Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Gender roles in society and culture
Gender roles in society and culture
Gender roles in society and culture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Gender roles in society and culture
The oppression of women is unfortunately present throughout the world’s cultures, due to a predominantly patriarchal world view. While in many parts of the world equality is starting to rise, there is still a large discrepancy in power between men and women even in the most liberal and progressive of areas. The relationship with this patriarchy that women choose to have can either be passive or active on both sides of the scale, be it for the system to continue or against its repressive beliefs. In the Arab world, there are many art pieces that seek to explore these various relationships, and analyze how women of different beliefs about this system interact. By analyzing the women of the works of The Silences of The Palace, a film by Tunisian director Mufida Tlaiti, and the plays House of Wives and You Have Come Back by Tunisian writer Fatima Gallaire, the dynamic between active and passive women and the society around them can be explored. Mufida Tlaiti’s film The Silences of The Palace tells the story of a woman revisiting her childhood home and reliving her adolescence through a series of flashbacks as she tries to come to terms with who she is. Alia, our …show more content…
While away at college in France, Lella marries a Frenchman, and upon returning home the elder females who served her father confront her and accuse her of “betrayal”, “desertion”, and blasphemy for marrying a man not of their religion (411). The Elders kill Lella’s nurse, Nounou, and neighbor when they try to defend Lella, and beat Lella to death after she accuses them of being “dead for ages” for their constrictive beliefs (427). The play ends with the group of female Elders “bowing and kissing [a] Male Elder’s hand as they leave”, as he “nods with satisfaction” at Lella’s dead body and tells the women they have “done [their] duty”
She then moves on to be a gracious host to all of these men, again showing success in her womanly duties. Later that night one of the visitors, Sextus Tarquinis, comes into her room, and forces himself upon her, telling her that if she does not comply he will make it look like she had an affair with one of the servants (Livy, 101). She yields to him because she does not want it to seem as if she had an affair and is not able to explain what occurred.... ... middle of paper ...
It revolves around the issues of gender oppression, sexual assault, and importance of social status. Alifa Rifaat manages to express her opinions towards these themes by writing about a typical Egyptian marriage. She puts in focus the strong influence that a patriarchal society has. She also manages to prove how important social status is in society. The uses of literally elements such as theme and irony help express this view. It shows that in a typical Egyptian society women are commonly oppressed by all males in society
is very upset and think that they are the cause of her "death". Also, the Friar
Lila Abu-Lughod’s article titled, “Do Muslim Women Really Need Saving?” takes a closer look at the problematic ethnocentric approach many have when trying to gain an understanding of another culture that may be foreign to that individual. In this analytical paper, Lughod looks at women in Islam, specifically the treatment of women and how it might be utilized as a justification for invading into a country and liberating its people. The country Lughod refers to in her article is Afghanistan, and Lughod points out the misunderstanding from the people to the Bush administration like First Lady Laura Bush who believed that intervention was necessary to free women from the captivity of their own homes. It is important to consider the role that different lenses play into all of this, especially when one’s lenses are being shaped by the media. Depictions of covered women secluded from society leave a permanent image in the minds of many, who would then later support the idea of liberation. This paper will discuss that the practice of using propaganda when referring to the lifestyle in the Middle East is not exclusive to the U.S; rather it has been utilized throughout history. Additionally, we will take a closer look on the importance of symbols, such as veils in this case; help to further emphasize the cause to liberate. Finally, we will analyze Lughod’s plea towards cultural relativism and away from liberal imperialism.
Both el Saadawi and Al-Shaykh both show how perception and expression are both affected within the confines of politics, social opportunities, and male privilege depicted in their stories. Whether the reader is a follower of the feminist movement or not, it is very clear and easy to see that these women are not being treated with the respect that any human being deserves. The misogynistic stranglehold on society, especially in this part of the world, is excessive and avoidable in today’s world but it is very likely that the traditional, conservative ways of the past will continue to control and inhibit women from being able to be fully treated as equals for many years to come, perhaps even after this generation has
The female characters in Molière’s Tartuffe display feminist behaviors years before the feminist movement emerged historically. Many of their actions, words and behaviors are completely out of character for women of their time. Moliere makes a strong statement with this play by presenting female characters that go against convention. The gender inequality when the Enlightenment began was extreme. The women in this play try to fight against this inequality and in the end it is the patriarch of the family that is fooled by Tartuffe yet most of the female characters remain un-fooled throughout the play. Two of the female characters in this play, Doreen and Elmire play significantly different roles in the home. They have different personalities, different household duties and drastically different social standing. As different as these women are, they both show signs of early feminism. To various degrees they fight for want they believe is right. Dorine speaks her mind openly and does not hold anything back. Elmire is sneakier and uses her sexuality to get what she wants.
The picture is a scale in which the female side is higher than the male side. Women have always been since as less than a man, an outlook that can be traced all the way back to the bible. According to the bible, Eve was created from Adams rib, which was supposed to be construed as his loving her because she was made of his flesh has been corrupted that women are less than a man. Even the United States, the pioneer of freedom and rights, still pays a woman less than a man. A women’s opinion is still doubted or in some cases not even listened to especially when they hold positions of power. In third world countries, if a woman is attacked or raped it is her fault, just because she is a woman. Infanticide, the killing of female babies, is still predominant in areas all over the world. Mothers rid themselves of girl children so that they don’t have to worry about dishonor or providing a dowry. This killing of females is also represented in the art. This artwork should remain on Tejon Street as a reminder as how far we have come as women and how we have much work ahead of us in order to get true
“The Harem Within” is a pioneering work that opens discussion of women’s rights in Islamic societies. With her humble life story Mernissi gives not only a voice to Moroccan women, but stands her advocacy for individual freedom and battle against the harem within. The narrative is a literature example that figures the women discrimination and appeal for
There is a long history of gender roles in society. The expectations of gender roles continually shift; however, there is not a time when women and men share the same equalities simultaneously. The idea of how men and women should act is instilled in us at a young age. I think it starts really young with girls and boys being told what they can be and when they see what they are expected to be, they abandon parts of them which society deems as undesirable. We don’t acknowledge how much pressure we put on men and women to conform to the ideas of gender roles but it is apparent in our media and in the history of our art. One of the most influential things about figurative art is that it has the ability to capture society’s concepts of how men and women are expected to be during that time period. One thing for certain about gender equality is that it has historically and predominantly been a women’s movement. This sculpture, entitled Portrait Bust of a Woman with a Scroll, stood out to me in particular. It is is made of pentelic marble and dates back to the early 5th century. The sculpture shows a woman with a restless face, clothed in a mantle and head piece while holding a scroll. This sculpture reflects the women’s intelligence and capabilities being overshadowed by her gender and
In the novel She and in the stories of The Arabian Nights, both Haggard and Haddawy explore the expanding gender roles of women within the nineteenth century. At a time that focused on the New Woman Question, traditional gender roles were shifted to produce greater rights and responsibilities for women. Both Ayesha, from Haggard’s novel She, and Shahrazad, from Haddawy’s translation of The Arabian Nights, transgress the traditional roles of women as they are being portrayed as strong and educated females, unwilling to yield to men’s commands. While She (Ayesha) takes her power to the extreme (i.e. embodying the femme fatale), Shahrazad offers a counterpart to She (i.e. she is strong yet selfless and concerned with the welfare of others). Thus, from the two characters emerge the idea of a woman who does not abide by the constraints of nineteenth century gender roles and, instead, symbolizes the New Woman.
In the book, Women in the Middle East, a Saudi Arabian proverb states, "A girl possesses nothing but a veil and a tomb" (Harik and Marston 83). The key words, "veil" and "tomb" lend evidence to the fact that many Middle Eastern women lack identity symbolized by the “veil” and lack the right of ownership except for their veil and the tomb. This statement further enforces the notion that many women in the Middle East are expected to serve and tolerate the oppression of the men in their lives throughout their lives on this earth. Moreover, it confirms that many of these women do not get the opportunity to obtain education, join the work force, and even participate in the political affairs of the country. This arrangement further helps the Middle Eastern men to view women as their properties, servants, or even as slaves. Ultimately, there are three main reasons why Middle Eastern men engage in the act of oppressing their women.
The Women of the Middle East have played substantial roles for their corresponding countries since the advent of colonialism in the region. Middle Eastern women have worked in all types of fields including medicine, education, agriculture, government, private sector, and even defense. They have kept roofs over their family’s heads while their husbands were away in wars, or even in foreign countries to work in jobs that they could not find in their own countries. The roles of women in the countries of Yemen and Oman are no exception, but while they still find ways to contribute to their country, they care constantly stereotyped, discriminated, and ridiculed by men who are known and unknown to them. This paper will discuss the individual contributions of the women living in Yemen and Oman, and will discuss in further state laws and cultural norms that are affecting the women living in these countries today.
Perhaps the main reason I liked this book was the unfaltering courage of the author in the face of such torture as hurts one even to read, let alone have to experience first-hand. Where men give in, this woman perseveres, and, eventually, emerges a stronger person, if that is even possible. The book’s main appeal is emotional, although sound logical arguments are also used. This book is also interesting as it shows us another face of Nasir – the so-called “champion of Arab nationalism” – who is also the enemy of pan-Islamism. The book is also proof of history repeating itself in modern-day Egypt.
Alienation is a concept that is universal to all people of all cultures in the world and throughout all time periods. These feelings of alienation, in some form or another, have affected every human begin that has ever taken a breath and will until the race is extinct. It is these feelings of alienation that influence so many of our activities, our thoughts, and the way we shape our lives and the manner in which we form our societies. It is these reactions to alienation that have played such a large role in the shaping of cultures and societies and for this reason it is important to study the alienation that is being discussed here. It is necessary to choose a group first of all and for our purpose here it will be women in the Arab culture. This is a very diverse culture and therefore we cannot deal with any specific society too in depth and so therefore we will look at examples provided from Arab women’s novels as well as look at the culture as a whole and over a large geographic region. We will be primarily concerned with the sources of alienation that bring these feelings and/or situations of alienation about and focusing on a socioanalytic evaluation of these sources. Also important in this discourse are the situations of the present that we will examine by looking at a few examples from the Arab women’s novels, but also the in-depth analyses of the situations and experiences. Finally, we will look at what these situations and analyses mean for the future of Arab women and the circumstances they may be provided with in years to come and how they might deal with new forms of alienation and at the same time different forms of dealienation or situations of being able to enter parts of society and the world that they have not been able to for numbers of years, and in some cases parts they have never experienced—historically speaking. In short, the purpose of this discourse is to understand the alienation that is a part of the lives of Arab women. This is not supposed to be a definitive analysis, but rather the introduction
The uncivilized character of Indian men exhibited violence that now has turned to the silences many of them unwillingly endure years later. The topic of the Indian partition is a controversial topic, it was a time where women were symbolized as national subjects, and faced the horrific procurement of religious catastrophe. The confusion of not understanding such mental lapse is the silence is best depicted through children in the movie, 1947 Earth. It is the battle Lenny and writer Butalia deal with, as Butalia paints a vivid picture of silence though her oral history, The Other Side of Silence. Butalia recounts the silence that lies within an interviewee’s memory, as she recounts, “‘I cannot ...