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Important of teaching grammar
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I started the semester not knowing how I would adjust going from a high school writing class to a college level writing class. I felt my writing was above average, but writing was never one of my strong suits. I had no way of knowing if my writing competency could hold up to college academic standards. I took expository writing with Professor James Brady. Over the course of the semester, multiple learning objectives were learned through my essays. These learning objectives were subject matter knowledge, writing process knowledge, rhetorical knowledge, genre knowledge, and meta-cognition. The first essay written in the class was based on the premise of an instance where we fell in love with reading or writing. This essay involved learning and using knowledge of writing process, rhetorical, genre, and overall subject matter. This use of writing process knowledge was prevalent in this …show more content…
This essay included analysis from professionals in the English field. This addition, within the paper, taught me about discourse community. Discourse community involves the ideas and texts of others. The requirement of professional’s opinion into the essay allowed me to gain the insight into the ideas that others had about Hemingway’s work. Without the opinions of others in the writing community, it would be challenging to analyze any piece of work. Their opinions help shape my interpretation of the short story and allowed me to dive deeper into the underlining narrative of Hemingway’s story. The third paper was also a time for me to gain more knowledge about the subject matter. The overall knowledge of writing any piece of work. Understanding the subject matter knowledge was essential to ensuring my third paper not only included the requirements for the paper, but also the smaller aspects that turn an ordinary paper into a more sophisticated and superior
Hemingway presents takes the several literary styles to present this short story. Hemingway’s use of Foreshadowing, Pathos, Imagery and Personification allows the reader to enter the true context of the frustration and struggle that the couples face. Although written in the 1920’s it the presents a modern day conflict of communication that millions of couples face. At first glance the beautiful landscape of the Barcelonian hillside in which Jig refers to frequently throughout the text appears to have taken the form of White Elephants. The Americans’ response to Jigs’ observation was less than enthusiastic as he provides a brief comment and continues on with his cerveza. This was but the first of the many verbal jousts to come between Jig and the American. The metaphorical inferences in those verbal confrontations slowly uncover the couple’s dilemma and why they may be on the waiting for the train to Madrid.
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
Ernest Hemingway's short story "Hills Like White Elephants" touches on an issue as ageless as time: communication problems in a relationship. He tells his story through conversations between the two main characters, the American and the girl. Conflict is created through dialogue as these characters face what most readers believe to be the obstacle of an unexpected pregnancy. Their plight is further complicated by their inability to convey their differing opinions to each other. Symbolism and the title's meaning are other effective means of communicating conflict.
In life we have to make compromises but that doesn’t mean that we have to compromise our thoughts, beliefs, or aspirations to please another. I think that’s what Hemingway was trying to get through. He wrote a piece that was very subtle but packed a lot of meaning and touches on what people really go through in life. When you sit here and dissect the story your imagination takes over and really makes you take your personal experiences and tie them into the story. Your personal experiences can ultimately leave you with a story you can understand thoroughly and understand the emotions coming off of the characters.
Growing up in a rich atmosphere of culture, religion, and the sciences, Ernest Hemingway was always surrounded by different perspectives and thoughts of the world around him. There was a restlessness in him that wanted to discover and explore new things. Beginning as early as high school, his inner-writer began to emerge and his stories were often read aloud to the class as examples of what the other students should strive for. These stories are rarely spoken of nowadays, but display his early talent. While the majority of people are mostly familiar with Hemingway’s well-known works in his later years, some of his earliest pieces that he contributed to the world are often forgotten. (Reef 53).
The story, “Hills like White Elephants” by Ernest Hemingway written in 1927 that portrayed a couple consuming alcohol and discussing a concern, while they waited at a train station in Spain for a train coming from Barcelona and heading to Madrid. The story was set up as a controlled conversation with the two characters American man and Jig, in which the American was demanding to encourage Jig to do something that she was doubtful for doing. In the whole story, Hemingway used symbols and metaphors to convey the attitudes and emotions of both characters. I accept as true that the couple is arguing to abort the baby. In the story, they both argue for getting an abortion, the woman is unsure about her decision, eventually she decides to go ahead and keep the baby, even though American man is opposing her.
Throughout the 20th century there were many influential pieces of literature that would not only tell a story or teach a lesson, but also let the reader into the author’s world. Allowing the reader to view both the positives and negatives in an author. Ernest Hemingway was one of these influential authors. Suffering through most of his life due to a disturbingly scarring childhood, he expresses his intense mental and emotional insecurities through subtle metaphors that bluntly show problems with commitment to women and proving his masculinity to others.
Analysis of Hills Like White Elephants by Ernest Hemingway In “Hills Like White Elephants” Ernest Hemingway relies on symbolism to convey the theme of abortion. The symbolic material objects, as well as the strong symbolic characters, aid the reader’s understanding of the underlying theme. The material objects that Hemingway uses to convey the theme are beer, the good and bad hillsides, and a railroad station between two tracks. The beer represents the couple’s, “the American” and “the girl’s”, routine activities they do together.
Swaying trees in the distance, blue skies and birds chirping, all of these are examples of setting. Setting can create the mood and tone of characters in a story. In the story Hills Like White Elephants, the story starts out with our two characters, Jig and the American, also referred to as the man, on a train overlooking mountains. “The girl was looking off at the line of hills. They were white in the sun and the country was brown and dry” (Hemingway). In the case of this short story, the hills provided Jig something to take her mind off of the grueling conversation she was having with the Man. As said by a critic, “the story itself is comprised almost entirely of dialogue. Although there is a situation, there is no plot” (Henningfield). This characteristic makes the story harder to identify. As the couple reached the station they sat down on a bench and continued to talk. “The girl stood up and walked to the end of the station, looking at fields of grain and trees along the banks of the Ebro” (Hemingway). The location of setting plays a big role in how the characters wi...
In the short story by Ernest Hemingway, "Hills Like White Elephants," a couple is delayed at a train station en route to Madrid and is observed in conflict over the girl's impending abortion. In his writing, Hemingway does not offer any commentary through a specific character's point of view, nor, in the storytelling, does he offer his explicit opinions on how to feel or think about the issues that emerge. The narrative seems to be purely objective, somewhat like a newspaper or journal article, and in true Hemingway form the story ends abruptly, without the couple's conflict clearly being resolved. The ambiguity of the ending has been a subject of much debate; however, the impact of what is not said in words can be gleaned through the symbolism of their surroundings. Upon examination of the setting, the couple's final choice becomes instantly apparent.
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
The Iceberg Principle that Hemingway is so fond of, has already given rise to many discussions over the years. Giving away only a tip of it, Hemingway leaves us behind with a great amount of mystery in his stories.
Close interpretation of the story "Hills Like White Elephants" by Ernest Hemingway leads the reader to an issue that has plagued society for decades. Understanding of the human condition is unveiled in the story line, the main setting, and through the character representation. The main characters in the story are an American man and a female named Jig. The conflict about abortions is an issue that still faces society today. Architectural and atmospheric symbolisms are used to set the mood and outline the human condition. The love bond between the man and Jig is strong; however, the more powerful bond between Jig and her unborn child is sacred.
In the short story “Hills Like White Elephants” by Ernest Hemingway, the author employs the use of the iceberg theory to convey a hidden message within the lines of the story for the reader. Through the use of strictly dialogue, Hemingway allows the reader to only see the part of the iceberg that is above water. The rest of the story is inferred by the reader. For example, Hemingway uses simple sentences rather than complex sentences to get straight to the point. All of Hemingway’s use of detail and explanations of scenery or background is made simple.
From the very beginning of the literature people tended to criticize the literary works according to some certain criteria. Some critics claimed that the text itself is important and some other said the author and his style is the thing that should be focused on. Form and content were the other significant elements in the history of the literary criticism. In addition, the social and political influences of the time that the work was written were also considered as important. However the reader who reads the work and his thoughts and his interpretations were not as valuable as the other criteria until late 19th and early 20th century. From then on we come up with a new approach, reader-response. The aim of the present paper is to give some basic tenets of the reader-oriented theories and their application to the work “Hills like white elephants” by Ernest Hemingway.