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Victor promises his monster a female companion. However, just when he is about to bring the second creature to life, he has a sudden realization. His mind goes back to his past experiences, and all of a sudden, he sees the potential consequences of what is about to be done. This epiphany creates a relief in the audience that at last he has the foresight to see the potential disastrous outcome, thus he will not doom the world. A sudden realization such as this also carries with it the theme that it is never too late to consider the consequences of your actions.
Victor's gradual descent towards the dark side of the human psyche is clearly portrayed through Shelley's writing. As stated in previous discussions, Victor's original motivation in pursuing a career in the science field was purely out of love for the world of science and a true passion for acquiring knowledge. However, as the novel continues, we witness his motives go from authentic to impure. As such, we delve into the dark side. His pursuit of knowledge and his creation of the monster are all on the purer or perhaps lighter side of the psyche. It isn't until he abandons him that we begin to see him cross over. His choices to abandon the creature, to let someone else to die for its crimes, to create it a companion only to kill her, to allow the ones he loved to die at its hand, and to still refuse to claim it in the end are all acts
Even though all humans run away from the monster, he wants to help Felix’s family as he believes “it might be in my power to restore happiness to these deserving people” despite their being strangers. This show of kindness despite no previous experience of human kindness is truly laudable and suggest that the monster is innately nice. However, in return for the Monster’s kindness, Felix attacks the monster, who now feels betrayed by his “friend”. But the monster is so resilient and kind, he takes control of his emotions and “rushes from his hiding-place and with extreme labour, from the force of the current, saved [a young girl] and dragged her to shore.” These acts of magnanimous rescue spring organically from a monster even though nobody ever teaches it the difference between right and wrong. However, Victor always considers himself before others. Even though Victor realizes that Justine is innocent, his first instinct is to protect himself as he declares, “ My tale is not one to announce publicly; its astounding horror would be looked upon with madness.”Besides his reputation, Victor had nothing to lose, but because of his selfishness and recklessness, Victor causes the death of Justine. In addition, Victor is so narcissistic that he does not notice that the monster has been attacking his family and friends, such as his “dearest Henry” and Clerval. When the Monster tells Victor, that he will be with him on his wedding night, Victor immediately exclaims, "Villain! Before you sign my death-warrant, be sure that you are yourself safe." To the reader, it is obvious that the monster will attack his fiance, Elizabeth, but believing that the monster will murder him, Victor thinks only of himself, and he does not even think about protecting the
...or was not thinking of others in his actions, but only of himself. He did not consider the tumult the abnormally large creature could cause in the world, nor what the feelings of the monster would be towards him if he abandoned him. Victor also did not contemplate the safety of his friends, as he had the chance to stop the creature’s misdoings but failed to do so, risking the life of his friends. Therefore, Victor was a selfish being, who only concerned himself with his wishes and never evaluated the situation of his loved ones, ultimately causing their demise. The misfortunate events that occurred through Victor’s life could have been prevented, and also discontinued when Victor had the chance. However, Victor’s irresponsibility overcame these opportunities and he in turn, caused misfortunes for himself as well as his loved ones.
Like a mother, Victor brings new life into the world, technically making him the father of the creature. The fact that Victor describes the creature as,
Mary Shelley refers to her most famous work, “Frankenstein,” as her “hideous progeny” (Shelley, 169). Her creation—the novel—mirrors Victor’s since they are both considered “hideous.” Shelley’s terming of the novel reveals her insecurities about her creation, much like Victor about his. Shelley calls the novel hideous like a form of self-deprecation. She let this novel “loose” like Victor let his creature “loose” on society, unsure of how it would be perceived. Her insecurities lie in the fact that she is a female author. Female authors were criticized and considered inferior to their male counterparts. This also displays her insecurities about childbirth, due to the death of her own mother through childbirth and having experienced a miscarriage
Victor, at first sight of the Creature, abandons and leaves him to survive on his own. This is insignificant to the creature at the time, but later causes the Creature to have bitter feelings towards Victor. After the Creature discovers Victor’s notes, he becomes enraged, and incriminates Victor for the victimization that he faces; hence accusing him as a perpetrator of cruelty. Through the accusation of Victor one can see that the Creature believes that Victor should be held responsible, and owes the Creature a favor. Additionally, Victor double-crosses the Creature after obliging to create a mate for the Creature. These actions of betrayal demonstrate how Victor is a perpetrator of cruelty and how the Creature is his victim. Victor’s unintentional cruelty reveals how he only wanted what was best for himself and human kind. Victor’s betrayal is seen as an action of cruelty by the Creature, and consequently delivers the final blow that instigates the retaliation of the
...ntion he longed for, both of their lives would have turned out better than they did. The monster looked at Victor as his father, and Victor left him desolate, only causing the monster suffering (Nardo 32). He exposed the creature to cruelty (Nardo 33). Victor gave the monster only a pinch of happiness by agreeing to make him a female companion, but that happy moment faded once Victor discarded the parts of the second creation. This only made the poor wretch’s life more despondent than it already previously was (Britton 8). The depravity of love and affection caused by Victor caused the monster’s life to be dreadful.
An idea becomes a vision, the vision develops a plan, and this plan becomes an ambition. Unfortunately for Victor Frankenstein, his ambitions and accomplishments drowned him in sorrow from the result of many unfortunate events. These events caused Victors family and his creation to suffer. Rejection and isolation are two of the most vital themes in which many dreadful consequences derive from. Victor isolates himself from his family, friends, and meant-to-be wife. His ambitions are what isolate him and brought to life a creature whose suffering was unfairly conveyed into his life. The creature is isolated by everyone including his creator. He had no choice, unlike Victor. Finally, as the story starts to change, the creature begins to take control of the situation. It is now Victor being isolated by the creature as a form of revenge. All the events and misfortunes encountered in Frankenstein have been linked to one another as a chain of actions and reactions. Of course the first action and link in the chain is started by Victor Frankenstein.
This presents Victor showing unfair judgement towards the creature that he made “There can be no community between you and me; we are enemies” (55). This is unfair to the creature because he was born against his will and already Victor claiming to the creature that he has no community; a home. This is also unjust because Victor shows his hatred towards his creation that they are enemies before even giving the creature a chance to show himself and show who he really is and can be. Victor and his poor character towards his family and close friends make him more monster than the creature he had created “I could cope with the sullen despair that overwhelmed me: but the whirlwind passions of my soul drove me to suddenly leave” (51). With his family having hardship during this time and Victor knowing that and knows he needs to be there decides to chase his passion and leave without giving much thought. Victor knowing that his family problems and hardship are happening because of him doesn’t tell them what’s going on or what's happening in his current situation leaving them with no answers. This makes Victor a bigger monster because of his poor character he has towards his family and his poor statements towards the creature, a being that he
... result, when the monster murders his companion, Victor becomes miserable and more isolated. Although the monster had no choice but to live alone, he observed a nearby neighbor, the Delacey’s, and desired to receive affection from that family. By the end of the novel, Victor and the monster were no indistinguishable from each other, both comparable to Satan from Paradise Lost.
...der that the novel’s outcome is inevitable. The deaths of both Victor and the monster signify what dangerous knowledge can do to one. Somewhere along the way Victor failed to remember that he must care for what he creates, similar to the way nature looks after its creations. Excessive knowledge may prove to be destructive when not used properly. The monster was deemed to be inhumane and cruel, but Victor was his creator; therefore, Victor is just as inhumane and cruel as the monster. Victor had enough knowledge to create the monster, but he did not have enough knowledge to understand the monster. Victor’s creation is was not a monster when it was created, he had the potential to be something extraordinary. While dangerous knowledge may be destructive, limited knowledge can be even more lethal. The omniscient Victor failed to realize that the monster had a heart.
How can such disparate characters, that are even resentful towards one another, be so consubstantial? Though Victor and the monster do not share the same physical or social traits, they have many of the same personality traits. Victor and the monster are analogous with their desire for knowledge, relationships with nature, and with desires for family. The author uses complex diction, symbolism, and syntax to emphasize these similarities. Throughout the plot, these similarities become more apparent and as this occurs their relationship worsens.
Unlike the Romantic who revered and honored nature, Victor wants to use it for his own gain. He expects “happy” and “excellent natures” to obey him, and he doesn’t dwell upon the consequences of his actions. His outlook changes after the creature comes to life. As Victor stares into the watery, lifeless eyes of his creature, he finally realizes his mistake in trying to disrupt the natural order of the world. Scared by the outcome of his actions, Victor attempts to run away and find comfort in nature.
The most prevalent theme in Mary Shelley’s “Frankenstein” is that of obsession. Throughout the novel there are constant reminders of the struggles that Victor Frankenstein and his monster have endured. Many of their problems are brought upon by themselves by an obsessive drive for knowledge, secrecy, fear, and ultimately revenge.
Throughout life,many people make impulse decisions in their lives such as lashing out at loved ones or spending money on the first thing in their sights that appease them without looking at the number in their bank account.Normally,people can’t go back on these decisions after receiving the horrific consequences such as divorces or becoming bankrupt.These actions can be caused by greed or lust which are two out of the seven deadly sins that burden most humans.Mary Shelley shows this with the use of a character who makes a decision he can never go back on,regardless of the consequences he will have to take on. Many critics have explored the psychoanalytical aspect of Frankenstein by Mary Shelley. The thought process behind the decisions and