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Wild west in the 1800s
The wild west in the 1800s
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The Wild West is the word that that has been coined for a period in American history that coincided with the movement of the white settlers west wards. It was a turbulent period and dominated by gunmen, sheriffs or lawmen, red Indians and the settlers themselves. It was the age that opened America to development and perhaps what the USA is today would never have been in case this period had not existed. This entire period was marked by courage, perseverance, adventure, inventiveness and strength of purpose. It was in fact in some ways the golden age of America and hundreds of movies and books are testimony to this period as the age that made America. The Settlers and their Wagons The white settlers who came from Britain started moving westwards from …show more content…
To counter them local lawmen emerged called sheriffs who also made a name for themselves as fearless fighters and tamers of these gun slingers. Outlaws and law men were the mainstay of the Wild West. The odd thing is that both these categories of men, one for the law and one against it were in fact interchangeable. Thus a lawman in one state was an outlaw in another state and vice versa. Some of the outlaws made a name for themselves that still lives today. One of these was Billy the Kid. He was shot dead in 1881 by his friend a sheriff named Pat Garret and mind you he was only 21 and had shot 21 men by that time. In 1881 again in Tombstone, Arizona Marshall Wyatt Earp and his brothers along with Doc Holliday shot to death the Clanton gang members in a famous shoot out at the O.K Corral. And in 1882, another notorious outlaw, Jesse James, who is also a legend, was shot in the back by a close relative who wished to collect a reward of $ 5000 offered for him at that time. Jesse James and his gang had terrorized the west for close to 2 decades. The Civil
To many families the prospect of owning land was the central driving force that brought them to the land known today as the wild Wild West. Much propaganda wa...
... Later the grave was robbed, the pistol and jewelry were gone. In the legendary period of American history known as the Old West, the law of the whole nation had yet to tame that frontier, which was spottily settled. This resulted in lawlessness seen in the personage of those known as outlaws and lawbreakers whose notorious reputations often exceeded their very person to mythical proportions. Belle Starr was one such outlaw.
...rnia. Wyatt Earp died on January 13, 1929, and his fame as a lawman has continued to grow since his death. Wyatt Earp literally shot his way into the hearts of Western America. He is familiar to the nation’s people, young and old. From Ellsworth, Kansas to Tombstone, Arizona, he cleaned the streets of desperadoes in town after town. He shot coolly, he shot straight, and he shot deadly, but only in self-defense. Like any other person whose reputation leaned on firepower, there were those who wanted to test, to see if their draw was a split second quicker or if they could find a weak spot. Wyatt put many of their doubts to rest. When the history of the western lawmen is placed in view, Earp’s name leads the parade of Hickok, Masterson, Garrett, Tilghman and all the rest.
The image created for the outlaw hero is the “natural man.” They are adventurous but also wanderers, and loners. Outlaw heroes are more likely to commit a crime, use weapons and carry guns. The outlaw hero represents self-determination and freedom from conflicts. On the other hand, the official hero is portrayed to be “the civilized” man. He often follows the norms of society, and has typical roles such as a lawyer, teacher, and family man.
The Wild West is also referred to as the American frontier due to the numerous
settlers, their religion, and their society. This is a book source it mentions ways the settler
Gunfights were common and took place regularly. The earliest gunfighters, or gunslingers, were born in the early 1800’s, and most men got recognition as slingers in the 1850’s. The founder of gunfighting was “Old Man Clanton”, or N. H. Clanton. In 1816, Newman Haynes "Old Man" Clanton was born in Davidson County, Tennessee. On January 5, 1840 Newman Clanton married Mariah Sexton Kelso in Callaway County, Missouri and together they had five boys and two daughters. John Wesley, Joseph Isaac, Phineas Fay, William Harrison, Alonzo Peter, Mary Elise and Ester Ann made up the Clanton Gang. He did not participate in many gunfights though he instigated many of them. Old Man Clanton took care of business swiftly. If he did not like somebody, he would simply point them out, and one of his sons would provoke an argument and shoot the man down in “self defense”. Old Man Clanton had formed a “cowboy party” which consisted of some of the deadliest men in the West. Curley Bill, John Ringo, Tim and Frank McLaury, Joe Hill, Pony Deal, Jim Hughes, Frank Stillwell and many other lieutenants, who had over four hundred frontier outcast under them, formed this group. He stole over $100,000 from ranchers in the south, and anyone who opposed was quickly exterminated. Old Man Clanton’s final days ended with a stolen-cattle drive. While he was passing through Guadeloupe Canyon, he and six other men were ambushed and shot dead out of their saddles. "Old Man" Clanton was buried where he fell in Guadalupe Canyon, New Mexico.
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
The American West was the land of opportunity for many groups of people from 1865 to 1890. For farmers and ranchers, the American west was a land of opportunity due to low cost of land as a result of the Homestead Act and the a chance for Americans, including immigrants and blacks, to achieve the American dream and make a profit by growing crops such as cotton for the thriving textile industry and raising cattle for the upcoming cattle industry. For the miners, the American West was seen as an opportunity to get rich through the gold and silver rush and was even popular in other parts of the world where immigrants responded to the rush as well; although most were not successful. The America West offered opportunities for Americans, both rich and poor, to establish a new life and achieve economic independence.
However, studies of migration suggest that the rural northwesterners who could not make it during the age of commercialization in the northeast took off west in order to produce enough for their families. Thousands of immigrants from Ireland and Germany flocked to the United States and started trying to reconstruct the yeoman communities that slowly evaporated. The westward expansion faced many challenges in their efforts to settle, firstly was the removal of the Native Americans and then when the land was finally cleared, capitalist speculators were eager to convert the land to commercial development. Part of the land was released for market development and as commercial status rose, farmers were forced to settle and be part of the capitalistic society that was unfolding before
Over the years, the idea of the western frontier of American history has been unjustly and falsely romanticized by the movie, novel, and television industries. People now believe the west to have been populated by gun-slinging cowboys wearing ten gallon hats who rode off on capricious, idealistic adventures. Not only is this perception of the west far from the truth, but no mention of the atrocities of Indian massacre, avarice, and ill-advised, often deceptive, government programs is even present in the average citizen’s understanding of the frontier. This misunderstanding of the west is epitomized by the statement, “Frederick Jackson Turner’s frontier thesis was as real as the myth of the west. The development of the west was, in fact, A Century of Dishonor.” The frontier thesis, which Turner proposed in 1893 at the World’s Columbian Exposition, viewed the frontier as the sole preserver of the American psyche of democracy and republicanism by compelling Americans to conquer and to settle new areas. This thesis gives a somewhat quixotic explanation of expansion, as opposed to Helen Hunt Jackson’s book, A Century of Dishonor, which truly portrays the settlement of the west as a pattern of cruelty and conceit. Thus, the frontier thesis, offered first in The Significance of the Frontier in American History, is, in fact, false, like the myth of the west. Many historians, however, have attempted to debunk the mythology of the west. Specifically, these historians have refuted the common beliefs that cattle ranging was accepted as legal by the government, that the said business was profitable, that cattle herders were completely independent from any outside influence, and that anyone could become a cattle herder.
The story of the American West is still being told today even though most of historic events of the Wild West happened over more than a century ago. In movies, novels, television, and more ways stories of the old west are still being retold, reenacted, and replayed to relive the events of the once so wild and untamed land of the west that so many now fantasize about. After reading about the old west and watching early westerns it is amazing how much Hollywood still glorifies the history and myth of the old west. It may not be directly obvious to every one, but if you look closely there is always a hint of the Western mentality such as honor, justice, romance, drama, and violence. The most interesting thing about the Old West is the fact that history and myth have a very close relationship together in telling the story of the West.
Indians had been moved around much earlier than the nineteenth century, but The Indian Removal Act of 1830 was the first legal account. After this act many of the Indians that were east of the Mississippi river were repositioned to the west of the river. Tribes that refused to relocate ended up losing much of their land to European peoples (Sandefur, p.37). Before the Civil War in the U.S. many farmers and their families stayed away from the west due to a lack of rainfall (Nash et al., 2010). Propaganda in newspapers lured Americans and many other immigrants to the west to farm. The abundance of natural grasses in the west drew cattlemen and their families as well.
The Representation of Outlaw Archetype across Literatures: A Comparative Study An outlaw hero is a person of distinguished courage and noble qualities who operate above the law and in a way challenges the status quo of rules. Outlaw is a popular figure in both folk and popular culture. What makes them less of a criminal and more of a hero is the moral code supposed to be followed by the outlaw and the sympathy he gains from the masses. Though they challenge the system and may even further towards violence, their deeds are not done in self-interest.
The Old West was, at the peak of its popularity, an artistic representation of Americana. Leading men such as John Wayne and Clint Eastwood were larger than life and representative of America’s view of its place in the world—a rugged avenger who does what he wants to right all wrong—and with the shift in American culture came a reciprocal shift in the Western genre. The Weird West incorporates elements unfamiliar to the West, whether they be originally from this Earth or otherwise. In some cases, weird comes in the form of atypical choice of the protagonist’s species; in other cases, it comes in the form of an invading alien race. Weird Westerns are incredibly diverse and malleable, so the elements of their stories that qualify them as weird