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Explain the nature of the characters of the tempest
‘how does shakespeare present prospero in the tempest’ essay
‘how does shakespeare present prospero in the tempest’ essay
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Recommended: Explain the nature of the characters of the tempest
Criss Jami, an American poet, once said “Grudges are for those who insist that they are owed something; forgiveness, however, is for those who are substantial enough to move on.” This is very true, especially in William Shakespeare’s play, The Tempest. In his play, Prospero’s dukedom was taken over by his brother Antonio. He ultimately forgives his brother and lets Antonio and his companions free. During the play, Prospero chooses to follow his morals rather than trying to get revenge, and he possesses the attributes of a true hero because he had suffered an unhealable emotional wound, he is special, and he becomes a more mature person. To illustrate, in the beginning of the play, Prospero undergoes an emotional experience that changes him forever. That being the case, he is shown as the hero throughout the story. For example Prospero says, “Twelve year since, Miranda, twelve year since, thy father was …show more content…
Since he is a more special character than the other characters in the story, he is recognized as the archetypal hero. An example of this is, “Those being all my study, The government I cast upon my brother And to my state grew stranger, being transported And rapt in secret studies.” In this quote, Prospero was very interested in “dark magic”, unlike all of the other characters in the story.This makes him different from anyone else, this gives him one of the many attributes needed to classify as an archetypal hero. Another key point is, throughout all of the play, prospero has authority over an angel named Ariel. In fact, only Prospero has the right to “boss” Ariel around. He is not seen by anyone but prospero. This makes prospero special because he is the only one who is able to give Ariel commands making him the hero in the story. Ultimately, Prospero’s special characteristics make him a suitable hero for the story and prove that he is going to pick better judgment over
In the comedic, yet thrilling play, The Tempest, William Shakespeare uses characters such as Caliban, Alonso, and Ariel to show Prospero’s immense cruelness and pure monstrosity. Moreover, these Shakespearean characters are also used to highlight Prospero’s change in character into a kinder and more forgiving person. Prospero starts the play out as a vengeful monster, after an illuminating moment however, his persona transforms into his true identity of a compassionate man.
Throughout the play, Prospero is a figure who talks at rather than to the other characters, including his daughter Miranda, Prince Ferdinand, and Ariel, his airy servant. At the end of Act IV Prospero is caught up in the ecstasy of punishing and determining the fate of his foes. The beginning of Act V, however, marks a change in the character of Prospero, which averts a possible tragedy. Prospero is unsettled even though his plans are reaching fruition. In his talk with Ariel for the first time we see an actual conversation take place. In addition, in the line "...And mine shall." (Shakespeare V.i.20) we see a change of heart on the part of Prospero, and in the following monologue the audience is privy to introspection and contemplation even beyond that of the end of the masque in Act IV "We are such stuff as dreams are made on..."(Shakespeare).
Before considering the purpose of Prospero's experiment, we should note how central to all his magic Ariel is. And Ariel is not human but a magical spirit who has been released from natural bondage (being riven up in a tree) by Prospero's book learning. The earlier inhabitants of the island, Sycorax and Caliban, had no sense of how to use Ariel, and so they simply imprisoned him in the world which governs them, raw nature. Prospero's power depends, in large part, on Ariel's release and willing service. In that sense, Ariel can be seen as some imaginative power which makes the effects of the theatre (like lightning in the masts of the boat) possible. One of the great attractions of this view of the play as a celeb...
In order to complete the cycle, it is necessary for the individual to understand their path of self-destruction and learn from the mistakes they went through to successfully complete the cycle. The Tempest portrays this last step of resilience through Prospero’s forgiveness and happiness at the end of the play. Prospero displays a character of wisdom and intelligence, however, he is blinded with resentment that he uses his accumulated knowledge to take revenge, which leads to a lot of chaos in the play. However, he displays the subtopic of resilience at the end, when he grants forgiveness to many of the characters that has wronged him. He realizes that his wish of ruling the island has a parallel pattern when compared to Antonio’s aspirations as well. This act of forgiveness connects to the overall theme of destruction because it proves that Prospero has recovered from negative damage and he regained himself from destructive thoughts that caused the story to go through
Prospero’s Abuse of Power in The Tempest. In William Shakespeare's The Tempest, Prospero lives with his daughter Miranda on a deserted island. On the surface, he appears to be a benevolent leader doing his best to protect and care for the inhabitants of the island, especially for Miranda. On closer inspection, however, Prospero plays God, controlling and creating each individual to fit the mold he desires.
In the end Prospero is just a man with a passion for his books which
This interpretation of the play places more emphasis upon the character of the spirit Ariel, who could also be considered as a native of the island. Prospero frees Ariel from a tree and then enslaves the spirit to do his bidding under the promise of total freedom.
Having been usurped and wrecked on an Island Prospero and his young daughter Miranda have to settle. It is here in Prospero's past that it first clear to see where any confusion about his character may appear. As a learned and powerful man Prospero is able to take direct control of the island, he frees a trapped and tortured spirit (Ariel) and befriends the inhabitants (Caliban). Prospero 'helps' Caliban, he tries to educate him and teaches him to communicate, in exchange Caliban helps Prospero to survive on the Island. But in taking power of the Island Prospero is committing the same act that happened to him as Duke of Milan, now Prospero himself has become the usurper. In this act of goodness Prospero has unknowingly shown his evil side.
Prospero presents himself as a victim of injustice, however his belief of justice and injustice is somewhat contradicting. He takes advantage of this authority over other people and situations he encounters while using his integrity and compassion to mask his dangerous plans and to retain love and respect. The Tempest in the end suggests that love and compassion are more effective political tools than violence, hatred or even abusive magic.
This is good forgiveness in some characters is often countered in many positions such as Antonio's power seeking betrayal, and his arrogance and inability to acknowledge Prospero and his generosity in forgiving him. This is shown where Prospero says to Antonio in Act 5, Scene 1 “For you, most wicked sir, whom to call brother would even infect my mouth, I do forgive thy rankest fault; all of them; and require my dukedom of thee, which perforce, I know, thou must restore,”(5.1.130-135) thus showing great mercy to his brother after all Antonio had done to him.
Prospero is really the key character about which the nature of illusion and reality centers. He is the one who appears to have been stripped of all his power, and yet he is truly the most powerful; he lives in a world where he can conjure up an illusion of a storm; he lives between a course of regular human action and magic; and he is perceptive about philosophies on the topic of illusion and reality.
The nucleus of the plot in Shakespeare's The Tempest revolves around Prospero enacting his revenge on various characters who have wronged him in different ways. Interestingly enough, he uses the spirit of Ariel to deliver the punishments while Prospero delegates the action. Prospero is such a character that can concoct methods of revenge but hesitates to have direct involvement with disillusioning his foes. In essence, Prospero sends Ariel to do his dirty work while hiding his involvement in shipwrecking his brother, Antonio, from his daughter, Miranda.
Prospero’s conduct from the moment the play begins seems to contradict the basic lessons of Christian forgiveness. Prospero’s enemies are within his grasp and Prospero seizes the opportunity for revenge. “Desire for vengeance has apparently lain dormant in Prospero through the years of banishment, and now, with the sudden advent of his foes, the great wrong of twelve years before is stirringly present again, arousing the passions and stimulating the will to action” (Davidson 225). Though Prospero does not intend to harm anyone and he asks his servant, "But are they, Ariel, safe?" (1.1.218), he does want to put the men through the pain and agony of what they believe is a horrible disaster resulting in the death of the prince, Ferdinand.
A master servant theme can be seen throughout the whole play. Prospero has a this relationship with both Ariel and Caliban clearly, but it is the way he goes about the relationship. He prefers Ariel because he is more compliant than Caliban and has more uses. Prospero’s relationship with Caliban is more toxic. These show what kind of person Prospero really is. He is a manipulative person that is willing to whatever he needs to get what he wants. This is compared to how the colonists interacted with the Native Americans. They would trade and help each, and were able to tolerate them. Eventually the colonist learned what they needed and then turned their backs on
Sometimes it takes any advantage to attain power. Prospero secures power on the island through his use of magic and manipulation. He is in control of all of the events in the play since he essentially has all of the power. It is also revealed how he maintains his power by exploring the use of his manipulative magic and the hold he has over those around him. By using his magical influence over the natives he has enslaves, Prospero invokes fear in Ariel by stating, “If you complain any more, I’ll split an oak tree and lock you up in it till you’ve howled for twelve years” (Shakespeare 37). He uses his power as a fear tactic to make the native people do his bidding for him. He also uses his magic against those he has shipwrecked on the island. He puts them in a trance to keep him busy until he needs them again, “My magic powers are in full swing, and my enemies are confused and running around in circles. They’re under my control, and I’m keeping them in their crazy fits” (Shakespeare 143). By entrancing the men from the boat, Prospero can keep them under his bid until he sets himself on a course of action. As he states, “.., my enemies have happened to wreck their ship on this island. As I see it, my fate hangs on this lucky event”, he must be precise in how he handles cultivates these people or he will risk the possibility of his plan unraveling before him (Shakespeare 27). The idea behind him having magic is to set him apart