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Roles of women in Frankenstein
Frankenstein mary shelley feminism
Depiction of women in Frankenstein
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Women’s role in Frankenstein Frankenstein, by Mary Shelley, is a famous novel about a scientist names Victor who creates a monstrous creature in a scientific experiment. It is easy to realize that men seem to be dominant throughout the story, and that all the main characters are male. As a result, women’s role in the book seems to be less important and significant to the story. Why did Mary Shelley, a daughter of a leading feminist who wrote the book A Vindication of the Rights of Women to express her belief that women should be treated equally, create such a book as Frankenstein, which portrayed women as inferior to men? The explanation lies behind the roles of those female characters of the book: Caroline Beaufort, Elizabeth Lavenza, Justine
In the novel, Elizabeth Lavenza appears to be the most important female character. At the beginning of the story, Mary Shelley focuses more on describing Elizabeth’s physical beauty. It is good to mention and recall that Shelley does not mention a lot about the appearances of other women in the story, which contribute in emphasizing the significance of Elizabeth. Under Mary’s excellent and romantic pen, Elizabeth is portrayed as though she is an angel on the
First of all, she is presented to Victor Frankenstein as a “present”: “I have a pretty present for my Victor- tomorrow he shall have it” (21). Undoubtedly, she is equated to an object, rather than a person. As a result, Victor considers Elizabeth as his possession: “I, with childish seriousness, interpreted her words literally and looked upon Elizabeth as mine- mine to protect, love, and cherish […], since still death she was to be mine only” (21). Throughout the story, she makes no options or choices, and is extremely seldom vocal. It is not exaggerated to say that Elizabeth only exists as a purpose of Victor’s actions and ambitions. Her passiveness is also shown through the letters that she writes to Victor:
I confess to you, my friend, that I love you and that in my airy dreams of futurity you have been my constant friend and companion. But it is your happiness I desire as well as my own when I declare to you that our marriage would render me eternally miserable unless it were the dictate of your own free choice
Basically there is not an evil bone in her body. Elizabeth lied about John’s adultery to protect him, saying he’s a “goodly man” (113). Yes, that does not sound like that big of a deal, but for Elizabeth this is a monumental thing. She's going against everything she believes in, even her own morals of being a good christian morals and following the ten commandments to protect John. This is shows her selflessness on a higher level because she such a strong will women. Another example of her selflessness is when she asks John to “forgive” (137) her for being “cold wife” (137). Elizabeth does this because she begins to believe that she is the reason John committed adultery. Elizabeth said “ it were a cold house I kept” (137), which goes to show she believed she was the reactant which led to the product of Johns mistake. Selflessness is shown because first, she is taking on the responsibility so John does not worry and blame himself. In the movie she saved his life for a little longer because she gave him some self worth and made him feel like a better person. If she would not have told John it was her fault he would of died with the burden of ruining the family, but instead she took the responsibility. Secondly she comes to think that because she was self conscious and did not lover herself she was “cold” (137) or did not let her husband love her. This made her believe that she made him feel like there was little compassion between him and her which led John to give “a promise that a stallion gives a mare” (62) to Abigail. Elizabeth is all around a selfless human being. Always trying to make it better for the other person and take the responsibility on her self which is opposite of
In both Robert Burns’s Tam O’Shanter and Mary Shelley’s Frankenstein; or, A Modern Prometheus, the authors use gender as an underlying theme throughout the narrative, a common thread present in the characters’ goals and motivations. In the case of Tam O’Shanter, Tam’s midnight adventure is against the advice of his wife and nearly ends with his death due to his inability to control himself when faced with a sultry witch. Frankenstein, though less blatant in its gendered imagery, follows the monster as he searches for a woman to play the role of his mother, wife, or daughter, demonstrating his need for female companionship in the light of Victor’s failure to be a father to him. The gender role that Victor himself plays is also debated, as he
For centuries women have been perceived as overshadowed figures who remain in a separate sphere from men. The term “separate spheres” refers to the distinct, conventional characteristics associated with gender differences. The public sphere of men is associated with commerce whereas the domestic sphere for women is linked with the household. However, there is more than just one perspective on feminism. The feminist view is influenced by three main voices: the French, American, and British. French feminists focus their attention on language; American feminists analyze the literary aspects; and British feminists examine the historical processes (Murfin 296-299). Using these perspectives, we can see the oppression of women conveyed in many different texts throughout literature and in history. Mary Shelley’s Frankenstein, for instance, exhibits not only a feminist view in the text, but also in society during Shelley’s time period as displayed by her negotiations with the separate spheres. Voltaire’s Candide also conveys powerful gender differences and reveals the oppression of women throughout the novel. Therefore, a correlation can be seen between the view of women in the two novels and how it reflects the culture and time period in which the novels were written.
In any novel the author is free to create and shape their characters in whatever way they see fit. In Frankenstein, Shelley does an excellent job of shaping her characters, be it however minute their part in the story, so that the reader gets a clear picture of Shelley's creations. It seems that each character in Shelley's Frankenstein is created by Shelley to give the reader a certain impression of the character. By doing this Shelley creates the characters the way she wants us to see them. She tells us certain things about them and gives them certain traits so that they will fit into the story the way she wants them to. In particular I will examine the characters of the monster, Elizabeth, and old man De Lacey.
Frankenstein shows the oedipal complex in many ways; one of which is his union with Elizabeth. Elizabeth Lavenza is an orphan
Can you imagine Mary Wollstonecraft Shelley's Frankenstein, the great work of literature, without, for example, such female characters as Mrs. Margaret Saville, Elizabeth Lavenza, and Justine Moritz? In this case the novel will have no meaning. All the women help to develop the plot, and without them Frankenstein will lose its spirit. Although these heroines have a lot in common in their characters: they are all strong-willed, kind, careful, and selfless, at the same time, each of them is unique, and each plays her own role in the novel. Mrs. Margaret Saville is the woman to whom the narrator tells the story. Elizabeth Lavenza is the beloved of Victor Frankenstein. Justine Moritz is the heroine who is accused by mistake of murdering William and executed instead of the fiend. There is close connection between the female and male characters, and if we break it, Frankenstein will have no sense. The author of the novel, Mary Wollstonecraft Shelly, characterizes the women in the same way as the men, and shows that they are independent players. So, the female characters in Frankenstein are as important as the male ones.
Shelley’s use of describing Safie going against the passive role of women compared to Caroline, Justine, and Elizabeth symbolizes how women should have the same rights as men, such as getting an education, working in the medical field, and having their voices heard to others. Without the appearance of women in society, the workforce would be cut in half with men working and earning money for a living, and women taking care of children. Therefore, one should not forget that women are the backbone of our society.
When reading Frankenstein by Mary Shelley, one cannot help but notice that the women characters seem to have little substance compared to the male characters. This may have been caused by the time period in which she wrote: one in which females were considered inferior to males. This difference between the sexes can be looked at using a variety of different perspectives. Johanna M. Smith, a professor at the University of Texas at Arlington, discusses this issue using feminist eyes in her essay entitled "'Cooped up': Feminine Domesticity in Frankenstein." The main points in Professor Smith's essay are that the female characters are there only to reflect the male characters, and that the Frankenstein family has a weird style of living, which she describes as a "bookkeeping mentality" (Smith 279).
Many women like those in Mary Shelley’s Frankenstein suffer from inequality and oppression. Many women are treated like property and are deprived of rights that men have. The women are murdered and created in Shelley’s novel to represent how quickly women can be replaced. Women are clearly presented in the novel as classless individuals who are forced to comply as submissive beings living under the wing of man, the dominant leader in Frankenstein society.
In this novel, many female characters are considered to be possessions. In fact, they are considered to be the servants of men. “I have a pretty present for my Victor—tomorrow he shall have it.” (Mary Shelly, Pg. 70) For instance, Elizabeth is given to Victor as a gift without any consideration for her feelings. As a result, Victor has the power to “protect, love and cherish” (Pg. 21) Elizabeth or neglect and isolate her. As well, Elizabeth’s main role in this novel is to comfort and alleviate Victor’s feeling of guilt and sadness. She is always there for Victor as a source of comfort. In contrast, Victor leaves Elizabeth to explore his passions. For instance, after Victor goes to university, he doesn’t come back for two years. During this time, he expects Elizabeth to wait for him as if she was his property. Moreover, Elizabeth is not the only female character who is under Victor’s control. In fact, Victor presents the female monster to the creature as a bargaini...
Within Frankenstein, the level at which a female is portrayed is quite low. Like we have heard in class, women were not necessarily respected as much as men were when the novel was written. Published in 1818 by Mary Shelley, her story tells of the adventure of young Victor Frankenstein and the creation of his creature. Though deep within this narration of Frankenstein’s life, there seems to be an underlying theme seeping through Shelley’s writing. Shelley seems to venture into the idea of feminism and grotesquely show how men are treated much better than women. Her novel includes various concrete examples to support this hypothesis.
To begin with, Victor describes how his mother, Caroline Beaufort, met his father, Alphonse Frankenstein after Caroline’s father died in poverty. Victor describes his father meeting his mother by stating, “He came like a protecting spirit to the poor girl, who committed herself to his care; and after the interment of his friend, he conducted to Geneva, and placed her under the protection of a relation” (Shelley 28). Caroline’s between her and Victor’s father, she has no choice but to marry Victor’s father. If Caroline did not marry Victor’s father, then she will still be a woman in poverty with no food and money to supp...
Throughout the novel, the reader follows Elizabeth through her struggle to maintain her personal identity, despite what her mother, sisters, and other women in society think of her. Elizabeth enjoys physical activities, such as walking , which is uncommon for women in the society in which she lives. “She has nothing, in short, to recommend her, but being an excellent walker. I shall never forget her appearance this morning. She really looked almost wild.” (Austen, 24). The women often look upon Elizabeth negatively due to her behaviour and personality, especially for her outspokenness, which was especially uncommon and unacceptable upon women. “‘Lizzy’, cried...
Mary Shelley’s magnificent minor character Justine endures a horrendous death and maintains courage and grace when faced with a daunting trial. The powerful description of this strong young woman magnifies the gross wrongdoings of Victor Frankenstein and belittles his masculinity as he is seen as weak in comparison. Frankenstein is incapable of possessing the qualities inherent to Justine thus supporting the idea of womanly might as a formidable force.Through the representation of Justine’s intense, unwavering courage during her trial and Frankenstein’s absence of masculine bravery and justice, one can see that Shelley’s minor character is an affirmation of the undeniable strength of women.
Gender inequality will always affect the way women are portrayed in society, the weaker, unnecessary, and other sex. It is not just a subject of the past, but still holds a name in society, however in the olden eras the way women were treated and are looked at, in a much more harsh condition. In Shakespeare’s Othello and Shelley’s Frankenstein women’s roles in the books are solely based on the way they are treated in their time period. The way women are portrayed in these books, demonstrate that they can never be in the same standing as men, considered the second option, and therefore will never have the same respect as men. In both Othello and Frankenstein women are treated as property, used to better men’s social standards, and lack a voice,