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Racism in the bluest eye
The theme of racism in the bluest eye
Racism in the bluest eye
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The tragedy of Pecola Breedlove is an examination of the ideological and character villains of thematic narratives. This is not an avant garde idea, but Toni Morrison delivers the best methodical breakdown of a villain in any tale. The history provided for each villainous character explains that their acts, while monstrous, cannot be dismissed as evil for evil’s sake. The Bluest Eye delves into the black depths of racism by utilizing a hyperbolistic, singular example of the effect that racism has on an incredibly vulnerable member of society. She follows the journey of Pecola who has internalized the white standards she is trapped with. Her internalization is parallel to the devolving, obsession with having blue eyes. Her parents are not representative …show more content…
The biggest malefactor of The Bluest Eye is Cholly. His name is actually mentioned more often than Pecola’s which is evidence to suggest that Morrison views depravity as the primary focus of the book instead of its victim. It is important to note that while Pecola’s family is “crippling” to Pecola, they themselves are “crippled” (XII). Mrs. Breedlove is literally crippled by a “rusty nail” that “punched clear through her foot during her second year of life” (110). This event in itself was not traumatizing for Pauline but the result of it seemed to weigh heavy on her. She “alone of all the children had no nickname” and never had any “anecdotes about funny things she had done” (111). Pauline learned from her parents that children could be cast aside and left to exist without any guidance or love. Mrs. Breedlove found an excuse to do this to Pecola when she looked at her newborn daughter’s face and assigned “it some category in the scale of absolute beauty” (122). She “knowed [Pecola] was ugly. Head full of pretty hair, but Lord she was ugly” (126). Mrs. Breedlove made Pecola feel homeless in her own home. Not because Pauline simply felt evil, but because she learned it as the proper way to behave towards children. Mrs. Breedlove also lets racism influence her parenting because she utilized it “for support of a role she frequently imagined was hers—martyrdom” (39). The martyrdom that Mrs. Breedlove perceives as hers makes for a frightful and abusive parenting style. She believes everyone is trying to martyr her, even her own family. She becomes militant and unable to love her children in the same capacity that a mother should. Cholly is also afflicted with a poor definition of what it means to care. He is an absentee father who comes home occasionally, but never sober. When Pecola was staying with the
In her novel The Bluest Eye, Toni Morrison depicts two characters as evidently similar: Cholly Breedlove and Soaphead Church. Morrison uses the similarities between these characters as a medium for conveying her theme. On surface level, one may see them as different. Cholly takes his heinous desires to the extreme by raping Pecola, while Soaphead fights this type of urge.
Much of life results from choices we make. How we meet every circumstance, and also how we allow those circumstances to affect us dictates our life. In Marian Minus’s short story, “Girl, Colored," we are given a chance to take a look inside two characters not unlike ourselves. As we are given insight into these two people, their character and environment unfolds, presenting us with people we can relate to and sympathize with. Even if we fail to grasp the fullness of a feeling or circumstance, we are still touched on our own level, evidencing the brilliance of Minus’s writing.
By supporting the competitive nature of dragging other girls down in order to raise themselves up, women are supporting their own oppression. In the Bluest Eye, Claudia is jealous of a young girl who she sees as the perfect white fantasy, taking her insecurities and imposing them upon the newcomer in an attempt to make herself feel whole. Because she has no basis for her hatred she then begins to find reasons to torment the little girl. She remembers, “Freida and I were bemused, irritated, and fascinated by her. We looked hard for flaws to restore our equilibrium… snickering behind her back and calling her Six-finger-dog-tooth-meringue-pie” (Morrison 63). In McBride's book The Color of Water, he shows how his mother experience this brand of hatred in her later years and how it isolated her. He remembered, ¨I noticed that Mommy stood apart from the other mothers, rarely speaking to them… ignoring the stares of the black women as she whisked me away”
Cholly Breedlove is Pecola's and Sammy's father, Pauline husband, and a drunk. Even though the reader learns of his terrible temper, his abusing his wife, and the subsequent rapes of Pecola, and his abandonment of his family, the reader still has an inkling of sympathy for him. This sympathy may stem from Morrison's depiction of his childhood.
"And Pecola. She hid behind hers. (Ugliness) Concealed, veiled, eclipsed--peeping out from behind the shroud very seldom, and then only to yearn for the return of her mask" (Morrison 39). In the novel The Bluest Eye, by Toni Morrison, the main character, Pecola, comes to see herself as ugly. This idea she creates results from her isolation from friends, the community, and ever her family. There are three stages that lead up to Pecola portraying herself as an ugly human being. The three stages that lead to Pecola's realization are her family's outlook toward her, the community members telling her she is ugly, and her actually accepting what the other say or think about her. Each stage progresses into the other to finally reach the last stage and the end of the novel when Pecola eventually has to rely on herself as an imaginary friend so she will have someone to talk to.
This essay will describe whether or not Blanches’ unfortunate eventual mental collapse was due to her being a victim of the society she went to seek comfort in, or if she was solely or at least partly responsible. The factors and issues that will be discussed include, Blanches’ deceitful behaviour and romantic delusions which may have lead to her eventual downfall, the role Stanley ended up playing with his relentless investigations of her past and the continuous revelations of it, the part society and ‘new America’ played in stifling her desires and throwing her into a world she could not relate to or abide by.
In novels the complexity of the relationships between characters helps illuminate the underlying message. Often times the bond between the protagonist and a foil character help establish the theme the best. In the novel, The Color Purple by Alice Walker, the protagonist, Celie, is verbally, physically, and sexually abused by several men in her life. Because of the despicable experiences with men Celie feels she has no one to turn to; however, she is able to find confidence in various women that cross her path. Sofia, a strong and confident woman, serves as a foil to Celie in the novel by contrasting Celie’s shy and passive behavior with bold and brassy personality. The relationship between these two women illuminates the importance strong female relationships from their looking out for each other and the drastic contrasting personalities of the two women.
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
The Infant Child plays a huge role in Blanche’s early life. As a result of her mother’s death, Blanche has a fearful temperament, and
Modern-day feminists state that there are many repressed attitudes and fears which keep women in a kind of half-light, forcing them to subconsciously retreat from the full use of their minds and creativity (Dowling, 595). The archetypal Cinderella is often criticized by feminist critics for waiting for something external to transform her life (Abel, 192). Contrary to this assumption, passivity is not prevalent in the original Brothers’ Grimm tale. However, actions performed by women in the tale are often associated with darkness. It is this overpowering association with the color black and its implications that truly keep women in a “half-light” in the tale.
Cholly has trouble expressing the care he has for his daughter Pecola. Cholly’s twisted attempt to show affection to his daughter is through sexual intercourse. In this scene, Cholly demonstrates his internal battle, “the hatred would not let him pick her up, the tenderness forced him to cover her” (163). He encounters these mixed feelings in a state of liminality when he leaves her on the kitchen floor covered by a blanket. Cholly thinks he shows her the only loving attention she has ever received, he touches her when no one else would, and he also took pleasure in a body everyone calls ugly. Cholly’s rape of his own daughter culminates, as his surname implies, he can only breed, not love. His aggressive act against his daughter leaves her with nothing but her fantasy of having blue eyes, thus leading to her
There are several themes throughout the novel The Bluest Eye by Toni Morrison. One theme being self-hatred. Throughout this novel, self-hatred has made itself prevalent through different characters, like Claudia and Pecola. Claudia’s self-hatred can be seen when she dismembers and destroys her doll with blue eyes and blond hair because she viewed herself as ugly and that she didn’t have the things that the doll had. Another example of self-hatred in this novel is with how Pecola feels guilty about her appearance. Pecola honestly believed that the reason her brother ran away was not because of her parents fighting, but due to her ugly appearance. Claudia even mentioned how everyone felt better about themselves because of Pecola. “All of our waste we dumped on her and she absorbed. And all of our beauty, which was hers first and which she gave to us” (205). This is a major impact on why Pecola felt the way she did about herself.
The narrative structure of The Bluest Eye is important in revealing just how pervasive and destructive the “racialization” (Morrison’s term for the racism that is a part of every person’s socialization) is (Leflore). Morrison is particularly concerned about the narration in her novels. She says, “People crave narration . . . That’s the way they learn things” (Bakerman 58). Narration in The Bluest Eye comes from several sources. Much of the narration comes from Claudia MacTeer as a nine year old child, but Morrison also gives the reader the benefit of Claudia reflecting on the story as an adult, some first person narration from Pecola’s mother, and narration by Morrison herself as an omniscient narrator. Morrison says, “First I wrote it [the section in The Bluest Eye about Pecola’s mother] out as an ‘I’ story, but it didn’t work . . . Then I wrote it out as a ‘she’ story, and that didn’t work . . . It was me, the author, sort of omnipotent, talking” (Bakerman 59). Morrison intentionally kept Pecola from any first person narration of the story. Morrison wanted to “try to show a little girl as a total and complete victim of whatever was around her,” and she needed the distance and innocence of Claudia’s narration to do that (Stepto 479).
According to literary educator Allen Alexander, even though Cholly was cripplingly flawed and often despicable, he was a more “genuine” person to Pecola than Pauline was (301). Alexander went on to claim that while Cholly raped Pecola physically, Pauline and Soaphead Church both raped her mental wellbeing (301). Alexander is saying that the awful way Pecola was treated in a routine matter had an effect just as great, if not greater, than Cholly’s terrible assault. The abuse that Pecola lived through was the trigger that shattered her mind. In The Bluest Eye, Toni Morrison uses the characters of Cholly Breedlove and Frieda McTeer to juxtapose sexual violence and mental maltreatment in order to highlight the terrible effects of mental abuse.
In the novel Pecola questions her perception of beauty and the ideal family. She often compares her life with the life of the primer Dick and Jane. Throughout the novel Pecola tries to counter act the tyranny in her life by praying for blue eyes hoping that with this feature her life would change for the better and she would be beautiful. Within the novel the author uses the theory of Marxism. Created by Karl Marx in the 19th century, Marxism is the central analysis of the complex development of relationships between two social classes (Ollman). In the novel “The Bluest Eye” Toni Morrison questions the essence of true beauty and its influence on societal standards threw the theory of