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Representation of women in othello
Representation of women in othello
Representation of women in othello
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Shakespearean Women: How are they Portrayed? There are several words used to describe the women in Shakespeare’s plays. Critics tend to describe Shakespearean woman this way without true knowledge of the meaning. Passive is a term commonly used in reviews of Othello describing Desdemona, meaning she is uninvolved and showing little to no reaction to what is happening around her. Submissive; being unresistingly or humbly obedient, is another example of how she is portrayed. Other terms such as obedient and rebellious are also used to describe her character in the play. Though the four major characteristics used to describe Desdemona’s character all appropriately portray her, submissive and passive would be the most accurate depiction. Carol …show more content…
Emilia for example has no trust in Iago and sees him as a horrible person. Though she loves her husband, she is rebellious in efforts to show him that she is her own person and not all women do as they are told. Desdemona on the other hand is nothing like the other women. She “is neither jealous nor envious nor suspicious. She is not suspicious or possessive about Othello’s job, his intimacy with Iago, or his “love” for Cassio but supports all three” (Neely 145). The other women however, would feel uncomfortable or suspicious with how close their husbands may be to others, but Desdemona finds it pleasing. Neely mentions that she doesn’t have much sense or concern of class and rank like the men. She treats everyone with the same amount of respect as she would the Duke. Desdemona has no recognition of the secretive and tactful things going on around her or even involving her. When Othello confronts her in their chambers (V, ii, 23-83) Desdemona is startled and dumbstruck as to the accusations being brought upon her. Her passiveness comes into play at this particular time mainly because she has absolutely no clue that people could be so horrible as to lie about one another in a manner such as this one. She seems to believe that all men are honest and good. The absurd fact of her husband believing she betrayed him because of lies he has been told, is a complete shock to …show more content…
Neely gives great insights to support the visualization of her passiveness along with self-realization of her true personality portrayed in Shakespeare’s play. Though points and opinions are given on how “innocent” Desdemona may seem she still plays the role of an unaware damsel. She is a truly kind and loving person which is shown throughout the play by how she treats a wide array of people, rich and poor. Her ignorance of hierarchy and rank just shows how passive she is about her government and how things truly worked in that time period. She continually plays the passive role though, her submissiveness comes into play the longer she is with Othello. The severity of Desdemona’s submissiveness towards Othello may be perceived in many different ways. His effect on her behavior however, is stunning. Desdemona is a strong and big hearted woman which falls outside of the realm of normal Shakespearean characteristics. It is seen throughout this play that Shakespeare did not intend for Desdemona to be like all of the other women, he did not want her to be rebellious and unfaithful. He intended her to be just how he portrayed her, submissive to her husband and passive towards all things
Othello is a play that asks us to examine the position of women in society. This play explores issues such as clandestine marriage, accusations of adultery, and it includes three different social classes of women. First, we have Desdemona, this is a woman from a noble family in Venice and has the least amount of freedom. Her behavior was watched very carefully. The perception of Desdemona is created by the language that other characters use to describe her. In Act 2, Scene 1, Cassio refers to Desdemona as ‘a maid/That paragons description and wild fame’; that she
First, in order to defend Desdemona's chastity, Emilia challenges the societal norm of silence. Recall the incident when Othello calls Desdemona a "whore" for cheating. In response, Emilia protests loudly against Othello and attempts to disprove his belief that Desdemona is not chaste: "A halter pardon him [Othello]! And hell gnaw his bones! / Why should he call her [Desdemona] whore? (4.2. 143,144). Instead of Emilia conforming to the attribute of Renaissance women as silent, she condemns Othello for his false accusations against her mistress, Desdemona. Later in the play, after finding Desdemona killed, Emilia challenges silence again: "As ignorant as dirt! Thou hast done a deed-... / The Moor hath killed my mistress!" (5.2. 171,174). Although Othello tells Emilia that it would be "best" for her to remain silent, she ignores his request and ridicules him for killing "sweet" Desdemona (5.2. 169).
In Act 1. Desdemona admits that she fell in love with Othello's eloquence and harrowing adventures; 'I saw Othello's visage in his mind'. This outlines his sense of nobility in language,which empahsis how much of an experienced warrior ans revered noble man he is. Moreover Desdemona reveals Othello's nobility of love, 'She loved me for the dangers I had passed/ I loved her that she did pity them'. She succeeds in unveiling a side in Othello's nature which show him as a loving, respectful husband. He is clearly trustful of Desdemona and is not by any means jealous of him, as he allows her to travel to Cyprus with Iago,' To his conveyance I assign my wife'.
In the novel Othello, written by William Shakespeare, there are a variety of ways in which women are portrayed. There are strong willed women such as Emilia, who stands up to the men, especially to her husband. If he is wrong she would openly admit that he is incorrect. There are also women who are thought to be a possession as well as extremely submissive to their husbands such as Desdemona. She is the type of woman that will obey her husband to the day she dies. Desdemona believes that her husband is always right and he will never do anything that will lead her into the wrong direction. Many of the women in this time thought the same way. They are viewed as house workers, cooks, and teachers to the children. In addition to those qualities women obtain, having no authority in marriages is also added to the list. In this novel, there is judgment against women because they are “unequal” to men. They are not allowed to do the same as men for the reason that they do not possess the same qualities as men. Men were considered to be superior to women. Women were treated as their “slaves.” In contrast, today’s time women now have power. They have the right to vote, run for office, and even work outside their homes. Women now play the part as the male and female figure in the households. They are considered independent women, not relying on a male figure. Even if they are married now, they do not listen to everything that their husbands tell them to do. It states in the Bible that a male figure is the head of the households; however women today have strayed away from that view that they had back then. They want to be the dominate figure. Times have really changed from the past to the present. W...
Throughout the play women are treated as objects to be toyed with by men. The only power women have is their sexuality, which is thought to be something that is vile and intrusive. “ ...honest exchange between the two women on the subject of sexual morality...they lightly discuss, in less than an hour, both these women will be dead... about a subject their husband won 't talk about” (Grennan 280-281). For married women to speak of sexuality casually it alludes to their inevitable death. The only time a woman is left unchecked by a man, she is killed a few moments later by her own husband. However, women begin to feel more empowered when they are able to speak freely which is why they are supposed to be kept silent. With two out of the main three women dying in the play, it is clear that woman had a lesser role than men. Even Desdemona goes on to state how she knew she was an object, but then goes on to say how even objects can have meaning. Referring to Grennan “In this world, objects also carry symbolic weight, transmitting meaning beyond their apparent significance. Here the worlds seem to offer a glimpse into the deep interior of Desdemona’s mind...” (Grennan 278). We learn that Desdemona seems to be content with being an
In fact, Desdemona holds herself in such high regard that she almost seems incapable of believing that anyone else may not. Luckily for her, Othello similarly holds her in high regard, at least until Iago begins to manipulate him. Even before Othello, Desdemona’s own father, Brabantio, thought highly of her. When she elopes with Othello, he never believes that she ran away from home willingly. He believes that Othello had enchanted her until she herself says otherwise. Upon this realization, Brabantio, warns Othello against Desdemona, telling him:
Throughout the play, although she seems to be soft-spoken until the end, she is never deceitful or rude towards people unnecessarily. She tries her best to help Cassio regain his position and to maintain her marriage with Othello and has no ill will in her heart. DESDEMONA. How now, my lord? I have been talking with a suitor here, A man that languishes in your displeasure.
Desdemona demonstrates weakness in her love for Othello and by taking his abuse. At the beginning of the play, Desdemona feels she must accompany Othello to Cyprus in war. This can be looked at as her being a strong woman, but she truly is not since the real reason she wants to go is because she can not be seperated from Othello. "If I be left behind A moth of peace and he go to the war, The rites for which I love him are bereft me,And I a heavy interim shall support by his dear absence. Let me go with him." (Act 1, scene 3, line 250) She feels that she loves him so much, she can not be alone or without him. This is a trait of the stereotypical damsel. When Othello hits her in public, she does not get angry with him but begins to cry. " 'Tis very much.Make her amends, she
Statement of intent: The role of women in William Shakespeare’s play Othello is portrayed through the behaviors and actions of Desdemona, Emilia, and Bianca. William Shakespeare integrates his Elizabethan society to create the patriarchal Venetian society in the play. Women in his society were seen as inferior to the men. The three women play a significant role in different social stratification. How are women submissive, possessions, bold, and degraded to sex objects and whores? How have they displayed unconventional acts and boldness?
In Greek, Desdemona means ‘the unfortunate’, perhaps reflecting an ideology that she is not meant to be liked, merely pitied for her misfortune as a tragic victim (commonly defined as someone who dies due to the faults of others). Throughout Othello, Desdemona is presented as pure and innocent – in regards to this, Auden’s comment is unusual as Desdemona is seldom criticised; indeed many critics are complementary, giving her titles such as ‘gentle Desdemona’.
Since women are possessions and are supposed to obey their husbands every command, one could assume that women were also weak and submissive, Desdemona is seen as the epitome of the downtrodden woman by some modern day feminists, and there is a sufficient amount of evidence to support this claim. Desdemona herself states 'I am obedient' (III...
All through history, the role of women and their place in the general public has tremendously changed. William Shakespeare’s Othello was established during a time period where the role of women and their collective value were downgraded in the Venetian and Elizabethan era. During the Venetian era women were dominated by their sexual orientation. The Venetian era had a patriarchal society. In a patriarchal society, the father is the head of the household and men have authority over women and children. During the Elizabethan era the conduct toward women was vicious. Women were considered second class citizens. Males only consider women as possession, who is obligated to remain submissive and meek. Additionally, women are expected to be quiet, obedient to male figures, and chaste. Women were either considered a good wife or a whore. There are only three women in Othello; Desdemona, Emilia, and Bianca. Desdemona is the passive wife of Othello who has a quite idealistic take on life and marriage. Emilia is the cynical, perceptive women who seem to have a bitter take on her marriage to Iago. Bianca is portrayed as the whore of the play, and she has relations with Cassio. Although, each woman varies in roles and personality, they all had a common trait; they lived in a patriarchal society and suffered together. Each of them live in a society where it was ideal to think women were psychologically and physiologically inferior to men, however in reality each of them knew their role in society.
Desdemona changed in a negative way. She let her husband overpower her more and more during the play. She was a very passive character and just went with everything he said because she believed that he was always right. She didn't have the will power to stand up for herself, which ended with Othello suffocating her to death. Even after he tried to kill her, she still was obedient towards him.
Desdemona is portrayed as the highest class a female could accomplish. She is elegant, honest and loyal to her husband as any other good Elizabethan married woman would be. She is presented as the ideal woman. Desdemona symbolizes innocence and helplessness against men. Shakespeare presents Desdemona as a mature and knowledgeable woman for her age as she defends her love for Othello to her father, Brabantio. However this is seen differently in the eye's of the society. Brabantio declares her as "Against all rules of nature"(scene.. line...). This statement reveals what the society believes what is natural and what is unnatural. To the society, "natural" is when a women complies to their husbands and fathers wishes, but it's unnatural for a women to do anything else. Women are referred to as property, clearly stated when Desdemona's father angrily calls Othello a "theif" (scene...line..). Here, Brabantio addresses Desde...
...ps their characters to function with adjusted roles in culture. In his novel Othello, William Shakespeare reveals Desdemona and Emilia’s courage through situations involving conflict to portray the ability for women to stand up for themselves as he exhibits his idea of feminism through their actions. The courageous attitudes of these women and their passionate voice grew stronger throughout the play as they eventually died staying true to their beliefs. This transformation parallels the rights of women over history, as the female population progressed very slowly towards a more equal position in society. With Shakespeare being an advocate for women’s unheard voices during the Elizabethan period of time, he is able to use Desdemona and Emilia’s characteristics to contrast what the world was like during that era, and how he viewed and wished the world would function.