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The portrayal of women in literature
Depiction of women in literature
Gender in literature
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The term gender-solidarity refers to a bond among a particular gender. In this article the focus is on unity among the females from all castes and classes in the novels of Toni Morrison and Alice Walker. Some of the characters of the novels find this phenomenon a part of their lives because all of them face the same biasness in the family, society, and everywhere. Toni Morrison and Alice Walker both have written a lot about the women-women relationship. Most of the protagonists of their novels are let down by their respective patriarchal societies, they are told that they are secondary and sub-standard which brings them closer to the women KEY WORDS: Women‘s relationships, Female friendship, Female bonding, Sisterhood, Female solidarity, Female …show more content…
Enjoying, understanding, and supporting each other, women friends of this sort are invaluable to each other. With such love, trust and security, it is difficult to imagine any woman without such a genuine support system as that found in genuine …show more content…
Morrison clearly distinguishes childhood from adult friendships by the solidarity that characterizes the first and the problems that make the second fail. Childhood friendships are more successful in Morrison’s novels than adulthood bonding because self-centeredness becomes a larger issue as children grow up. However in Sula, the friendship of two also has the change during adulthood when Nel is disappointed with closeness of Sula with her husband. But twenty-five years after Sula's death, Nel realizes that she has wasted all of her opportunities for self-discovery and happiness. In Nel's final moments with Sula, Morrison calls into question the priority of Nel's marriage over her friendship with Sula, for Sula asks of her having sex with Nel's husband, "If we were such good friends, how come you couldn't get over
The friendship between Nel and Sula features two girls with different personalities that when combined bring to the relationship what the other lacks. Nel is the calm and controlled side which possesses maturity that Sula lacks. Sula is the wild and adventurous one that can also easily be scared. Each girl lends a characteristic that the other does not have which creates one identity between the two.
Society continually places restrictive standards on the female gender not only fifty years ago, but in today’s society as well. While many women have overcome many unfair prejudices and oppressions in the last fifty or so years, late nineteenth and early twentieth century women were forced to deal with a less understanding culture. In its various formulations, patriarchy posits men's traits and/or intentions as the cause of women's oppression. This way of thinking diverts attention from theorizing the social relations that place women in a disadvantageous position in every sphere of life and channels it towards men as the cause of women's oppression (Gimenez). Different people had many ways of voicing their opinions concerning gender inequalities amound women, including expressing their voices and opinions through their literature. By writing stories such as Daisy Miller and The Yellow Wallpaper, Charlotte Perkins Gilman and Henry James let readers understand and develop their own ideas on such a serious topic that took a major toll in American History. In this essay, I am going to compare Gilman’s “The Yellow Wallpaper” to James’ “Daisy Miller” as portraits of American women in peril and also the men that had a great influence.
The lack of support and affection protagonists, Sula Peace and Nel Wright, causes them to construct their lives on their own without a motherly figure. Toni Morrison’s novel, Sula, displays the development of Sula and Nel through childhood into adulthood. Before Sula and Nel enter the story, Morrison describes the history of the Peace and Wright family. The Peace family live abnormally to their town of Medallion, Ohio. Whereas the Wrights have a conventional life style, living up to society’s expectations.The importance of a healthy mother-daughter relationship is shown through the interactions of Eva and Hannah Peace, Hannah and Sula, and between Helene Wright and Nel. When Sula and Nel become friends they realize the improper parenting they
Conformity and defying social norms were a common theme this week. In Toni Morrison’s book Sula, Sula Peace actively opposes gender roles. She does this by doing what she would like to do without the burden of her town’s expectations. Sula enjoyed sex and disregarded all of the opinions of the townspeople around committing adultery. Eli commented that it was even more unacceptable in that time period, but Sula’s main priority is being authentic. Even though she urged men to cheat she was still a risk taker and lived spontaneously, which was even more forbidden for a black woman and like Lauren said, the men were also to blame, not just Sula. Not many people in the Bottom share that trait because they are afraid of social isolation. For example, Nel didn’t stray far from the status quo due to her upbringing. Nel’s mother taught her to be proper and follow the set of rules given to her. Her mother often reminded her to “pull her nose” (28) so Nel could have a more appealing nose. On the other hand, Sula lived in an unconventional household with a constant flow of different people coming and going out of the house. Since she was not exposed to a father figure, she was not tainted by patriarchal expectations of the genders. She didn’t witness
In examining the two distinct characters of Nel (Wright) Greene and Sula Peace from Toni Morrison's Sula, a unique individual soul emerges from the two women. This soul takes into account good, bad, and gray area qualities. They gray area qualities are needed because, while Nel exhibits more of the stereotypical "good" qualities than Sula, the stereotypes of good and bad don't fit the definition completely. Nel and Sula combined create a type of ying and yang soul, each half including some of the other half. While at times the two women are polar opposites of one another in point of view, they arrive at their opinions with the help of the other. The two characters need each other in order to exist to the extent that they become "two throats and one eye" (Morrison 2167). A physical example of how connected the two girls are is seen when they line up head to head forming a straight, continuous, and complete line (2124).
In the novel “Sula” by Toni Morrison two significant themes that contributed to the overall message of the novel include friendship and family. A friendship is an intimate relationship with another individual that is created and sustained voluntarily. In today’s society friendships are expected to contain qualities such as loyalty, empathy, encouragement, and understanding to be considered healthy. However, relationships with family members are usually involuntary and each member is expected to be nurturing, supportive, patient, trustworthy, and responsive. Love is expected to be present in both of these types of relationships and in “Sula” it was shown how love or the lack there of can impact the treatment of others.
Finally, even though, for a long time, the roles of woman in a relationship have been established to be what I already explained, we see that these two protagonists broke that conception and established new ways of behaving in them. One did it by having an affair with another man and expressing freely her sexuality and the other by breaking free from the prison her marriage represented and discovering her true self. The idea that unites the both is that, in their own way, they defied many beliefs and started a new way of thinking and a new perception of life, love and relationships.
There is a quote that goes "behind every successful man there is a woman”. This implies that the sexes are not credited equally, and gender shadows over success. Men and women are separated not only physically, but in other aspects. A male-dominated culture exists although women are capable of performing just as well as men. There are different situations where men overpower women. There is a stereotype that divides the sexes, ultimately harming both genders. Literary works brush upon the subject of men versus women, touching these components as storyline progresses. There is not a black and white division among the sexes; however, novels such as Geek Love by Dunn and Maus by Spiegelman expose the underlying power struggle among the genders,
In the story, “Recitatif,” Toni Morrison uses vague signs and traits to create Roberta and Twyla’s racial identity to show how the characters relationship is shaped by their racial difference. Morrison wants the reader’s to face their racial preconceptions and stereotypical assumptions. Racial identity in “Recitatif,” is most clear through the author’s use of traits that are linked to vague stereotypes, views on racial tension, intelligence, or ones physical appearance. Toni Morrison provides specific social and historical descriptions of the two girls to make readers question the way that stereotypes affect our understanding of a character. The uncertainties about racial identity of the characters causes the reader to become pre-occupied with assigning a race to a specific character based merely upon the associations and stereotypes that the reader creates based on the clues given by Morrison throughout the story. Morrison accomplishes this through the relationship between Twyla and Roberta, the role of Maggie, and questioning race and racial stereotypes of the characters. Throughout the story, Roberta and Twyla meet throughout five distinct moments that shapes their friendship by racial differences.
Nel is able to express her feelings and emotions when she is with Sula, which is good because she can’t do that at home because she has to be the obedient one. They understand each other completely, they never argue or compete with each other. Their relationship is invaluable; they met each other at the time where they both needed it the most. Their friendship is not dependent on obligation, compassion, or love, but on their conjuction of sameness and autonomy. At this point they are together because they want to, not because they have to or need to be. When Sula and Nel meet it’s the time when they realize that their spot in society is disadvantage, “because each had discovered years before that they were neither white nor male, and that all freedom and triumph was forbidden to them, they had set about creating something else to be” (Morrison, 50). They are best friends mainly because they grew up in the same neighborhood, they are the same race, gender, and age. They understand the needs of each other and each other’s problems. They experience the intimacy they were looking for in each
Racism and sexism are both themes that are developed throughout the novel Sula, by Toni Morrison. The book is based around the black community of "The Bottom," which itself was established on a racist act. Later the characters in this town become racist as well. This internalized racism that develops may well be a survival tactic developed by the people over years, which still exists even at the end of the novel. The two main characters of this novel are Nel Wright and Sula Peace. They are both female characters and are often disadvantaged due to their gender. Nel and Sula are depicted as complete opposites that come together to almost complete one another through their once balanced friendship. Nel is shown to be a good character because she plays a socially acceptable role as a woman, submissive wife and mother, while Sula conforms to no social stereotypes and lets almost nothing hold her back, thus she is viewed as evil by the people in her community. Both women are judged by how well they fit into the preconceived social conventions and stereotypes that exist in "the Bottom."
“Toni Morrison.” American Women Writers. Taryn Benbow - Pfalzgrat. 2nd ed. of the book.
First there is the presence of the old stereotypical woman character, a woman split between the conventional and nontraditional roles of women. No differences are apparent initially between Morrison's Sula and any other women's literature in the past. Women are depicted either as docile servants to men, like Nel, or ball-busting feminist monsters like Sula. The hidden aspect of the novel lies underneath these stereotypical surface roles, in the incomprehensible and almost inappropriate bond of the two women. In the final scene of Sula, Nel comes to the realization that the emptiness inside her is due to the loss of Sula, not Jude (Morrison 174). Her friendship with Sula is all that matters.
Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different nature than a female author would. While F. Scott Fitzgerald may represent his main female character as a victim in the 1920’s, Zora Neale Hurston portrays hers as a strong, free-spirited, and independent woman only a decade later in the 1930’s.
The relationship between Nel and Sula begins during their adolescent years. Though they are complete opposites, they seem to work well with each other, depending on one another for comfort and support. The two spend almost all of their time together, learning from one another and growing as a result. They take solace in the presence of one another, finding comfort in what the other finds bothersome and using the lifestyle of the one another to compensate for their shortcomings. When Sula first visits Nel's home, "Nel, who regarded the oppressive neatness of her home with dread, felt comf...