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Allegory and symbolism in nathaniel hawthornes young goodman brown
Analysis of Young Goodman Brown by Nathaniel Hawthorne
Analysis of Young Goodman Brown by Nathaniel Hawthorne
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Young Goodman Brown Looses Faith in The Woods
In the story "Young Goodman Brown," written by Nathaniel Hawthorne, the author introduces evil images to tempt and delude Young Goodman Brown as he made his way through the woods. Goodman Brown, by the end of his journey, understands there is an evil side to human nature and believes that man is doomed by "original sin."
The main character, Goodman Brown is introduced as a well-mannered man who is happily married to Faith. Initially, the language such as "sunset" and "pink ribbons" symbolizes light and a positive environment in Salem Village, where the story takes place. Then, as Goodman Brown journeys through the woods, changes in the environment make him change the way in which he sees the world and people around him.
From the time he decides to go to the woods at night, this peaceful panorama presented in his hometown changes. Evil images like "devil, lonely thick boughs, "1 add an obscure and negative side to the story.
He had taken a dreary road, darkened by all the gloomiest trees of the
forest, which barely stood aside to let the narrow path creep through and
closed immediately behind (p. 62).
This example reflects the change in environment for Goodman Brown after he left the positive world of the village. He felt he was passing through an unseen multitude since he could not know if there was someone concealed by the trees. This situation makes him question: "What if the devil himself should be at my very elbow" (p. 62). Goodman Brown, who wasn't aware of the existence of an evil side to the world, is being introduced to it through the natural objects in the woods, which provided a warning sign of the evil to come.
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...ream" (p. 70). Now the natural world and even his wife and fellow Puritans reveal a concept of evil to him. This makes him lose his faith in his religion and his own people. "My faith is gone! ... There is no god on earth; and sin is but a name. Come devil; for to thee is this world given" (p. 67). Whenever the minister talked about the sacred truths of religion, with the bible in his hands: "...then did Goodman Brown turn pale, dreading lest the roof should thunder down upon the gray blasphemer and his hearers" (p.70). His new attitude towards life in the village is a measure of his acceptance of the idea that man is doomed by "original sin."
Work Cited
Nathaniel Hawthorne, "Young Goodman Brown," in Literature: Reading and Writing the Human Experience, eds. Richard Abcarian, Marvin Klotz, Peter Richardson, 7th ed. (New York: St. Martin's Press, 1998), p.62.
Fanny, the narrator's wife, reminds the narrator of what he used to be. More specifically, when he sees and talks to Fanny, the narrator remembers his daughter and the life he had. This would explain why he is so distant when speaking to his wife, when he does speak to her at all, that is. The narrator even fell asleep when he took Fanny out to the movies. In the narrator's words: "I fell asleep, and I'm afraid I snored" (Busch 869).
Hawthorne, Nathaniel. "Young Goodman Brown." Literature Craft & Voice. 2nd ed. New York: McGraw-Hill, 2010. 449-55. Print.
William Faulkner's "Barn Burning" provides an excellent example of how conflicting loyalties can affect decisions. In Faulkner's story, the main character, Sarty, faces such a dilemma. On one hand, Sarty has the morals that society has instilled in him in spite of his father. One the other hand, Sarty has the loyalty to his father because of the blood ties shared between them and the fact that his father raised and provided for him. Ultimately, it is these conflicting ideas that will lead to Sarty's final decision.
The names of the characters Young Goodman Brown and his wife Faith are both symbolic. “Young" infers the title character is naive and new at life. Brown’s youth suggests that he is an uncorrupted and innocent young man. Moreover, "Goodman" suggests his self-righteousness thinking he is a good man. Furthermore, "Brown" indicates he is a commoner. Thus, the full name implies he is the average naive and self-righteous Puritan. Faith’s name in the story represents his need to cling to faith. She symbolizes everything that is good and Christian to Goodman Brown. Brown’s marriage to Faith is symbolic of how he clings to faith in good in the world.
During Goodman Brown’s journey, he recognized Goody Cloyse, his catechism teacher, the preacher, and Deacon Gookin is going to the devil’s meeting. However, after seeing his church members at the devil’s meeting, Goodman says, “My Faith is gone! and There is no good on earth; and sin is but a name. Come devil! for to thee is this world given” (Hawthorne 27). “But, where is Faith?”, asked Goodman Brown (Hawthorne 29). As hope came into his heart, he trembled when he found the pink ribbon of his wife, Faith, in the forest. At that moment, Goodman Brown lost his faith in his family and church members. Goodman becomes unforgiving of others and believes only evil can be created from evil and there is nothing that anyone can do to change it. Here, Hawthorne demonstrates that a naive faith in our family, friends, and church member’s righteousness could lead to distrust. While, “Young Goodman Brown” lives a long life with Faith, he never loses his meanness toward humanity and the evil in the world, “for his dying hour was gloom” (Hawthorne
Hawthorne, Nathaniel. "Young Goodman Brown." Norton Anthology of American Literature. Vol1. Ed. Nina Baym, et al. New York: Norton, 1994. 1198-1207.
The confusion which the dark woods create for Goodman Brown symbolizes the blindness Goodman Brown has to the Puritan town’s corruption and evil. The beginning of his journey the readers acknowledge that Goodman Brown, “had taken a dreary road, darkened by all the gloomiest of trees of the forest” (Hawthorne 261). The willingness which Goodman Brown has to take a dark and gloomy road symbolizes the willingness for Goodman Brown to stay blind to all that is going on throughout the town. The woods themselves being darkened and gloomy suggests the secrets that are hidden and if found could lead to great sadness. Since Goodman Brown is blind to the evil rituals that occur in the woods and his willingness to go into the woods, his actions suggest that Goodman Brown is living in a false sense of security. While walking through this dark and gloomy road, Goodman Brown and the traveler come across Goody Cloyse. During this instance the traveler’s walking stick becomes full of life and Goody Cloyse disappears soon after (Hawthorne 264). This situation with the walking stick in the woods shows the reader that the woods hold the truth and Goodman Brown’s obscurity of the truth. Continuing on his journey, Goodman Brown finally comes to the clearing. In that moment Goodman Brown, “Stepped forth from the shadow of the trees” (Hawthorne 269). As Goodman Brown does this he is awakened to the complete truth of the town. He sees the congregation, the supposedly holy people, his wife who was pure and innocent, and the ritual. Goodman Brown has emerged from his comforting darkness and out into the clarity that would separate the truth and the façade that the townspeople had made for the town. The moment in which he steps out, however, is when the Deacon asks for the new converts to come out (Hawthorne 269). This signifies a natural attraction to the area
...dman Brown cries out “My Faith is gone! There is no good on earth and sin is but a name. Come devil! For to thee is this world given”(cite). This where he begins to believe there is only sin in the world and his faith in humanity is completely destroyed. He still vows to stand firm against the devil, however he has doubts that heaven exists at all. With his loss of humanity he can no longer look at his fellow neighbors, which he had once held with high esteem, he now views as sinful and hypocritical. The faith that did shine in his heart the darkness of the world has tainted the idea that life is good and pure. Goodman Brown is completely consumed by his doubts and he is a distrustful and unable to have any sympathy or love to others. He never recovers his faith and even after death his family had nothing to say good about him, “for his dying hour was gloom”(cite).
Hawthorne, Nathaniel. "Young Goodman Brown." 1835. The Heath Anthology of American Literature. Ed. Paul Lauter et al. 2nd ed. Vol. 1. Lexington: Heath, 1944. 2129-38.
At the beginning of his journey, Goodman Brown’s will and pride were both embedded in the belief that he was a pious man. Goodman’s pride in piety evidently fails him, as he discovers that his faith was based on the principles of individuals who had sworn allegiance to the devil. This deplorable truth destroyed his conviction, and in this sense the devil prevailed against Goodman Brown.
Keynes, Sir Geoffrey. Introduction to William Blake's Songs of Innocence and of Experience. Shewing the Two Contrary States of the Human Soul. Ed. Geoffrey Keynes. Oxford: Oxford University Press, 1967.
Blake's poems of innocence and experience are a reflection of Heaven and Hell. The innocence in Blake's earlier poems represents the people who will get into Heaven. They do not feel the emotions of anger and jealousy Satan wants humans to feel to lure them to Hell. The poems of experience reflect those feelings. This is illustrated by comparing and contrasting A Divine Image to a portion of The Divine Image.
William Blake’s Songs of Innocence and Songs of Experience are collections of poems that utilize the imagery, instruction, and lives of children to make a larger social commentary. The use of child-centered themes in the two books allowed Blake to make a crucial commentary on his political and moral surroundings with deceptively simplistic and readable poetry. Utilizing these themes Blake criticized the church, attacking the hypocritical clergy and pointing out the ironies and cruelties found within the doctrines of organized religion. He wrote about the horrific working conditions of children as a means to magnify the inequality between the poor working class and the well to do aristocracy.
The Song of Innocence and Experience is a collection of poems written by William Blake. “Innocence” and “Experience” are two definitions of consciousness that rethink John Milton’s existential-mythic states of “Paradise” and the “Fall”, this coincides with the romantic notion that adolescence is a state of protected innocence instead of original sin and yet is still not immune to the fallen world and its institutions.
In 1789, English poet William Blake first produced his famous poetry collection Songs of Innocence which “combines two distinct yet intimately related sequences of poems” (“Author’s Work” 1222). Throughout the years, Blake added more poems to his prominent Songs of Innocence until 1794, when he renamed it Songs of Innocence and Experience. The additional poems, called Songs of Experience, often have a direct counterpart in Blake’s original Songs of Innocence, producing pairs such as “The Lamb” and “The Tyger.” In Songs of Innocence and Experience, Blake uses musical devices, structure, and symbolism to develop the theme that experience brings both an awareness of potential evil and a tendency that allows it to become dominant over childhood