallow and frivolous Dorian views life to be. He places so much value and esteem on looks alone, forgetting that being painted should be an honor, or at the very least...
In The Picture of Dorian Gray, there are three main characters. Dorian Gray, who is a calm, very attractive young man and adored for his good looks, Basil Hallward who is a painter that idolizes Dorian and Lord Henry Wotton, an older man, who becomes a good friend of Dorian's. As Basil is painting a portrait of Dorian Gray, Dorian makes a wish that only the picture would age and he would stay the same. As he later notices, his wish is granted and the picture begins to age. Not only is the portrait aging, but the face is also becoming more devious looking. This is because Dorian had fallen deeply in love with an actress, Sibyl Vane, and one night he had taken Basil and Lord Henry to watch her act. That night Sibyl Vane was acting so badly that people were beginning to leave. Dorian was humiliated so intensely that he went back stage and told her he had fallen out of love with her. She said the reason for her bad acting was because she no longer cared for acting, just for him. Dorian still could not take the humiliation and told he was never to see her again. After he left, Sibyl ended her own life by drinking a cleaning fluid that was in her dressing room.
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
... murder Basil to “kill the past” and to be free. This “...would kill [the] monstrous soul-life, and, without its hideous warnings, he would be at peace” (210). Little did he know that this would be his entire undoing.
Youthful offenders have a reason for the crimes they have committed. Past life trauma is one of the most common causes for youthful offenders to stand in a criminal court. But the big guys seem to not understand the development of children/teenagers are going through. No matter how critical the crime has appeared, everyone should stop for one second and stand in their shoes. Up until today, youthful offenders, no matter how young they are, they are being treated as adults. Youthful offenders being tried in criminal courts as adults, criminal courts are putting them at risk from the dangers in adult prison facilities. As a result, the past trauma that youthful offenders experienced and were the factors that caused them to commit their crimes;
David A. Upchurch emphasizes the impact that the novel had on Victorian society in his article, “The Picture of Dorian Gray: Overview”. Upchurch declares:
Introduction Crime rates are on the rise in the world today, particularly in the urban centers but even more in other places. The issue of youth mobs is increasingly emerging to be of serious concern in many nations, specifically for law enforcers. Many of these crimes such as theft, robbery, rape and terrorism are just but a few of the crimes conducted by youths. Many of the youths are led into crime by unemployment, poverty and the need for a sense of belonging. It is the duty of every state to ensure that enough opportunities are created for youth for them to earn a living through employment.
Oscar Wilde's novel, The Picture of Dorian Gray, explores the themes of influence, corruption and conscience. “The obvious influence of Lord Henry upon Dorian shows how one may corrupt another to such an extent that one's own conscience withers and dies”(Weintraub 116).
When Dorian Gray first meets Lord Henry at the studio of artist Basil Hallward, he is fascinated with Lord Henry’s wit and the radical social doctrines that he advocates. Dorian is easily molded and falls for the argument he hears. According to Lord Henry the goal of new hedonism, “to realize one’s nature perfectly…to give form to every feeling, expression to every thought, reality to every dream” (198-199). As far as philosophies go this seems rather innocuous until Lord Henry goes on to clarify that, “every impulse that we strive to strangle broods in the mind, and poisons us…the only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing” (199). Lord Henry’s advice entices the malleable Dorian, who does not seem to realize that Lord Henry may advocate giving in to every impulse, even the destructive ones, but he does not follow this advice himself. As Basil Hallward informs Lord Henry, “you never say a moral thing, and you never do a wrong thing. Your cynicism is simply a pose” (188). Dorian, however, takes Lord Henry’s advice concerning new hedonism at face value and the results are disastrous.
Dorian Gray's life is dictated by his physical appeal. His beauty lies within his youth. Dorian's perception of beauty allows him to love. He is convinced that his beauty allows him to accomplish anything he desires regardless of the consequences and still be loved by his friends. He uses his beauty to mitigate his evil actions. Dorian says, “I don't wish to know anything about them. I love scandals about other people, but scandals about myself don't interest me. They have not got the charm of novelty.” Youth and beauty are the most precious things to Dorian. In his life, beauty is of utmost importance. Then he sees the picture of himself, painted by Basil, absorb his sins and this changed his view. “I hope it is not about myself. I am tired of myself tonight. I should like to be somebody else,” Dorian said. He aspired to have had a good life rather than one filled with artificial meaning and beauty. The moral beauty of Doran lies within the portrait of himself. The portrait imitated his life. He finally realized that beauty cannot help him escape his evil actions. He deeply lamemted his wish that the portrait bore the burden of his age an...
In the novel The Picture of Dorian Gray, Oscar Wilde compiles a deadly combination of narcissistic and vain qualities into the title character, Dorian Gray. In a similar manner, John William Waterhouse depicts the aptly-named Narcissus as obsessed with his reflection in his painting Echo and Narcissus. These two characters may come from different places and different eras, but their mental and emotional similarities are striking. Captivated with the idea of being young forever, Dorian Gray falls in love with himself, leaving the woman who loves him behind just as Narcissus did to Echo.
Dorian Gray starts off as a young, beautiful man who is loved by many. Because of this, he is all that Basil Hallward, a painter, and Lord Henry Wotton, a nobleman, ever think about. However, they have different ideas on what they want Dorian to become. Their conflicting influences become one of the main conflicts of the book, and this is noticed by Basil. He says, “Don’t spoil him. Don’t try to influence him. Your influence would be bad.” Basil influences Dorian’s choices and actions the most at the beginning of the novel. This is evidenced when Basil says, “He is all my art to me now.” Basil wants Dorian to devote himself to love and selflessness in order to live a happy life. Dorian follows this advice and falls in love with Sibyl Vane, and she becomes another conflict for the novel. He is willing to sacrifice anything for Sibyl, which pleases
Careful examination of Dorian’s initial susceptibility to influence, willingness to commit sin, and interactions with other characters prove Lord Henry plays the biggest role in transforming Dorian from pure to vicious. With his cunning theories and brainwashing comments, Dorian cannot muster the strength to resist Lord Henry’s dominating nature, showing there are no limitations in relationships when it comes to influence. The topic of which character primarily influences Dorian to turn to a dishonest lifestyle is undeniably significant in understanding the purpose of the characters as well as the deeper meaning of the text.