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The yellow wallpaper symbolism
The yellow wallpaper symbolism
The yellow wallpaper symbolism
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In “The yellow Wallpaper”, author, Charlotte Gilman writes a tale about a woman who suffers from a mental illness. She was never given a name throughout the whole story; therefore, we will call her John’s wife because that is all we seem to know. John, who was a physician, has wrongly diagnosed his wife. He brought her to this beautiful mansion in hopes to recover her illness. But here we find out the mansion only causes her illness to deteriorate. One most revealing quote that sets the feeling of the house off is shown here: “A colonial mansion, a hereditary estate, I would say a haunted house and reach the height of romantic felicity” (238). Immediately after they pulled up, john’s wife could sense something was not right with this house. “Else, why should it be let so cheaply? And …show more content…
why have stood so long untenanted?” (238). Again, we see her noticing something is not right with this house. The reader can infer that somebody might have died in the house and did not leave a will. “There were greenhouses, but they are all broken now” (239). Here, it is confirmed that something did happen in this house. Those greenhouses did not break on their own; somebody had to have broken them. This gets the reader thinking what could have possibly happened in this house.
An important theme throughout this story is the importance of self-expression. John’s wife is forced to hide her anxieties and fears in order to portray that her illness is improving. “But John says if I feel so I shall neglect proper self-control; so I take pains to control myself – before him, at least, and that makes me very tired” (239). Taking in the fact that her husband is a physician, the physician’s wife should not have mental problems or cry. Finally, Gilman uses the yellow wallpaper as a symbol. John’s wife describes it: “The color is repellent, almost revolting: a smoldering unclean yellow, strangely faded by the slow turning sunlight. It is a dull yet lurid orange in some places, a sickly Sulphur tint in others” (240). Gilman uses the wallpaper to symbolize the great amount of women out there who feel trapped by medicine and family. At the end of the story, Gilman describes how John’s wife started to rip the paper off the wall. She locked herself in the room and threw the key so nobody could get in there. Once John retrieved the key, he unlocked the door to find his wife tearing apart the
room. What he saw led to his fainting, and his wife continued creeping; even over his unconscious body.
In “The Yellow Wallpaper,” Gilman recounts, by means of Jane’s journal, the story of Jane and her husband John, following the birth of their baby. Like Gilman, Jane suffers from post-partum depression, and, her husband, who is a physician, locks her in the nursery on the top floor of their summer home. After the first few weeks of her summer in isolation, Jane hides her journal, which contains her true thoughts, so that John will be unaware of...
"There comes John, and I must put this away- he hates to have me write a word" (p659). As evident by the above quote, Gilman places the narrator of "The Yellow Wallpaper" as secluded as she could be; she is placed in a large house, surrounded only by her husband and by little help (Jennie), when it is unfortunately clear that her relationship with her husband is based on distance and misunderstanding: "It is so hard to talk with John about my case, because he is so wise, and because he loves me so"(p 663). Gilman further confines her narrator as it becomes clear that the poor soul has absolutely no one to talk to; that is, no one who can understand her. The narrator is cornered by her loved ones, she is isolated from the world under her husband-doctor orders, she is thus physically confined to her shaky mental realm.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
In Charlotte Perkins Gilman’s short story The Yellow Wallpaper, the main character is a symbol for all repressed women of her time. Throughout the entire story, her name is never mentioned, alluding to the fact that the women of her era simply lacked their own personal identity. Her husband treated her as a frail and incapable being. He laughed at her fears, and disregarded her concerns as frivolous worries. She recognized this as nothing beyond the normality, and accepts it because that is what her society deems standard. When commenting that there must be something queer about a house so large and beautiful, yet rented to them at such a reasonable price, she continued “John laughs at me, of course, but one expects that in a marriage” (1). John continually tells her that her illness is psychological, and encourages her to try and get more fresh air, for her own efforts will be the best for a quicker recovery. However, on the one occasion she asks him for permission to visit her Cousin Henry and Julia, he denies her so, leaving her in tears and telling her she could not handle such a trip.
"The Yellow Wallpaper" by Charlotte Perkins Gilman, is a story told from the first person point of view of a doctor's wife who has nervous condition. The first person standpoint gives the reader access only to the woman’s thoughts, and thus, is limited. The limited viewpoint of this story helps the reader to experience a feeling of isolation, just as the wife feels throughout the story. The point of view is also limited in that the story takes places in the present, and as a result the wife has no benefit of hindsight, and is never able to actually see that the men in her life are part of the reason she never gets well. This paper will discuss how Gilman’s choice of point of view helps communicate the central theme of the story- that women of the time were viewed as being subordinate to men. Also, the paper will discuss how ignoring oneself and one’s desires is self-destructive, as seen throughout the story as the woman’s condition worsens while she is in isolation, in the room with the yellow wallpaper, and her at the same time as her thoughts are being oppressed by her husband and brother.
The house is described as, “The most beautiful place! It is quite alone, standing well back from the road, quite three miles from the village. It makes me think of English places that you read about, for there are hedges and walls and gates that lock, and lots of separate little houses for the gardeners and people” (251). However, Jane’s delusion is just that, a delusion encrypted by her mind to have her think she is living in quiet luxury. She goes on to talk about how the bed is nailed down to the floor, the walls are covered in scratches, the windows are barred, and there are rings in the walls. Obviously, Jane, despite being told by her husband that she is fine, is slowly beginning to lose sight of reality. The reader should know at this point that this “mansion” is nothing short of an insane asylum John has taken Jane to so she can rest and calm her troubles. But Jane and John’s troubles are only beginning when she is forced to sit in solitude with the awful yellow
In “The Yellow Wallpaper,” Gilman tells the story of married white upper-class women who is striving to overcome her nervous depression with the aide of her domineering husband, John. To display her discomfort, Gilman relays, “If
These thoughts always seem to be optimistic and minimizing of her symptoms. This reflects the standard view of mental illness in the 19th century, which assumed the condition, was just a temporary state of over expressed emotions within a woman. (Gilman. 956) Gilman herself however, used imagery and symbolism to express her ideas concerning her mental illness and the patriarchal ideals that surrounded them. The yellow wallpaper in the story symbolized Gilman’s state of mind. At first, like her depression, the wallpaper was simply an eye sore. It was not disabling to the room however, made it not as appealing as before. As the story progresses, Gilman forms an obsession with the wallpaper. This represents the declining of her mental state and the obsession she developed with her life conditions. We can see the mental illness is now fixated in her like she is fixated on the wallpaper. The wallpaper’s distracting features controlled her mind like her husband controlled her. She was mostly alone when staring vastly into the wallpaper. She begins to see humanly images in the paper. This becomes her sense of social stimulation that her husband forbids her to have. She becomes disgusted with the wallpaper as she is likely disgusted at her disease for disabling her and her husband for limiting her freedom. The humanly image soon develops into “a woman
Evidence of Gilman's life experiences can be seen all throughout the story. The main character in the story, a slightly neurotic woman, is married to a prominent physician. This husband refuses to believe anything is wrong with his wife's health simply because her physical health is intact. Thus, he prescribes for his wife nothing more than relaxation and cessation of her writings. This character clearly correlates to the doctor who "treated" Gilman for her nervous breakdown. The description of the room and the wallpaper is clearly crucial to the story as a whole. The room itself is described as large and airy, with windows facing towards a "delicious garden." The wallpaper does not fit the room at all. It is a repulsive, pale yellow color. The description of the wallpaper seems to function metaphorically. The wallpaper becomes much more detailed and much more of a fixture in the main characters life as the story progresses. The wallpaper essentially takes on a life of its own. This progression seems to represent mental illness itself. As mental illness progresses, it becomes much more whole and enveloping. Gilman attempts to represent the depth of mental illness through the wallpaper. For example, the woman in the story comes to the conclusion that there is a woman in the wallpaper behind the pattern.
“The Yellow Wallpaper” written by Charlotte Perkins Gilman, depicts a woman (herself) that is somewhat trapped within a room covered with yellow wall paper or trapped within the times? Is she trapped by the wall paper that symbolizes her illness or by her husband? Gilman was the protagonist of this story. She tells the story as she relates it to her own life dealing with depression and a marriage that proved to be prison within itself. Is the yellow wall paper contributing to her illness or is this something her husband uses to control her? “John is a physician and perhaps that is one of the reasons that I do not get well faster. But John, her husband who is a physician doesn’t feel that she is sick “ if a physician of high standings and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression-a slight hysterical tendency- what is one to do?” (pg. 648) You see he does not think I am sick.” John uses the fact that he is a physician to convince his wife that she
Gilman creates a horrific tone that helps explore the idea of freedom and confinement within a certain place. The story is created to follow the situation of the narrator and how slowly she begins to deteriorate psychologically due to the wallpaper. The narrator is never assigned a name, therefore it can be assumed that the story is suppose to serve as a voice for the women who have been in a similar situation and have lost their freedom and say on their own lives. However, the narrator appears to come from a wealthy family with privilege so there cannot be this idea that all women who have been through this form of depression and inequalities have experienced it in the same form. Through the use of imagery, the reader was able to understand and clearly visualize the situation in which the narrator is in and see how she has begun to slowly deteriorate, even though she is finally freed in the end of the story, or at least that is what is assumed. “The Yellow Wallpaper” is indeed a very profound image of what it was like to be a female during the 19th century while emphasizing the themes of freedom and confinement. Even though it illustrates the impact that confinement can have on a person, it restricts the situation to fit only women who had similar social backgrounds as the narrator, which is
The yellow wallpaper itself is one of the largest symbols in the story. It can be interpreted to symbolize many things about the narrator. The wallpaper symbolizes the mental block mean attempted to place on women during the 1800s. The color yellow is often associated with sickness or weakness, and the narrator’s mysterious illness is an example of the male oppression on the narrator. The wallpaper in fact makes the narrator more “sick” as the story progresses. The yellow wallpaper, of which the writer declares, “I never saw a worse paper in my life,” is a symbol of the mental screen that men attempted to enforce upon women. Gilman writes, “The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing” this is a symbolic metaphor for restrictions placed on women. The author is saying subliminally that the denial of equality for women by men is a “hideous” act, and that when men do seem to grant women some measure of that equality, it is often “unreliable.” The use of the words “infuriating” and “torturing” are also descriptions of the feelings of women in 19th century society.
The short story titled, “The Yellow Wallpaper” is given its name for no other reason than the disturbing yellow wallpaper that the narrator comes to hate so much; it also plays as a significant symbol in the story. The wallpaper itself can represent many various ideas and circumstances, and among them, the sense of feeling trapped, the impulse of creativity gone awry, and what was supposed to be a simple distraction transfigures into an unhealthy obsession. By examining the continuous references to the yellow wallpaper itself, one can begin to notice how their frequency develops the plot throughout the course of the story. As well as giving the reader an understanding as to why the wallpaper is a more adequate and appropriate symbol to represent the lady’s confinement and the deterioration of her mental and emotional health. In Charlotte Perkins Gilman’s “The Yellow Wallpaper”, the color of the wallpaper symbolizes the internal and external conflicts of the narrator that reflect the expectations and treatment of the narrator, as well as represent the sense of being controlled in addition to the feeling of being trapped.
Upon moving in to her home she is captivated, enthralled with the luscious garden, stunning greenhouse and well crafted colonial estate. This was a place she fantasized about, qualifying it as a home in which she seemed comfortable and free. These thoughts don’t last for long, however, when she is prescribed bed rest. She begins to think that the wallpaper, or someone in the wallpaper is watching her making her feel crazy. She finally abandons her positivity towards what now can be considered her husband’s home, and only labels negative features of the home. For example, the narrator rants about the wallpaper being, “the strangest yellow…wallpaper! It makes me think of… foul, bad yellow things” (Gilman). One can only imagine the mental torture that the narrator is experiencing, staring at the lifeless, repulsive yellow hue of ripping
The narrator reduces to act like a petulant child, who is unable to stand up for herself without seeming disobedient or unreasonable. The narrator cannot speak out against her physician, husband, John, because he is extremely practical and of high standing. She states: “What is one to do?” (Gilman p.2), which highlights that woman during that era must give unquestioningly to male authority. This is the reason that the narrator’s health deteriorates. She retreats into her obsessive fantasy about the yellow wallpaper in her room, the only place she can keep some power and control and exercise the power of her mind. Her condition is gradually worsening and not becoming better because she is imagining that something is behind the wallpaper, a formless figure at first, which she later defines as a trapped woman. Her husband, however, believes that she will recover and get well soon if she abides by his scheduled prescription and routine and not listening to her own ‘fancies”. His oblivious behavior towards her shows that he disguises his way of helping her, which is a form of