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The portrayal of women in literature
The portrayal of women in literature
Studying gender roles in literature
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Sandra Cisneros’ Woman Hollering Creek and Other Stories centers around the emotional, mental and sexual development of women as they explore the limitations placed on them by their culture, families and religion. Through the tales of such historical figures as La Malinche, La Lloronoa and the Virgin of Guadalupe, each woman struggles to fulfill her placement within these guidelines set by her culture. Sexuality, female agency and identity are a struggle for these Chicana women because their relationships and culture place such a stronghold on the way that they are able to express themselves. In breaking away from these set roles, Cisneros’ characters are able to identify themselves as more than virgin, whore or mother; they are now their own …show more content…
Clemencia, named Malinche by her lover, is stuck with this whore persona that she fits in because of her similarities with La Malinche. Similarly Ixchel should, by her grandmother’s standards, feel shame for her actions but she knows nothing of shame because in her eyes, she has done nothing wrong. Clemencia and Ixchel share the pain of their sexuality, as they attempt to control themselves sexually and to embrace their sexuality as a positive, instead of the negative that their culture deems it. However, in “Women Hollering Creek,” identity and sexuality play a completely different role as Cleofilas must find herself through reexamining all of the maternal figures that her culture has supplied. Cleofilas is negatively impacted by her society through telenovelas and the romance novels that she reads as their replacement while living in Texas. These programs are created by the patriarchy and Cleofilas must realize the mistakes within them through her own life and then act out of the roles that society wants for her – not La Llorona as the maternal figure gone wrong or the Virgin of Guadalupe as the passive and gentle female, but as an individual. Cleoflias leaves her husband and her ideals behind in favor of saving herself and her children, and she does so while stepping out of the patriarchal and cultural guidelines that she has stood within for so
In the short story, “Women Hollering Creek,” (Cisneros) Cleofilas, grows up without her mother, and must learn how to become a woman from a show she is watching on television. AT first, Cleofilas
In the story “Woman Hollering Creek” Sandra Cisneros covers the many challenges of being a married woman through the character Cleofilas. Cleofilas is married to a man that would not only mentally abuse her ,but physically also. Cisneros shows how double standards make it difficult for women; putting men above women. The culture has always been dominated by men.
As an American short story writer, Sandra Cisneros was influenced by her mother. She made her get library cards and check out books to read when she was young. During her childhood experiences and ethnic heritage as the daughter of a Mexican father and Chicana mother, Cisneros adresses poverty. She is best known for the award winning House On Mango Street in 1983.This book mainly focuses on the treatment of woman in a Chicano community. The House on Mango Street as well as her recent books, Woman Hollering Creek and other stories have won critical condition of hispanic woman. She wrote the house on Mango Street which started without high expectations. Critics say that this book was highly acclaimed, but she then wrote a poem called The Wicked Wicked Ways, and it was perhaps the most widely read. As today, Sandra Cisneros is considered the most visible chicana in literary circles. She received her first fellowship in 1982,an which allowed her to write full time.She writes in very descriptive; yet simple language creating images through personification. She descriptively wrote on the House on Mango Street about Esperanza’s colorful world of beauty and ugliness. She is a writer who writes in her own way, she wanted to write books that were as unique as her. The books she writes are not like any other books she had checked out form the library or read in school. She wrote about her childhood memories and also the every day language she heard in her “vecindad’ meaning neighborhood in Spanish. She lived in an apartment that had no attic, she felt homeless because neither did she have cellars or crannies but, only a basement which consisted of spiders and mice where no one wanted to store things down there. She then realized that s...
Sandra Cisneros was born in Chicago and grew up in Illinois. She was the only girl in a family of seven. Cisneros is noted for her collection of poems and books that concentrate on the Chicano experience in the United States. In her writings, Cisneros explores and transcends borders of location, ethnicity, gender and language. Cisneros writes in lyrical yet deceptively simple language. She makes the invisible visible by centering on the lives of Chicanos--their relationships with their families, their religion, their art, and their politics.
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
Sandra Cisneros short story “Woman Hollering Creek”, has many allegories about culture, morality, and gender roles.
In a couple between a man and woman, the man is known for being the dominant one in the relationship. In the story "Woman Hollering Creek", by Sandra Cisneros. Cleofilas Enriqueta Deleon Hernandez, is a woman who suffers from her husbands over dominance of the relationship. Cleofila is woman with ambitions to live a meaningful life filled with love and happiness just like in her telenovelas. Instead, she lives in isolation with Juan Pedro Martinez Sanchez, her husband who she loves dearly, but is constantly abused by him. The only friends Cleofila has are her lady neighbors, Dolores and Soledad. In their actions and responses, many women unwittingly reflect the viewpoints and focus of their friends and neighbors
Fitts, Alexandra, and University of Alaska. "Sandra Cisneros's Modern Malinche: A Reconsideration of Feminine Archetypes in Woman Hollering Creek." Sandra Cisneros's Modern Malinche: A Reconsideration of Feminine Archetypes in Woman Hollering Creek 29 (2002): n. pag. 2002. Web
Women Hollering Creek was considered one of Sandra Cisnero's best works. With a Texan view, this 22 short story novel was set upon the late 1960's to 1980's era. There are three distinct sections: “My Lucy Friend who smells like Corn”, “One Holy Night” as well as “There was a Man, There was a Woman”. Each part contains short stories within them. These all consist of a heartwarming girl, Esperanza,who matures into a woman and how she faces these gender roles through love and violence. Cisneros alters the name Esperanza with Chayo, Rachel, Lupe, Ines, and Clemenica, to explain differences between them along with to give the story more lewd effectiveness.
Intertwined in allusions to women of Mexican history and folklore, making it clear that women across the centuries have suffered the same alienation and victimization, Cisneros presents a woman who struggles to prevail over romantic notions of domestic bliss by leaving her husband. In the story Woman Hollering Creek, Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleófilas; a character who is married to a man who abuses her physically and mentally. Cisneros reveals the way the culture puts a difference between a male and a female, men above women. In Woman Hollering Creek, we see a young Mexican woman, who suddenly moves across the border and gets married. The protagonist, Cleófilas’ character is based on a family of a six brothers and a dad and without a mom, and the story reveals around her inner feelings and secrets.
In the first verse of “La casada infiel”, the reader is introduced quickly to the sexist narrative voice and Lorca’s criticism of societal values surrounding female sexuality and sex at the time:
In the novel, The House on Mango Street, Sandra Cisneros describes the problems that Latino women face in a society that treats them as second class citizens. A society that is dominated by men, and a society that values women for what they look like, and not for what is on inside. In her Novel Cisneros wants us to envision the obstacles that Latino women must face everyday in order to be treated equally.
Both of the women didn’t expect the misfortunes that was to come, they fantasized about a perfect marriage and having many children. The author uses a lot of connections to the legend La Llorona, but for Cleo it was a happier ending. La Llorona out of depression and anger she drowned her children. The legend says to make women feel the need to do the same, but for Cleo she beat the odds, she felt comforted by her cries. She knew that she was telling her to leave her husband and be independent. Cleo was surrounded around loneliness and sadness, but with the help of happiness Felice she became finally
In the story "Woman Hollering Creek" Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleofilas; a character who is married to a man who abuses her physically and mentally .Cisneros reveals the way the culture puts a difference between a male and a female, men above women. Cisneros has been famous about writing stories about the latino culture and how women are treated; she explain what they go through as a child, teen and when they are married; always dominated by men because of how the culture has been adapted. "Woman Hollering Creek" is one of the best examples. A character who grows up without a mother and who has no one to guid and give her advise about life.
...Halevi-Wise, Yael (1997). Story-telling in Laura Esquivel's Como Agua Para Chocolate. The Other Mirror: Women’s Narrative in Mexico, 1980-1995. Ed. Kristine Ibsen. Westport, CT: Greenwood Press, 1997. 123-131.