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Themes of ambition in frankenstein
Themes of ambition in frankenstein
Nature vs. Nurture – The Impact on Frankenstein
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Wish Fulfillment in Mary Shelly's Gothic Novel, Frankenstein
Everyone stores hidden desires, ambitions, fears, passions and irrational thoughts in his or her unconscious mind, according to Freud's psychoanalytical theory. These secret feelings, often stemming from a person's childhood, can manifest themselves in odd and sometimes extreme ways. This phenomenon is called wish fulfillment. We do not always fully understand why we make the decisions that we do in life, but a certain amount of these choices can be accredited to wish fulfillment. Mary Shelly's gothic novel Frankenstein illustrates several accounts of wish fulfillment through the actions of Robert Walton and Victor Frankenstein in an effort to satisfy their various needs.
Robert Walton was raised by his uncle after his father died. On his deathbed, Walton's father entreated his brother not to allow Robert to pursue a seafaring life. Robert instead became a poet so that he "might obtain a niche in the temple where the names of Homer and Shakespeare are consecrated" (Shelley 16). Unfortunately, Robert was very unsucce...
It is also possible that his original lawyer Samuel Mansfield Bay saw opportunities for a large reward due to his services to Scott, and initiated litigation. For example, some feel that Bay’s “object was to pave the way for a suit against the Emerson estate for the twelve years’ wages to which Scott would be entitled to,” (Herda, 29) should he win the case. This shows that, money could have been the driving force behind this case. This also shows that Scott may have been persuadable to another person’s reasons for pursuing the case. In addition, if this was true and Scott “had been illegally held as a slave since 1834.” (Herda, 30) This shows that, he would have the right to compensation, and therefore be entitled to what would be a lot of money. This also shows, how a mistake by a master in his traveling...
McCall focuses his argument within the way in which Melville has written Bartleby, The Scrivener, he goes into detail about the comical aspects within the story and uses Melville’s description of Bartleby’s saying “I prefer not to,’ he respectfully and slowly said, and mildly disappeared.” (272). McCall suggests that the adverbs Melville uses, “respectfully” , “slowly” and “mildly” , “create[s] a leisurely little excursion into the uncanny” (279). I agree that the lawyer must have had some wit and good intentions in making the claim about Bartleby up to a point, I cannot accept this fully because many people still believe that the lawyer is unreliable. Most critics within the majority, as McCall reinstates, “believe, “the lawyer is “self-satisfied”, “pompous”…”a smug fool” who is ‘terribly unkind to a very sick man’ “(2660. I disagree with the idea that the lawyer was unkind and Bartleby was sick. The lawyer was fascinated by Bartleby’s responses to the job, and Bartleby, I feel knew exactly what he was doing in stating his responses. McCall acknowledges that “these cure two central problems in the story: the nature of Bartleby’s illness and the lawyer’s capacity to understand it,”
Bartleby joins the lawyer's office as a scrivener, after having worked for the Dead Letters Office. As explained by the lawyer, the scriveners were paid four cents a folio, and under the employment of the lawyer, the scriveners also had to run errands for the lawyer, as well as help in proof reading the copied documents. The employer did not compensate for these other tasks. Thus, it was obvious as to why "Bartleby was never on any account to be dispatched on the most trivial errand of any sort; and that even if entreated to take upon such a matter, it was generally understood that he would 'prefer not to'- in other words, that he would refuse point blank." (Melville 15). For one thing, Bartleby was not being paid for the errands, but for the writing he did. Also, this defiance is a means through which he was preserving his autonomy. Bartleby was making a decision as to what he was and was not going to do. Bartleby's employer notice...
The Dangers of Conformity in Bartleby, the Scrivener and A Very Old Man with Enormous Wings
In an influential event in Mary Shelley’s Frankenstein, a young servant, Justine, of the Frankenstein family is on trial for the death of the youngest son, William Frankenstein. She claims to not have murdered this young boy, for she cares for him greatly as if he is her own on the account of the cousin of the Frankenstein’s, Elizabeth. The Frankenstein family is attending Justine’s trial and Victor Frankenstein believes that Justine is innocent. Also, that it is the monster that he is creating who kills his youngest brother. Victor recounts as Justine enters the court room, “For all the kindness which her beauty might otherwise excited was obliterated in the minds of the spectators by the imagination of the enormity she was supposed to have committed” (54). Even though Justine is not guilty of this crime, the jury’s “imagination” is getting the better of them, instead of staying objective and looking at the facts and noticing Justine’s innocence. It can be seen in Justine’s appearance that she embodies innocence when it states “the kindness which her beauty might otherwise excited”, and before this trial it is seen by others as well. The jury is not using their “minds” to observe the evidence, which is the picture of the mother of the Frankenstein family, that is on Justine when is belongs to William. When Justine is giving her defense she states, “I rest my innocence on the plain and simple explanation of the facts which have been adduced against me” (55). Justine understands that her “innocence” will be known though “the plain and simple facts” that is not to be diluted by the “imagination”. Justine then realizes that the “simple facts” or the truth of her innocence will not overcome the jury’s already overactive “imagination” ...
“Allure, Authority, and Psychoanalysis” discusses the unconscious wishes, effects, conflicts, anxieties, and fantasies within “Frankenstein.” The absence of strong female characters in “Frankenstein” suggests the idea of Victor’s desire to create life without the female. This desire possibly stems from Victor’s attempt to compensate for the lack of a penis or, similarly, from the fear of female sexuality. Victor’s strong desire for maternal love is transferred to Elizabeth, the orphan taken into the Frankenstein family. This idea is then reincarnated in the form of a monster which leads to the conclusion that Mary Shelley felt like an abandoned child who is reflected in the rage of the monster.
Mary Shelley’s world renowned book, “Frankenstein”, is a narrative of how Victor Frankenstein, a brilliant chemist, succeeds in creating a living being. Although Frankenstein’s creation is benevolent to begin with, he soon turns murderous after being mistreated by humans. His anger turns towards Frankenstein, as he was the one who brought him into the world that shuns him. The Monster then spends the rest of the story trying to make his creator’s life as miserable as his own. This novel is an excellent example of the Gothic Romantic style of literature, as it features some core Gothic Romantic elements such as remote and desolate settings, a metonymy of gloom and horror, and women in distress.
The Human Need for Love Exposed in Frankenstein Written in 1817 by Mary Shelley, Frankenstein is a novel about the "modern Prometheus", the Roman Titian who stole fire from the gods and gave it to man. The story takes place in several European countries during the late 1700's. It is the recollection of Victor Frankenstein, a ship captain, about his life. Victor is a student of science and medicine who discovers a way to reanimate dead flesh. In a desire to create the perfect race he constructs a man more powerful than any normal human, but the creation is so deformed and hideous that Victor shuns it.
In any novel the author is free to create and shape their characters in whatever way they see fit. In Frankenstein, Shelley does an excellent job of shaping her characters, be it however minute their part in the story, so that the reader gets a clear picture of Shelley's creations. It seems that each character in Shelley's Frankenstein is created by Shelley to give the reader a certain impression of the character. By doing this Shelley creates the characters the way she wants us to see them. She tells us certain things about them and gives them certain traits so that they will fit into the story the way she wants them to. In particular I will examine the characters of the monster, Elizabeth, and old man De Lacey.
In Mary Shelly’s Frankenstein, Victor Frankenstein secretly creates a monster without considering the consequences. After the creation of the monster and throughout Victor’s life he and the monster suffer constantly. Because Victor keeps his monster a secret from his family, friends and society, he is alone and miserable. The monster is also alone and miserable because he is shunned by society due to his grotesque appearance.
Mary Shelley, with her brilliant tale of mankind's obsession with two opposing forces: creation and science, continues to draw readers with Frankenstein's many meanings and effect on society. Frankenstein has had a major influence across literature and pop culture and was one of the major contributors to a completely new genre of horror. Frankenstein is most famous for being arguably considered the first fully-realized science fiction novel. In Frankenstein, some of the main concepts behind the literary movement of Romanticism can be found. Mary Shelley was a colleague of many Romantic poets such as her husband Percy Shelley, and their friends William Wordsworth and Samuel Coleridge, even though the themes within Frankenstein are darker than their brighter subjects and poems. Still, she was very influenced by Romantics and the Romantic Period, and readers can find many examples of Romanticism in this book. Some people actually argue that Frankenstein “initiates a rethinking of romantic rhetoric”1, or is a more cultured novel than the writings of other Romantics. Shelley questions and interacts with the classic Romantic tropes, causing this rethink of a novel that goes deeper into societal history than it appears. For example, the introduction of Gothic ideas to Frankenstein challenges the typical stereotyped assumptions of Romanticism, giving new meaning and context to the novel. Mary Shelley challenges Romanticism by highlighting certain aspects of the movement while questioning and interacting with the Romantic movement through her writing.
Frankenstein by Mary Shelly is an old classic that has been enjoyed by many generations. Despite the fact that the novel was written over a hundred years ago, it is not only beautifully written but also enthralling and well composed. At the young age of eighteen, Mary Shelly raises questions about education and knowledge to which are answered through the well written characters in the novel. The Monster, who is a creation of another character, is highlighted as an individual who goes through an intellectual change.
As one of the first gothic novels Frankenstein explores the darker side of human nature, ambitions, and the human mind.
The most prevalent theme in Mary Shelley’s “Frankenstein” is that of obsession. Throughout the novel there are constant reminders of the struggles that Victor Frankenstein and his monster have endured. Many of their problems are brought upon by themselves by an obsessive drive for knowledge, secrecy, fear, and ultimately revenge.
Dred Scott was born a slave in the state of Virginia around the 1800's. Around 1833 he was purchased from his original owner, Peter Blow, by John Emerson, an officer in the United States Army. Dr. Emerson took Dred Scott to the free state of Illinois to live, and under it's constitution, he was eligible to be free. In around 1836, Dred Scott and his owner moved to Wisconsin territory, a territory that was free under the Missouri compromise. It was in Wisconsin that Dred Scott met and married Harriet Robinson. John Emerson was transferred in 1837 to Ft. Jessup, Louisiana, were he met and married Irene Sandford. Dred Scott and his wife followed Dr. Emerson and his wife from duty station to duty station; they ended up in St. Louis Mo. In May 1840 Dr. Emerson was ordered to war in Florida. Dred Scott remained in St. Louis with his family and Mrs. Emerson. Dr. Emerson returned home after the war, and relocated to Iowa. This time he left the Scotts behind and rented them out. This would be the last time Scott would see Dr. Emerson. Dr. Emerson passed away in 1843, leaving the Scott family to his wife, Irene. In 1846 Dred Scott attempted to buy his freedom from Mrs. Emerson, who refused his offer. With the help and encouragement of John Anderson, their minister, Dred Scott decided to sue.