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How are women represented in much ado about nothing
How are women represented in much ado about nothing
Gender roles in much ado about nothing
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William Shakespeare's Presentation of Hero in Much Ado About Nothing "While there is much to delight a modern audience in Much Ado About Nothing, there is much that will vex, not least the problem of Hero". In the world of Messina we see women treated very differently to what we would expect of the treatment of women in the 21st century. We see women as close equals to men these days, which would have been unthinkable in the 1600's. So we have to look at whether the presentation of Hero, in particular, and the women in the play is a problem for a modern audience and an audience from the time. It is obvious that audiences of different time periods would have different views as to whether the presentation of women is acceptable or not, there would be different values for people of their particular time period. We also have to understand that people from different backgrounds of society, people's age, or what sex you are will determine how you view the play and how women in Messina are presented. In my opinion the presentation of women is a very dark element in the play. I can understand that women's place in society, back then, wasn't like it is in the 21st century, that their roles were much less involved, but the treatment of Hero by the male characters, and most horrifyingly of all, her father Leonato, takes the edge of the comedy that it is trying to be created. Even though all the problems are resolved in the play there is always a doubt in my mind about some of the characters and their reactions towards women throughout the play.
Nevertheless, Claudio and Hero’s differences in the play it stirs up the plot and conflict, but it is their similarities and strong willed love that draws them together in the
William Shakespeare is known for his use of dramatic irony and complicated story lines. In Much Ado About Nothing, he also adds in the element of disguise to what the characters know, or what they think they know. There are multiple characters trying to ensnare others in different facades, whether it be for better or for worse. The deception and illusion in the play can either assist the characters or completely shatter the situation, but in both cases, Shakespeare advises us to infer about what we hear or see before we jump to conclusions.
William Shakespeare, one of the greatest writers of all time, uses Hercules as a persona of excellence throughout his play, "Much Ado About Nothing". Hercules, in Greek mythology, is a hero known for his strength, courage and legendary adventures. This gives the impression that Shakespeare liked the tales of Hercules.
A major concern in both the film and the original text is the ‘status of women’. This is represented through the differing roles of women and their denigration within the Elizabethan society. For instance, Hero is accused of committing infidelity; consequently her image in society is tarnished, In addition to this, Claudio insults Hero publicly without even considering confirming the accusation of her being unchaste. This is illustrated through Claudio slandering Hero through the use of usage of Greek Mythological allusions “You seem to as Dian in her orb, but you are more intemperate than Venus in y...
William Shakespeare's Much Ado About Nothing is a play involving by deception, disloyalty, trickery, eavesdropping, and hearsay. The play contains numerous examples of schemes that are used to manipulate the thoughts of other characters; it is the major theme that resonates throughout the play. Ironically, it is one of these themes that bring serenity to the chaos that encompasses most of the play.
"Much Ado About Nothing: Entire Play." Much Ado About Nothing: Entire Play. N.p., n.d. Web. 29 Mar. 2014. .
The modernization of nearly outdated and cliché settings typically used for Shakespearian plays such as Much Ado helps enforce Whedon's attempt to make the film and play familiar, as well as creates accessibility for the audience regardless of how well they may understand Shakespeare's language. Both the ensemble and individual cast members assist in achieving Whedon's vision by creating an atmosphere that seems familiar if only that it could be our own family and friends throwing that same banter back and forth between each other. Their playful and occasionally raw performances combine with a spectacular setting to help make Whedon's Much Ado About Nothing a stellar film that is a nearly perfect modern translation of a classic, centuries old
In William Shakespeare’s play ‘Much Ado about Nothing’, there are many instances of trickery and deception, which seem to surround the whole of the play.
Shakespeare shows the level and type of honor expected of women of the time through the character of Hero. Hero, the much sought after daughter of Leonato, the governor of Messina, is judged based on how well she respects her fathers wishes. She is only honored if her father is honored. Her only personal honor lies in her chastity. She is expected to remain a maiden until her wedding night, with the loss of her virginity bringing down both her honor and her worthiness as a wife. On their wedding day, when Claudio exposes her “dirty secret” he states:
Shakespeare’s Much Ado about Nothing is, on the surface, a typical romantic comedy with a love-plot that ends in reconciliation and marriage. This surface level conformity to the conventions of the genre, however, conceals a deeper difference that sets Much Ado apart. Unlike Shakespeare’s other romantic comedies, Much Ado about Nothing does not mask class divisions by incorporating them into an idealized community. Instead of concealing or obscuring the problem of social status, the play brings it up explicitly through a minor but important character, Margaret, Hero’s “waiting gentlewoman.” Shakespeare suggests that Margaret is an embodiment of the realistic nature of social class. Despite her ambition, she is unable to move up in hierarchy due to her identity as a maid. Her status, foiling Hero’s rich, protected upbringing, reveals that characters in the play, as well as global citizens, are ultimately oppressed by social relations and social norms despite any ambition to get out.
William Shakespeare said: “Women may fall when there's no strength in men” (Romeo and Juliet). Throughout history gender role have been a big, whether someone is a feminist or someone believes there is no equality between males and females; everyone has different opinions when it comes to the matter of gender roles. The same thing can be said about William Shakespeare who was a feminist (Shakespeare of Stratford). This ideology can be seen in his play Much Ado about Nothing. In this comedy Shakespeare focuses on two pairs of lovers named Claudio and Hero who are set to be married in a week but before their marriage day, they plan to conspire with Don Pedro, the prince of Aragon to trick their friends Beatrice and Benedick to admit their love for each other. Don John, the brother of Don Pedro, meanwhile plots to prevent marriage of Claudio and Hero by accusing Hero of being unfaithful. Don John initially succeeds in his plan as Hero is accused and ashamed at the marriage ceremony, but at the end Claudio and Hero are united and marry each other. Also, Beatrice and Benedick finally declare their love for each and dance at the end of the play. Shakespeare uses a lot of sources for this comedy and one of them is “Orlando Furioso” written in 1591, which gave Shakespeare the idea of Hero and Claudio’s marriage and Don John’s plot to prevent it. Another source Shakespeare used to write the play is the courtier written in 1588, which gave him the idea of the romance between Beatrice and Benedick. And also “La Prima de la Novelle” written in 1554 by Matteo Bandello gave Shakespeare the idea of putting the setting in Messina, Italy (Shakespeare in quarto). Because Shakespeare was a feminist, some of the women appear as supporting and central...
This misogynistic attitude is present in ‘Much Ado about Nothing’. In the play, Messina is presented as being a positive and cheerful community and the woman appear to have freedom, however those misogynistic attitudes of the time period are still demonstrated. When Leonato tells his daughter, Hero, “daughter, remember what I told you: if the prince do solicit you in that kind, you know your answer.” Don Pedro is b...
The portrayal of gender roles in William Shakespeare’s play Othello, demonstrates the inferior treatment of women and the certain stereotypes of men placed on them by society. Both the male and female characters in the play have these certain gender expectations placed on them. In a society dominated by men, it is understood that the women are to be seen rather than heard. The women are referred to and treated much like property. If indeed they do speak up, they are quickly silenced. One woman’s attempt to be the perfect wife is what ultimately led to her demise. The expectations of men are equally stereotypical. Men are to be leaders and to be in control and dominant especially over the women. The male characters compete for position and use the female characters in the play as leverage to manipulate each other. Shakespeare provides insight in understanding the outcomes of the men and women who are faced with the pressures of trying to live up to society’s expectations, not only in the workplace, but also in the home. The pressure creates jealousy issues amongst the men and they become blind to the voice of reason and are overtaken by jealous rage, leads to the death of many of the characters.
A Feminist Perspective of Hero in Much Ado About Nothing Unlike the title of this piece suggests, Hero did not undergo her transformation in Much Ado About Nothing through magic. Rather, Hero was a victim of the double standards and illogical fears that the men of Shakespeare’s plays commonly held. The following quote sums it up quite well. In the plays female sexuality is not expressed variously through courtship, pregnancy, childbearing, and remarriage, as it is in the period. Instead, it is narrowly defined and contained by the conventions of Petrarchan love and cuckoldry.
The play, The Merchant of Venice drastically altered the perception of women during the time as Shakespeare makes women during the Italian Renaissance appear independent and intellectual, such as the beautiful Portia and the young Jessica. This play shows that women are not only beautiful people to look at but also powerful and intelligent individuals. The characteristics of the women in this play show the possibilities of equality between men and