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Women's role in the great gatsby
Portrayal of women in great gatsby
Women changing society 1920s
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F. Scott Fitzgerald, having lived through the era of the “New Women” in the 1920’s, uses two female protagonists in both his novel Great Gatsby (e.g. Daisy Buchanan) and his short story “Bernice Bobs Her Hair” (e.g. Marjorie Harvey). As such, he personifies his desired theme to define the female presence shaped by shifts in society during the 1920’s. He uses an apathetic and cynical tone that paints each character in a negative light. In other words, American women were known as having unequal rights as compared to men; they were often entrapped in oppressive marriages and seen as the inferior sex. Women are portrayed as inferior to men through Fitzgerald’s writings of both the Great Gatsby and “Bernice Bobs Her Hair.” Both passive-aggressive …show more content…
Daisy and vindictive Marjorie are two out of the many female characters Fitzgerald uses as a vehicle to portray or express and deliver the message of the societal norms, expectations, and the generalized behavior of typical 1920’s women. By positioning them as symbols of the social trends during that time, Fitzgerald explicitly characterizes Daisy and Marjorie in a negative light, in order to reflect his own beliefs about the era of the “New Women”. For example, even though Marjorie, a girl who “never giggled, [is] never frightened, [is] seldom embarrassed, and [has] very few qualities [that are] considered appropriately and blessedly feminine,” (“Bernice” 3) she still had many suitors, particularly Warren McIntyre, who “worshipped Marjorie” throughout the entire short story (“Bernice” 1). In the Great Gatsby, Fitzgerald used both Nick and Jordan to comment on Daisy’s personality and imply to the reader that Daisy was nothing but a “low, vulgar girl” (Gatsby 116) who “smashed up things and creatures and then retreated back into [her] money or [her] vast carelessness” (Gatsby 179). Fitzgerald also portrays these two characters as having striking contrasts between one another.
The more evident difference between the two characters was that Marjorie is characterized to represent the more modern ideals of 1920 feminism through her rebellious and manipulative actions, while on the other hand, Daisy is a symbol for the contrasting Victorian, more traditional, ideals of femininity through her charming and materialistic ways. For example, rather than depicting Marjorie to be a sweet and innocent girl, he portrays her to be a “girl…who really [does] have a good time” (“Bernice” 5) and a girl who frequently has “slightly intoxicated undergraduates… [make] love to her” (“Bernice” 4). This defines Marjorie as an unruly human being, reflecting Fitzgerald’s implicit views towards the modern women during the 1920 society. Daisy, on the other hand, is made to be more traditionally dependent, having been given characteristics of typical women from the Victorian Age. Fitzgerald’s use of a whimsical and fanciful tone when it is stated that Daisy’s voice is “full of money… [with an] inexhaustible charm that rose and fell in it, the jingle of it, and the cymbals’ song of it… the golden girl” (Gatsby, 120) and Daisy herself exclaiming “Sophisticated—God, I’m sophisticated!” helps prove this point. Overall, Fitzgerald, because of his continual ¬¬¬negative tone surrounding both Daisy Buchanan and Marjorie Harvey, characterizes them in a vilifying manner with the purpose of giving the reader insight into the female presence of past WWI. In other words, personifies his desired theme to define the female presence shaped by shifts in society during the 1920’s to not only provide the reader with insight, but to also reflect his own opinions about the era of the “New Women” through Daisy and Marjorie’s
personalities.
Society continually places restrictive standards on the female gender not only fifty years ago, but in today’s society as well. While many women have overcome many unfair prejudices and oppressions in the last fifty or so years, late nineteenth and early twentieth century women were forced to deal with a less understanding culture. In its various formulations, patriarchy posits men's traits and/or intentions as the cause of women's oppression. This way of thinking diverts attention from theorizing the social relations that place women in a disadvantageous position in every sphere of life and channels it towards men as the cause of women's oppression (Gimenez). Different people had many ways of voicing their opinions concerning gender inequalities amound women, including expressing their voices and opinions through their literature. By writing stories such as Daisy Miller and The Yellow Wallpaper, Charlotte Perkins Gilman and Henry James let readers understand and develop their own ideas on such a serious topic that took a major toll in American History. In this essay, I am going to compare Gilman’s “The Yellow Wallpaper” to James’ “Daisy Miller” as portraits of American women in peril and also the men that had a great influence.
The American Dream as portrayed in the 1920s is money, fame, and love. Everyone wants to have money and be known and loved. It’s not always easy to have all and in some stories it’s not possible to have it all. Therefore it’s called the “American Dream,” with the word dream because it can mean what people hope for. In the stories The Great Gatsby and “Bernice Bobs Her Hair,” the characters strive for the American Dream.
The twentieth century was filled with many advances which brought a variety of changes to the world. However, these rapid advances brought confusion to almost all realms of life; including gender roles, a topic which was previously untouched became a topic of discourse. Many authors of the time chose to weigh in on the colloquy. In F. Scott Fitzgerald’s The Great Gatsby and Kate Chopin’s The Awakening, gender role confusion, characteristic of modernist literature, is seen in Nick Carraway and Edna Pontillier as they are the focal points in the exploration of what it means to be a man or a woman, their purpose, place, and behavior in society.
With the increasing popularity of female-oriented post-secondary education, the growing number of women working outside the home in professional occupations and the newly granted right to suffrage, women directly challenged the traditional notions of American Womanhood in the 1920’s. In just seventy one years since the Seneca Falls Convention, feminists in America accomplished sweeping changes for women politically, economically, and socially. Attempting to reconcile the changing concept of womanhood with more traditional female roles, male writers often included depictions of this “New Woman” in their novels. Frequently, the male writers of the Progressive Era saw the New Woman as challenging the very fabric of society and, subsequently, included
In this novel Fitzgerald shows Tom and George’s negative philosophy’s towards women. He shows in The Great Gatsby how men can be heinous, but he also shows the positive treatment of women by men in the form of Nick and Gatsby’s characters. Fitzgerald is trying to portray that there are a lot of men that mistreat women in the world, but there are those select distinguished few such as Nick and
How does one compare the life of women to men in late nineteenth century to mid-twentieth century America? In this time the rights of women were progressing in the United States and there were two important authors, Kate Chopin and John Steinbeck. These authors may have shown the readers a glimpse of the inner sentiments of women in that time. They both wrote a fictitious story about women’s restraints by a masculine driven society that may have some realism to what women’s inequities may have been. The trials of the protagonists in both narratives are distinctive in many ways, only similar when it totals the macho goaded culture of that time. Even so, In Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing we hold two unlike fictional characters in two very different short stories similar to Elisa Allen in the “Chrysanthemums” and Mrs. Louise Mallard in “The Story of an Hour”, that have unusual struggles that came from the same sort of antagonist.
In Charlotte Perkins Gilman's short story "The Yellow Wallpaper," the reader is treated to an intimate portrait of developing insanity. At the same time, the story's first person narrator provides insight into the social attitudes of the story's late Victorian time period. The story sets up a sense of gradually increasing distrust between the narrator and her husband, John, a doctor, which suggests that gender roles were strictly defined; however, as the story is just one representation of the time period, the examination of other sources is necessary to better understand the nature of American attitudes in the late 1800s. Specifically, this essay will analyze the representation of women's roles in "The Yellow Wallpaper" alongside two other texts produced during this time period, in the effort to discover whether Gilman's depiction of women accurately reflects the society that produced it.
For readers who observe literature through a feminist lens, they will notice the depiction of female characters, and this makes a large statement on the author’s perception of feminism. Through portraying these women as specific female archetypes, the author creates sense of what roles women play in both their families and in society. In books such as The Grapes of Wrath by John Steinbeck and The Great Gatsby by F. Scott Fitzgerald, the roles that the main female characters play are, in different instances, both comparable and dissimilar.
Dubbed the ‘roaring 20s’, because of the massive rise in America’s economy, this social and historical context is widely remembered for its impressive parties and sensationalist attitude. However, Fitzgerald also conveys a more sinister side to this culture through numerous affairs, poverty and a rampage of organised crime. By exposing this moral downfall, Fitzgerald reveals to the responder his value of the American dream and his belief of its decline. As a writer, Fitzgerald was always very much concerned with the present times, consequently, his writing style and plot reflects his own experiences of this era. So similar were the lives of Fitzgerald’s characters to his own that he once commented, “sometimes I don't know whether Zelda (his wife) and I are real or whether we are characters in one of my novels”. In 1924, Fitzgerald was affected by Zelda’s brief affair with a young French pilot, provoking him to lock her in their house. A construction of this experience can be seen in the way Fitzgerald depicts the 1290s context. For example in ‘The Great Gatsby’, there are numerous affairs and at one point, Mr Wilson locks up his wife to pre...
Fitzgerald comments on the changing role and attitudes of women of the 1920s in America. He shows this through the characters Daisy and Jordan. Daisy and Jordan both drink, smoke and drive, and associate freely with men. Daisy's flirtatiousness is an example of this, along with her drunken state in the first chapter when she says 'I'm p-paralysed with happiness'. Daisy also shows the attitude Fitzgerald felt was common in this society, when talking about her daughter.
Throughout time women have been written as the lesser sex, weaker, secondary characters. They are portrayed as dumb, stupid, and nothing more than their fading beauty. They are written as if they need to be saved or helped because they cannot help themselves. Women, such as Daisy Buchanan who believes all a woman can be is a “beautiful little fool”, Mrs Mallard who quite died when she lost her freedom from her husband, Eliza Perkins who rights the main character a woman who is a mental health patient who happens to be a woman being locked up by her husband, and then Carlos Andres Gomez who recognizes the sexism problem and wants to change it. Women in The Great Gatsby, “The Story of an Hour,” “The Yellow Wall Paper” and the poem “When” are oppressed because the fundamental concept of equality that America is based on undermines gender equality.
What’s Fitzgerald’s implicit views of modern women in this novel? Daisy and Jordan dress the part of flappers, yet Daisy also plays the role of the Louisville rich girl debutante. A good question to ask is perhaps just how much Daisy realizes this is a “role,” and whether her recognition of that would in any sense make her a modern woman character.
On page five of “Bernice Bobs Her Hair”, Marjorie says "I hate dainty minds, but a girl has to be dainty in person. If she looks like a million dollars she can talk about Russia, ping-pong, or the League of Nations and get away with it." In other words, she hates it when girls are dumb, but they have to learn how to play dumb. The only way to stay on top of the hierarchy is to be beautiful, attract men by playing dumb, and only then are you actually able to be yourself while hiding under your dumbed down persona. In The Great Gatsby when Daisy is talking to Nick about her daughter she says “I’m glad it’s a girl, And I hope she’ll be a fool- that’s the best thing a girl can be in this world, a beautiful little fool.” (17) Daisy also thinks women should be fools, but my her saying this she is acknowledging it therefore proving she is not a real fool herself. She just knows how to play the system to get what she wants. Daisy wants social status and she pretends to be a fool to get it, which is exactly what Marjorie is doing as
In F. Scott Fitzgerald's, The Great Gatsby, the main female character, Daisy Buchanan, is portrayed by, Nick, the narrator, only by her superficial qualities. “Guided only by Nick’s limited view of her, readers often judge Daisy solely on the basis of her superficial qualities” (Fryer 43). What the reader sees through the eyes of Nick only appears as a woman whose impatience and desire for wealth and luxury cost her the love of her life, Gatsby. Nick’s narrow perception does not allow one to see that “…[Daisy’s] silly manner conceals a woman of feeling or that her final ‘irresponsibility’ towards Gatsby stems from an acute sense of responsibility towards herself” and that Nick “…clearly does not understand what motivates her” (Fryer 43). One can easily view Daisy as a victim. Fitzgerald distinctly exposes Daisy’s need for stability, which, according to Fitzgerald or perhaps the mentality of the time period, can only be found in a man. “Her need for stability was immediate, and she attempted to satisfy that need through something tangible, something close at hand” (Fryer 51). This “need” that Fitzg...
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.