Women in Shakespeare’s Elizabethan period lived in chains bound by the society with the leash handed first to their father and after marriage to their husbands. The higher the position in society tighter the restrictions. Women were escorted everywhere they went like Desdemona. “Good women followed the instructions of their husband and father’s.” Men did not have to explain themselves and their actions to their possessions.One of the examples of women 's role is given by Shakespeare In act 3 of Othello,when Iago’s wife Emilia says, “I know nothing but to please his fantasy”(3.3.299). From the beginning of the play women 's role is clearly shown as being a commodity , a thing of ownership. Even when Iago in hopes of …show more content…
The term use implies that Desdemona is there to serve Othello in the way he pleases. Even Othello while speaking lovingly to Desdemona about wedding in Act II says, ‘Come, my dear love,The purchase made, the fruits are to ensue’ (2.3.8-9). Othello refers to marriage as a purchase and women are required to slake the sexual appetites of husbands almost as if they should be thankful for the gift of …show more content…
They are labeled in the categories of prostitutes in many terms. The emphasis on women 's virginity is something that hounds Othello throughout the book as he wonders about Desdemona 's fidelity. Iago uses Othello 's Othello 's weakness that was his distrust and jealousy as his downfall. On his way to take Desdemona’s life he provides his reasoning as ‘Thy bed, lust-stained, shall with lust’s blood be spotted’ (V.1.36). Desdemona the ultimate temptation to Othello, according to Cassio,‘our great Captain’s Captain’ (II.1.75), is also portrayed as a temptress. She is shown as women not afraid of her sexuality. She becomes a source of entertainment, a temptation for Othello until towards the end of the story, when he tells Iago, he will , ‘not expostulate with her, lest her body and beauty unprovide my mind again’(5.1.203-5). Even on his way to murder he was afraid of her hold towards him. Towards the end the charms she possessed that he had loved becomes poisonous, evil as his own jealousy eats him
Iago clearly does not have a high opinion of women, and it is because of his low opinion of women that Iago does not feel any guilt in using Desdemona for his gain. Had Iago had a better opinion of women, he may have not used Desdemona as a means to an end, which is an action frowned upon in philosophy (Johnson, “Kant’s Moral Philosophy”). Othello should have kept Desdemona at home, which, according to Vives, would have limited Desdemona’s exposure to men. With Desdemona spending most of her time at home, Othello would not have had to worry about his wife spending too much time with his crew. It is because of Othello exposing Desdemona to “evil” that he should be held accountable for some of the misfortunes that occur in Othello (Vives 274).
Throughout the play Othello is convinced by Iago that Desdemona has had an affair with Cassio, when really Iago is trying to bring as much misery into Othello’s life as he possibly can. At one point Othello, Desdemona, and a few others are talking with Desdemona’s cousin and everything that Desdemona says helps to convince Othello that she is in love with Cassio. Eventually Othello gets mad enough and slaps her in which she reacts in a much different manner than most women of that time period would have. “Othello: I am glad to see you mad. Desdemona: Why, sweet Othello - Othello:Devil! [Strikes her.] Desdemona: I have not deserved this (4,1,217-220).” This is not the only time we see Desdemona tell Othello that he is wrong in his actions. Later, in act four, he calls her a “whore” and accuses her of sleeping around and rather than taking the heat and dealing with the verbal abuse Desdemona speaks out. “Othello:...Impudent strumpet! Desdemona: By heaven, you do me wrong! (4,2,81-82).” Desdemona tries throughout the rest of the play to convince Othello that she is faithful to him and loves him, but as hard much as she tries Othello does not believes any of it and ends up killing her. Shakespeare has made this very vocal female character to show women that even if they were to speak their mind and try to defend themselves no man would ever believe
Othello is a play that asks us to examine the position of women in society. This play explores issues such as clandestine marriage, accusations of adultery, and it includes three different social classes of women. First, we have Desdemona, this is a woman from a noble family in Venice and has the least amount of freedom. Her behavior was watched very carefully. The perception of Desdemona is created by the language that other characters use to describe her. In Act 2, Scene 1, Cassio refers to Desdemona as ‘a maid/That paragons description and wild fame’; that she
The definition of Renaissance women is fundamentally important in William Shakespeare's play Othello. One of the major causes of Othello's tragedy is his belief that Desdemona is not chaste. According to the men of the Renaissance, chastity, silence, and obedience are three attributes that define Renaissance women. Although Othello takes place during the Renaissance, the women in the play, Bianca, Desdemona and Emilia, defy traditional norms by lacking at least one of the major attributes defining women; Bianca's lack of chastity is clearly displayed when she unlawfully sleeps with Cassio; Desdemona's lack of silence is clearly displayed when she constantly urges Othello to give Cassio's position back. However, in the last two acts, Emilia displays the strongest challenge to the definition of Renaissance women as silent, chaste, and obedient, mainly to defend Desdemona.
In the novel Othello, written by William Shakespeare, there are a variety of ways in which women are portrayed. There are strong willed women such as Emilia, who stands up to the men, especially to her husband. If he is wrong she would openly admit that he is incorrect. There are also women who are thought to be a possession as well as extremely submissive to their husbands such as Desdemona. She is the type of woman that will obey her husband to the day she dies. Desdemona believes that her husband is always right and he will never do anything that will lead her into the wrong direction. Many of the women in this time thought the same way. They are viewed as house workers, cooks, and teachers to the children. In addition to those qualities women obtain, having no authority in marriages is also added to the list. In this novel, there is judgment against women because they are “unequal” to men. They are not allowed to do the same as men for the reason that they do not possess the same qualities as men. Men were considered to be superior to women. Women were treated as their “slaves.” In contrast, today’s time women now have power. They have the right to vote, run for office, and even work outside their homes. Women now play the part as the male and female figure in the households. They are considered independent women, not relying on a male figure. Even if they are married now, they do not listen to everything that their husbands tell them to do. It states in the Bible that a male figure is the head of the households; however women today have strayed away from that view that they had back then. They want to be the dominate figure. Times have really changed from the past to the present. W...
The portrayal of gender roles in William Shakespeare’s play Othello, demonstrates the inferior treatment of women and the certain stereotypes of men placed on them by society. Both the male and female characters in the play have these certain gender expectations placed on them. In a society dominated by men, it is understood that the women are to be seen rather than heard. The women are referred to and treated much like property. If indeed they do speak up, they are quickly silenced. One woman’s attempt to be the perfect wife is what ultimately led to her demise. The expectations of men are equally stereotypical. Men are to be leaders and to be in control and dominant especially over the women. The male characters compete for position and use the female characters in the play as leverage to manipulate each other. Shakespeare provides insight in understanding the outcomes of the men and women who are faced with the pressures of trying to live up to society’s expectations, not only in the workplace, but also in the home. The pressure creates jealousy issues amongst the men and they become blind to the voice of reason and are overtaken by jealous rage, leads to the death of many of the characters.
During the Elizabethan era women had a status of subordination towards men. They had a role to marry and oblige to their husband’s wishes. Shakespearean literature, especially illustrates how a woman is psychologically and physically lesser to their male counterpart. The play, Othello, uses that aspect in many different ways. From a Feminist lens others are able to vividly examine how women were subjected to blatant inferiority. Being displayed as tools for men to abuse, women were characterized as possessions and submissive; only during the last portion of the play did the power of women take heed.
Desdemona is one of the few special characters. Desdemona is the daughter of Brabantio. She is a very defiant character when it comes to her fathers’ expectations and the society’s wishes on interracial marriage. Her father hopes that she marries a white man that he approves of, but she does not want that. Instead she chose to marry Othello, who is a black, older man. Despite public opinion, Desdemona does not let that stop her from marrying Othello. In the beginning of the play, Desdemona shows that she is all about excitement. She enjoys the adventurous stories that Othello shares with her about his past. When he is called to go on duty for the military, she tries her best to convince him to let her come along. She tried to go with him because she likes the action and she finds staying at home very boring. Desdemona also likes taking part in sexual activities with her husband. Another reason she wants to go with him when he goes on duty is because of her sexual attraction to him. She wants it so desperately that she asks Emilia is it okay for her to cheat. Desdemona also plays the role of a victim in the play. I say this because Othello abuses her in public ...
When Othello summons Desdemona and dismisses Emilia, “Leave procreants alone . . .; / Cough or cry hem if anybody come. / Your mystery, your mystery! . . .” (IV.2.28-30), he not only dismisses Emilia, accuses Desdemona of infidelity, and betrays his own insane bitterness, but he converts the marriage into a brothel arrangement in which all three are involved, and by so doing establishes imaginative lines of connection with the role of Bianca and particularly with the Iago philosophy of sexual conduct. (331)
The Tragic Treatment of Women in Othello In Shakespeare's drama, Othello, there are many different relationships among the main characters. The way that Shakespeare portrays these relationships sets the stage for the pain and deceit that unfolds within the play. Relations between the men of the play, Othello, Roderigo, Iago, and Cassio, undoubtedly form the main theme. Furthermore, each of the men, except Roderigo, also has woman that stands behind and cares for him.
Women were viewed merely as possessions. After the Duke allows Desdemona to accompany Othello to Cyprus, Othello says 'To my conveyance I assign my wife' (I.3.283), this statement implies that Desdemona and a possession to be transported and guarded. The first Senators phrase 'use Desdemona well' (I.3.288) may suggest he hopes Othello will look after Desdemona, but is more likely to support the the expectations Venetian women had in the 1600s. They were meant to be wives and to obey their husbands. Furthermore the act of marriage was described as a purchase, as seen in Act II when Othello says to Desdemona 'The purchase made, the fruits are to ensue' (II.3.8-9), A woman is purchased by her husband and in turn is expected to fulfill his desires as payment for the privilege of being married to him.
In Shakespeare’s play Othello, the male characters perceive women as adulterous and property, treating them as inferior that need to be submissive and obey. Iago creates a false perception of his wife thinking she is promiscuous. Also, Othello sees his wife as promiscuous, an impression created by his jealousy and one he has convinced himself of it. Furthermore, Iago and Othello perceive their wives as inferior, and by his words, the reader can see that they are both their wife and subordinate. At last, the male characters refer to Desdemona’s marriage as a “steal” and “purchase” of property, then, Iago and Othello end their wives’ lives because they see them as possessions of no good.
The play Othello is presented as a male-dominated society where women are only recognized as property; objects to own and to bear children. Women in the Elizabethan society and in Shakespeare society were not seen as equal to men and were expected to be loyal to their husbands, be respectful, and to not go against their husbands judgements or actions. Shakespeare presents Desdemona, Emilia , and Bianca as women in the Elizabethan time where they were judged based on their class, mortality, and intelligence. Shakespeare makes his female characters act the way they would be expected to act in an Elizabethan society. The role of these women in Othello is crucial because they show how women were treated and how unhealthy their relationships between men really were in both Elizabethan and Shakespeare's society.
The Relationship Between Othello and Desdemona We first learn of there being a relationship between Othello and Desdemona when Iago and Roderigo are telling Roderigo (Desdemona's). Father, that ''an old black ram is tupping your white ewe''. This is referring to Othello and Desdemona having sexual intercourse, and. Shortly after hearing this, we became informed that Desdemona is "Tying" her duty, Beauty, Wit, and Fortunes In an extravagant and wheeling. stranger''.
The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is....Oh, she deceives me Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the impression Desdemona is a devious imp full of disrespect towards her father. However, surpassing normal tradition of asking of her fathers’ permission to wed, Desdemona ran off and did marry the moor. This in a sense was her emancipation of her father’s possessiveness and oblivion of Othello’s dominance over her. Othello replies to Barbantio’s accusation, sedating or using black magic on his daughter, by saying, “My very noble and approved good masters, That I have ta’en away this old man’s daughter. It is most true.” (1.3.79-81), which brings me to the claim that Desdemona’s character in this tragedy, was only to become and to serve as Othello’s private possession rather than a typical beloved daughter or wife as in modern time. Shakespeare bases this tragedy on the foundation of Desdemona’s character by the symbol of the discrimination of women in the Shakespearean time era. Desdemona even for the first and only time within the play stands up and challenges her inferiority under her father’s aut...