Elaine of Ascolat Elaine is the “Fayre Maydyn of Ascolate.” She falls deeply in love with Sir. Lancelot du Lake, but when he does not return her love, she dies of heartbreak. One noticeable thing about this tale is how different it is from others. What point is Malory trying to make? Is he showing how Lancelot’s actions can affect others, is he adding some realism to his fantasy world, or is he showing Lancelot’s true affection for the Queen? When Lancelot rides to Ascolat, Elaine greets him by saying “have mercy upon me, and me nat to dye for your love” (614). She then asks Lancelot to become her husband or lover. “Sir, I would have you as my husband” (614). He rejects her, claiming he would never become a married man. She responds with “Than, …show more content…
Elaine is desperate for Lancelot's love, and she holds him in such high regard, yet he never gives her a chance, and that ultimately led to her death. “Alas than!” she said, “I must dye for youre love” (614). Lancelot, to his credit, trys to give her other options than death, such as marrying another good knight, paying her a thousand pounds yearly, not only for her but for her new love too. Elaine of Ascolat will have none of this, she is determined to die for her love. Days later Elaine, now suffering from heartbreak, calls her father, Sir Bernarde, and her brother, Sir Tirry. She then asks her father to write her letter to Lancelot. Her father granted her that wish and wrote the letter: “Moste noble knyght, my lorde Sir Launcelot, now hath dethe made us two at …show more content…
She wants Lancelot to read the letter, as a last testimony of her love. As her raft drifts down the Thames, it stirs up much attention from onlookers and eventually the king and queen. As Arthur and Guinevere look to the mysterious raft, they send out three knights to investigate. When the knights reach, they discover the most beautiful corpse of the Maiden Elaine. The raft steerer refuses to say a word to the three men. “And there they founde the fayryst corse lyyng in a ryche bed that ever he saw, and a poore man syttynge in the bargettis ende, and no worde wolde [he] speke” (616). The king and Queen came to observe Elaine of Ascolat when they saw the letter. Once the king, queen, and their knights were in their chamber, the king read the letter. Lancelot was then informed of her death and shown her letter. He denied having caused her death, even though she loved him “out of measure” (617). This passage in ‘Le morte D'arthur’ is different from the rest of the chapter. The book slowed down at this point and took a serious turn. Why did Malory feel the need to include this? Maybe to show a type of realism in his fantasy world, to show that not everything works out, that unfortunate things
In this tale Lyonet was sent to find a noble knight to rescue her sister from the Red Knight of the Red Launds.When she came to King Arthur’s court to ask of such a knight to aid her, a man to the name of Sir Beaumains asked to be the one to rescue the sister of Lyonet. At this point of the tale Sir Beaumains was considered to be not as noble as Lyonet had wanted. Beaumains wouldn’t leave her on her journey back to her sister. Lyonet kept referring to Beaumains as a kitchen knave from King Arthur’s court and would give him no respect as a knight. Throughout the journey Beaumains would not reveal his true identity and Lyonet kept wishing him gone. She would tell all of the knights that they came across in their journey what kind of man he was and taunt them to get them to fight. Every time Beaumains would win. Finally Beumains overcame the Red knight of the Red Launds and saved Lyonet’s sister, Dame Lyonesse. Once Lyonesse was freed she fell madly in love with Beaumains and wanted to be with him. Everytime Lyonesse would sneak into the room to “be with” Beaumains Lyonet would send a knight into the room and to do great harm to Beaumains so that they could not do the things they were trying to do. Lyonet never trusted Beaumains to be a truly noble knight until his name was revealed and his lineage was known.
In the beginning of Le Morte d’Arthur, background information is given. The background information explains that Sir Lancelot (King Arthur's favorite knight), has fallen in Queen Gwynevere. (King Arthur's wife) Once Sir Lancelot confessed his love to Gwynevere, she revealed that she was also in love with him and the two began a passionate love affair that lasted two years without King Arthur knowing. Sir Lancelot definitely has broken the code of chivalry because his duty was to protect the King and Queen as their knight however, he has disrespected him by having an affair with Gwynevere. It was Sir Lancelot’s affair that led to the following, events that then led to King Arthur’s death. A knight’s duty is to honor the King, not to disrespect him and have an affair with his wife without him knowing. Additionally, Sir Lancelot wasn't sentenced to death by the King but the Queen was sentenced to be burned at the stake. This goes to also show the corruption of Britain's Society. If another pilgrim within a lower class would have done what Sir Lancelot did, he would have been sentenced to death. Both the Queen and Lancelot contributed to their affair which brings up the question of, why should the Queen be burned at the stake and not
The love triangle of Arthur, Lancelot, and Guenever is a constant theme throughout every account of the Arthurian legend. Geoffrey Ashe's The Arthurian Handbook states that "We may say that these knights are expected to serve their King..."(81). The revelation of the affair finally comes when Sir Agravaine shouts, "'Traitor Knight! Sir Lancelot, now art thou taken'"(White 569). Lancelot was summoned to Queen Guenever's bedroom, and Sir Agravaine is finally exposing the affair and gaining revenge on Lancelot for unhorsing him many times in the past. The two people that Arthur trusts most are Guenever and Lancelot. Arthur is well aware of the affair between the two, but chooses to pretend that nothing is going on. Due to this naivety, Arthur earns the disrespect (and even hatred) of Agravaine and Mordred, who eventual...
Lanval, a handsome knight, falls desperately in love with a beautiful maiden, who grants the knight her love on the condition that he keep their bliss in full secrecy. Upon returning home, Lanval is confronted by Guinevere, who attempts to seduce him . After her initial advances are rejected, the Queen tries a new tactic, attacking Lanval 's masculinity: "I have been told often enough that you have no desire for women. Base coward, wicked recreant, my lord is extremely unfortunate to have suffered you near him. " By questioning Lanval 's worthiness to serve by Arthur, Guinevere is questioning Lanval 's very status as a knight, and once again we see a knightly protagonist put into a hopeless situation as many of his chivalric duties--- courteousness to the Queen, faithfulness to his King, honesty and loyalty to his lover, and defense of his own honor--- are forced into an unresolvable conflict. Lanval defends his honor and honors his King 's trust, but breaks his promise to his lover and grievously insults the Queen: "I love and am loved by a lady who should be prized above all others... you can be sure that one of her servants, even the very poorest girl, is worth more than you, my lady the Queen, in body, face and beauty, wisdom and goodness. " Lanval 's inability to simultaneously commit to all of his knightly responsibilities is comically underscored by his polite hesitation ("my lady the Queen") even
In Malory’s famous account of the King Arthur legend, the most notable example of woman as destructive sexual temptation is, of course, Queen Guinevere. Sir Lancelot’s affair wi...
Marie de France’s “Lanval” is a Breton lai dominated by themes common to 12th century literature, which through its exploration of love, erotic desire, wealth, gender and community, tells the story of a young knight who finds himself caught between two worlds: his lover’s and his own. Forced to separate these societies by a warning in which his lover states, “do not let any man know about this…you would lose me for good if this love were known” (Lines 145-148), Lanval must keep his love a secret and exist apart from the Arthurian world into which he was born. Consequently, romantic love between Lanval and his fairie queen exists conditionally, that is upon Lanval’s physical and emotional isolation. This restriction suggests that romantic love, as described in terms of erotic desire and physical/emotional devotion throughout “Lanval,” is unsuited for existence in the mundanity of Arthurian society. Therefore, Lanval’s solitude is necessary for his maintaining his relationship with the fairie queen, a fact that suggests the incompatibility of romantic love with Arthurian society, as Marie depicts it.
to an end. Sir Thomas Malory wanted to recapture the lose of chivalry with his tale "Le
The elements of courtly love operate at several levels simultaneously in The Knight of the Cart; they are expressed by the behaviors of Lancelot, Queen Guinevere, Meleagant and other characters in the story. Two vividly deployed elements are the concepts of loyalt...
In The Lais of Marie de France, the theme of love is conceivably of the utmost importance. Particularly in the story of Guigemar, the love between a knight and a queen brings them seemingly true happiness. The lovers commit to each other an endless devotion and timeless affection. They are tested by distance and are in turn utterly depressed set apart from their better halves. Prior to their coupling the knight established a belief to never have interest in romantic love while the queen was set in a marriage that left her trapped and unhappy. Guigemar is cursed to have a wound only cured by a woman’s love; he is then sent by an apparent fate to the queen of a city across the shores. The attraction between them sparks quickly and is purely based on desire, but desire within romantic love is the selfishness of it. True love rests on a foundation that is above mere desire for another person. In truth, the selfishness of desire is the
In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.
Camelot, the musical adaptation of The Once and Future King, allows for an interesting twist on the portrayal of Guinevere’s personality, mindset, and desires. The use of song and excellent acting allows for a unique display of the different aspects that make Guinevere a complex and strong character. Analyzing “The Lusty Month of May” shows Guinevere as a woman driven by her desires for the fantastical aspects of romance. However, contrasting “The Lusty Month of May” with other songs paints her as a more dynamic character and explains her relationship dynamic with Arthur, Lancelot, and other men in the court. This verse by verse analysis characterizes Guinevere as a woman driven by feelings of dissatisfaction and destiny.
In this romance, there is a battle between reason and love. Both try to thwart the paths of the other. When love is taking control, there is always a sense of reason that prevents Lancelot from doing what he wants, and when reason has the better of him, love makes him go in a different direction. Reason is the logical explanation behind each action taken or decision made by Lancelot. Love is the attraction that Lancelot feels for Gweneviere and it has a way of pushing aside reason, when he tries to make a judgment. These two elements are almost the devil and angel inside of Lancelot. Neither one can be described as good or bad, but can be considered opposites of each other. Also, most times, love is a stronger trait in Lancelot than the process of thought and reason.
Sir Lancelot, from the stories of King Arthur and the Knights of the Round Table, has become by far the most popular and well-remembered knight. Through Malory's rendition of traditional materials, we have inherited a character that has become the image of the quintessential knight. How is it that "the outsider, the foreigner, the 'upstart' who wins Arthur's heart and Guinevere's body and soul" (Walters xiv) has taken the place that, prior to Malory, was reserved for Sir Gawain? Malory has made this character larger than life. Of the grandeur of Lancelot, Derek Brewer says, "In the portrayal of Lancelot we generally recognize a vein of extravagance. He is the most obsessive of lovers, as he is the most beloved of ladies, and the greatest of fighters" (8). To achieve this feat, Malory has molded Lancelot to fit the idea of the perfect knight and the perfect lover.
Even though “King Uther die[s] himself…/ that same night…/ Arthur [is] born” (Tennyson 10). Most children are scared of the dark, but in the darkness of a man dying, a child is born which is not darkness, but a life that is full of light. That child, King Arthur, shines his light upon his kingdom and makes his people, even the children, no longer scared of the dark. Elaine, a beautiful lily maid of Astolat rises and falls all in “Lancelot and Elaine”. Elaine, with her pure innocence, lay “High on her chamber up a tower to the east…/ Which first she placed where morning’s earliest ray / Might strike it, and awake her with the gleam” (Tennyson 152). Elaine is innocent and full of light. She lets the light in to feel the warmth of it shining upon her face. She never knows what evil is until she falls in love with a man who does not love her back. Her innocence causes her death, because the light inside of her does not know how to handle the
Sir Malory once again makes us ponder whether this could be true after we witness Lancelot’s actions in “Morte D’Arthur”. Sir Lancelot’s heroism and constant response to King Arthur’s call of duty show us that he is chivalrous. However, once Sir Lancelot “slew Sir Agravain, and after twelve of his fellows” his chivalry was stained (p 444). The controversy of Lancelot’s chivalry is inflamed when his “love for Guinevere drives him into battle” and causes the “deaths of Sir Gareth and Sir Gaheris” (Harrington 67). Is the killing of several people justified by one act of chivalry? Sir Lancelot essentially “modifies his points of honor” in order to justify his actions.(Harrington 69) Sir Lancelot’s need to modify his code of honor in order to escape a predicament let us know that his character is at times