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Use of gothic in american literature essay
Use of gothic in american literature essay
Gothic literature keyterms
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Wieland by Charles Brockden Brown does not seem like much at first glance, but ends up being quite the thriller that one may not want to consider reading before bed. Wieland is about a young woman named Clara and the mysterious events that have plagued her and her family. At a young age, she lost her father to his death of spontaneous combustion; years later Clara and her brother have grown up and try to live a normal life. Their sense of normalicy is interrupted when a mysterious stranger named Carwin shows up and strange things begin to happen such as voices coming from a closet, and murders. Wieland can be classified as a gothic novel as it main focus is dark, magical, and mysterious. A gothic novel is “a novel in which magic, mystery, …show more content…
The gothic novel began to become widely popular in Europe, and eventually spread to the United States in the 18th century. “Charles Brocken Brown was the leading author of Gothic romances” (Hart, 292). “These works distill, as she sees it, the fears and dangers uppermost in the society of [the] time, especially as that society appeared to women,” (Wasserman, 198). This piece of evidence strengthens the argument that Brown is also noted to be an early master of female …show more content…
Clara’s father goes into a tower to contemplate his life, when “At the same instant, a very bright spark was seen to light upon his clothes. In a moment, the whole was reduced to ashes (Brown, 16). A few paragraphs down, the narrator continues “such was the end of my father. None surely was ever more mysterious” (Brown, 16). Clara’s father’s death was a mystery that takes everyone by shock, which turns into a lifetime of unanswered
In May of 1929 President Herbert Hoover appointed the Wickersham Commission with former U.S. Attorney General George W. Wickersham. The Wickersham Commission is officially called the National Commission on Law Observance and Enforcement. The commission was in response to the public’s concern about crime and also was a way to resolve the debate of continuing prohibiting. Wickersham at the time was an attorney and a former cabinet member, as its chairmen. The Commission was the first review in the United States of federal review and law enforcement. It consisted of judges, educators, lawyers, that represented all sections of the country. The commission was made up of eleven subcommittees, and it published the 14 reports in 1931. These reports covered the importance of probation and parole, police procedures, and the cause of crime. The members that represented these committees were leading experts in
Various authors develop their stories using gothic themes and characterizations of this type to lay the foundation for their desired reader response. Although Edgar Allan Poe’s “The Fall of the House of Usher” and Peter Taylor’s “Venus, Cupid, Folly and Time” are two completely different narratives, both of these stories share a commonality of gothic text representations. The stories take slightly different paths, with Poe’s signifying traditional gothic literature and Taylor approaching his story in a more contemporary manner.
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
Romantic literature, as Kathy Prendergast further claims, highlighted things like splendor, greatness, vividness, expressiveness, intense feelings of passion, and stunning beauty. The Romantic literary genre favored “parts” over “whole” and “content” over “form”. The writer argues that though both the Romantic literary genre and the Gothic art mode were medieval in nature, they came to clash with what was called classical conventions. That’s why, preoccupations with such things as the supernatural, the awful, the dreadful, the repulsive and the grotesque were the exclusive focus of the nineteenth century Gothic novel. While some critics perceived the Gothic as a sub-genre of Romanticism, some others saw it as a genre in its own right (Prendergast).
Written in 1818, the latter stages of the Gothic literature movement, at face value this novel embodies all the key characteristics of the Gothic genre. It features the supernatural, ghosts and an atmosphere of horror and mystery. However a closer reading of the novel presents a multifaceted tale that explores
Punter David, ‘The Literature of Terror’, in A History of Gothic Fictions from 1765 to the Present Day, The Modern Gothic. Harlow, eds. (UK: Pearson Education, 1996)
Bram Stoker and Sheridan Le Fanu’s texts, Dracula (1898) and “Carmilla” (1872), use gothic tropes in similar ways to captivate readers with horror and terror. This essay will illustrate how, in comparison, both texts include gothic tropes: the New Woman, sexuality and setting, in order to provoke emotions and reactions from the readers. To achieve this, this essay will focus on the women that challenge traditional gender roles and stereotypes, and deconstruct each text in regards to the very strong undertones of homosexuality; specifically between Carmilla and Laura, and Dracula and Harker. By discussing the harshness and darkness of the environments described, including ruined castles and isolated landscapes; this essay will also explore the
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
...njoys Gothic literature or depressing stories that grow into heart-warming stories this is a great book for you to read.
A querying of normative gender behaviour and sexuality pervades the 19th century gothic fiction text. What does this reveal about the cultural context within the tale exists?
Ringe, Donald A. American Gothic: Imagination and Reason in Nineteenth-Century Fiction. Lexington KY: The University Press of Kentucky, 1982.
Brown’s perspective on the European fiction that, while gothic and therefore focusing on “superstition and exploded manners, gothic castles and chimeras”, merely appealed to popular taste and as such held the consensus that reading fiction was an idle pastime (Elliot, ix). Brown’s aim was to change the general consensus of fiction reading and create a genre that challenged readers to use their full intellectual capacity. He did this in Wieland through not only the dialectic, but also through allusions to the climate of the world he was living in. If we are to take Wieland as a representative for the American gothic, then the genre must achieve that goal.
Gothic writing is related to a style of fiction that deals with the mysterious or grotesque; Nathaniel Hawthorne’s “The Ministers Black Veil” is classified as a dark romantic work because it contains the themes of sin, guilt, and looking at the darker side of human life. He had trouble from his early life, his dreary adulthood, and his fascinations with common man. His early and more unsuccessful work is from his silent and productive years.
Criticism on the Gothic novel has been plentiful, yet such work tends to view the Gothic novel within the constraints of genre rather than investigating its wider influence in the nineteenth century. “Gothic Archives” will track this influence, arguing that the Gothic novel indicates changing attitudes toward reading, and especially toward reading history, in the nineteenth century. Gothic novels such as Melmoth the Wanderer (1820), and the meta-Gothic of The Antiquary (1816) presume that authentic historical experience is difficult, if not impossible, to represent accurately, emphasizing in their plots the misunderstandings that result from attempts to read and write historical experience. It follows that the Gothic novel typically stages scenes of reading that delve into (often fictional) archival sources. Thus Gothic novels always situate authentic historical knowledge within the archive, requiring characters to excavate obscure source material such as letters, books, portraits, wills, and the like in order to discover what the Gothic construes as historical truth. In so doing, the Gothic novel proffers a historically oriented epistemology of reading, founded upon the affective possibilities of history writing, which challenges the considerations of truth and accuracy that inform traditional historiography.
Women in the 18th and 19th century were expected to follow the orders of the males in their lives. They were forced into arranged marriages to connect families in a pursuit for social power and they were expected to abide by anything the males in their lives asked of them. Free will was nonexistent. Much gothic literature effectively highlights the women’s expected role of the time. However, another aspect that seems to surface in gothic literature is whenever there is a woman who is not following the social norms, they seem to be the driving conflict behind the plotline and ultimately lead to any present happy ending.