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Relationship analysis
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Wuthering Heights by Emily Bronte and Maurice by E.M. Forster
An interesting plot isn’t always enough to make a novel a good piece
of literature. It’s the believability of the characters that ensnares
the reader into the world that the author has created. As characters
develop, so do their interactions with one another. In Wuthering
Heights by Emily Bronte and Maurice by E.M. Forster, each novel’s main
characters have relationships which shape the story with their
uniquely definable characteristics. The relationships between
Catherine and Heathcliff, as well as Maurice and Alec both say
different things about the fundamental nature of a relationship, the
validity of union between different classes, and the idea that “love
conquers all.”
Whether we consider the relationship between Catherine and Heathcliff
in Wuthering Heights to be successful is not the focus of this
discussion, instead it is the nature of their relationship. Ever
since childhood the two were best of friends and shared a very close
bond. Illustrating this, in Chapter 9 Catherine says, “It would
degrade me to marry Heathcliff, now; so he shall never know how I love
him…because he’s more myself than I am. Whatever our souls are made
of, his and mine are the same, and Linton’s is as different as a
moonbeam from lightning, or frost from fire.” (page 80) The
relationship between Edgar and Catherine is not one based on “true
love”, unlike her relationship with Heathcliff. The definition of
“true love” is something which could spawn its own thesis, but in this
example we can take it to mean that Catherine’s relationship with
Heathcliff contains a more real and c...
... middle of paper ...
...ire; even with no seemingly logical reason for
Alec and Maurice to come together, they do anyway. Forster’s want for
this ending is almost too apparent as it makes the ending to Maurice
seem rushed, unrealistic, and leaves the development of their
relationship left to be desired.
Without exception, characters and their interactions are what make the
story. Not only do these interactions drive plot, but the way these
relationships are constructed govern so much more. In Bronte’s
Wuthering Heights and Forster’s Maurice, the main couples are used by
the author to comment on relationship fundamentals, the effect of
class differences on couples, and the classic idea that “love conquers
all.” One would be hard-pressed to find two couples that differed in
more ways than Catherine and Heathcliff do from Maurice and Alec.
“Your task is not to seek for love, but merely to seek to find all the barriers within yourself that you have built against it.”
Heathcliff's love for Catherine transcends the normal physical "true love" into spiritual love. He can withstand anything against him to be with her. After Hindley became the master of Wuthering Heights, he flogged Heathcliff like a slave. Although Heathcliff could have simply run away, his decision to endure the physical pains shows his unrelenting devotion to Catherine. Fortunately, Catherine feels as deeply for Heathcliff as he does for her, explaining to Nelly that "Whatever our souls are made of, his and mine are the same…" Their love for each other is so passionate that they can not possibly live apart. At Catherine's death, Heathcliff hopes that she will not rest, but will haunt him until he dies. This absurdity contradicts the traditional norm that one should pray that the dead rest in peace. Near the end of the novel, we learn that Catherine has haunted Heathcliff, allowing him only fleeting glances of her. This shows that despite their physical separation, nothing can part them spiritually. When Heathcliff dies and unites with Catherine once again, the neighbors see them haunt the moors. We finally see the power of their love; Not only does this love transcend physical barriers, it transcends time as well...
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
Catherine is trapped between her love of Heathcliff and her love for Edgar, setting the two men down a path of destruction, a whirlwind of anger and resentment that Catherine gets caught in the middle of. Catherine is drawn to Heathcliff because of his fiery personality, their raw attraction and one certainly gets the sense that they are drawn together on a deeper level, that perhaps they are soulmates. C. Day Lewis thought so, when he declared that Heathcliff and Catherine "represent the essential isolation of the soul...two halves of a single soul–forever sundered and struggling to unite." This certainly seems to be backed up in the novel when Catherine exclaims “Nelly, I am Heathcliff! He's always, always in my mind--not as a pleasure, any more than I am always a pleasure to myself, but as my own being...” This shows clearly the struggle Catherine feels as she is drawn spiritually to Heathcliff, but also to Edgar for very different reasons. Edgar attracts Catherine predominantly because he is of the right social class. Catherine finds him "handsome, and pleasant to be with," but her feelings for him seem petty when compared to the ones she harbours...
His assertion focuses on how their relationship is a displaced version of symbiotic relationship between mother and child. Emotionally, Heathcliff is the world to Catherine just as a mother is to a child and a child to a mother. (p. 366). This statement is supported by a passage in the novel in which Heathcliff has left and she seeks him calling for him at intervals and crying hard enough to beat out any child (p. 88-90). Upon Heathcliff’s return, Brontë uses language that Wion believes depicts the cessation of their relationship’s development in the Freud’s oral stage of libidinal development (p. 368). Brontë uses phrases such as “drank from hers” when discussing them gazing at each other and “They were too much absorbed in their mutual enjoyment…” (p. 99, 368). The use of this language is interesting and begs us to question if its use was intentional to display the basicness and necessity of their relationship as if to say that they could just as easily not be together as they could stop consuming sustenance. The novel demonstrates many times that the relationship between Catherine and Heathcliff is fundamental to their existence. A major piece of evidence supporting this is Catherine’s breakdown when Heathcliff leaves as well as when Heathcliff and Edgar’s disagreement reaches a point where Edgar forces Catherine to decide between himself and
In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a destructive force, motivating him to enact revenge and wreak misery. The power of Heathcliff’s destructive love is conquered by the influence of another kind of love.
(4) Wuthering Heights’s mood is melancholy and tumultuous. As a result, the book gives off a feeling of sorrow and chaos. For example, Catherine’s marriage with Edgar Linton made Heathcliff jealous and angry. In retaliation, Heathcliff married Edgar’s sister, Isabella, to provoke Catherine and Edgar. Heathcliff and Isabella’s marriage ignited a chaotic uproar with Edgar and Catherine because Linton disapproved of Heathcliff’s character, and Catherine loved Heathcliff in spite of being married to Edgar. Inside, Catherine wanted to selfishly keep Heathcliff to herself. Their relationships all had tragic endings because Catherine died giving birth to Edgar’s child. Isabella also died, leaving behind her young son. Heathcliff and Edgar resented each other because of misery they experienced together. The transition of the mood in the story is from chaotic to somber.
which is not true love; it is merely attraction. She furthers this by declaring that she does not want to be a "beggar", which she believes. would be the outcome of marrying Heathcliff. I also believe that Catherine is trying to convince herself of her love for the Edgar family. This was shown earlier by her asking Nelly for reassurance, but it is shown further when Nelly asks her why she loves Edgar: I am a "I love the ground under his feet, and the air over his head, and everything he touches, and every word he says - I love all his looks.
In the novel Wuthering Heights, a story about love that has turned into obsession, Emily Bronte manipulates the desolate setting and dynamic characters to examine the self-destructive pain of compulsion. Emily Bronte’s Wuthering Heights is a novel about lives that are intertwined with one another. All the characters in this novel are commingled in their relationships with Wuthering Heights and Thrushcross Grange.
There are many differences between Pride and Prejudice, and Wuthering Heights. One of the main differences is the women in the stories and how they act. The two women that are surrounded by the two stories and all the problems throughout are Elizabeth Bennet, and Catherine Earnshaw. These two women share major roles in all the conflicts in their respective stories. These two women are also vastly different sharing very few similarities.
From the time they were young children, Heathcliff and Catherine formed an almost otherworldly bond. No one else around them could understand such an attraction; even they had trouble comprehending it themselves. Heathcliff was a dark, tortured soul, a mysterious stranger thrust into the lives of the Earnshaws. Catherine was selfish and naïve, aware only of her own emotions and apathetic of how her actions affected others. Through their vast differences both in temperament and in social status, Heathcliff and Catherine grew closer than they could have imagined. Emily Bronte’s Wuthering Heights is by no means a love story, but a tale of twisted, murderous, obsessive love.
During the first half of the book, Catherine showed different types of love for two different people. Her love for Heathcliff was her everything, it was her identity to love and live for Heathcliff but as soon as she found out how society views Heathcliff, she sacrificed their love and married Edgar Linton in the hopes of saving Heathcliff from Hindley and protecting him from the eyes of society. In her conversation with Nelly, Cathy who professed her love for Heathcliff quoted “My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself.” Catherine proved Nelly Dean that the only person who can make her feel pain and sorrow is Heathcliff. The extent of her love was uncovered when she sang her praise of “I am Heathcliff” because this was the turning point in the book that allowed the readers to truly understand and see the depth of Cathy's love for Heathcliff. On the other hand, Catherine's love for Edgar wasn't natural because it was a love that she taught herself to feel. It might have come unknowingly to Cathy but she did love Edgar as she said “My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees.” Cathy knew that it was not impossible to love Edgar for he was a sweet and kind gentleman who showed her the world but unlike ...
Much meaning that was not overtly written into Emily Bronte's Wuthering Heights can be discovered by using Freudian interpretation. This meaning was not consciously intended by Bronte, but can be very interesting and helpful in finding significance in the book. Freud used dream analysis, symbolism, and psychoanalytical techniques to find meaning that was not apparent in his patients the other subjects of his analysis.
The world of Middlemarch is socially complex with the way its characters interact with and treat each other. With its macabre and upsetting tone, Eliot uses unconventional characters, such as Dorothea and Edward, and Tertius and Rosamond, to reveal the cruel realities of marriage, and the true hardships people face in a society filled with idealistic visions. This major theme of marriage failure is inter-weaved throughout the novel, and is a result of people refusing to see their spouse’s imperfections or faults. The bonds between these characters fail because the mistakes made are only realised until after marriage, and the tragic reality destroys their once ideal visions of their partners and themselves. This relates back to the statement that an individual’s inner ideal version of themselves will never overpower who they really are as a person, and the harsh realities they have to face determine who that person is. When they see and learn the...