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Aristotle's schema of tragedy and its relevance today
Arthur miller concept of tragedy in death of a salesman
Arthur miller concept of tragedy in death of a salesman
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Willy Loman as a Tragic Hero in Arthur Miller's Death of a Salesman
Should 'Willy Loman' of Arthur Millers classic, Death of a Salesman be
regarded as a tragic hero, or merely a working-class, socially
inadequate failure? Described by Miller as a "self-destructive,
insecure anti-hero", it seems almost impossible for Loman to be what
is known as a tragic hero in the 'classical' sense, but with the
inclusion of other factors he maybe a tragic hero, at least in the
modern context, or partially suit one nonetheless.
To make the decision as to Whether Loman is a tragic hero or not, one
must define the term 'tragic hero' and reveal its development in
theatre over the course of time. The tragic hero first defined by
Aristotle in the Poetics, "...sees the rise of a noble character
(employing artistically enhanced language); presented in dramatic
form. Due to a character flaw and a seemingly unchangeable series of
events, their demise is met, resulting in a pitiable and fearful
scenario, leading to catharsis." According to Aristotle, fate and the
wish of the Gods played a large component in the falling of the tragic
hero and nothing at all could be done to stop this. On the contrary
some centuries later Shakespeare, whose collection of plays included
many tragedies, decided his plays would rely less on fate and more
blame would be attributed to the character involved and those
surrounding him. As time moved on to the 20th century Miller further
developed his own beliefs on tragedy, laying nearly one hundred
percent of the blame on the character. This was due to his disbelief
in 'forces below the surface'' but that rather forces at work, with...
... middle of paper ...
...f this modern story can takeits place alongside other great
classic tragedies?
I believe it must take its place along side other great classic
tragedies whilst also challenging old meanings and thus improving them
to suit what going on at present. A new definition is not really
needed just an improved one as, the developments in society such as
science do tend to steer our view away from factors such as fate.
Therefore I propose tragedy as: "The rise of a noble character (be
them of royal blood or just the common man); presented in dramatic
form. Due to a character flaw or flaws and the involvement of outside
help, their demise is met, resulting in a pitiable and fearful
scenario, leading to catharsis." And that Willy Loman in his situation
can be classified according this new meaning as a Modern day tragic
hero.
In many works of Literature, a character comes forth as a hero, only to die because of a character trait known as a tragic flaw; Hamlet from Shakespeare’s Hamlet, Okonkwo from Achebe’s Things Fall Apart, and Winston Smith from Orwell’s 1984 all exhibit that single trait, which leads, in one way or another, to their deaths. These three tragic heroes are both similar and different in many ways: the way they die, their tragic flaws, and what they learn. All three characters strongly exhibit the traits needed to be classified as a tragic hero.
In Death of a Salesman by Arthur Miller, the conflicts that formulate between Biff and Willy Loman build up to the death of Willy. Biff’s delusional perception of being liked in the world leads to a successful life which was an idea brought onto him by his father, Biff’s discovery of his father's affair, and Biff’s lack of business success all accumulate to the heavy conflicting relationship between Biff and his father, Willy. These contribute immensely to the idea that personal dreams and desire to reach success in life can negatively impact life with personal relationships, which causes people to lose sight of what is important. This ultimately leads to the Willy committing suicide from the build up of problems with his son.
Heroes in literature and history, more often than not, meet tragic ends, unless they were created by Walt Disney. These particular people are often seen as someone who is apart from the masses in morals and attempt to accomplish a higher calling for the common good. The problem with this type of hero is that they are destined for suffering.Two such characters exist in classic literature, Winston Smith of George Orwell’s 1984 and Hamlet of William Shakespeare’s “Hamlet, Prince of Denmark.” Hamlet is the true classic tragic hero, though, because he is of noble birth, possesses high moral standards, completes the task he is given to better the world, and causes tragedy in both his life and the lives of others.
In Arthur Miller’s essay about “Tragedy and the Common Man,” he argues that the common man is as appropriate a subject for tragedy as the very highly placed kings and noble men. Mankind keeps tragedy above all forms because they are given the same mental abilities as the nobles. In “Death of a Salesman”, Willy Loman is a common man and a middle class worker, enough saving to provide food for his family. So if the tragic hero can be a common man, does Willy fit in that category? Even though he is a common man he fails to live up to the standards of being a tragic hero because he never accepts nor admits to his own errors. He, therefore, loses his dignity. One of his biggest errors is his failure of be a good father.
America is a country built on the idea of The American dream; an idea that any person, white, black, brown, or even purple can achieve economic freedom and upward social mobility through hard work and determination. There are few men who hold this idea more dear than Willy Loman. Mistakenly, Willy focuses more on the ideals of wealth than the laborious journey it takes to become a successful business man. The American capitalistic society is competitive and people like Willy, who do not understand the environment they are in, will habitually have problems climbing the economic totem pole. Death of Salesman admits to a flaw in the American system, not everybody will be successful, but through characters, flashbacks, and the resolution it is clear that Willy’s lack of success is result of his own choices, and not society.
Many dilemmas throughout the recent decades are repercussions of an individual's foibles. Arthur Miller represents this problem in society within the actions of Willy Loman in his modern play Death of a Salesman. In this controversial play, Willy is a despicable hero who imposes his false value system upon his family and himself because of his own rueful nature, which is akin to an everyman. This personality was described by Arthur Miller himself who "Believe[s] that the common man is as apt a subject for a tragedy in its highest sense as kings were" (Tragedy 1).
In the book Death of A Salesman, author Arthur Miller shows how cruel life can be through the life of Willy Loman, the main character. His feelings of guilt, failure, and sadness result in his demise.
Willy's Tragic Flaw and the Effect it Has Upon his Sons in Death of a Salesman by Arthur Miller
The main character in the novel is Willy loman who is facing the difficulty situation in the play. Firstly I am going to describe Willy loman and Biff loman the oldest son of Willy. Willy is the father of two sons Biff and Happy, he has a lot of potential, and he thinks the goal of life is to be well liked and gain material success. He failed to achieve the American goal. And Biff the oldest son of Willy is the character in the novel that shows any real personal growth, he cannot hold down a job. In the story at (Act 2, 105) I am going to discuss the merits of Biff observation.
As time grows, a spouse becomes a soul mate, best friend, and lover all in one. No one will ever show their dedication and love for you like your significant other and that’s what Arthur Miller addresses in the play Death of a Salesman. Linda Loman is the wife of Willy Loman, a man that treats her wrong but she still stands by his side. Linda is a vital character because she never has a low personality, she chooses her husband over her children she’s strong when her husband passes away and she the voice of the playwright.
This line, shouted by Biff at his father in Arthur Miller’s play Death of a Salesman, perfectly sums up Biff’s exasperation at his family’s lies, particularly those of the titular patriarch, Willy. Willy is falling apart because the only thing he has is his hopes and dreams. He creates these extremely specific ideas of success for him and his sons. When they do not, and can not, achieve these goals, he ignores the reality and continues to belief in his false hope. Biff is NOT going to be a football star. Willy is NOT well-liked and is NOT a good salesman. His seeds are NOT going to grow.
Willy Loman’s feelings of alienation and loneliness are direct psychological results of his interaction with society and the conditions that are found within it. Although, he does not necessarily have the ability or allow himself to have the ability to define his feelings as such, they are still very much a part of his everyday existence. This is evident in his constant bragging and attempted compensation. He does not feel that he is truly a part of society. Indeed, he is not. Miller himself seems to be saying that this is not necessarily a bad thing; this society is not that wonderful. Yet Willy still yearns to be like his brother, Ben, and the other men he sees making up the work force. He desperately wants to command respect and be a part of the group. Although usually he just goes about his business as best he can, he does at times admit his feelings:
Willy Loman’s character in Death of a Salesman portrays him as a tragic hero. Willy Loman continued to want recognition and his reputation, but never forgets about his family. These characteristics describe him as a tragic hero in Death of a Salesman. Willy Loman’s tragic flow leads him to pursue the idea that reputation in society has more relevance in life than knowledge and education to survive in the business. His grand error of wanting recognition drove him crazy and insane and led to his tragic death.
A tragic hero can be defined by several different factors; the hero usually has a major flaw that prevents him from seeing the truth that lies in front of him, which contributes to the character’s peripeteia due to mistaken judgement. This mistake then leads to achieving anagnorisis, usually at the end of the play, but is too late to change anything, and results in death.
Sometimes all you need to get stuck in a rut is to interact with one simple person. Occasionally, someone’s sly words and convincing argument is all that is needed to keep a person’s mind on a one way track. One such person is Ben Loman, who despite only appearing within a few sections of Arthur Miller’s Death of a Salesman, has a presence that completely defines the Loman family’s goals. With Ben’s influence in Willy Loman’s life, he and his family are pressured into following a pointless dream that ultimately keeps them stuck on a fixed path.