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Women were not seen in the past as they are seen now. They were seen as the weaker, less knowledgeable sex. They had to listen to their husbands and they had no say in anything. We are reminded of this when we read “The Yellow Wallpaper.” Charlotte Perkins Gilman was an activist for women’s rights. With this being said, I believe Gilman’s purpose for writing “The Yellow Wallpaper” was to show the readers women do have rights, this is a changing world, and women don’t have to listen to everything their husband or significant other tells them to do. She does this by the narrator symbolically seeing herself trapped inside the wallpaper and her eventually pulling the wallpaper off the wall and being able to feel free to do whatever she wants. In “Monumental feminism and literature’s ancestral house: Another look at ‘The Yellow Wallpaper’” Janice Haney-Peritz, Department of English (Beaver College), states, “As a memorial, ‘The Yellow Wallpaper’ is used to remind contemporary readers of the enduring import of the feminist struggle against patriarchical domination; while as a boundary marker, it is used to demarcate the territory appropriate to a feminist literary criticism” (114).
There are several scenes/instances throughout this story that show that John sees the narrator, his wife, as being less than he is. These instances are: when the narrator says that she is forbidden to “work” until she is well again, John treats the narrator like a child, John makes her lie down for an hour after each meal, the narrator states that she doesn’t want to irritate her husband, and at the end of the story where she says, “I’ve got out at last in spite of you and Jane and I’ve pulled off most of the paper, so you can’t put me back” (Gilman).
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...hen I read the story I just thought that the narrator was crazy. I didn’t like the story and wasn’t sure what I was supposed to get from it. However, I smiled after reading it a second time. After all of this has been said, I hope it shows how and why Gilman’s purpose for writing this short story was to show the readers women do have rights, this is a changing world, and women don’t have to listen to everything their husband or significant other tells them to do.
I am so glad that time has changed and that we no longer have to live in a society where women are not seen as equals.
Works Cited
Gilman, Charlotte Perkins. "The Yellow Wallpaper.". N.p.. Web. 10 Mar 2014.
Haney-Peritz, Janice. “Monumental feminism and literature’s ancestral house: Another look at
‘The Yellow Wallpaper’.” Women’s Studies 12.2 (1986): 114. Academic Search Complete. Web. 10 Mar 2014.
Gilman is an author whose writing is based on individuals making up America's collective identity. "The Yellow Wallpaper" is from the vantage points of being a woman, at a time when women were not supposed to have individual thoughts and personalities. At this time in history, the social roles of women were very well-defined: mothers and caretakers of the family, prim and proper creatures that were pleasant to look at, seen but not heard, and irrational and emotional. The identity of women were presupposed on them by men. At the time this story was written, social criticisms were on the rise and writers had more of an outlet to express themselves. Women's suffrage provided by many female writers, such as Gilman, the means to air the wrongs against women.
... The women had no choice but to go along with the men’s choices. Nineteenth century women did not have much of a role in society, and it was meant to stay that way. “The Yellow Wallpaper” is classified as a feminist text because it portrays the desire for women to escape the society that has neglected them for so many years. Works Cited Ford, Karen.
Gilman conveyed her view of men through the use of characterization of husband, John who symbolizes authorized, controlling figure that ignores women’s feelings or thoughts. In the story, John comes out as the narrator’s husband and doctor. These positions confused him and made him think he is in higher position than his wife. John wanted to help his wife with her depression and cure but at the same time he wanted to authorize her by controlling everything of her. He demanded her not to work and ignored her emotions and thoughts. “…and am absolutely forbidden to “work” until I am well again.” (Gilman 1) “There comes John, and I must put this away, -- he hates to have me write a word.” (Gilman 2) “…tell him how I wish he would let me go and make a visit to Cousin Henry and Julia. But he said I was...
The story "The Yellow Wallpaper," by Charlotte Perkins Gilman is a story about control. In the time frame in which the story was written, the 1800’s, women were looked upon as having no effect on society other than bearing children, maintaining a clean house, and food on the table etc. etc. There was really no means for self expression as a woman, when men not only dominated society but the world. The story was written at a time when men held the jobs, knowledge, and society above their shoulders. The narrator on, "The Yellow Wallpaper" in being oppressed by her husband, John, even though many readers believe this story is about a woman who loses her mind, it is actually about a woman’s struggle to regain, something which she never had before, control of her life.
The Web. The Web. 29 June 2015. http://www.womenwriters.net/domesticgoddess/mahin.htm Gilbert, Sandra M. and Susan Gubar. “A Feminist Reading of ‘The Yellow Wallpaper’.” The Story and Its Writer.
The stories “Shouldn't I Feel Pretty?” and “The Yellow Wallpaper” feature a dynamic protagonist who undergoes a character development which reveals the consequences of oppression caused by societal standards. Gilman crafted the narrator in “The Yellow Wallpaper” with the purpose of exposing the tyrannical role of gender roles to women. In the story, the narrator suffers a slight postpartum depression in the beginning, but her condition gets progressively worse because her husband John believes “that there is nothing the matter with [her] but temporary nervous depression-- a slight hysterical tendency” (331). He concludes that the best treatment for his wife is for her to be “absolutely forbidden to ‘work’ until [she is] well again” (332).
Susan B. Anthony, a woman’s rights pioneer, once said, “Oh, if I could but live another century and see the fruition of all the work for women! There is so much yet to be done” (“Women’s Voices Magazine”). Women’s rights is a hot button issue in the United States today, and it has been debated for years. In the late 1800’s an individual named Charlotte Perkins Gilman wrote literature to try and paint a picture in the audience’s mind that gender inferiority is both unjust and horrific. In her short story, “The Yellow Wallpaper” Gilman makes the ultimate argument that women should not be seen as subordinate to men, but as equal.
During this time period women did not encompass the same rights as their male counterparts, nor where they encouraged to participate in the same activities as they. Gillman describes the yellow wallpaper to the readers as a rationalization of what it means to be a woman during this time period. Women were expected to be child-like and fragile as noted, within the text, “What is it child(Gilman, 1998)?” The color yellow is often associated with sickness; in Gilman’s case her sudden illness refers to oppression. She notes as the story, progresses the wallpaper makes her feel sick. Gilman notes, “I never saw a worse paper in my life,” as a symbol in which refers to the restrictions and norms society places on women. Within her literature she addresses restrictions placed on women. Gilman states, “The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing.” Meaning, she believed men denying women the right to equality was absurd, and when they did grant women’s freedom it was not equivalent rather a “slap in the face [it knocks] you down and tramples you (Gilman, 1998).” Through her essay she consistently refers to a figure behind the wallpaper. “The faint figure behind seemed to shake the pattern, just as if she wanted to get out (Gilman, 1998).” Meaning, women during this time period seek to feel free from oppression. The women behind the wallpaper represents the need to speak out, “you have to creep on the ground, and everything is green instead of yellow (Gilman,1998).” Creeping placed significance on the experience of being a woman in regards to, how they should think, feel, act, dress, and express themselves. Gilman notes, “And I 've pulled off most of the paper, so you can 't put me back! " The author used this quote to signify, the woman realized she was
Haney-Peritz, Janice. "Monumental Feminism and Literature 's Ancestral House: Another Look At 'The Yellow Wallpaper '." Women 's Studies 12.2 (1986): 113. Academic Search Complete. Web. 24 Nov. 2014.
...ble to see that it actually incorporates themes of women’s rights. Gilman mainly used the setting to support her themes. This short story was written in 1892, at that time, there was only one women's suffrage law. Now, because of many determinant feminists, speakers, teachers, and writers, the women’s rights movement has grown increasing large and is still in progress today. This quite recent movement took over more then a century to grant women the rights they deserve to allow them to be seen as equals to men. This story was a creative and moving way to really show how life may have been as a woman in the nineteenth century.
Haney-Peritz, Janice. “Monumental Feminism and Literature’s Ancestral House: Another Look at ‘The Yellow Wallpaper’.” Women’s Studies. 12.2 (1986)113-128. EBSCOHost. Web. 10 Mar. 2011.
Societal control of the accepted terms by which a woman can operate and live in lends itself to the ultimate subjugation of women, especially in regards to her self-expression and dissent. Gilman does an extraordinary job of effectively communicating and transforming this apparent truth into an eerie tale of one woman’s gradual spiral towards the depths of madness. This descent, however, is marked with the undertones of opportunity. On one hand, the narrator has lost all hope. On the other, she has found freedom in losing all hope. This subversion of the patriarchal paradigm is tactfully juxtaposed against a backdrop of the trappings of insanity.
...women’s roles in society and in the household are. It is quite interesting on how many biased readers and writers we have in this world. There are so many people so quick to label women and men based on very simplistic roles in society. Men believe women have something to prove or justify, but only in the household. Overall, I really enjoyed interpreting this short story and literary reviews by Ann Oakley and Karen Ford.
In the 19th century society was from different from what it is today. Women were not in the workforce, could not vote, or even have a say in anything. Women were not permitted to give evidence in court, nor, did they have the right to speak in public before an audience. When a woman married, her husband legally owned all she had (including her earnings, her clothes and jewelry, and her children). If he died, she was entitled to only a third of her husband’s estate. Charlotte Perkins Gilman wanted to change this. She wanted people to understand the plight of women in the 19th century. In her short story The Yellow Wallpaper she tries to convey this to the reader not just on a literal level, but through various symbols in the story. In The Yellow Wallpaper the author uses symbols to show restrictions on women, lack of public interaction, the struggle for equality, and the possibilities of the female sex during the 1800s.
In conclusion, the yellow wallpaper is a brilliant work literature of which depicts a woman as a permissive and controlled by her dominant husband. While women now enjoyed freedom and peace in a liberal nation like America, we must not forget in the impoverish states like Afghanistan or Pakistan, women are still being enclosed behind the bars of the "Yellow Wallpaper." They, just like in the past, have no right in their society and have no idea that women can actually enjoy the kind of freedom like their male counterparts. "The Yellow Wallpaper" does not only serve as a witness of what has happened in the past, it has also served the purpose of a reminder of what we must be doing in the future to bring freedom and rights to women all over the world.