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The Benefits of Studying Macbeth For many years, high school students have been required to read books that they do not believe are worth reading, but there are many reasons, that are beneficial to students, as to why reading in school is valuable to students. In the play Macbeth written by William Shakespeare, tragedy is brought upon Scotland when Macbeth deems it necessary to become king and kill anyone who may come into his path of being crowned king and retaining the throne of Scotland. This play has many reasons why students should study it. Macbeth should be continued to be studied because it has many examples of figurative language, character development, and themes still relevant to today.
Although some may say Macbeth should not continue
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Due to the old english Shakespeare used in many of his plays hundreds of years ago, many believe his plays are not simple to translate or understand and therefore have no value. In the play, Macbeth has many representations of figurative language such as metaphors, alliteration, irony, soliloquy, apostrophe, similes and personification such as said in the quote, “My gashes cry for help” (Shakespeare, 11). From the use of many literary devices, Macbeth should still be studied because figurative language pose an important role in literary works as they allow the reader to expand the meaning of the story and overall they give strength and depth to pieces of work. People will also argue that it is not relevant to study Macbeth as it written hundreds of years ago. Another example that goes to show why students should continue to study Macbeth is that it helps us to understand the past in the Renaissance and Elizabethan period and how entertainment was hundreds of years ago. …show more content…
One example that stands out is how Macbeth goes from wanting to kill one person to kill anyone who seems like a threat to the throne. Clearly stated in the play, Macbeth comments, "Cannot be ill, cannot be good: if ill, why hath it given me earnest of success, commencing in a truth? I am thane of Cawdor: If good, why do I yield to that suggestion whose horrid image doth unfix my hair and make my seated heart knock at my ribs, against the use of nature? Present fears are less than horrible imaginings: My thought, whose murder yet is but fantastical, shakes so my single state of man that function is smother'd in surmise, and nothing is but what is not" (Shakespeare, 23). This quote refers to when Macbeth first had the idea to kill Duncan but does not necessary want to. Later on in the play, Macbeth claims, "Stars, hide your fires, Let not light see my black and deep desires" (Shakespeare, 29). This shows progression throughout the play how Macbeth develops from a person who does not wish to kill to someone who would kill anyone to gain power. Due to examples like these, character development can set the foundation for engaging class discussions which can be beneficial to students. Class discussions give students the opportunity to test their knowledge and opinions while also learning the ideas of others. Another example of character
“The Tragedy of Macbeth” goes into the darkest and deepest morals of any Shakespearean play. Each character in the play portrays a very important role and each character gives off their own form of sincerities towards the advancing plot. Macbeth
Shakespeare, William. Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press New Folger Edition, 1992
William Shakespeare’s Macbeth is a play centred around opposing forces trying to gain power in the succession for the throne of Scotland. Macbeth, in the beginning, is known to be a noble and strong willed man, who is ready to fight for his country. However, one may see that Macbeth has a darker side to him, he is power hungry and blood thirsty, and will not stop until he has secured his spot as King of Scotland. Though Macbeth may be a tyrant, he is very nave, gullible, and vulnerable.
Shakespeare’s tragedies have been studied and recreated time after time in the 400 years since his career. However, through this time, it has become increasingly difficult to keep students engaged with interpretations of decent relevance and relatability. Magnus Cross discusses the magnificent adaptation of Macbeth by Mark Brozel and its importance in today’s English education.
The Web. 6 Nov. 2011. Thrasher, Thomas. A. Understanding the Macbeth. San Diego: Lucent Books, 2002.
Macbeth is a play about tragedy. It tells the tale of one man’s evil rise to becoming king and his tragic downfall that led to his death. Nevertheless, it is also a play about the political history surrounding that king. Shakespeare took the story of Macbeth from Raphael Holinshed’s Scottish Chronicle in 1570 and even more from the second edition, Chronicles of England, Scotland and Ireland in 1587. From these books he was able to take bits and pieces of history, combine events, omit others, create his own tale of King Macbeth and make it appealing to the King and people of his time.
It is in human nature that the more power one desires the more corrupt actions one must do to attain it. In Shakespeare’s tragedy of Macbeth, a Scottish noble's craving for power leads him to do terrible deeds that leads to his demise. Shakespeare shows that power corrupts by using Macbeth who corrupts under the thought of have power over others. Macbeth becomes corrupt under the thought of becoming king and gaining almost complete control over the people that he rules. Macbeth wants the power badly enough to do horrible deeds such as commit regicide. Lady Macbeth becomes very ambitious and allows herself to become seduced to the idea of becoming Queen. Her ruthlessness urges Macbeth to commit regicide by questioning his love for her and his own manhood.
Macbeth’s private ambitions are initially displayed in the beginning through asides and soliloquies, making him seem ‘golden’; displaying Macbeth as ‘good willed’ and ‘honest’. However, it is until Macbeth encounters the three witches, that his own flaws are shown. The three witches arguably play the most import part in the play- with their prophecy’s fanning the flames of ambition within Macbeth, serving as the primary motivation to plot the death of Duncan- and as result Banquo; with there prognostics resonating deeply with his ambitious tendencies. As the prophecies come true, the possibility of becoming king increases and Macbeth immediately "yields to that suggestion whose horrid image doth unfix [his] hair" (1.3 144-145) as he fantasizes about killing Duncan. Macbeth becomes self aware of his thoughts; however, the idea that Malcolm poses a threat to his ambition outweighs his own moral conscience. He summons darkness to conceal his thoughts of murdering from heaven: "Stars, hide your fires;/ Let not light see my black and deep desires:/ The eye wink at the hand!" (1.4
As with all great works of literature, William Shakespeare’s Macbeth has spawned countless essays concerning its interpretation. Two such essays, “Shakespearean Tragedy” and “General Macbeth,” produced by two eminent literary critics, A.C. Bradley and Mary McCarthy, find themselves in conflict. The essays’ respective authors diverge on subjective points such as interpretation of character, original intent, and meaning. Bradley’s Macbeth is courageous and encumbered by the dregs of guilt, while McCarthy’s version takes a less orthodox path.
Macbeth is a play revolving around many key ideas observed in Shakespeare’s time with various messages communicated to the audience successfully, despite the lack of the cinematic effects present in today’s literature entertainment. The interweaved themes of immoral ambition and corruption are displayed throughout the text, unveiling the corruptive nature of one’s excessive greed for supremacy, affecting both themselves and others. This idea in Macbeth is successfully conveyed to the audience in Shakespeare’s time through the literary devices of characterisation, soliloquy and plot.
Shakespeare, William. Macbeth. Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X.J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999.
Macbeth, who at the beginning of his play’s plot is in a position of some honor and power, obtains position as king of Scotland through secretive foul play, spurred on by some external manipulation as well as personal ambition. “Macbeth’s ambition is unchecked by both moral and legal considerations-he will stop at nothing to get what he desires… Macbeth’s unbridled ambition is the root of the play’s evil because he is willing to throw the world into chaos in order to satisfy his personal desires.” (Thrasher, 92). His rebellion is heinous, but so long undiscovered. His ambition, though present in some degree from the beginning, metastasizes within him through the play as more obstacles to his retention of royal status crop up. “He begins well…but this...
Understanding adaptations such as Macbeth can also expand your vocabulary and the more vocabulary you know the more you can incorporate them into your assignments. Macbeth was written in 1606, and the way people would think during that time is definitely different from today so this can be used in future assignments. The use of different emotions in every character that was incorporated in the play such as anger, jealousy, and sadness is still relevant today. As future students, watching many performances of Shakespeare can give you a better insight on how things were. While you are watching performances of Macbeth, you can see how emotions can take over someone and you can see how these emotions can cause them to make unpleasant decisions.
In Macbeth, Shakespeare confronts audiences with universal and powerful themes of ambition and evil along with its consequences. Shakespeare explores the powerful theme of the human mind’s decent into madness, audiences find this theme most confronting because of its universal relevance. His use of dramatic devices includes soliloquies, animal imagery, clear characterisation and dramatic language. Themes of ambition and mental instability are evident in Lady Macbeth’s reaction to Macbeth’s letter detailing the prophecies, Macbeth’s hallucinations of Banquo’s ghost and finally in the scene where Lady Macbeth is found sleep walking, tortured by her involvement.
Macbeth as the King of Scotland: “All hail, Macbeth! That shalt be King hereafter” (I, 3, 50).