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Imagery used in jane eyre
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As society is constantly adapting and aligning itself to suit the needs and demands of the individuals present in that civilization, it is unlikely for such change to come forth without some sort of drastic alteration be it in regards to morality or interpretation. While Jane Eyre & Wide Sargasso Sea are fairly similar texts, an insightful analyzation allows certain distinctions between the two texts to come to the fore. Although change in culture can be drastic, it can also be referred to as repositioning of culture which is the reconstruction of the cultural concept of a society. Comparing and contrasting the two respective novels allows for distinctions to be seen in; cultural attitudes and the impact this has on modernization and the …show more content…
While Jane is at Thornfield, her dreams and supernatural warnings cause her to abandon Rochester proving to be a great test for her as she is tested both on the religious and emotional level. Prior to meeting Rochester, Jane’s priority in life was God however Jane quickly finds that Rochester begins to take over her faculties and her priorities. Jane is brought back to reality when she begins to have dreams which through symbolism allow her to revert back to god. In the Victorian days it was perceived that those who believed dreams had a bearing on real events lacked a ‘theory of mind’ which is why Bronte’s ensures the distinction between dreaming and reality can be seen. The height of what is conscious and unconscious can be seen from when Bertha sneaks into Jane’s room before the wedding. In this scene, Jane exclaims “You sir, are the most phantom-like of all: you are a mere dream” (Bronte 283). Through this quotation, Jane’s resolve to distinguish between truth and an apparition is evident. Further, Bronte’s certainty is exemplified through the characterization of Jane demonstrating to the readers his desire to stay true to cultural attitudes at the time. Although Jane first perceives Bertha’s appearance to be a dream, she eventually believes this to be reality even with Rochester trying to convince her otherwise. Bronte’s use of Bertha’s reappearance reinforces the idea that the wedding between the two parties cannot happen seeing that he is technically still married to Bertha. Seeing that Victorian culture at the time was very conservative, the use of Bertha shredding Jane’s veil and appearing in Jane’s room prior to the wedding allows for the readers to gain insight on Bronte’s attempt to accurately reflect the cultural standing at the
Eventually, she returns to her former employer, discovering Thornfield in ashes, Mrs. Rochester dead, and Mr. Rochester blind and free from wedlock. Flooded with motifs, Jane’s continual struggles between her passions and responsibility prevail as the main theme of Bronte’s entrancing narrative. From the introduction of Jane’s orphan life, she battles between her ire at cousin John’s antics and obedience to Aunt Reed’s reluctant guardianship.
Jane Eyre finds her own image in St. John Rivers as they share several similarities in their moral determinations. After learning of Bertha Mason’s existence, Jane Eyre refuses to stay in Thornfield, fearing that she might lose her self-respect if she would give into Feeling, or “temptation” (447). The Feeling demands her to comply with Rochester’s entreaty, asking “Who in the world cares for you [Jane]? Or who will be injured by what you do?” (4...
Jane is exposed to different kinds of religion as the novel goes on. Bronte exposes a great deal of characterization in Jane as she is forced to decide between conforming to the religions of her peers or staying true to herself and discovering the faith that is right for her. She must decide between the evangelical overlook of a harsh Christian society, represented by Mr. Brocklehurst, the idea of passion before principle, represented by Mr. Rochester, and the idea ...
Immediately from the start Bronte’s character Jane is different. She is an orphan, mis-treated and despised by her family. She has no clear social position, is described as “less than a servant” and treated like one. A protagonist who one would assume had no characteristics worth aspiring too. Jane is displayed perfectly in her hiding behind the curtain. She is placed by a window, which beyond is icy and cold, contrasting immensely from the inside of the fire and warmth. A clear statement of the icy coldness of the family she has been put to live with, and her fiery and passionate nature which we discover th...
Jane Eyre, one of Charlotte Brontë’s most well-known novels, displays the main character, Jane Eyre’s difficult life from the beginning of her childhood to her adult years, and shows how the characters from the novel develop and reveal Jane’s personality. Brontë uses a variety of characters to contrast with and reveal Jane Eyre’s characteristics and personality. She contrasts Jane’s personality with the characters of Blanch Ingram and Georgiana Reed. She also reveals Jane’s behavior with others through the character foil between St. John and Mr. Rochester. Brontë’s usage of character foils between Jane Eyre and the characters, Georgiana Reed, Blanche Ingram, as well as the contrast between St. John Rivers and Mr. Rochester, reveal different aspects of Jane Eyre’s true personality and characteristics from the beginning of the novel to the end of the novel.
Jane Eyre’s inner struggle over leaving an already married Rochester is the epitome of the new "lovemad" woman in nineteenth-century literature. Jane Eyre is the story of a lovemad woman who has two parts to her personality (herself and Bertha Mason) to accommodate this madness. Charlotte Bronte takes the already used character of the lovemad woman and uses her to be an outlet for the confinement that comes from being in a male-dominated society. Jane has to control this madness, whereas the other part of her personality, her counterpart, Bertha Mason, is able to express her rage at being caged up. As what it means to be insane was changing during Bronte’s time, Bronte changed insanity in literature so that it is made not to be a weakness but rather a form of rebellion. Jane ultimately is able to overcome her lovemadness through sheer force of her will.
In Jane Eyre, Charlotte Bronte uses various characters to represent aspects of reason and passion, thereby establishing a tension between the two. In fact, it could be argued that these various characters are really aspects of her central character, Jane. From this it could be argued that the tension between these two aspects really takes place only within her mind. Bronte is able to enact this tension through her characters and thus show dramatically the journey of a woman striving for balance within her character. As a prerequisite for marriage, Jane uses this determination in her relationships with Mr. Rochester and St. John.
The similarities between the two fire scenes might lead one to suspect that they are in some way parallel, yet their differences discount this oversimplified view. Both fires are set by arsonists described as insane. Bronte's Bertha is "the mad lady, who was as cunning as a witch" (Bronte 435). Rhys's Antoinette recalls "a horrible noise sprang up" from the attacking freedmen, "like animals howling, but worse" (Rhys 38). This madness, however, serves different purposes for each scene. Bronte uses madness to further degrade Bertha to the level of bestiality and insanity, a theme which she develops from the very moment the character is introduced until her fiery death in the destruction of Thornfield. By reducing Bertha to a single dimension, Bronte uses Bertha not as a character but as a tool with which to manipulate the flow of the plot. Rhys, however, uses madness toward a diffe...
At the beginning of the novel, Bronte presents Jane as a lonely, yet independent and intelligent child who faces difficult hardships at a very young age. At Gateshead, Jane is greatly mistreated by her family members which result in her attending a school for orphaned children called Lowood. Although Jane's life at Lowood is an improvement compared to life at Gateshead, she still feels as though she belongs elsewhere. Jane sends out an advertisement for a wanted governess after six years of living at Lowood and soon begins working at Thornfield Hall where she begins teaching a young French girl Adele Varens. Upon arriving, Jane is informed by the housekeeper Mrs. Fairfax that the owner of Thornfield Mr. Rochester travels often and has lived through a troubled life. After many months have passed at Thornfield Jane finally meets Mr. Rochester and he takes a great secretive interest in her. The relationship between Jane and Mr. Rochester is the first non-abusive relationship Jane has with another man in the no...
Charlotte Bronte utilizes the character of Bertha Rochester to interrupt Jane’s potential happy ending with Mr. Edward Rochester. Bertha is announced by Mr. Briggs as a way to stop the wedding and it also shows how hopeless Jane’s situation is. “That is my wife “said he. ‘Such is the sole conjugal embrace I am ever to know—such are the endearments which are to solace my leisure hours! And this is what I wished to have,’” (312) and “’I wanted her just as a change after that fierce ragout,’” (312) are quotes that express Mr. Rochester’s reasons for trying to remarry while he already has a wife, meanwhile showing his disposition towards said wife. Had Mr. Briggs and Mr. Mason not been present for the ceremony, Jane may have lived happily in ignorance. Due to Bertha’s involvement however, Jane could never truly call herself Mr. Rochester’s wife. She says, “’Sir, your wife is living: that is a fact acknowledged this morning by yourself. If I lived with you as you desire—I should then be your mistress: to say otherwise is sophistical—is false.’” (323) This quote shows that as a result of Bertha’s exposure, Jane refuses to marry Mr. Rochester. The influence that Bertha’s brief debut had on Jane’s life was significant enough to hinder the growth of her relationship with Mr. Rochester.
...ighting for acknowledgement in a society dominated by males. She, unlike her aunt, is not afraid to stand up to John, and is not bossed around by him. She is constantly fighting with him. Bronte uses this difference between Jane and the other women characters to create the picture in her reader’s mind, that women who display the behaviors of the classical Victorian female are bad, and that the women who show independence and individuality are good.
Charlotte Bronte’s Jane Eyre is set in the mid nineteenth century, during the Victorian era where class and gender roles are clearly defined in the patriarchal society. The general ideology of the era expresses the idea that if gender categories were not maintained as binary oppositions, catastrophic chaos would likely ensue (Gill, 109). Throughout the novel, Jane is faced with the issue of oppression. The typical characteristics of an ideal female in Victorian society would include submissiveness, simple dress, low ambition, longing for a male love interest and passiveness. Bronte clearly shows her stance on this Victorian ideology as Jane often challenges those social institutions and changes her place in society, although she often settles for the status quo for certain periods of time. Jane plays the typical role of a Victorian woman through much of her life, but through subtle shifts in power Bronte challenges these Victorian norms by way of Jane’s education, unlikely rise in social status from teacher to governess and her relationship with a seemingly unattainable man.
Ultimately, concepts such as happiness cannot be guaranteed to skeptics like Jane Eyre and “hideous” men like Rochester -- only the divine union of passion can be guaranteed. Yet, for Bronte’s characters, this is sufficient reward and an appropriate closure for a love story about such atypical characters. Below, I will use characterizations of the Romantic literary school, as well as criticism of Jane Eyre, to explain how the ending of the novel fits perfectly with the rest of the landmark novel.
The realistic novel places greater emphasis on its characters, rather than its plot, and explores the relationships between these characters. The selected passage shows both the servant-master aspect of Jane and Mr. Rochester’s relationship, as well as its romantic nature. At the beginning of the selected passage, Jane affectionately describes Mr. Rochester as a “kind master,” which is indicative that even after his proposal, she is unable to separate herself from her position as a servant. This is further emphasized when Jane states that “he would send for [her] in the morning,” whic...