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Dostoyevsky essays
Dostoyevsky essays
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In the Note from the Underground by Fyodor Dostoevsky, in part on of his fictional narrative the narrator introduced himself as a man who is spiteful and who diagnosis himself as sick. He mentions how his acts are product of his spitefulness and that he finds himself unattractive. The narrator is not very trust worthy because he contradicts himself and his beliefs, he belief his very sick but does not believe in doctors, even though he has much respect for medicine and doctors. In this narrative of part one it really hard to trust the narrator because of the many contradictions he makes about him being spiteful man. He expresses that even though he believes his a spiteful official because he was rude and took pleasure on being …show more content…
rude in reality he said he couldn’t be spiteful, but not even an embittered man. He says that even though he believes to be a spiteful man, in his conscious he knew he was never really spiteful, which make me doubt if to really believe what he is narrating. The narrator is a man that complains a lot, he is never satisfied with others, not his surrounding or his own self. He complains about his maid and the climate of where he lives and how it is affecting his health, but also acknowledges that he can live better and at a cheaper price elsewhere, but refuses to live anywhere else that isn’t St. Petersburg. This narrator is not very trustful; he complains about his health but doesn’t want to make a change, which shows he is very stubborn within himself. He not trustful because even though he mentions he is not a spiteful man, after he said he was, in reality he is a spiteful person because of how he expresses himself about others and in general anything. His attitude is just disrespectful, hurtful and unkind. This isn’t exactly a Utopian society, but a dystopia, because it doesn’t remove suffering or Pain, the narrator himself is suffering physically and mentally. In his world poverty and wealth exists, not everyone is treated equal and the environment and society he lives in is not perfect nor good. He questions if suffering and pain maybe good in a society, then he states that it is good and that men love suffering.
He also makes a reference to Nikolai Chernyshevsky's “What Is to Be Done?” by mentioning the “Palace of Crystal” from the fourth dream in the novel, he kind of make fun of it by saying what good of having a crystal palace if their no suffrage and by comparing it to a hen’s house. This narrator just makes me not trust him because he changes his mind to much, he is a spiteful person. He believes that suffrage is the origin of the conscious, but that the conscious is a man greatest misfortune even though he believes without it there is no happiness. It is funny how he wants us to enjoy that he is making fun of What is to be Done by comparing the crystal place to a hens’ house and saying he would not take a hens’ house for a mansion. Dostoevsky is very sneaky because even though he does not mention the tittle of What to be Done, he does uses it in sentence to make clear to that he is making fun at a specific work of writing. Note from the Underground it a very interesting fictional narrative, the narrator tries to confuse us regarding if he is a spiteful person, at first he admits to being spiteful, but throughout the reading he kind of denies it. Just by how the narrator makes fun of people show he can’t
be trusted, it like he enjoys it and fines pleasure in it. He as the man that live underground envy the normal men, but does not desire to be like him, even though he desires difference. The underground man isn’t like any other men, but I believe by underground he means all the secret and the thing that are hidden in his conscious that he wants no one to know. He can be referring to the man that within, under him that no one can acknowledge, not even himself. There are things that should never be shared or told because of how it may ridicule the person and make them seem despiteful, cruel and malicious, even though it very entertaining to the reader of reading a writer’s thought in a fictional writing.
his character? Is he not as smart as he thinks he is? Is he a fool,
All through the novel I didn 't comprehend why he was harming himself, physically and inwardly. Well I did, but only to an extent. Eitherway I felt like he was doing those things intentionally to himself because at any moment he could have come out and come clean, he could have changed everything in a moment as opposed to continuing suffering. In any case, now I perceive how helpless he really was, and how he has totally lost himself. As I see it now, I believe that all he has done to compensate for his sin, made me pity him all the more, for there is no chance to get him to live a rational/ sane life
in the book, that he is a good natured old gossip. He is a useful
...ds) and a bit mad, he says repetitively how beautiful the ‘monster’ is going to be but as soon as he is alive he becomes some hideous creature to him that should never have been born and therefore he must shun him. The way he narrates the story it is that he is angelic and justified for his actions and the monster (his creation) is benevolent and a disgrace!
Now, one might argue that because the narrator thinks this story “is worth a book in itself. Sympathetically set forth it would tap many strange, beautiful qualities in obscure men”, then he is biased: ergo, he’s an unreliable narrator (1940). However, being biased in and of itself is not the sole criterion for a narrator be...
...us on deadly revenge. In each case, a retribution that is carried out in a cruel and callous fashion. The men fulfilling these actions are cold, calculating, and contemplative. They have painstakingly endeavored to seek retribution against what has plagued them: Fortunato and his insults to the Montresor and the old man’s piercing, chilling eye for the man from “The Tell-Tale Heart”. Driven to the point of madness by their own obsessions, they plot to murder their offenders. The tales are told each by the man who has indeed committed the crime. Each man’s insanity becomes more and more clear as they narrate confession; the Montresor with the unfailing ease with which he dictates his account and the man from “The Tell-Tale Heart” with his jagged and rough delivery. Their distinct mental instability calls into question to reliability of the report they give.
Notes from the Underground, by Fyodor Dostoyevsky is a truly remarkable novel. Dostoyevsky's novels probe the cause of human action. They questioned conventional wisdom of what drove humans and offered insight into the inner workings and torments of the human soul.
The first section is a prologue by the scop that introduces the speaker’s words of uncertainty about his present life. He “longs” (1) for mercy and is “troubled” (2) about exile. Unhappily, he acknowledges the
secondly, "the spirit of perverseness" as described by the narrator is basically an acute explaination of whats was going on in his head.
Crime and Punishment and Notes from the Underground Fyodor Dostoyevsky's stories are stories of a sort of rebirth. He weaves a tale of severe human suffering and how each character attempts to escape from this misery. In the novel Crime and Punishment, he tells the story of Raskolnikov, a former student who murders an old pawnbroker as an attempt to prove a theory. In Notes from the Underground, we are given a chance to explore Dostoyevsky's opinion of human beings.
Dostoevsky, Fyodor. Notes from Underground: A New Translation, Backgrounds and Sources, Responses, Criticism. Norton Critical Edition. New York: Norton, 1989.
Fanger, Donald. Introduction. Notes From Underground. By Fyodor Dostoevsky. Trans. Mirra Ginsburg. NY: Bantam, 1992.
Dostoevsky, Fyodor. Notes from Underground and the Grand Inquisitor, trans. R. E. Matlaw. New York: Dutton, 1960.
Have no delight in passing away the time unless to spy my shadow in the sun and descant on mine own deformity. And therefore since I cannot prove a lover to entertain these fair, well-spoken days. I am determined to prove a villain and hate the idle pleasures of these days.” He says that since he was not made to be a lover, he has. no use for peace, and will willingly destroy peace with his crimes.
inner conflict as well. He realizes how horrible and atrocious his sins are but is unable to feel remorse. While he seems to be an intelligent and virtuous man, he cannot seem to control his violent fits of drunken rage. He also deals with conflict on a more spiritual level. The cat that he has killed is haunting him. He tries to shrug it off as coincidence, but every time he comes up with an explanation for an unsettling even...