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Importance of language and literature essay
Critical essay on the background of the tempest shakespeare
Critical essay on the background of the tempest shakespeare
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William Shakespeare's The Tempest
If by your art, my dearest father, you have(1)
Put the wild waters in this roar, allay them.(2)
The sky, it seems, would pour down stinking pitch,(3)
But that the sea, mounting to the welkin's cheek,(4)
Dashes the fire out. O, I have suffered(5)
With those that I saw suffer: a brave vessel,(6)
Who had, no doubt, some noble creature in her,(7)
Dash'd all to pieces. O, the cry did knock (8)
Against my very heart. Poor souls, they perish'd.(9)
Had I been any god of power, I would(10)
Have sunk the sea within the earth or ere(11)
It should the good ship so have swallow'd and(12)
The fraughting souls within her.(13)
This is from Act 1, Scene 2 in Shakespeare's comedy The Tempest that
is set in the island before Prospero's cell. It is the first time two
of the main characters in this play, Prospero and Miranda, are
introduced to the audience.
In this speech by Miranda, she expresses her strong piteous concern
for the people suffered from the sea storm created by her father and
her affliction caused by this, which gives us a general idea of this
girl's personality. Meanwhile, it indirectly puts forward the
information that the storm is terribly shocking. As the first speech
of this scene, besides expressing the speaker's feelings, it also acts
as a connecting link between the preceding and the following.
There are totally 13 lines in this speech. Seven lines, line 3, 6, 7,
8, 9, 11, and 12, are iambic pentameter, while the rest are not. In
one way, it implies though Miranda lives in the island for 12 years,
she is still well-educated and entertains the ability to speak
properly and ...
... middle of paper ...
...
further descriptions of the tempest; on the other hand, it raises some
important questions which are very pivotal to the development of the
play, such as what kind of people the speaker's father is, how they
both got to this island, why her father create the tempest, what kind
of relationship the people in the ship and them are and so on. These
problems arouse the curiosity of audience and make the plot more
compact and gripping.
In a word, undoubtedly Shakespeare is a great play writer and a master
of language, even though this is a ordinary passage in his play, not
as famous as "TO BE OR NOT TO BE" or other classical pieces in his
play, from it, we can still be amazed and gasped in admiration by his
ability of making good use of every kind of language skills and
excellence in putting a wonderful play on stage.
Wolfgang Amadeus Mozart and Ludwig van Beethoven are very famous past composers that have created many pieces that have influenced not just people of their time, but people in modern times as well.
How important is an individual that most often than not authors focus on the growth of one over the growth of the many? Is it because the growth of one symbolizes the growth of all? Or is the focus on the individual due to the image it presents which is the growth in us? In any event, this outlook of individualism is widespread in literature and different genres and techniques excavate the development of the individual. Another factor that comes into play in the development of the character is the situation and the effects of the environment. Within William Shakespeare’s play The Tempest and Michael Cervantes Saavedra’s satire Don Quixote are two different characters molded and formed or in both cases malformed to incorporate their capsules which are the genres and settings that imprison them.
He gave a radio lecture about his Orchestral Songs op. 22 in 1932, where he said “if a performer speaks of a passionate sea in a different tone of voice than he might use for a calm sea, my music does nothing else than to provide him with an opportunity to do so, and to support him.” He also took back statements from Pierrot in his 1949 article “This is my Fault” where he wrote that music heightens the expression of the text and express things provoked by the text. He had not intended a stiff, detached performance.
One of his very famous pieces of work was The Rite of Spring, last year in band class we had to write a paper about that marvelous performance. That was one of his greatest pieces that he ever wrote. That was a piece that he had worked very hard at for a long time.
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
In the play Othello by William Shakespeare, the character Othello is portrayed as a fairly good man. By some, he may be known as a bad person but he has become greatly beneficial to the growth of Venice and the state of Cyprus. Othello is a good man even if he committed murder to his wife because he is a great war general and contributed to Cyprus in time of need.
In William Shakespeare’s The Tempest and in Sophocles’ Antigone, both authors explore and illustrate the differences between “human law” and “higher law”. The two authors have different opinions about those laws. In The Tempest, Prospero uses his magic to manipulate various characters, and he often uses his magic to follow the plot of the story by his own way. Prospero uses his magic for total control over the people on the island where he lives. In Antigone, Creon, the King of Thebes, uses his title to manipulate others that kills Haemon and Antigone. Though the ending is more tragic in Creon’s control than in Prospero’s, by the end of Creon’s manipulation, the Greek Gods destroys Thebes. Regardless of the differences between the plays, both have different views of “human law” and “higher law”. Through the character and the setting development of the story in both plays, it is obvious that Shakespeare favors “human law” and Sophocles favors “higher law”.
Wolfgang Amadeus Mozart composed an exemplary piece of classical music that can be seen in television and films of the twenty-first century. Mozart would hear a complete piece in his head before he would write it down. He created pieces that had simple melodies, but also the orchestration sounded rich. Out of the forty-one symphonies Mozart composed, I have chosen Mozart’s Symphony No. 40 in G minor or better known as The Great G Minor Symphony, written in 1788. Mozart’s Symphony No. 40 is considered the most popular out of all forty-one symphonies because the opening movement is very memorable. Mozart’s Symphony No. 40 is effectively composed through the use of a specific form, elements of music, and using the appropriate instruments so one can see brilliant scenes unfolding.
Classical music can be best summed by Mr. Dan Romano who said, “Music is the hardest kind of art. It doesn't hang up on a wall and wait to be stared at and enjoyed by passersby. It's communication. Its hours and hours being put into a work of art that may only last, in reality, for a few moments...but if done well and truly appreciated, it lasts in our hearts forever. That's art, speaking with your heart to the hearts of others.” Starting at a young age Johann Sebastian Bach and Ludwig van Beethoven have done just that with their musical compositions. Both musical composers changed the world of music and captivated the hearts of many. Their love of composing shared many similar traits, though their musical styles were much different.
Through a historical lens, Shakespeare’s The Tempest revolves around the evolving times of England during the Tudor Dynasty in 1552-1603. During those times Queen Elizabeth I was the newly appointed ruler of England after her half-sister, the previous ruler had died. This new change was the new beginning for England. It allowed many opportunities to arise such as a new stock company, provisions for the poor, and a chance for many to explore the world with their new wealth. To thank and impress their new Queen, many set sail to conquer new lands. Similar to history, The Tempest did contained a few curious Englishmen and their king discovering new land but the exact location is unknown. At the time of Shakespeare’s
The Tempest raises many questions regarding the formation of authority and power. Is hierarchy understood as natural or as constructed? Also, what are the consequences when authority is usurped? This paper will attempt to answer these questions in a succinct manner using textual references to solidify its arguments. As the play progresses, Prospero constructs the hierarchy in such a way as to return things to their "natural" state. Any type of usurpation, whether attempted or successful, will always end up with power back in its rightful place, and most of the time with a lesson learned.
Tchaikovsky is one of the most popular of all composers. The reasons are several and understandable. His music is extremely tuneful, opulently and colourfully scored, and filled with emotional passion. Undoubtedly the emotional temperature of the music reflected the composer's nature. He was afflicted by both repressed homosexuality and by the tendency to extreme fluctuations between ecstasy and depression. Tchaikovsky was neurotic and deeply sensitive, and his life was often painful, but through the agony shone a genius that created some of the most beautiful of all romantic melodies. With his rich gifts for melody and special flair for writing memorable dance tunes, with his ready response to the atmosphere of a theatrical situation and his masterly orchestration, Tchaikovsky was ideally equipped as a ballet composer. His delightful fairy-tale ballets, Swan Lake, The Sleeping Beauty and The Nutcracker are performed more than any other ballets. Swan Lake, Tchaikovsky's first ballet, was commissioned by the Imperial Theatres in Moscow in 1875. He used some music from a little domestic ballet of the same title, composed for his sister Alexandra's children in 1871.
The theme of the play is also change. At the end of the play when
Wolfgang Amadeus Mozart was undoubtedly one of the greatest composers of not only the classical era, but of all time. On January 27, 1756 in Salzburg, Austria, Mozart was born into an already musically talented family. His father Leopold, a composer and musician, and sister Nannerl toured parts of Europe giving many successful performances, including some before royalty. At the young age of 17, Mozart was appointed Konzertmeister at the Salzburg Court. It was there that young Mozart composed two successful operas: “Mitridate” and “Lucio Silla”. In 1981 he was dismissed from his position at the Salzburg Court. He went on to compose over 600 works including 27 piano Concertos, 18 Masses (including his most famous, the Requiem), and 17 piano sonatas. Mozart was not often known for having radical form or harmonic innovation but rather, most of his music had a natural flow, repetition and simple harmonic structure.
Classical music was established by many great composers, but only one has been known as the “greatest composer”of the Classical time; Ludwig van Beethoven is a legendary figure who for many is considered