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How is magic used in the play a midsummer nights dream
Critical Analysis of a Midsummer Night's Dream
How is magic used in the play a midsummer nights dream
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William Shakespeare's A Midsummer Nights Dream and L. Frank Baum's The Wizard Of Oz
L. Frank Baum is the author of one of the most magical fairy tales
ever brought to our screens. A series of books were written and in
1939 created into a film. It was a masterpiece that was to be one of
the biggest films ever made, enjoyed by children and adults all over
the world. There are many reasons why this film has the element of
magic, one of the reasons I found when researching was that this film
did not only have one director, but several, Victor Fleming was the
main director but for personal reasons other directors were bought in,
Richard Thorpe and King Vidor. With the three imaginations of these
geniuses a classic was born. The story of 'The Wizard Of Oz' is a
story of a young girl whose imagination creates a world 'Somewhere
over the Rainbow.' Choosing to take L. Franks Baum's ideas and do the
Wizard of Oz for out Children's theater was an easy choice as all of
us had grown up watching the film and singing the songs. We wanted to
create a magic that the kids would become enchanted by, for this magic
we turned to 'A Midsummer Nights Dream'.
'A Midsummer Nights Dream was written in 1595 by William Shakespeare.
William Shakespeare's legendary status as a man of the theatre has
crossed time and place. Respected as an artist of considerable merit
in his own time, his reputation has expanded in the more than four
hundred years since his birth to classify him as one of the greatest
writers who has ever lived.So it should be no surprise that although
it isn't a story read by children, (because of the Shakespearean
language used.) we turned to M...
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...r the Lion, two emotions that the film its self
conjures up.
There is a main theme that connects a play that was written during a
time of war and killing and a play that was written over 400 hundred
years ago, dreams. Things have changed, year after year, since The
Wizard Of Oz was made into a movie things have dramatically changed
but one thing that remains, is that we all dream, no matter how old,
young, childish or mature we are. Our imaginations are let lose as we
are sleeping, this is why everyone can identify in someway between a
midsummer nights dream and The wizard of oz. Another common theme
comes at the end of both plays, was it a dream or was it a reality? A
question that is never answered in either plays, this gives children a
chance to make up there own minds, leaving the stories with them for
years.
Hermia , Lysander , Helena and Demetrius represent young love in Shakespeare’s A Midsummer Night’s Dream . They are potrayed as foolish and fickle , acting like children and requiring a parental figure to guide them . The parental figures are Hermia’s father , Egeus , and figuratively Theseus , the mortal ruler , and Oberon , the mystical ruler.
The films Young Frankenstein and One Flew over the Cuckoo’s Nest can be viewed as a critical analysis of society’s issues and dysfunctions in the form of satire and parody using humor. While Young Frankenstein, Mel Brooks cinematic version of the gothic novel, Mary Shelley’s Frankenstein, uses parody in the form of Horatian satire, which is achieved through gentle ridicule and using a tone that is indulgent, tolerant, amused and witty. The film One Flew over the Cuckoo’s Nest, the adaptation of the Ken Kesey novel, uses a form of satire called Juvenalian satire which is demonstrated in the form of attacks on vice and error with contempt and indignation. Horatian satire will produce a humor response from the reader instead of anger or indignation as Juvenalian satire. Juvenalian satire, in its realism and its harshness, is in strong contrast to Horatian satire (Kent and Drury).
In the plays A Midsummer Night’s Dream, by William Shakespeare, and A Streetcar Named Desire, by Tennessee Williams, love is what makes a person irrational. Throughout both plays, the idea of love constantly plagues the characters thoughts, and is the idea behind their actions.
III. Individual Dreams Vs. Family Responsibilities - A central conflict in the play arises when there is disparity between the individual's dreams and his/her familial responsibilities
“Your task is not to seek for love, but merely to seek to find all the barriers within yourself that you have built against it.”
In Langston Hughes’ poem, the author gives us vivid examples of how dreams get lost in the weariness of everyday life. The author uses words like dry, fester, rot, and stink, to give us a picture of how something that was originally intended for good, could end up in defeat. Throughout the play, I was able to feel how each character seemed to have their dreams that fell apart as the story went on. I believe the central theme of the play has everything to do with the pain each character goes thru after losing control of the plans they had in mind. I will attempt to break down each character’s dream and how they each fell apart as the play went on.
Citizen Kane, is a 1941 American film, written, produced, and starred by Orson Welles. This film is often proclaimed by critics,filmmakers, and fans as one of the best if not the best film ever made. Citizen Kane is an unbelievable film becuase of how advanced it is compared to other films of its time. In the film, the producer used many different narrative elements to capture the audiences imagination. It truly is astounding how the filmmakers used certain editing techniques, sounds, and different narrative elements to illustrate the story and the plot. Although the plot isnt exactly captivating to the present day audience, this film is still amazing due to how much work and effort went into making it.
In the road of life, the right path may not always be where the road signs lead. The road to self-discovery is found by following one’s heart and mind and to wherever they may lead them. Within the plays Death of a Salesman by Arthur Miller, and Our Town by Thornton Wilder, parallel pathways and contrary connections can be established between the characters coinciding in both. In Death of a Salesman, Willy Loman is the portrait of a sixty year old man reflecting upon his past, one of lies and hopelessness. Upon coming about his past, he finally and fatally, discovers himself at the end of his life. Mr. Webb from Our Town plays the figure of an editor of Grover’s Corner Sentinel and loving father of Emily. Early in the play, he displays knowledge over his own self-discovery, which he hopes to tell others. The self-discovered Mr. Webb raised Emily coherently as a woman who in the end recognized the value of life. Married to George Gibbs, her life was very much comparable to Linda Loman, married to Willy Loman. Linda Loman was a woman dedicated to the needs of her spouse, but also therefore blind to the real needs that Willy desired. In the end, she still was left wondering why or what had gone wrong. Interlocked by protruding parallel traits of progressive self-awareness, these characters promoted the two plays to a higher level of understanding.
Duke of Venice: The official authority in Venice, the duke has great respect for Othello as a public and military servant. His primary role within the play is to reconcile Othello and Brabanzio in Act I, scene iii, and then to send Othello to Cyprus.
Racial barriers are often used as a means to manipulate a member of a minority group. in The tragedy, Othello, was written by William Shakespeare(1564-1616) an English poet and playwright, who is often contemplated as the greatest writer in the English Language. The story begins with Othello, a black general in the Venetian army who secretly marries Desdemona, a white woman. Early on, Othello promotes Michael Cassio as his lieutenant over Iago, fostering mass jealousy. Desperate to get even with Othello, Iago creates elaborate plans to ruin his marriage with Desdemona. Iago’s effective manipulation skills lead Othello to take his wife's life and then his own. Iago is successfully able to deceive Othello because of their many differences, mainly racial, and Iago's understanding of how manipulation works.
It is clear that the race of Othello is a factor in his downfall. A
Oprah Winfrey once said, “The best thing about dreams is that fleeting moment, when you are between asleep and awake, when you don't know the difference between reality and fantasy, when for just that one moment you feel with your entire soul that the dream is reality, and it really happened.” But, what actually is a dream and what do dreams really have to do with one’s everyday life? In essence, a dream is a series of mental images and emotions occurring during slumber. Dreams can also deal with one’s personal aspirations, goals, ambitions, and even one’s emotions, such as love and hardship. However, dreams can also give rise to uneasy and terrible emotions; these dreams are essentially known as nightmares. In today’s society, the concept of dreaming and dreams, in general, has been featured in a variety of different mediums, such as literature, film and even music. While the mediums of film and music are both prime examples of this concept, the medium of literature, on the other hand, contains a much more diverse set of examples pertaining to dreams and dreaming. One key example is William Shakespeare’s A Midsummer Night’s Dream. While the portrayal of dreams, in general, plays a prominent role in Shakespeare’s play, the exploration of many aspects of nature, allows readers to believe that dreams are merely connected to somewhat unconventional occurrences.
Many perceive The Lion King, Disney's most successful movie to date, as Disney's only original movie; the only movie not previously a fairy tale from one country or another. This, however, is not the case. While The Lion King seems not to be beased on a fairy tale, it is in fact strongly based on the play Hamlet by William Shakespeare. Disney writers cleverly conceal the basic character archetypes and simplified storyline in a children's tale of cute lions in Africa. To the seasoned reader, however, Hamlet comes screaming out of the screenplay as obviously as Hamlet performed onstage.
William Shakespeare often compares imagination and reality in his plays. He explores this comparison through the role and purpose of the forests in Midsummer Night's Dream and As You Like It. Midsummer Night's Dream focuses on imagination and escape, while As You like It focuses on reality and self discovery.
Shakespeare's comedies can be recognized in terms of plot, structure and characters. We can see that Shakespearean comedies follow the same structural pattern, a basic plot on which the play is based. For example, a key feature of all comedies is that they depend upon the resolution of their plots. However, Shakespeare's comedies are distinguishable, as some are classed as comic dramas and others as romantic comedies. In comic drama, there is usually a motif of a place where reality and the unreal merge, the roles of characters are reversed and identities are mistaken or lost. This place may take on the form of a feast or celebration, or it may be presented as a place segregated from the normal society, such as the wood in A Midsummer Night's Dream. When scenes are set in this place, the ordinary rules of life and society do not apply. There is always an experience of chaos, which must be resolved in order for the play to become a true comedy.