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When The Awakening opens, the reader meets Edna Pontellier. Edna is a wife and mother who is on a family vacation at Grand Isle. While vacationing, Edna becomes interested in a young man who goes by the name of Robert Lebrun. Robert and Edna then become close, but too close in Robert’s eyes. Robert realizes how fast the relationship between the two of them is moving, so he decides to flee to Mexico. Edna, who craves someone’s attention, becomes lonely without someone holding her hand. Just after she returns home to New Orleans, she acquires the love of another man: Alcee Arobin. She does not necessarily love Alcee, but he is the only one who will satisfy her needs, whether her needs are personal or sexual. By the time Robert returns, Edna has furthered her interest in painting and moved into a new house. When all is said and done, Edna realizes that everything is becoming too stressful, so she swims far out into the sea where she supposedly commits suicide. Critics have claimed that “the effect of this book was immediate and lasting” (Koloski 1). The reason for Chopin’s writing of this novel? Nobody really knows. …show more content…
Edna Pontellier tries throughout the novel to gain freedom from her duties as wife and mother.
The “awakening” she experiences is simply a rebirth of what used to be her true self. Marriage is obviously a barrier in the novel from beginning to end. Edna starts out obeying her husband’s every need, but as the novel progresses, she finally gains confidence and begins to disobey him and make her own decisions. Kate Chopin uses The Awakening to “set off a firestorm of complaints from critics scandalized by its frank treatment of a woman’s frustration with her marriage, her emotional and sexual awakening and her eventual suicide” (3-4) to show how the character Edna is the backbone of this
novel. Marriage is obviously a huge barrier in this novel not only to happiness, but to individual freedom. In the beginning of the novel, Edna is like her husband’s puppy dog. He is the master, he tells her what to do, she listens and obeys. As the novel progresses, Edna realizes that she is wasting her time doing that so she starts making and following her own rules. Léonce becomes very angry with his wife when she pays no attention to him, “He thought it very discouraging that his wife, who was the sole subject of his existence, evinced so little interest in things which concerned him, and valued so little his conversation” (Chopin 5). If he does not care for Edna’s stories/conversations, why should she care for his? Léonce does not seem to notice that Edna is more than a piece of jewelry or fine China. Edna’s independence is really just a feeling that differentiates between her two personalities: one personality obeys her husband’s every need, while the other personality does not care what he wants. This break through happens because “even as a child she had lived her own small life all within herself. At a very early period she had apprehended instinctively the dual life - that outward existence which conforms, the inward life which questions” (13). Her first “break through” is shown when she learns to swim. Her next pursuit towards individualism is noticeable when she takes up painting as a hobby. When Edna finally gains confidence over her feelings, something stops her in her tracks - her husband. After she makes the final decision to leave her husband and children, she finds out the hard way that the grass is not always greener on the other side. Upon leaving her husband, she figures out that Robert is not truly and genuinely in love with her. Even though her “awakening” was filled with lots of bad moments, Edna is able to learn some new things. First, she learns that it is okay to openly speak about how you feel. Edna is taken by surprise when she sees how these women act, yet she begins to take a liking to their method. Fortunately for Edna, she learns to express herself through art and she takes up the hobby of painting. With Edna’s fleeing husband, she has never really gotten to experience what it is like to love someone or to be loved. Due to her past with Robert and Alcee, Edna learns to express the love and compassion that has been bottled up for so long.
Kate Chopin's novella The Awakening tells the story of Edna Pontellier, a woman who throughout the novella tries to find herself. Edna begins the story in the role of the typical mother-woman distinctive of Creole society but as the novelette furthers so does the distance she puts between herself and society. Edna's search for independence and a way to stray from society's rules and ways of life is depicted through symbolism with birds, clothing, and Edna's process of learning to swim.
Kate Chopin’s The Awakening takes place in the late 19th century, in Grande Isle off the coast of Louisiana. The author writes about the main character, Edna Pontellier, to express her empowering quality of life. Edna is a working housewife,and yearns for social freedom. On a quest of self discovery, Edna meets Madame Ratignolle and Mademoiselle Reisz, falls in and out of love,and eventually ends up taking her own life. Kate Chopin’s The Awakening shows how the main character Edna Pontellier has been trapped for so many years and has no freedom, yet Edna finally “awakens” after so long to her own power and her ability to be free.
Edna seems to disregard the fact that her changes were affecting others around her, but in chapter XIX, the author reveals how Edna’s awakening has been affecting her husband. Leonce, who bared witness to the whole transformation, was able to tolerate some resistance from his wife as long as she remained taking care of her duties as a mother and wife. Leonce realized Edna had changed, but could not see in what way, he could not see the way these changes were better his wife. He saw the change in her only from the outside, he could not see how it affected her heart, and how it turned her into her true self. Edna was selfish for not thinking about her loved ones before changing her life so drastically, but her husband was selfish for not realizing she needed this change to be who she
The Awakening is a novel about the growth of a woman becoming her own person; in spite of the expectations society has for her. The book follows Edna Pontellier as she struggles to find her identity. Edna knows that she cannot be happy filling the role that society has created for her. She did not believe that she could break from this pattern because of the pressures of society. As a result she ends up taking her own life. However, readers should not sympathize with her for taking her own life.
In The Awakening, Chopin sets up two characters main characters and a subsidiary female character to serve as foils to Edna. The main characters are Adele Ratignolle, "the bygone heroine of romance" (888), and Mademoiselle Reisz, the musician who devoted her life to music, rather than a man. Edna falls somewhere in between the two, but distinctly recoils with disgust from the type of life her friend Adele leads: "In short, Mrs. Pontellier was not a mother-woman." Adele Ratignolle and Mademoiselle Reisz, the two important female principle characters, provide the two different identities Edna associates with. Adele serves as the perfect "mother-woman" in The Awakening, being both married and pregnant, but Edna does not follow Adele's footsteps. For Edna, Adele appears unable to perceive herself as an individual human being. She possesses no sense of herself beyond her role as wife and mother, and therefore Adele exists only in relation to her family, not in relation to herself or the world. Edna desires individuality, and the identity of a mother-woman does not provide that. In contrast to Adele Ratignolle, Mademoiselle Reisz offers Edna an alternative to the role of being yet another mother-woman. Mademoiselle Reisz has in abundance the autonomy that Adele completely lacks. However, Reisz's life lacks love, while Adele abounds in it. Mademoiselle Reisz's loneliness makes clear that an adequate life cannot build altogether upon autonomy. Although she has a secure sense of her own individuality and autonomy, her life lacks love, friendship, or warmth. Later in the novel we are introduced to another character, her name is Mariequita. Mariequita is described as an exotic black-eyed Spanish girl, whom Edna looks upon with affectionate curiosity. Unlike the finely polished heroine, Mariequita walks on "broad and coarse" bare feet, which she does not "strive to hide". This strikes Edna with a refreshing sense of admiration. To her, the girl's soiled feet symbolize naked freedom, unconstrained by the apparel of civilization. Thus, Edna finds her rather beautiful. Mariequita is more like an unrefined version of Edna, that is, her instinctual self. At times, Mariequita ventures to express the thoughts that are secretly buried in Edna's unconscious.
Kate Chopin's The Awakening tells the story of Edna Pontellier, a young wife and mother living in the upper crust of New Orleans in the 1890s. It depicts her journey as her standing shifts from one of entrapment to one of empowerment. As the story begins, Edna is blessed with wealth and the pleasure of an affluent lifestyle. She is a woman of leisure, excepting only in social obligations. This endowment, however, is hindered greatly by her gender.
In Chopin's The Awakening, the title itself is symbolic of the awakening that Edna undergoes throughout the course of the story. The story opens with Edna's first visit to Grand Isle, it is here that Edna will begin to awaken to herself. It is implied, and said, throughout the story that Edna is not the motherly type. "In short, Mrs. Pontellier was not a mother-woman." One might wonder then what exactly is Edna awakening to if not to her motherly instincts? According to the story, it is the awakening of "the sleeping places of her soul." In this time, women were expected to lay their sexuality aside as if it were a mere bag of flour. In return, they were given the joys of being a loving wife and mother. However, for a non - motherly woman such as Edna this would prove to be too great a price to pay for financial security.
In Kate Chopin's, The Awakening, Edna Pontellier came in contact with many different people during a summer at Grand Isle. Some had little influence on her life while others had everything to do with the way she lived the rest of her life. The influences and actions of Robert Lebrun on Edna led to her realization that she could never get what she wanted, which in turn caused her to take her own life.
In The Awakening by Kate Chopin, the setting is in the late 1800s on Grand Isle in Louisiana. The main character of the story is Edna Pontellier who is not a Creole. Other important characters are Adele Ratignolle, Mr. Ratgnolle, Robert Lebrun, and Leonce Pontellier who are all Creole's. In the Creole society the men are dominant. Seldom do the Creole's accept outsiders to their social circle, and women are expected to provide well-kept homes and have many children. Edna and Adele are friends who are very different because of their the way they were brought up and they way they treat their husbands. Adele is a loyal wife who always obeys her husband's commands. Edna is a woman who strays from her husband and does not obey her husband's commands. Kate Chopin uses Adele to emphasize the differences between her and Edna.
...tionship she had until she was left with literally no reason to live. Throughout the novella, she breaks social conventions, which damages her reputation and her relationships with her friends, husband, and children. Through Edna’s thoughts and actions, numerous gender issues and expectations are displayed within The Awakening because she serves as a direct representation of feminist ideals, social changes, and a revolution to come.
Edna's awakening begins with her vacation to the beach. There, she meets Robert Lebrun and develops an intense infatuation for him, an infatuation similar to those which she had in her youth and gave up when she married. The passionate feelings beginning to overwhelm her are both confusing and exciting. They lead to Edna beginning to ponder what her life is like and what she is like as a person. The spell of the sea influences these feelings which invite "the soul . . . to lose itself in mazes of inward contemplation" (Chopin 57). Edna begins to fall under the sea's spell and begins to evaluate her feelings about the life that she has.
In The Awakening, by Kate Chopin, Edna Pontellier is a married woman with children. However many of her actions seem like those of a child. In fact, Edna Pontelliers’ life is an irony, in that her immaturity allows her to mature. Throughout this novel, there are many examples of this because Edna is continuously searching for herself in the novel.
In it they find a forerunner of Liberation. Though The Awakening has a similar path with Madame Bovary of Flaubert, it doesn’t share a lot with that amazing precursor. Emma Bovary awakens tragically and belatedly indeed, but Edna only goes from one reverie mode to another, until she frowns in the sea, which represents to her mother and the night, the inmost self and death. Edna is more isolated in the end than before. It is a very particular academic fashion that has had Edna transformed into some sort of a feminist heroine. In The Awakening, the protagonist, thus Edna, is a victim because she made herself one. Chopin shows it as having a hothouse atmosphere, but that doesn’t seem to be the only context for Edna, who loves no one in fact- not her husband, children, lovers, or friends- and the awakening of whom is only that of
The Awakening, by Kate Chopin, is the story of a woman who is seeking freedom. Edna Pontellier feels confined in her role as mother and wife and finds freedom in her romantic interest, Robert Lebrun. Although she views Robert as her liberator, he is the ultimate cause of her demise. Edna sees Robert as an image of freedom, which brings her to rebel against her role in society. This pursuit of freedom, however, causes her death. Chopin uses many images to clarify the relationship between Robert and Edna and to show that Robert is the cause of both her freedom and her destruction.
The sexual aspect of Edna’s awakening is formed through her relationship with a supporting character, Robert LeBrun. In the beginning of the novel, Robert assigns himself to become the helper of Mrs. Pontellier and his advances help to crack the barrier in which Edna is placed in due to her role as a woman of the Victorian era. Her feelings begin to manifest themselves as she intends to liberate herself from her husband and run away with Robert. He on the other hand has no intention of having a sexual affair because of the role placed upon him as a man of the Victorian era which is not to destroy families. Her quest for complete independence ultimately brings her to committing suicide at the end of the story. Her suicide does not represent a disappointment in how she cannot conform to the society around her but a final awakening and symbol for her liberation.