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Misogyny literature essay
The character sketch of The Wife of Bath in prologue
Why are the canterbury tales not sexist
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Women through a misogynistic man’s eyes: Does the “Wife of Bath Prologue” reinforce misogynistic prejudices? Throughout the collection of frame stories, “The Canterbury Tales” by Geoffrey Chaucer, women are viewed through misogynistic man's eyes. Specifically, in the prologue of “The Wife of Bath” female figures are negatively stereotyped as deceitful and manipulative. The Wife of Bath lives a lustful life; she victimizes herself against men and uses her sexual power to obtain wealth. Furthermore, she is basically described as a whore who seeks for pleasure and take advantage of men to benefit herself, with the only difference of an actual whore that the Wife of Bath did possess a legal marriage contract. She considers a good man, one “who …show more content…
During medieval years women were stereotyped as less than men and as a disadvantage for them. Similarly, in the story, women are seen as deceitful and seekers of beneficial sustain. Even her last husband Jankyn thought that women were misleading. Therefore, he read a book of “wicked wives”, which contained stories of manipulative and very bad wives. Annoyed by this, the Wife of Bath decided to tear the pages from the book and throw it away. Jankyn got extremely mad and hit her really hard on the head leaving her partially deaf. In particular, this part of the text shows the reader the lack of respect women receives and how little men value them. Many people argue that “The Wife of Bath” is a pro-feminist story because women’s desire is to obtain power and sovereignty, which in effect they actually achieve. However, I disagree because even though they did achieve it, a misogynistic prejudice of women is reinforced. In essence, women are stereotyped as manipulative and deceitful leaving the reader with the wrong impression of women’s thinking and goals in
In Chaucer's The Canterbury Tales, a reader is introduced to a rather bizarre and heterogeneous group of people leaving for a pilgrimage. The Wife of Bath is the most interesting and lively character of the group. Her "Prologue" and "Tale" provide readers with a moral lesson as well as comic relief. The Wife's "Prologue" serves as an overture to her "Tale", in which she states a very important point regarding the nature of women and their most sacred desires. According to this character, women desire sovereignty, or power, over their men most in the world. This wish seems to be most appropriate for women of the time period in which Chaucer lived. However, women today no longer wish to dominate their men - sovereignty of women over men is not relevant in the twenty-first century. The reason is that women are no longer deprived of power and freedom.
Leicester, Jr., H. Marshall. "Public and Private Feminism in the Wife of Bath's Tale." Women's Studies 11.1-2 (1985): 157-78.
Some say women can get the worst out of a man, but in The Canterbury Tales, written by Geoffrey Chaucer in 1485, proves it. The tales were originally written as a collection of twenty four tales, but has been narrowed down to three short tales for high school readers. The three tales consist of “The Miller”, “The Knight”, and “The Wife of Bath” along with their respective prologues. In The Canterbury Tales, Chaucer shows the weak but strong role of women throughout the “The Knight’s Tale” and “The Wife of Bath’s Tale” to contrast different human characteristics and stereotypes on the spectrum of people.
The use of euphemism and crudeness in “The Wife of Bath’s Prologue” is simultaneously unnerving and amusing, and begs the question of how a “wicked” woman like The Wife could ever actually progress in medieval society. Chaucer incorporates subtle allusions to female sexual organs and it is this bluntness (that would raise eyebrows even today) which establishes the Wife as such a powerfully outspoken character. Because courtship in Chaucer’s time was considered worthy of complete submission, the fact that the Wife places such emphasis on domination and even psychological power hints at her being an object of irony (and not a feminist figure “before her time”). It is for this reason that Chaucer’s delicate use of “queynte”- a term from which
Shead, Jackie. "'The wife of bath's tale' as self-revelation: Jackie Shead discusses how far the Wife's Tale perpetuates the picture we have gained of her from her Prologue." The English Review Feb. 2010: 35+. General OneFile. Web. 24 Feb. 2011.
Huppé, Bernard F. "Rape and Woman's Sovereignty in the Wife of Bath's Tale." Modern Language Notes 63.6 (1948): 378-81. The Johns Hopkins University Press.
In Geoffrey Chaucer's The Canterbury Tales, The Wife of Bath is a strong woman who loudly states her opinions about the antifeminist sentiments popular at the time. Chaucer, however, frequently discredits her arguments by making them unfounded and generally compromising her character. This brings into question Chaucer's political intent with the Wife of Bath. Is he supportive of her views, or is he making a mockery of woman who challenge the patriarchal society and its restriction and mistrust of women? The Wife's comedic character, frequent misquoting of authorities, marital infidelity, and her (as well as Chaucer's) own antifeminist sentiments weaken the argument that Chaucer supported of the Wife's opinions.
...en compared with modern day women this is a truly outdated stereotype that carries very little weight if any at all. Chaucer’s work in the Wife of Bath stereotypes women as manipulating, sinful, and yearning to gain power over their husbands. And although not always projected in an entirely negative light, it seems that as a whole Chaucer attempted to create an evil stereotype of women.
Historically, men have always been seen as superior to women. In Shakespeare’s Hamlet, Ophelia is the perfect example of a female character that is weak, passive and overly reliant on men. However, The Wife of Bath, from Chaucer’s The Canterbury Tales, does not adhere to the misogynistic mindset of her time. Despite the numerous female characters in literature similar to Ophelia, Chaucer’s creation of the Wife of Bath proves that not all authors depicted women as inferior.
In the “Wife of Bath’s Prologue” and Margery Kempe women are empowered to make decisions regarding their own sexuality. This deviates from the gender constructs of the time period by allowing these women to dictate the course of their own lives: the Wife of Bath chooses to use her sexuality to acquire money and possessions, while Margery Kempe dedicates her sexuality to her spiritual beliefs. By working strategically to gain sexual independence both women move beyond the generally accepted position of a women at the time.
The Wife of Bath has used men in her life for riches. She leans toward a feminist nature and seems resentful toward most men. For women, she is easy to respect and admire. She is an intelligent woman, however, she may not know the limits of her games. That is the beauty of society. Thousands of years after this novel has been written, men and women still don not know what one another want. In taking both Psychology and Sociology this year, I hope to grasp a better understanding on how both sexes co-exist with one another.
The Wife of Bath’s insecurity and cynicism are just two of the ways in which she fulfils negative stereotypes of women. She tries to separate herself from other women of her time by taking control of her life by means of sex, but if she were truly progressive, she would have found a way to elevate herself without using her body. Alisoun is exactly what men fear and dislike about women; she is promiscuously sneaky, and she takes advantage of men. This is why while trying to present herself as strong and independent, her actions ultimately confirm misogynistic stereotypes of women; in the end, she is even more digressive to the cause feminism than a normal woman would be.
Many critics throughout the years have given the Wife of Bath a title of that of a feminist. She is a strong-willed and dominant woman who gets what she wants when she wants it, by manipulating her husbands into feeling bad for things that they didn’t do, or by saying things that put them to utter shame. No man has ever been able to give an exact answer when she asks to know how many husbands a woman may have in her life...
In the 14th century Geoffrey Chaucer wrote The Canterbury Tales, which included a progressive view of women's concerns in "The Wife of Bath." During a time when women were still considered chattel existing almost exclusively to produce heirs, Chaucer takes a stand on issues affecting women that were not commonly given consideration. Writing in the first person, Chaucer is able to describe life from the viewpoint of a woman. Through this style, Chaucer addresses subject matter that would have been too candid for a female writer during his time period. By writing "The Wife of Bath" in a satirical way, Chaucer points out issues facing women regarding double standards, the validity of female desire, and the economic necessity of women to marry well while keeping the text humorous with some common female stereotypes regarding deception that have persisted into present day culture.
Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.