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The odyssey and epic of Gilgamesh
Comparing and contrasting gilgamesh and the odyssey
The odyssey and epic of Gilgamesh
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Recommended: The odyssey and epic of Gilgamesh
Tara Zaccheus
Ms. McGrath/Period 5
World Literature
March 29, 2016
Research Project: Theory of a Heroes Journey
In The Hero With a Thousand Faces, Joseph Campbell explained a theory of an epic hero experiencing a quest in order to validate their strength. A heroes quest had been mentioned many times in “Modern English” language romance novel, and may had been identified in international literature. In this book it discussed the seventeen steps a hero must go through in order to analyze oneself known as a quest. Joseph Campbell gave the reader these steps in the most succinct way. Three examples showed the protagonist-endured challenges to ultimately become a hero. These books were The Epic of Gilgamesh by Unknown, The Odyssey by Homer, and Beowulf by Unknown. Although The Odyssey had no direct influence on Beowulf, and The Epic of Gilgamesh, all agree with Joseph Campbell’s theory of an epic hero having to go through a quest to validate their strength.
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Gilgamesh was western literature’s first known hero. Joseph Campbell revealed the three important sections of a Hero’s journey which was Separation, Initiation and Return. The first section and the hardest, Separation, talks about the detachment from the normal world. The second section Initiation, also known as the commencement of the journey is also where the most challenges occurs. This last section, Return, is when the hero can rejoice in victory.
Joseph Campbell’s theory of the hero’s journey started out with a Call to Adventure. The hero is suddenly called upon to help in a certain situation. The next step is the Refusal of the Call, when the hero had been called upon, but does not want to go on the journey. At this time this is when the hero would have the most anxiety. The following step is Supernatural Aid, when the hero boasts about not using weapons in duel. Most heroes were dependent on the mystical world to safeguard them in
From the days of ancient Greece and before, epic heroes have had their lives chronicled and their stories passed on from generation to generation all the way to present day. Two of the greatest heroes have been Gilgamesh from the epic named after him and Achilles from Homer's Iliad. While the two men's stories transpired in vastly different eras, their lives shared a surprising number of commonalities. Of course, with resemblances come several discrepancies in the way they lived and the ideals they believed in.
Joseph Campbell’s many stories are all different but have the same concept. They speak about journeys they go on and the hero of the story also has a problem they have to face before they can continue the journey. Ordinary World, Call to adventure, Supernatural aid, Crossing the first threshold, The belly of the whale, Road of trail’s,
There is an epic hero in almost every legend ever told. The hero could be a mortal human who came from nothing, a creature that used to be evil, an immortal god, or even a group of people. In Seamus Heaney’s Beowulf, the mortal man-of-the-hour is Beowulf, son of Ecgtheow. After he settled the feud for his father, he then carried out more amazing deeds and accomplishments. Beowulf portrays great strength, bravery, and is also very faithful to his kingdom. The totality of these qualities is not just a large mass of adjectives; each characteristic plays a special part.
For centuries, authors have been writing stories about man's journey of self-discovery. Spanning almost three-thousand years, the Epic of Gilgamesh, Homer's Odyssey, and Dante's Inferno are three stories where a journey of self-discovery is central to the plot. The main characters, Gilgamesh, Telemachus, and Dante, respectively, find themselves making a journey that ultimately changes them for the better. The journeys may not be exactly the same, but they do share a common chain of events. Character deficiencies and external events force these three characters to embark on a journey that may be physical, metaphorical, or both. As their journeys progress, each man is forced to overcome certain obstacles and hardships. At the end of the journey, each man has been changed, both mentally and spiritually. These timeless tales relate a message that readers throughout the ages can understand and relate to.
The next step of Campbell’s hero’s journey is receiving supernatural aid. This comes from a figure “who provides the adventure with amulets against the dragon forces he is about to pass” (57). This is done in the East African tribe story about Kyazimba. Kyazimba is a traveler who feels lost in his search for the land where the sun rises when he runs into a little woman who transports him to where he needs to go. Symbolically this shows that everyone needs help and someone to give strength to those who need it. Even heroes that are strong themselves still need this help, like all human beings in real life
The next two parts of the hero’s journey are the trials and the mentors. Gilgamesh’s journey has both of these components, however, he does not go through them as a hero should. In his trials, he ends up h...
In many literary works we see significant transitions in the hero's character as the story is developed. This is also true in the Epic of Gilgamesh with its hero, Gilgamesh. In this narrative poem, we get glimpses of who Gilgamesh is and what his purposes and goals are. We see Gilgamesh act in many different ways -- as an overbearing ruler resented by his people, a courageous and strong fighter, a deflated, depressed man, and finally as a man who seems content with what he's accomplished. Through all of these transitions, we see Gilgamesh's attitude toward life change. The goals he has for his own life alter dramatically, and it is in these goals that we see Gilgamesh's transition from being a shallow, ruthless ruler to being an introspective, content man.
Throughout the years, certain writers were able to set off a deep sympathetic resonance within readers by their usage of archetypal patterns. One of those patterns is known as the hero's journey, which Joseph Campbell gave an understandable idea of in his book The Hero with a Thousand Faces. According to his book, while comparing world's mythology, he found that no matter how far cultures are from each other, they will still have the same structure of hero's journey in their legends (Voytilla vii).
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
Often readers will criticize the champions of classical and medieval epics for egotism. Critics cite examples from the Odyssey, the Aeneid, and Beowulf of conceit and egocentric behavior. Odysseus, Aeneas, and Beowulf display a well-known arrogance befitting their accomplishments. The motivation for this arrogance, to complete these tasks, to perform these feats, is often over-generalized to the point of inaccuracy and confusion. One must not let such misinterpretations interrupt the humanization of these characters. Through the examination of the desires and behavior of these epic heroes, we can discover an underlying need for recognition or honor. In classical and medieval western epics, the hero’s desire to complete a given quest is fueled by their desire to gain or maintain honor or fame.
Myths have been a great example of the hero’s journey. Many heroes have journeys and trials to face throughout their life. Most of their journeys start out with their origin and end with the return. However, the hero’s role remains identical to every other hero. Most heroes like Gilgamesh has heroic traits because of the stages in the hero's journey. Gilgamesh is a man who can turn into a hero by changing himself, even when he has unusual circumstances surrounding his birth. Gilgamesh is viewed as a hero due to the stages of the hero's journey.
Joseph Campbell was a well known mythology teacher who spent his whole life trying to understand the different types of stories that are told. To Campbell “all humans are involved in a struggle to accomplish the adventure of the hero in their own lives.” He made a list of stages that every hero goes through, and sums it up to three sections: separation (the departure), the initiation, and the return.
In movies, novels, and life, people are named as heroes. The heroes we establish and the heroes we recognize, however, may not meet the criteria for a mythic hero. A mythic hero ventures forth on his journey, and comes forth from the hero’s path to greatness. Joseph Campbell, a mythologist who studied many of the great human myths and religious tales, realized, in studying these myths and tales, that there were certain steps that every hero went through. Campbell called this “The Hero’s Journey”; it is based on Carl Jung's idea that all human beings have an archetype.
The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.
An epic hero is a main character who embodies the ideals of a certain culture. The character is named Beowulf and he represents the ideals of the Anglo-Saxon culture which were bravery, skillfulness, and generosity. Beowulf showed his braveness multiple times throughout the story. After he heard of a monster named Grendel who, for twelve years had been attacking King Hrothgar's mead hall Heorot, Beowulf traveled to the Danish islands to defeat him. Even though Beowulf didn't know anything about Grendel he went on a long voyage to reach the islands so that the Hrothgar's people need not live in fear. Then, after Beowulf Grendel, Grendel's mother came after the people of Heorot to avenge her son's death. To reach her, Beowulf had to dive into dark dangerous waters, facing unknown peril. He swam down through the shadowy lake by himself fighting off monsters the whole way. Once he did arrive at her lair a vicious fight ensued, but the courageous Beowulf came out victorious once again. Later in Beowulf's life, a dragon destroys his village and the large mead hall he had built for his men. Even though he knew he was no longer as agile and strong, Beowulf went straight to the dragon and gave a defiant shout of challenge.