Women Empowerment Depicted in Maxine Hong Kingston’s Autobiography The Woman Warrior

1791 Words4 Pages
bulb-icon

Recommended: Essay about female oppression in society

As newer generations take on the responsibility of passing down their people’s history and culture, ancestral costumes are maintained but altered to suit current social standards. Through Maxine Hong Kingston’s autobiography The Woman Warrior, a memoir of myths and her mother’s narratives, the author is given a sense of empowerment as she discovers her own identity and, thus, her place in the world. Growing up, Kingston struggled with her dual heritage, not knowing whether to follow her family’s Chinese customs or live up to American society’s cultural and social norms. As a Chinese American, Kingston adapted the principles of these two distinct cultures to suit her own lifestyle, this led to her dual oppression by both American and Chinese culture and society; her mother often disregarded her opinions because she considered her to be “half a ghost”; a Chinese American. Although the autobiography does not reveal much of Kingston’s personal struggles, the narratives within it do reflect and follow her discovery of her personal identity. Her mothers’ parenting skills of complying to and contradicting stereotypes of oriental women, permitted her to visualize the potential to attain a better life and to be the exception of the ongoing stereotype of the submissive oriental woman. By rebelling against certain aspects her Chinese heritage, Kingston set high standards for herself and other Chinese American women and this serves as an inspiration for other oppressed oriental women.

Uncertain about her identity, Kingston relied on her mother’s narratives to aid her in the process of finding her independence and discovering who she was. Although Brave Orchid frequently enforced Chinese customs amongst her daughters, she often contradi...

... middle of paper ...

... her heritage and the struggles of being a first generation Chinese American, she projects a message of self empowerment among women whom suffer from oppression or come from a culture of oppression. She acknowledges her determination of wanting to be successful by not complying with the role of the submissive oriental woman. Although she does not submit to the norm of female oppression, Kingston continues to follow other Chinese customs and constantly reminds herself about the past oppression of women and how she is not willing to continue the ongoing cycle. Caught between two distinct social standards, Kingston suffered from identity confusion. As Kingston’s autobiography reveals a message of self empowerment and women oppression, her autobiography continues to lives among the beholder; leaving the reader with a final thought: women will overcome male dominance.

Show More
Related

  • Seeing Red By Ines Talamantez Summary

    1022 Words  | 3 Pages

    The issue of identity also emerged in her commentary on how many Native American women are forced to prove their ethnicity for equality in health care and school: “For urban Indian women, who are not registered in federal government records, social services and benefits are difficult or almost impossible to obtain” (page 222). This governmental requirement for people to prove themselves as being “indian enough” can be damaging to one’s sense of self, and is proof of ongoing colonialism because the oppressors are determining whether one’s identity is legitimate.

    Read More

  • Hangzhou Short Story

    726 Words  | 2 Pages

    Thru-out the centuries, regardless of race or age, there has been dilemmas that identify a family’s thru union. In “Hangzhou” (1925), author Lang Samantha Chang illustrates the story of a Japanese family whose mother is trapped in her believes. While Alice Walker in her story of “Everyday Use” (1944) presents the readers with an African American family whose dilemma is mainly rotating around Dee’s ego, the narrator’s daughter. Although differing ethnicity, both families commonly share the attachment of a legacy, a tradition and the adaptation to a new generation. In desperation of surviving as a united family there are changes that they must submit to.

    Read More

  • Theme Of Identity In The Jade Peony

    1240 Words  | 3 Pages

    This is evident in the persistence of elderly characters, such as Grandmother Poh-Poh, who instigate the old Chinese culture to avoid the younger children from following different traditions. As well, the Chinese Canadians look to the Vancouver heritage community known as Chinatown to maintain their identity using on their historical past, beliefs, and traditions. The novel uniquely “encodes stories about their origins, its inhabitants, and the broader society in which they are set,” (S. Source 1) to teach for future generations. In conclusion, this influential novel discusses the ability for many characters to sustain one sole

    Read More

  • Analysis Of Unbound Feet

    734 Words  | 2 Pages

    In Unbound Feet: A Social History of Chinese Women in San Francisco, Judy Yung narrates the story of the immigration of Chinese American women to San Francisco, their struggles to maintain their homes and raise their children, their ability to acculturate into a foreign way of life, and how these women were ultimately able to succeed in the United States. Unbound Feet is a multi-layered book, with Yung using her own family history as the starting place for her interest and research into the immigration of Chinese American women. Moreover, the title is a play on the Chinese practice of foot binding which “involved tightly wrapping the feet of young girls with bandages until the arches were broken, the toes permanently bent

    Read More

  • Identity Role in Pursuing the American Dream

    1171 Words  | 3 Pages

    Since people who have different identities view the American Dream in a variety of perspectives, individuals need to find identities in order to have a deep understanding of obstacles they will face and voices they want. In The Woman Warrior, Maxing Hong Kingston, a Chinese American, struggles to find her identity which both the traditional Chinese culture and the American culture have effects on. However, in The House on Mango Street, Sandra Cisneros clearly identifies herself as a Hispanic woman, and pivots to move up economically and socially to speak for her race. Even though both Kingston and Cisneros look for meanings of their identities, they have different approaches of reaching the full understanding.

    Read More

  • Maxine Hong Kingston's Essay No Name Woman

    698 Words  | 2 Pages

    The “prodigal” aunt in Maxine Hong Kingston’s essay No Name Woman, was shunned from her family and ultimately ended up taking her life and her bastard child’s, as a result of public shaming. Instead of being heralded as a heroine and champion of women’s rights, the aunt’s legacy is one of shame and embarrassment that has been passed down through generations. While this story’s roots are Chinese, the issue at hand is multi-cultural. Women suffer from gender inequality worldwide.

    Read More

  • A Mother-Daughter Relationship in The Woman Warrior

    1481 Words  | 3 Pages

    “Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.

    Read More

  • Chinese and American Cultures

    4366 Words  | 9 Pages

    Chinese-Americans authors Amy Tan and Gish Jen have both grappled with the idea of mixed identity in America. For them, a generational problem develops over time, and cultural displacement occurs as family lines expand. While this is not the problem in and of itself, indeed, it is natural for current culture to gain foothold over distant culture, it serves as the backdrop for the disorientation that occurs between generations. In their novels, Tan and Jen pinpoint the cause of this unbalance in the active dismissal of Chinese mothers by their Chinese-American children.

    Read More

  • Twinkies

    857 Words  | 2 Pages

    Traditionally, Twinkies are usually thought of as cream-filled yellow sponge cakes. To Chinese Americans, a different image is conjured. When Chinese Americans integrate with the American culture so much that their Chinese culture is much less apparent, they are known as “Twinkies”: yellow on the outside and white on the inside. In Amy Tan’s essay “Mother Tongue” and Elizabeth Wong’s essay “The Struggle to be an All-American Girl”, both girls are Chinese American trying to fit in with the American society while their Chinese mother’s are very traditional at home. Tan and Wong are trying to please their image in America and their mothers at the same time. While these essays are similar because they focus on the native languages used in America and the struggles of being a Chinese American in America, they differ in both their attitudes toward their mothers and personal reflections of being Chinese American.

    Read More

  • Americanization in The Joy Luck Club

    1951 Words  | 4 Pages

    Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.

    Read More

  • Mother Tongue by Amy Tan

    1081 Words  | 3 Pages

    ...in her essay “No Name Woman”. The Chinese tradition of story telling is kept by Kingston in her books. Becoming Americanized allowed these women the freedom to show their rebellious side and make their own choices. Rebelling against the ideals of their culture but at the same time preserving some of the heritage they grew up with. Both woman overcame many obstacles and broke free of old cultural ways which allowed them an identity in a new culture. But most importantly they were able to find identity while preserving cultural heritage.

    Read More

  • Ghosts in The Women Warrior

    1896 Words  | 4 Pages

    Bucci, Diane Todd. "Chinese Americans and the Borderland Experience on Golden Mountain: The Development of a Chinese American Identity in The Woman Warrior: Memoirs of a Girlhood Among Ghosts." Ethnic Studies Review 30.1/2 (2007): 1-11. Ethnic NewsWatch. Web. 12 Dec. 2011. .

    Read More

  • Women In The Woman Warrior By Maxine Hong Kingston

    728 Words  | 2 Pages

    The Woman Warrior by Maxine Hong Kingston portrays the complicated relationship between her and her mother, while growing up as a Chinese female in an American environment. She was surrounded by expectations and ideals about the inferior role that her culture imposed on women. In an ongoing battle with herself and her heritage, Kingston struggles to escape limitations on women that Chinese culture set. However, she eventually learns to accept both cultures as part of who she is. I was able to related to her as a Chinese female born and raised in America. I have faced the stereotypes and expectations that she had encountered my whole life and I too, have learned to accept both my Chinese and American culture.

    Read More

  • No Name Women

    1007 Words  | 3 Pages

    Kingston uses the story of her aunt to show the gender roles in China. Women had to take and respect gender roles that they were given. Women roles they had to follow were getting married, obey men, be a mother, and provide food. Women had to get married. Kingston states, “When the family found a young man in the next village to be her husband…she would be the first wife, an advantage secure now” (623). This quote shows how women had to get married, which is a role women in China had to follow. Moreover, marriage is a very important step in women lives. The marriage of a couple in the village where Kingston’s aunt lived was very important because any thing an individual would do would affect the village and create social disorder. Men dominated women physically and mentally. In paragraph eighteen, “they both gav...

    Read More

  • Comparing the Role of the Ghost in Morrison's Beloved and Kingston's No Name Woman

    979 Words  | 2 Pages

    The patriarchal repression of Chinese women is illustrated by Kingston's story of No Name Woman, whose adulterous pregnancy is punished when the villagers raid the family home. Cast out by her humiliated family, she births the baby and then drowns herself and her child. Her family exile her from memory by acting as if "she had never been born" (3) -- indeed, when the narrator's mother tells the story, she prefaces it with a strict injunction to secrecy so as not to upset the narrator's father, who "denies her" (3). By denying No Name Woman a name and place in history, leaving her "forever hungry," (16) the patriarchy exerts the ultimate repression in its attempt to banish the transgressor from history. Yet her ghost continues to exist in a liminal space, remaining on the fringes of memory as a cautionary tale passed down by women, but is denied full existence by the men who "do not want to hear her name" (15).

    Read More

More about Women Empowerment Depicted in Maxine Hong Kingston’s Autobiography The Woman Warrior

Open Document