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Women's portrayal in odyssey
How are the women portrayed in the odyssey
Women's portrayal in odyssey
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Women play an influential role in the Odyssey. Women appear throughout the story, as wives, princesses, goddesses and maids. These women either good or evil makes the story complete. For example, the nymph Calypso enslaves Odysseus for many years. Odysseus wishes to reach home and his wife Penelope. Penelope serves as a role model of craftiness and virtue. All the other women are compared to and contrasted with Penelope. The image of seductresses is a recurring motif in the odyssey. These women are a temptation to Odysseus. They tried to keep Odysseus from accomplishing his goal, which is his homecoming. Circe is a bewitching goddess. She lures Odysseus’ crew into her palace with her seductive voice. However, after she feeds them, she promptly turns them into pigs. The Greek men did not trouble their spouses for sex, cooking or cleaning. Men battled wars, grouped, constructed things, and did legislative issues. At the period of the Trojan war, a couple of women chose the ruler by their marriage, in any case, this practice completed with the destruction of Clytemnestra. Iphiginia turned into a priestess. After the Trojan war this practice lessened, yet even into the established period the prophet at Delphi was a priestess. …show more content…
Every divinity has a domain in which they act and from which they draw their energy. The Greek gods are surprising in that they are liable to a few confinements such as a barrier, kind of a characteristic law, and destiny. Hera, ruler of paradise, goddess of ladies and marriage. Athena is the goddess of shrewdness, astute in the ventures of peace and human expressions of war. Aphrodite is the goddess of love and excellence. In spite of the fact that all gods must submit to the will of Zeus, they are fit for brutal connection, war even, and can twist each other, however they are undying and can't bite the
Some women are known for the deeds of their sons or husbands, but never for a heroic deed of their own, their personalities, and what they do themselves. It seems the only accomplishment women could achieve was being beautiful. Theseus "had no joy of"(195) the princess Ariadne because she died before this was possible. Homer makes it sound as if Ariadne's life was useless because she did not give Theseus pleasure. The only woman we hear of for a different reason is Klymene, and we only hear of her because she "betrayed her lord for gold."(195) This is the only time we hear of a woman for something she did, and once we do, it is a negative remark. Penelope, Odysseus' queen, is paid attention to only because of her position. Because she has a kingdom, she has suitors crowding around her day and night. Being a woman, Penelope has no control over what the suitors do and cannot get rid of them. The suitors want her wealth and her kingdom. They do not respect her enough to stop feeding on Odysseus' wealth; they feel she owes them something because she won't marry one of them. One of the suitors, Antinoos, tells Telemakhos "...but you should know the suitors are not to blame- it is your own incomparably cunning mother."(21) Even Telemakhos doesn't respect his mother as he should. When the song of a minstrel makes her sad and Penelope requests him to stop playing, Telemakhos interrupts and says to her, "Mother, why do you grudge our own dear minstrel joy of song, wherever his thought may lead.
Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).
The women presented throughout The Odyssey provide a respectable representation of women in ancient Greece in general. There are several women introduced in The Odyssey, all of various backgrounds and social classes. The most notable women or type of women in this epic include goddesses, Penelope, and the housemaids and servants.
She is always spoken of respectfully and is remembered for her heroic deeds. She is not degraded like many of the other women Odysseus sees in the underworld. Everyone worships her and speaks about her achievements with great admiration; she is truly admired, but because she is a goddess. Athena has control over men that most women in The Odyssey do not. Women 's lives depend on what men think of them, on the other hand, men 's lives depend on Athena 's opinion of them. Athena is "Zeus ' virgin daughter" and no one has used her in that way. She is too important to be used as being an enjoyment for men; they depend on her for their own welfare. Another woman that plays a big role in this epic is Calypso. Calypso a nymph, a child of Zeus, and lives on an island in the middle of the ocean. One day Odysseus is sent to her by the god of the sea, Poseidon, because Poseidon was mad at Odysseus for blinding his son, the Cyclops. It is on this island that another woman is used as a sexual toy and is not thought of for her own achievements, but rather for her beauty, and the fact that she is the daughter of Zeus. Men in The Odyssey only value women who they can use for physical needs and wealth, such as the women in the underworld that Odysseus encounters, and Penelope. Homer shows us how men in The Odyssey consider women less important than men. The readers rarely hear of women throughout the book. When they do, they are shown
“A woman cannot be herself in the society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view” (Ibsen). This saying also applied to the times of the Odyssey, an epic constructed by the blind, eight century B.C.E. poet, Homer. As one of the few representatives of ancient Greek social order, the blind, Homer witnessed women as substandard to men, regardless of their actions; many of them existed as seductresses, prostitutes, or slaves. He engraved into his poem women’s roles; the roles of women, as mothers, wives, seductresses, and goddesses are exemplified in this epic, when shown in comparison to the men of that era.
Greek women, as depicted in their history and literature, endure many hardships and struggle to establish a meaningful status in their society. In the Odyssey, Penelope’s only role in the epic is to support Odysseus and remain loyal to him. She is at home and struggles to keep her family intact while Odysseus is away trying to return to his native land. The cultural role of women is depicted as being supportive of men and nothing more. Yet what women in ancient Greece did long ago was far more impressive than what men did.
The first major female character introduced in this epic is Penelope. Penelope is the wife of Odysseus, and the mother of Telemachus. She is portrayed as a strong-willed widow, who even after not seeing Odysseus for twenty years, keeps her trust in her husband to return home. The main tool is the rule of law, but even before laws customs could be used” (rwaag.org).
Though not the focus of epic poetry, the female characters of this ancient genre play a central role, as they have a great influence on the male heroes they encounter. In a genre which idealizes manliness and heroism—that is, acts of courage, strength, and cunning— women are set in opposition to these ideals and therefore less respected. At the same time, women who attempt to take on more “masculine” roles are vilified. Here, antagonist is defined as anyone in opposition to the hero’s goals. Female agency—their free will and ability to wield power—is directly related to their role in epic poetry; that is, the more agency a female character has, the more antagonistic of a role she plays. This agency is often enacted through sexuality or supernatural
Greek tragedy incorporates female characters that symbolize women in Ancient Greece. Through the portrayal of Antigone in the playwright, Antigone in Antigone by Sophocles and Penelope in the epic poem, The Odyssey by Homer, these two women play opposing roles depicting how they appear to society through their actions. In both of these stories, they embody the ideals of passionate women who are very loyal and brave. Through other female characters in each story such as Penelope and Ismene, we can construct a better view of traits illustrated by Antigone and Penelope.
The Odyssey exemplifies a society organized and controlled by men where males consistently treated women unequally depriving them of true freedom. Homer’s male characters often saw women as second-hand citizens who had not true voice in society. One example of a women who is oppressed by men in the text is Odysseus’ wife Penelope. Although Penelope is queen of Ithaca her power in the kingdom is limited. Her life is controlled by her son Telemachus and the Achaean suitors who have been taken advantage of the kingdom for several years. At one point in the text Telemachus tells his mother “Words are for men, for all, especially for me; for power within this house rest here” (Homer, 7). This shows how men regarded themselves as the ones with power over society while they...
Indeed, women play an influential role in life. In The Odyssey, women appear as goddesses, wives, and servants who are faithful, wise, and powerful. In Homer 's ballad The Odyssey, Penelope is the faithful and loyal wife of Odysseus. Penelope expresses her courage, compassion, and helpfulness throughout The Odyssey. She has faith and depends on the goddess Athena to grant her wishes.
Penelope is the most important female character in the epic because Odysseus ' homecoming is centered on reconnecting with her. Ten years has past and Odysseus has still not returned from the war and is seemingly dead. Many suitors desire to replace him, by taking Penelope 's hand in marriage and Odysseus ' property. While unsure of Penelope 's attitude towards these suitors, readers are constantly reminded of her faithfulness to Odysseus. Although Odysseus does not know whether Penelope remains faithful to him, he still yearns to come home. “The expectations and limitations of the male and female roles in the Odyssey are accepted and never questioned”. (Whittaker 40) Society expects women in Penelope’s position to remain devoted to their significant other even after all these years and not knowing whether or not he is alive but are more forgiving to men who commit adultery like Odysseus. This situation once again brings up the question of a double standard modeled in The
The Odyssey: Portrayal of Women How does Homer portray women in the epic, The Odyssey? In order to answer this question you must look at woman and goddesses as two separate groups of people who are "people". This is because they are portrayed in two separate ways. You see, a regular woman like Penelope is looked at as beautiful but has.
The women in The Odyssey are a fair representation of women in ancient Greek culture. In his work, Homer brings forth women of different prestige. First there are the goddesses, then Penelope, and lastly the servant girls. Each of the three factions forms an important part of The Odyssey and helps us look into what women were like in ancient Greece.
Women play an influential role in The Odyssey. Women appear throughout the story, as goddesses, wives, princesses, or servants. The nymph Calypso enslaves Odysseus for many years. Odysseus desires to reach home and his wife Penelope. It is the goddess Athena who sets the action of The Odyssey rolling; she also guides and orchestrates everything to Odysseus’ good. Women in The Odyssey are divided into two classes: seductresses and helpmeets. By doing so, Homer demonstrates that women have the power to either hinder of help men. Only one woman is able to successfully combine elements of both classes: Penelope. She serves as a role model of virtue and craftiness. All the other women are compared to and contrasted with Penelope.