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Edgar allan poe portrayal of women
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Throughout “The Cask of Amontillado” by Edgar Allan Poe, the character Montresor is on a quest to getting revenge on a man called Fortunato, who he claims has done wrong to him. Here we see a characteristic of human beings, to take an eye for an eye thinking that it resolves the problem at hand. Montresor never tells Fortunato of his fate and Fortunato never suspects it because he’s impaired, as it was a time of the year many became drunken. Furthermore, in “The Chrysanthemum” the issue of women oppression is seen in every element that’s present in the story. We see a woman who does not have a chance of being the things she wishes to be. In both stories, the authors incorporate the use of symbols, and dialogues to create thematic connotations …show more content…
As Elisa is interacting with the sales man and talking about the chrysanthemums, she has a moment where there is a sensual behavior that comes out of her. As she is on her knees, “her hand went out toward his legs in the greasy black trousers. Her hesitant fingers almost touched the cloth. Then her hand dropped to the ground” ( ). Her action here shows that she has desires and what can be inferred by this is that they are not properly met by her husband. The tinker has emotionally gotten her attention due to the fact he admires her chrysanthemum. It is taught that “… emotional sharing is… also considered to be a more common strategy for women than men to facilitate intimacy” (Erden- Imomoglu). What this means is that if a women feels more emotionally connected with a guy, she most likely will have a sexual attraction to him. Additionally, Elisa makes it known that she would like to live a life that was free. Speaking to the tinker she mentions that she wants women to be able to live as he does: she says “It must be very nice. I wish women could do such things” ( ). His reply of saying “it ain’t the right kind of life for a woman” ( ) almost makes her speechless as she realizes he is sexist. Many times women are restricted from activities because to society it is not a suitable thing for them and so they cannot make their own lifestyle …show more content…
The fog is a minor symbol in the opening setting and is described as a lid for “on every side it… made of the great valley a closed pot” ( ). Women have a limit placed on them in their roles. They cannot do the things men are taught to do. Though Elisa’s husband saw that she is strong and has a gift with gardening, he still doesn’t allow her to work with him. The idea of strict gender roles are portrayed, where the man does manly work while the woman stays and be a delicate housewife (Erden-Imamoglu). The chrysanthemums symbol two parts of Elisa: her femininity and maternity instincts. As mentioned previously, by the tinker expressing interest in her flowers she opens to him by removing the clothes which hid her delicateness of a woman and shows “her dark pretty hair” ( ). The masculinity she first possesses is gone. Additionally, the way in which she takes care of her flowers is the same as a mother would for her child (ren). For her flowers, she makes sure “no aphids were there, no sowbugs or snails or cut worms” ( ). All the things that could potentially harm her plants, her children, were removed. Women like to feel that they are beautiful; however, it takes the verbal gestures of their partner or someone who cares, to allow them to reach to that point. They also possess natural motherly instincts though some will never be able to have children of their own and
In the Edgar Allan Poe stories "The Cask of Amontillado" and "The Tell-Tale Heart" the most prominent and important themes that are used are death, logic, and irony. The characters of the narrator and Montresor in these stories are both coldblooded murders who kill for selfish and inane reasons who firmly believe that their actions are justified even though their justifications only make sense in their own minds. They both try to convince their audience that they are sane by explaining to them their reasons for killing their victims and admitting how they did it, which only helps to prove their insanity. The narrator and Montresor are similar in that they both have impaired senses of judgment encouraged by perverse morals and believe that the horrible things that they do are justifiable.
In our departure and adieu, both Mrs. Whipple and Elisa cared about how the world perceived them. They were afraid if either of them peered into a crystal creek then they might see an unholy beast abhorred by man. While Elisa’s sympathy and compassion was pure, Mrs. Whipple only cared about her own ego. Mrs. Whipple even smoke ill of the doctor when it meant her ego was threatened. She didn’t want people to think her family was poor or suffering. Her desire was personal concern, while Elisa cared about the emotions of others.
The first time the reader encounters conflict occurs when Elisa is tending to her chrysanthemums in her garden. As she works, Elisa handles the flowers with care and compassion; she makes certain that nothing will come to harm them as though they were her own children; "No aphids were there, no sowbugs or snails or cutworms. Her terrier fingers destroyed such pests before they could get started." (273) When her husband comes to her, as she is working, he does not commend her for her work, but he scorns her, saying "I wish you'd work out in the orchard and raise some apples that big." (273) A high degree of "man against man" conflict is generated by the husband who fails to appreciate his wife and what she treasures. The presence of this conf...
1. How does the opening scene contrast with what happens at the end of the story?
"The Cask of Amontillado" is one of Edgar Allan Poe's greatest stories. In this story Poe introduces two central characters and unfolds a tale of horror and perversion. Montresor, the narrator, and Fortunato, one of Montresor's friends, are doomed to the fate of their actions and will pay the price for their pride and jealousy. One pays the price with his life and the other pays the price with living with regret for the rest of his life. Poe uses mystery, irony, and imagery to create a horrifying, deceptive, and perverse story.
The power to change is man’s greatest struggles, since a strong influence that lead them to where they are now. It is also the price and journey that both Montresor in Edgar Allan Poe’s short story “The Tell Tale Heart” and the narrator of the “The Cask of Amontillado”, another of poe’s story. In both story the narrators, both indicate that they want to get rid of an addiction they had that is driving them to madness, and in order to do so they, must do it at any cost. Both narrator clearly plan on their instincts and carefully plans out methods in which leads them to their satisfaction. These stories contain many similarities and differences in the use of tone, irony and symbolism, of the protagonist. Through these characters and their actions,
In the short story “The Chrysanthemums” John Steinbeck uses symbolism to reflect the characteristics of his main character Elisa Allen. Elisa, a married woman uncovers her deeply smothered femininity in an inconspicuous sense. Her life in the valley had become limited to housewife duties and the only sustenance that seemed to exist could merely be found in her chrysanthemum garden. Not until she becomes encountered with a remote tinker-man out and about seeking for work, does she begin to reach many of the internal emotions that had long inhibited her femininity. The tinker subtlety engages an interest in Elisa’s chrysanthemum garden that encourages Elisa to react radically. When Elisa realizes that there are other ways to live she attempts to lift the lid off of the Salinas Valley, but unfortunately the tinker’s insincere actions resort Elisa back to her old self and leaves Elisa without any optimism for her hollow breakthrough. Steinbeck’s somber details of the setting, strong description of the chrysanthemums and meaningful illustration of the red flower-pot reveal the distant, natural, ambitions Elisa Allen desired to attain.
When reading any of Edgar Allen Poe’s works, the reader can almost expect a reoccurring theme that focuses on the questionable sanity of the narrator and the overwhelming presence of death that drives the story to its resolve. The two stories being compared are no exception to this theme as both are built upon the thought driven narrative of a seemingly mad man with a fervor for revenge. In both stories the reader is told of the main character, “The Cask of Amontillado” gives us Montresor and “The Tell-Tale Heart” is simply the narrator of the story, who seek out a character to murder for vague reasons not fully explained to the reader in a way that builds a picture of the way their mind works. As both dictate how and why they plan to commit their crimes, the inner monologue that is provided by a first person narrative paints a picture of the unstable emotional state and irrational thought process that gives the reader insight to how unreliable their account of the story actually is. This unreliable narrative leaves the story open to interpretation on whether or not the act of murder was committed righteously, or simply just the misguided actions of two insane characters.
Edgar Allen Poe’s tale of murder and revenge, “The Cask of Amontillado”, offers a unique perspective into the mind of a deranged murderer. The effectiveness of the story is largely due to its first person point of view, which allows the reader a deeper involvement into the thoughts and motivations of the protagonist, Montresor. The first person narration results in an unbalanced viewpoint on the central conflict of the story, man versus man, because the reader knows very little about the thoughts of the antagonist, Fortunato. The setting of “The Cask of Amontillado”, in the dark catacombs of Montresor’s wine cellar, contributes to the story’s theme that some people will go to great lengths to fanatically defend their honor.
This frustration is evident when Elisa is first introduced. Her figure is described as "blocked and heavy" because she is wearing heavy gloves, heavy shoes, a "man's black hat," and a big apron that hides her printed dress (Steinbeck 330). Her home has the masculine qualities of being "hard-swept" and hard-polished" (Steinbeck 330). Elisa is bored with her husband and with her life (McMahan 455). Obviously, Elisa is unhappy with the traditional female role and is attempti...
In the opening of the story Elisa is emasculated by the description of her clothing. She wears "a man’s black hat pulled low down over her eyes, clodhopper shoes, a figured print dress almost completely covered by a big corduroy apron…" (paragraph 5). When Elisa’s husband Henry comes over and compliments her garden and ability to grow things Elisa is smug with him and very proud of her skill with the flowers. Her "green thumb" makes her an equal in her own eyes. When Elisa’s husband asks her if she would like to go to dinner her feminine side comes out. She is excited to go eat at a restaurant and states that she would much rather go to the movies than go see the fights, she "wouldn’t like the fight’s" at all (paragraph 21). Elisa is taken aback with her own submissiveness and quickly becomes preoccupied with her flowers as soon as her husband leaves. When the drifter comes and asks Elisa for work to do she is stern with him and refuses him a job. She acts as a man would to another strange man and becomes irritated. When he persists in asking her she reply’s "I tell you I have nothing like that for you to do" (paragraph 46). The drifter mentions Elisa’s chrysanthemums and she immediately loosens up as "the irritation and resistance melt(ed) from her face" (paragraph 51). The drifter feigns great interest in Elisa’s chrysanthemums and asks her many questions about them. He tells her he knows a lady who said to him "if you ever come across some nice chrysanthemums I wish you’d try to get me a few seeds" (paragraph 56). Elisa is overjoyed by any interest in her flowers and gives the man chrysanthemum sprouts to take to his friend.
... real love, she may be able to find fulfillment in her flowers more than she ever has. They can be released into the male world and survive, beautiful and strong, though fragile, just as she has. The chrysanthemums are not Elisa's frustration, they are her hope in a world she sees without hope. Therefore, when the tinker simply drops the flowers on the side of the road, the symbolic weight of the chrysanthemums must be considered. Higdon states that "the crucial question remains whether or not Elisa has been destroyed" (Higdon, 668). The reader can see how the flowers represent mostly a positive symbol of growth and life. Elisa may not have anywhere to turn for real understanding, since men are not able to explore her inner-qualities, but it is better that she grows flowers than shutting off her own emotions and feelings and using others like the men around her.
All of this insight and analysis of the meaning behind Elisa's chrysanthemums is what opens up the undisclosed doors of this story. If one did not look further into the story, it would seem as if the author was providing a bunch of unnecessary pieces of information about a specific day in the life of Elisa Allen. The chrysanthemums, being the key to the story, give a more in-depth understanding of this woman's life and her struggles that would otherwise not be acknowledged.
...hich was the symbol of her prettiness” (Steinbeck 94). Although when Elisa and Henry are on their way to go to the town, Elisa sees the chrysanthemums that the tinkerer had thrown out. At this moment, Elisa suddenly realizes that she will never be anything more than what she was before, a woman that is worthless to society.
Edgar Allan Poe’s “The Cask of Amontillado” is a frightening and entertaining short story about the severe consequences that result from persistent mockery and an unforgiving heart. Poe’s excellent use of Gothicism within the story sets the perfect tone for a dark and sinister plot of murder to unfold. “The Cask of Amontillado” simply overflows with various themes and other literary elements that result from Poe’s Gothic style of writing. Of these various themes, one that tends to dominant the story as a whole is the theme of revenge, which Poe supports with his sophisticated use of direct and indirect factors, irony, and symbolism.