One cannot escape one’s fate. The theme of fate and freewill is central to William Shakespeare’s play Richard III, in which Richard III battles with the two in his quest for the crown. Richard seeks to escape his fate as a deformed and unfinished hunchback by using what little power he has to gain more power and respect. Although Richard thinks that he is acting on his own free will, fate still controls him throughout his journey. In addition, Richard’s fate is expressed in the form of a curse that Margaret delivers as punishment for his crimes against her and her family. Even though everyone sees Margaret as an irrational person, her curses against Richard and several other people end up coming true. Although Richard’s fate comes true, free will is still seen throughout the play, namely in the struggle of conscience.
The idea of women holding authority was unheard of in ancient times and more recently in Colonial America up through the mid twentieth century. It has always been thought that men are superior to women and that women are not strong enough physically and mentally to hold any true authority. For instance, women did not receive the right to vote in the United States until 1920; the first female senator wasn’t appointed until late 1922. In Chinua Achebe’s novel Thing Fall Apart, however, women do hold authority and some even hold more authority than men. Achebe describes how in the Ibo culture women hold the main positions in Ibo religion as priestess and Oracle and that even the strongest man in the Ibo village and the main character of the novel, Okonkwo, must obey the commands of these women.
To hold authority is to possess power, and when one has power over a person or people he or she is generally feared. In t...
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...reward them with plentiful harvests.
Throughout Things Fall Apart, Achebe shows that without women the Ibo village and culture would not be able to function properly. Women, in Ibo culture, are the caretakers that keep the Ibo village and its people functional and content. Without women in the Ibo village the villagers and clan members would have no one to go to when seeking advice, plentiful harvests, or when trying to settle a dispute. Women also hold these types of positions in other major religions throughout the world. For example, in Hinduism Sri Lakshmi is the epitome of everything good and prosperous in the world; in ancient Roman culture Ceres was the goddess of agriculture. Therefore, without women to grant the everyday necessities of life (i.e. crops) and to provide spiritual guidance to those seeking it modern day life would not be able to function.
Representation of Women in "Men Should Weep" by Ena Lamont Stewart and "Perfect Days" by Liz Lochead
A Spirited Female Lead in Pride and Prejudice by Austen and Much Ado About Nothing by Shakespeare
Perhaps the best example of women holding power in this novel is the priestess Chielo. She is one of the spiritual leaders in Okonkwo’s town. She has the respect of the entire village, not just the women. Her authority extends so far that at one point in the novel she takes one of Okonkwo’s children in the middle of the night to a religious site. She is free to do as she pleases. Okonkwo recognizes her authority and doesn’t put up a fight. He ends up following his wife and daughter to the religious site, but doesn’t interfere. Another example of women in this society having important roles are their jobs as teachers. They teach their children the importance of community and other life lessons by telling their children stories. Okonkwo treats many of the women in his life differently. He is secretly very fond of one of his daughters and wishes she had been born a boy. This
Evidently, various works bring a different approach to free will’s role in conquering fate. Within Crime and Punishment, Raskolnikov is only freed from his fate of being consumed guilt when he confesses to his crime, proving that while he is physically imprisoned, he is emotionally and psychologically free from the predestined. Here, Dostoevsky suggests that freedom from one’s circumstances is only attainable by utilizing free will to challenge the predetermined. Similarly, Hamlet suggests that actions often have the reverse effect, as Hamlet had intended to challenge the predetermined, but ultimately gave into it. Representing his fate, the ghost of Hamlet’s father enacts the vicious cycle of vengeance that results in the prince’s death.
her heavily.” (p. 29). Despite the beatings, Achebe shows that the Ibo women have valuable parts in the
Have you ever thought about whether or not people have a destiny in life, or about if they have a certain fate that could change everything they’ve ever known or dreamed of? This question usually sparks human interest. Psychologically, we all have a desire to know about ourselves and what lies before us. Three works that create the theme of fate and free will is Macbeth, Hercules, and Oedipus The King.
We are all familiar with the creation story in Genesis of the Bible—a rib was taken from Adam (man) in order to create Eve (woman). Did this set the tone for women’s submissive role in society? History shows us that this is not true, since women dating as far back as the 6th century had power and were taken seriously. Strong women, such as Perpetua of Carthage, used their faith as a means of helping others and asserting their power in a male-dominated culture. As the years went on, though, women experienced a loss of power and control. A woman’s worth was directly associated with h...
In Achebe’s Things Fall Apart, the theme of perceived masculinity is prominent and portrayed as a critical characteristic which has the potential to shape clans, families, and the safety of others. Because of the emphasis placed on masculinity, women are widely disregarded and downplayed, as they are seen as property. In African culture men are revered due to their warrior-like natures that can uphold the functionality of a clan, but frowned upon when deemed as weak; the result of this fear of weakness led to the dominance of men over women.
The real tragedy of Richard III lies in the progressive isolation of its protagonist. From the very opening of the play when Richard III enters "solus", the protagonist's isolation is made clear. Richard's isolation progresses as he separates himself from the other characters and breaks the natural bonds between Man and nature through his efforts to gain power.
Henrik Ibsen once said, “A woman cannot be herself in the society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view.”(Notable Quotes) Ibsen’s statement exemplifies what life was like for women during ancient times. In many of the organized ancient civilizations, it was very common to find a primarily patriarchal civilization in government as well as in society. The causing factors can be attributed to different reasons, the main being the Neolithic Revolution and the new found dependence on manpower it caused. As a result of this, a woman found herself to be placed into an entirely different view in the eye of society. In comparison to the early Paleolithic matriarchal societies, the kinds of changes that came about for women due to the introduction of agriculture are shocking. Since the beginnings of the Neolithic era, the role and rights of women in many ancient civilizations began to become limited and discriminatory as a result of their gender.
When fear overcomes individuals, it acts like a "poison"; it paralyses them, which forces them to escape. In the play, Hamlet, Shakespeare reveals how it is human nature for people to run and hide from a quandary. Hamlet being burdened with the sins of Denmark tries to find a proper escape that will not force him to take decisive action. To Shakespeare the desire for escape is an unpredictable one. Eventually fate has its way; a person can try to avoid it but it will eventually devour you.
Women have many responsibilities in the Igbo society such as having children, cooking, cleaning, and farming. These are important functions for women, yet they are not given much credit or meaning for their existence in the roles they fill. As Rose Ure Mezu points out “The world in Things Fall Apart is one in which patriarchy intrudes oppressively into every sphere of existence. It is an andocentric world where the man is everything and the woman nothing.” In some way, Mezu is correct in saying that the man is everything and the woman nothing.
One of the central themes that Achebe developed in his book “Things Fall Apart” is the contrast between feminine and masculine in the African tribes, more specifically Umofia. In the Ibo culture the gender difference plays an important role in Umofian people’s daily life, and has become one of the centric themes of Achebe’s book. This masculinity vs femininity theme has developed through novels protagonist, Okonkwo, by explaining his different reactions toward folktales, sports, and farming.
Upon an initial reading of Chinua Achebe’s Things Fall Apart, it is easy to blame the demise of Okonkwo’s life and of the Umofia community on the imperialistic invasions of the white men. After all, Okonkwo seemed to be enjoying relative peace and happiness before then. He did have a few mishaps; one of them resulted in him being exiled for eight years. Nonetheless, he returned to his home town with high spirits and with prospects of increased success. However, everything has changed. The white men have brought with them a new religion and a new government. Okonkwo’s family falls apart. The men in his village lose their courage and valor; they do not offer any resistance to the white men. Consequently, Okonkwo kills himself in disgrace and Umofia succumbs to the white men. However, the white men are not the only people responsible for demise of Umofia. The Igbo culture, particularly their views on gender roles, sows the seed of their own destruction. By glorifying aggressive, manly traits and ignoring the gentle, womanly traits, Umofia brings about its own falling apart.
In his play Death and King’s Horseman, Wole Soyinka shows that women had important and recognized roles in traditional Yoruba society. Women fulfill their social, moral and spiritual roles as mothers, enforces of the discipline, show guidance to the community. Iyaloja, the Mother of the Market, is politically and spiritually critical. Aside from being the enforcer of discipline, her towering image in terms of influence is a great source of nourishment to the entire community. In the play, the women of the market are also capable of assuming positions of power, reducing man’s superiority. Wole Soyinka shows different ways of thinking about power, influence and responsibility.