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Literature writing in the industrial revolution
How Wordsworth reflected the romantic era through his poetry
How Wordsworth reflected the romantic era through his poetry
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William Wordsworth and T.S. Eliot are both excellent and admirable poets from different time periods that have very distinct views on what it means to be a true poet. On one hand Wordsworth strived to be unique, romantic and sentimental in a time where people needed a poet as such. On the other hand, Eliot lived in a time where romanticism and sentimentalism did not satisfy readers that needed something less elevated and more realistic. Although they had opposing views neither is right or wrong and can only speak for the poets of their specific time period, yet one should not dismiss one or the other because each of their perspectives are equally valuable when deciding what it takes to be the ideal poet.
The Romantic Period was a time of revolution in England because of the Industrial Revolution, the French Revolution, and what reviewer Francis Jeffrey called “the revolution of our literature.” Percy Shelley stated in his “Defense of Poetry” that the literature of that period had “risen as it were from a new birth”, while William Hazlitt “maintained that the new poetry of the school of Wordsworth ‘had its origin in the French Revolution.’” (Stillinger and Lynch 5-6) This would explain the need that these poets had to be new, fresh, and unique. It also makes clear the fact that in his Preface to Lyrical Ballads, Wordsworth states that the poet should be a man “endued with more lively sensibility, more enthusiasm and tenderness, who has a greater knowledge of human nature, and a more comprehensive soul, than are supposed to be common among mankind” (Wordsworth 269). In short, Wordsworth believes that a true poet should be unique and posses the ability to create something completely new. Since the country was going through so many ...
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...n conclusion, neither poet is completely wrong or right because in writing their essays they were representing the ideal poet of their time, but if we were to unite their views we would have the exact formula for the ideal poet of all times or at least for now.
Works Cited
Eliot, T.S., “Tradition and the Individual Talent.” The Longman Anthology of British Literature.
Fourth Edition. David Damrosch and Kevin J.H. Dettamar. Boston: Pearson Education
Inc., 2010. 2330.
Stillinger, Jack and Deidre Shauna Lynch. “The Romantic Period.” The Norton Anthology of
English Literature. Eighth Edition. Stephen Greenblat and M.H. Abrams. New York:
W.W. Norton and Company 2006. 5-6.
Wordsworth, William. “Preface to Lyrical Ballads”. The Norton Anthology of English Literature.
Eighth Edition. Stephen Greenblat and M.H. Abrams. New York: W.W. Norton and
Company 2006. 269.
Enlightenment is illustrated by both poets as something beyond explanation, beyond the normal, physical world. Whitman especially recognizes this. “I know I have the best of time and space, and was never measured and never will be measured” (Whitman 46, 452). The enlightened mind can see beyond what is visible. “High, high from the summit of the peak, / Whatever way I look, no limit in sight!” (Hanshan 986)....
The Modernist era of poetry, like all reactionary movements, was directed, influenced, and determined by the events preceding it. The gradual shift away from the romanticized writing of the Victorian Era served as a litmus test for the values, and the shape of poetry to come. Adopting this same idea, William Carlos Williams concentrated his poetry in redirecting the course of Modernist writing, continuing a break from the past in more ways than he saw being done, particularly by T.S. Eliot, an American born poet living abroad. Eliot’s monumental poem, The Waste Land, was a historically rooted, worldly conscious work that was brought on by the effects of World War One. The implementation of literary allusions versus imagination was one point that Williams attacked Eliot over, but was Williams completely in stride with his own guidelines? Looking closely at Williams’s reactionary poem to The Waste Land, Spring and All, we can question whether or not he followed the expectations he anticipated of Modernist work; the attempts to construct new art in the midst of a world undergoing sweeping changes.
Lyrical Ballads were written in a time of great change. They were dominated by the French Revolution and both Wordsworth and Coleridge felt great impact from this. There was disruption all over with the American War of Independence and other wars worldwide. Britain itself was changing rapidly due to colonial expansion, which brought new wealth, ideas and fashion, and there was much disturbance to both the people and the land with the act of enclosure, which may have meant more effective farming but less work. The introduction of the Poor Laws meant that landowners paid their remaining staff very little knowing that they would be supplemented by poor relief. However the conditions stated by the Laws before aid would be given were very similar to ?The Last Of The Flock? with people having to give up every means of self support and therefore reduce the chance of them ever living independently again. The Industrial Revolution introduced the new ?middle? class for which many of these poems were written for. They use simple language to allow them to understand and self educate, which many of them were very interested in doing and bettering themselves, much like Wordsworth himself and his sister as shown in ?Tintern Abbey?. Here he talks of her being at the stage of education that he was five years before when he last visited.
Both poets captured the romantic period essentials and combined their works to create masterpieces. Th...
A study of William Butler Yeats is not complete without a study of William Blake, just as a study of Blake is greatly aided by a study of Yeats. The two poets are inexorably tied together. Yeats, aided by his study of Blake, was able to find a clearer poetic voice. Yeats had a respect for and an understanding of Blake's work that was in Yeats' time without parallel. Yeats first read Blake at the age of 15 or 16 when his father gave him Blake to read. Yeats writes in his essay "William Blake and the Imagination" that "...when one reads Blake, it is as though the spray of an inexhaustible fountain of beauty was blown into our faces (Yeats, Essays xxx)." Yeats believed Blake to be a genius and he never wavered in his opinion. It is his respect for Blake that caused him to study and emulate Blake. He tried to tie Blake closer to himself by stressing Blake's rumored Irish ancestry. He strove to understand Blake more clearly than anyone had before him, and he succeeded. As with other pursuits Yeats held nothing back. He immersed himself fully in Blake's writings. As with many of his mental pursuits he deepened his understanding of the subject by writing about it.
William Wordsworth existed in a time when society and its functions were beginning to rapidly pick up. The poem that he 'Composed a Few Miles Above Tintern Abbey, on Revisiting the Banks of the Wye', gave him a chance to reflect upon his quick paced life by taking a moment to slow down and absorb the beauty of nature that allows one to 'see into the life of things'; (line 49). Wordsworth's 'Tintern Abbey'; takes you on a series of emotional states by trying to sway 'readers and himself, that the loss of innocence and intensity over time is compensated by an accumulation of knowledge and insight.'; Wordsworth accomplishes to prove that although time was lost along with his innocence, he in turn was able to gain an appreciation for the aesthetics that consoled him by incorporating all together, the wonders of nature, his past experiences, and his present mature perception of life.
William Wordsworth, like Blake, was linked with Romanticism. In fact, he was one of the very founders of Romanticism. He wrote poems are about nature, freedom and emotion. He was open about how he felt about life and what his life was like. Also, Wordsworth wrote poems about the events going on around him ? for instance the French Revolution. Mainly, Wordsworth wrote about nature, however, rarely used simple descriptions in his work. Instead, Wordsworth wrote complexly, for example in his poem ?Daffodils?.
During the late 17th and early 18th centuries the style of poetry changed drastically. Poets shifted their focus away from the audience and concentrated on the internal self. This created the expressive, lyric poetry we now recognize as typical of Romanticism. William Wordsworth is one of the most famous of the Romantics, as well as author of "It Is a Beauteous Evening, Calm and Free." Written in 1807 after a trip to France to visit his daughter, "It Is a Beauteous Evening, Calm and Free" focuses on Wordsworth's view of nature and childhood as essentially divine.
...eople that are from two different classes could talk about one poem and how they feel about it. This really changed the how poetry was viewed considering Wordsworth was one of the best of his time other poets look at what he was doing and responded to his actions and thoughts. Wordsworth explores common themes of the romantic era and makes them apparent to his readers by finding something important to the common man and using common diction.
The Romantic period in English literature ran from around 1785, following the death of the eminent neo-classical writer Samuel Johnson, to the ascension of Queen Victoria to the throne in 1837. However, in the years spanning this period writers were not identified as exponents of a recognised literary movement. It was only later that literary historians created and applied the term 'Romanticism'. Since then, a further distinction has been made between first and second generation Romantic writers. But even within these sub-divisions there exist points of divergence. As first generation Romantics, Coleridge and Wordsworth enjoyed an intimate friendship and collaborated to produce the seminal Romantic work, Lyrical Ballads (1798). But in his Biographia Literaria (1817) Coleridge cast a critical eye over the 'Preface to the Lyrical Ballads' (1800) and took issue with much of Wordsworth's poetical theory. Such discrepancies frustrate attempts to classify Romanticism as a monolithic movement and make establishing a workable set of key concerns problematic.
Yeats and Eliot are two chief modernist poet of the English Language. Both were Nobel Laureates. Both were critics of Literature and Culture expressing similar disquietude with Western civilization. Both, prompted by the Russian revolution perhaps, or the violence and horror of the First World War, pictured a Europe that was ailing, that was literally falling apart, devoid of the ontological sense of rational purpose that fuelled post-Enlightenment Europe and America(1). All these similar experience makes their poetry more valuable to compare and to contrast since their thoughts were similar yet one called himself Classicist(Eliot) who wrote objectively and the other considered himself "the last Romantic" because of his subjective writing and his interest in mysticism and the spiritual. For better understanding of these two poets it is necessary to mention some facts and backgrounds on them which influenced them to incorporate similar (to some extent) historical motif in their poetry.
...required a reinvention of poetics and the very use and meaning of language. Since the modern period is said to extend to this day (it's debated whether it's post-modern or not, since both elements survive), any final say on the matter is difficult. What can be said is that Eliot's poetry, as misinterpreted, misread, and misunderstood as it may be, is a quintessential cornerstone in modernist thought, a fragment in the puzzle, which may yield an emergent whole, though it may not be fully grasped.
The Romantic Period was a time in which music and poetry talked about love, nature, and the good of being human. Different poets like Blake, Wordsworth, and Coleridge made poetry that will live on in literature forever. The Romantic period didn’t only affect Britain. It affected the entire world
charmed by the majesty of nature. In this essay I will be discussing two romantic
Wordsworth had two simple ideas that he put into his writing of poetry. One was that “poetry was the spontaneous overflow of powerful feelings.” The second idea was that poets should describe simple scenes of nature in the everyday words, which in turn would create an atmosphere through the use of imagination (Compton 2).