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Joseph campbell on the hero
Joseph campbell on the hero
Joseph campbell on the hero
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According to Joseph Campbell’s hero cycle, a hero undergoes a series of tests designed to push the hero to his or her limits and develop themselves in preparation for the final battle. In the case of Tiffany Aching these tests help her to develop as the witch of the chalk. According to Mistress Weatherwax a witch’s duty is to “look to … the edges” (357); witches “guard the sum of things” (358). A witch is responsible for their land, and all the creatures on it. They defend the weak and “speak up for those who don’t have voices” (42). Tiffany is responsible for the chalk and all of the living creatures on it but she is not yet capable of undertaking such a large responsibility. As Tiffany discovers and develops the characteristics necessary …show more content…
to be a successful witch she begins to assume more of the responsibilities expected of her as the witch of the chalk. Tiffany’s Beginning is filled with different helpers and amulets designed to teach her as much as possible as quickly as possible. It is not until her brother, Wentworth, is taken by the Queen that Tiffany begins to act. Tiffany knows that she cannot go to her parents because they will think that she is “telling stories,” (113) and she “[does]n’t think that the Baron would have a clue how to deal with this” (111). Because there is no one else that can possibly save her brother, Tiffany finds herself forced to take control of the situation and calls on the Feegles to show her where her brother has gone. In this moment she unintentionally accepts the role of a witch and crosses over the Threshold and into her new responsibilities. Tiffany is faced with her first responsibility when she assumes the role as Kelda of the Feegles. Tiffany finds it amazing that “hundreds of tough little men who could each win the Worst Broken Nose Contest need someone to look after them” (102). However, when the Kelda asks her to “mind the land … and mind [her boys],” (161) she tells Tiffany that [the Feegles] think their heids is most useful as weapons,” and that they need someone to do “the thinkin’” (162). Tiffany accepts this responsibility and in doing so also embraces her calling as a witch to “Speak up for those who don’t have voices” (42). The Feegles are small magical beings that live in secret on the chalk. Being as most people do not even know that they exist, the Feegles cannot simply ask the Baron or the “bigjob[s]” (114) for help. Instead, they turn to Tiffany, the hag of the land, to help them remain free and to protect the land they live on from any threat. When Tiffany knowingly accepts the position of Kelda she is agreeing to be their voice, their representative on the land. She is promising to take care of their needs and to treat them as equals as she continues her search for her brother. Once Tiffany enters Fairyland she quickly encounters Roland, the lost son of the Baron of the chalk. While Tiffany is stunned by his sudden appearance, she quickly deduces that Roland is trapped in fairyland and tells him that “[she] knows how to get [him] out” (239). By offering to help Roland out of fairyland Tiffany assumes the role as guardian of “the sum of things” (358). She has already accepted responsibility for the Feegles; the lesser known creatures on the chalk. Now she is accepting responsibility for Roland; the son of the most influential person on the chalk. Tiffany has assumed responsibility of the sum of the people on the chalk; from the highest to the lowest. However, Tiffany’s development in this moment is not limited to her embracing another aspect of a witch’s duty. She is also expanding on the responsibility that she already has over those who don’t have voices” (42). Roland is incapable of telling the Queen that he wants to return home for fear that she will punish him severely. By offering to take Roland back to the real world with her Tiffany is assuming responsibility for their decision to leave and the resulting consequences. In other words, Tiffany is speaking up for Roland when he is too afraid to speak for himself. One of the last stages of Tiffany’s development as a witch occurs when she finally retrieves Wentworth from the Queen. In the moments that she retrieves Wentworth Tiffany is continuing to expand her current responsibilities. She is adding Wentworth to the list of the people that she is guarding and she is taking on the responsibility of speaking for him because he cannot speak for himself. Tiffany states that Wentworth “only wants sweets” (160) and, according to the Kelda, the Queen “[will] give the wee boy everything he wants” (160). It is therefore reasonable to believe that Wentworth would not mind living with the Queen because he will never want for anything. However, Tiffany recalls what the Kelda tells her about how Wentworth needs “people sayin’ no to him sometimes” and that “he willna get that fra’ the Quin” (160). Because Wentworth is too young to understand his situation, it is Tiffany’s responsibility to speak out for him. She is assuming responsibility for his wellbeing, and, as he is unable to speak up for himself, she is choosing to be his voice against the Queen’s treatment. This is also the moment that Tiffany begins to accept that she is responsible for “the edges” (357).
Tiffany wants Wentworth back because “He’s [her] brother” (273). According to the Queen “that’s a very witchy thing, isn’t it … All a witch cares about is what’s hers” (273). What is important about this statement is that as a witch, Tiffany does need to care about what is “hers.” She is responsible for the lives and the land that she lives on. They are hers. She needs this “selfishness” (273) before she can even consider defending the whole of her land. The Queen’s accusation, while meant to confuse and upset, is an important point for Tiffany to realize. She begins to think about the fact that she might be selfish and struggles to understand that as a witch she needs to be selfish so that she feels possessive when anything crosses her borders and threatens to harm her …show more content…
people. It is not until the final battle that Tiffany manages to embrace all three parts of her responsibility as a witch.
Shortly after returning to the chalk Tiffany is confronted by the Queen and nearly loses the Final Battle. She “[falls] forward, into the freezing mud” (328) and allows herself to become lost in her sorrow over her inability to save her brother. In these final moments, however, Tiffany finds a memory that tells her that “there’s always been someone watching the borders (331). This memory shows Tiffany that it is her duty to fight for the borders and to protect all of the land from the Queen. Tiffany decides to “turn selfishness into a weapon” (331) and declares that these are “[Her] dreams! [Her] brother! [Her] family! [Her] land! [Her] World!” (331). By accepting that this is her world, Tiffany is embracing the fact that she is the witch responsible for the borders of her land. She understands that while she “speaks for those without voices,” and “guards the sum of things” she is also responsible for protecting those that do have voices and for guarding more than the people on the chalk. Tiffany discovers that a true witch is responsible for all things, big and small, that reside in their world and it is their job to make sure that nothing invades the edges of that world. Whether it be “between life and death, this world and the next, night and day, right and wrong” (358), the edges need to be watched and it is Tiffany’s job to do
so. Tiffany has discovered what it means to be a witch on the Diskworld. She has developed her abilities and has slowly accepted the duties and responsibilities that are expected of her. This growth into a mature young witch is finally recognized when Mistress Weatherwax bestows upon Tiffany a virtual pointy hat. Tiffany’s actions set her apart from the other people on the chalk. While she may be too young to study as an official witch, her responsibility over the chalk and her defense of the boarders make her a recognized member of the witching community. Tiffany’s struggles help to grow her into a strong young witch, fully capable of defending her land and her people.
Act 3 of the Crucible can only be described as crazy. Each character was fighting their own battle; Every one of them lost except for Reverend Parris. Revered Parris was struggling to keep his reputation and career alive. If the trials were to end fraudulently, Parris would be left with a lying daughter and niece. He is only trying to cover himself and make sure his social position is not lowered because of witchcraft in his house. I am not a fan of Reverend Parris.
A longing for revenge can hold people captive in their own minds, influencing thoughts and speech. The Tempest, by William Shakespeare, is a play that follows the story of Prospero, the rightful Duke of Milan, after he is overpowered by his own brother and left to die with his daughter in a cramped sailboat. He seeks vengeance against many; however, he is not alone in his pursuit of revenge. His servant, Caliban, yearns for revenge toward Prospero for commanding him to be his slave. As Prospero seeks revenge on Antonio and Caliban, he does not realize Caliban’s own craving for revenge against him.
Jeanette Walls is the picture-perfect illustration of an individual who finds righteousness for herself. She is the protagonist in the book “The Glass Castle”, who has an unfair miserable childhood due to how her parents were. Walls stands out for her determination as she goes out to the real world to seek her own justice, with the ultimate goal of being stable for once, and take responsibility for herself, not for the whole family.
There is no doubt that Miss. Strangeworth is not an easy person to deal with, let alone live with, and although her character is fictional, there are many people with the same personality. We can tell quite easily that she is a very meticulous woman, with a lot of perfectionist tendencies, a few of which are to nitpick people’s lives and make sure that even the most minute detail is up to her standards. I know of someone with these attributes and as difficult as they are to deal with, with their list of requirements to be met and their eagle-eye for detail in even the smallest things, they mean the best, and are always trying to help, despite the possible repercussions.
In March, by Geraldine Brooks, a mixed-race slave named Grace Clement is introduced after a young, aspiring Reverend March visits her manor to sell books and trinkets to women as a peddler. Grace Clement is a complex key character that is a controlling force in March and exhibits a symbol of idealistic freedom to Reverend March during the Civil War. Her complexity is revealed through her tumultous past, and her strong façade that allows her to be virtuous and graceful through hard times.
In the well known book The Scarlet Letter by Nathaniel Hawthorne, it discusses the theme of deception within a numerous number of characters. This theme can be explained in Chapter 20 “The Minister in a Maze” Hawthorne wrote “ No man, for any considerable period, can wear one face to himself and another to the multitude, without finally getting bewildered as to which may be true”. I believe this quote means, within this book there are individuals that seem to be one person but end up being a totally different person, those individuals can only be that different person for a period of time before someone out..Within this quote the two characters who certainly explain this quote are Arthur Dimmesdale and Roger Chillingworth. The major characters
Third to enter is Susanna Walcott who is a nervous rushed girl. When Susanna states “he cannot discover no medicine for it in his books” there is a feeling of depression but, also, a feeling of eager to find a cure for whatever is wrong with Betty. When Susanna suggest there may be unnatural causes Parris jumps at her stating there is nothing unnatural causing this to happen to Betty. As Susanna leaves Abigail and Parris both tell her no to speak of Betty in the village. When Abigail and Parris are alone, Abigail informs her uncle, Parris, that there is a rumor of witchcraft being out in the village.
Living in Maryland, the narrator and her little brother Joey lived a very simple life. There mother had job that required many hours, and her father was unemployed and still in the process of trying to find a job. They lived in a very run down house in a very small poor community. One summer day, the narrator , Joey, and a group of kids from the community were bored and wanted to do something different. So,the narrator and the kids went down to one of the elders home, Miss Lottie. Miss Lottie was the old woman that everyone made stories about and for the kids they knew her as the witch. In the summer time Miss Lottie would always be in her front yard planting marigolds, which were an easy target to destroy. The kids all took part in throwing rock at Miss Lottie's marigolds, and the narrator was the coordinator. After they sprinted back to the oak tree, the narrator started to feel guilt for what she
People always say never judged a person by their cover, yet some of us still do it without even trying sometimes. I have done this on multiple occasions without really trying to judge a person. I once had an experience where I was trying out for a new club team and I saw this girl who looked really mean and scary because of the expression on her face. I always thought if I ever talk to her she would be mean, but one practice we started to talk and she wasn’t at all the person I thought she ways. It turns out that she is a nice person who just takes soccer very seriously. This just shows that we can have a certain opinion on someone by their looks, but they may be completely opposite from the way they appear.There’s this book call “Freak the Mighty” which has a good way of showing the theme of not judging a person
Our perspective on life can have a significant impact on our life. Depending on how you were raised it can impact your perspective on life very differently than others. For example if you were raised in a home of poverty or drug abuse you are use too that lifestyle when you're young. It wouldn't be till your older you would realize it is not a normal way of life. It shapes our life. In the novel the Glass Castle Jeanette is a perfect example of how your perspective changes throughout life as you experience life in addition to maturing. Her change in life had an unbelievable impact on her life that made her a well round mature adult despite her upbringing in poverty.
“Besides, this Duncan Hath borne his faculties so meek, hath been / So clear in his great office, that his virtues /Will plead like angels, trumpet-tongued, against / The deep damnation of his taking-off; (1.7.16-20)” The powerful values of being a good king in Macbeth, all the king's learn to manage throughout the book. William Shakespeare's ideas towards kingship can be seen throughout the play Macbeth, and shows that a king should be chosen by a divine right. Throughout the play Macbeth the most important topic is kingship. Followed by knowing the difference of kingship and tyranny. Shakespeare closed it out with cruelty and masculinity along with staying true to principles.
Mania is an excessive enthusiasm or desire, typically with a negative intention, and that is what Roger Chillingworth suffered from. Throughout the novel, he goes out of his way to make the life of Arthur Dimmesdale awful. He tortures Dimmesdale from the inside out, psychologically outsmarting him at every turn. Chillingworth claims that Hester is the reason he has acted so awfully, but it is not common for others to agree with him. In The Scarlet Letter by Nathaniel Hawthorne, Chillingworth’s deep desire for revenge is understandable, as he was a decent person before he found out about the affair, but then turned into a maniac in his quest to exact revenge on Dimmesdale.
The Glass Castle is a novel that follows the life of a dysfunctional family from the perspective of Jeannette Walls, the third child of the Walls family. Throughout the stories, the readers see all the hardships the children face, as their lunatic parents do what they think is right. After reading the book, it seems to agree the quote “Parents can only give good advice or put them on the right paths, but the final forming of a person's character lies in their own hands” by Anne Frank.
In Pearl Tull’s old age, she starts to lose her sight until she is completely unable to see. Pearl may be the only one within Dinner at the Homesick Restaurant who has gone literally blind, but many of the characters are just as blind emotionally. Throughout Dinner at the Homesick Restaurant, many characters are too absorbed in their own problems and self-pity to notice the problems of the people around them. Almost all of the characters don’t realize how much their actions may have affected someone else, or are oblivious to the fact they did anything at all. When taking a closer look at the story, it could be said that Pearl Tull is the reason behind all of her family’s problems. Pearl is blind not only literally—in her old age—but metaphorically
The ways women are presented in Northanger Abbey are through the characters of Catherine Morland, Isabella Thorpe, Eleanor Tilney, Mrs Allen, and the mothers of the Morland and Thorpe family, who are the main female characters within this novel. I will be seeing how they are presented through their personalities, character analysis, and the development of the character though out the novel. I will be finding and deciphering scenes, conversations and character description and backing up with quotes to show how Austen has presented women in her novel Northanger Abbey.