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Literary analysis of a&p by john updike
Literary analysis of a&p by john updike
Literary analysis of a&p by john updike
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1. In John Updike's A&P, Sammy is not meant to function as a spokesman for Updike or his point of view. Sammy is a classic example of an “unreliable” narrator—that is, a narrator who is a full-fledged character in the story and whose opinions must be analyzed rather than simply accepted. For example, Sammy’s comment on the unknowability of the female mind should be taken as a statement in a character’s voice and not as a statement of Updike’s feelings on the topic. A more significant example is Sammy’s statement that “once you begin a gesture it’s fatal not to go through with it.” This is by no means a message statement by Updike. Rather, it is a highly debatable proposition by an impulsive young man who may have reason to regret the gesture …show more content…
In the story, there appears to be a contrast in the social classes between Sammy and his customers (the girls and the old lady). Sammy feels that the girls are rich due the way they behave (the way they walk) and what they buy (canned fish). Sammy imagines Queenie’s life as extravagant and that family is privileged and that they hold big parties. Sammy feels that he is below Queenie due to his depiction of her life. Queenie is not her real name; Sammy creates is because he thinks that she is the “queen” of the group. Sammy knows nothing about her except what she is wearing, what she buys, and how she acts towards her friends. Queenie’s behavior shows that she is snobby and thinks highly of herself despite her appearance and actions. He imagines her to be higher class due to the way she flaunts herself and how she acts. He also pictures the canned fish she buys as ritzy and extravagant when it really isn’t. Sammy quits his job in order to gain the approval of the girls and Queenie. I feel that Sammy is trying to impress Queenie in hopes to gain acceptance and approval from the upper class. Throughout the story, you learn about many of the products that A&P offers and also the type of customers they have. Sammy describes an aisle that
In “A&P”Sammy demonstrates the ability in both watching others and gathering bits of knowledge from those perceptions, however the young ladies propose to him the genuine riddle of different personalities. At the point when a client censures Sammy for an oversight, Sammy portrays the lady as a witch straight out of Salem and considers, "I know it made her day to outing me up." For Sammy, the clients at the “A&P” are very straightforward. The same holds valid for the administrator, who Sammy accepts he has completely made sense of. At the point when the young ladies enter the store, on the other hand, Sammy ponders what on earth they're considering. Despite the fact that Sammy attempts to comprehend the young ladies, particularly Queenie, and accepts that he is fruitful, his certainty is undermined by his activities toward the end of the story. His excellent motion of sensitivity for the young ladies his stopping goes unnoticed, and his inspirations are tangled and confounded. He is left with a feeling that, for all his capacity to watch and comprehend others, he should now turn his curious eye on
First, the customers are compared to sheep which further pushes the message of Sammy’s boring life. Sammy reinforces this when he describes the customers, “All this while, the customers had been showing up with their carts but, you know, sheep, seeing a scene, they had all bunched up on Stokesie, who shook open a paper bag as gently as peeling a peach, not wanting to miss a word.” This quote compares the monotonous customers to sheep who are gawking at what’s going on but not commenting on anything. Second, the clothing symbolizes the difference between dull, the customers, and fresh, the girls. The typical A&P customer is “A few house-slaves in pin curlers” and dressed in “baggy gray pants,” while the girl have a “good tan” and “long white prima donna legs.” The girls not only appeal to Sammy’s male hormones but also to his yearning for something
In his short story "A & P" John Updike utilizes a 19-year-old adolescent to show us how a boy gets one step closer to adulthood. Sammy, an A & P checkout clerk, talks to the reader with blunt first person observations setting the tone of the story from the outset. The setting of the story shows us Sammy's position in life and where he really wants to be. Through the characterization of Sammy, Updike employs a simple heroic gesture to teach us that actions have consequences and we are responsible for our own actions.
Sammy, the protagonist in John Updike’s “A&P,” is a dynamic character because he reveals himself as an immature, teenage boy at the beginning of the story and changes into a mature man at the end. The way Sammy describes his place of work, the customers in the store, and his ultimate choice in the end, prove his change from an immature boy to a chivalrous man. In the beginning, he is unhappy in his place of work, rude in his description of the customers and objectification of the three girls, all of which prove his immaturity. His heroic lifestyle change in the end shows how his change of heart and attitude transform him into mature young man.
At the beginning of A&P, Sammy notices that three girls have walked into the store with only there bathing suits on. At first, poor Sammy cannot see the girls because he was at register 3 with his back toward the door. When they finally get into his sight, he immediately size the girls up. "The one that caught my eye first was the one in the placid green two-piece. She was a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it, where the sun never seems to hit, at the top of the backs of her legs." He also gives a description of the other two girls. He says one has "a chubby berry-faces, her lips all bunched together under her nose and the tall one, with black hair that hadn't quite frizzed right, and one of these sunburns right across under the eyes and a chin that was too long--you know, the kind of girl other girls think is very "striking" and "attractive" but never quite makes it, as they very well know, which is why they like her so much." This comments illustrate his immaturity. Sammy refers to one of the girls as queen. He calls her queen because she seems to be the leader. ...
While it's true that Sammy finds the three scantily-clad girls who enter the supermarket attractive, as would any normal nineteen-year-old male, what is most notable about his descriptions of the girls, and particularly of the "leader" of the group, is that Sammy holds them in contempt. Once we get beyond the descriptions of their bodies, we see nothing but derogatory comments directed at them, including the derisive nicknames that Sammy assigns to them. Nowhere is this more evident than in Sammy's description of the leader, "Queenie." The nickname assigned to her by Sammy points out the stereotypical snap judgment that Sammy makes about her personality and social status initially, and to which Sammy rigidly adheres despite no real evidence of its accuracy. From the description of her "prima donna" legs, to his imagining of ...
Before the girls enter the store, Sammy is unaware that the setting he is so judgmental of reflects his own life. Sammy feels that he is better than the rest of people at the A&P, referring to them as "sheep" and "house-slaves" because they never break from their daily routines. He also condescendingly talks about "whatever it is they[the customers]...mutter." Reinforcing his superiority above the people in the store, Sammy sees himself as a person that can seldom be "trip[ped]...up." Although he sees himself being superior to the store, the reality is that the store closely reflects Sammy's life. He seems to have a long-term commitment to the store since his apron has his name stitched on it, and he has been working at the store long enough to have memorized the entire contents of the "cat-and-dog-food-breakfast-cereal-macaroni-rice-raisins-seasonings-spreads-spaghetti-soft drinks-crackers-and-cookies." His day is also filled with the routine of working at the register, a routine that is so familiar that he has created a cash register song. Sammy also identifies with his co-worker Stokesie, "the responsible married man," and therefore wishes to someday be the manager of the store, like Lengel. Even the "checkerboard" floor represents a game of checkers, a simple one-directional game that closely models Sammy's life. Although Sammy is nineteen ...
As the student develops his essay, Sammy begins to compare the girls to other customers in the store. From “houseslaves in pin curlers” to “an old party in baggy gray pants” (2192 ), Sammy negatively characterizes customers in contrast to the leader of the girls, Queenie. To Sammy, the girl is someone that is not from their town. She is everything that every girl envies and wants to be. In contrast to Sammy, she will spend her summer vacationing while he spends it working. It is clear to Sammy that their worlds are different, however it is also obvious that he would like to explore hers.
Sammy’s point of view of conformity changes from passive to active which shows the growth of his character. Updike chooses a 19-year-old teenager as the first narrator. As a teenager, Sammy’s personal value is still developing and he is not fully shaped by the conformity, which suggests his quitting later in the story. Although Sammy’s perspective is unreliable since his thoughts are limited by his age, he gives readers a naiver perspective of the society. He simply considers the customers as “sheep” or followers when he works in A&P, such as: “The sheep pushing their carts down the aisle” (748). However, before he saw the girls, he was part of the conformity. He silently mocks the people being conservative, but does not show any rebuke against
William Peden once called John Updike’s “A&P” “deftly narrated nonsense...which contains nothing more significant than a checking clerk's interest in three girls in bathing suits” (Peden). While Peden’s criticism may be harsher than necessary, it is hard to find fault with his analysis. Sammy’s tale offers little more than insight into an egocentric and self-motivated mind, and while Updike may disagree with that conclusion, a close reading of the text offers significant evidence to support this theory. In “An Interview with John Updike”, Updike describes how Sammy quit as a “feminist protest” (153). However, I would argue that Sammy’s act of defiance was selfishly motivated and represents his inner struggle with his social class as demonstrated through his contempt for those around him and his self-motivated actions.
This story represents a coming-of-age for Sammy. Though it takes place over the period of a few minutes, it represents a much larger process of maturation. From the time the girls enter the grocery store, to the moment they leave, you can see changes in Sammy. At first, he sees only the physicality of the girls: how they look and what they are wearing, seem to be his only observations. As the story progresses, he notices the interactions between the girls, and he even determines the hierarchy of the small dynamic. He observes their actions and how they affect the other patrons of the business. Rather, how the other people view the girl's actions. His thought process is maturing and he starts to see things as an adult might see them.
Sammy worked a typical boring job and what seemed to be in a typical small town. The only person in the store he really related to was Stokesie, which is the foil to Sammy, because Stokesie is married, has kids and eventually wanted to be manger one day. Something Sammy did not want to stick around and see. The customers in the store were all pretty much the same, in which Sammy did not show much emotion towards except he referred to them as “the sheep pushing their carts down the aisle” (Updike 261). It is easy to tell Sammy did not like his job, but it also seemed he had no other option, as if he was stuck in his small town and there was no way out. Then out of the blue he saw three girls wearing only their bathing suites walk in the store. Sammy noticed something different about them, like they were liberated from the conservative values of those times; they were part of a new generation. Especially Queenie, he referred to...
Sammy is astounded by three young girls that walk into his store in their bathing suits. He follows their every move as they peruse over the cookies and other goods. The first thing this typical nineteen boy recognizes is the one girl’s “can”. But then he goes on to say that this girl is one that other girls seems to think has potential but never really makes it with the guys. One girl though especially catches his eye. He starts to call her “Queenie” because of the way she carries herself and that she seems to be the leader of the pack. Sammy does nothing but watch her every move as they parade about the store. He even daydreams about going into her house with her rich family at a cocktail party. He notices everything about her and thinks there was nothing cuter than the way she pulls the money out of her top. His immature infatuation with this girl is one of the reasons Sammy makes the hasty decision to quit in the end.
Affirmation of Adulthood in Updike’s A&P Researching John Updike’s story, "A&P", I found many readers agreed that the main character Sammy is viewed as a hero or martyr for quitting his job at an A&P store in a northern beach town. I did, however, find that critics disagreed on why Sammy quit. Initially it appears that Sammy quits his job to impress girls who were reprimanded for wearing bathing suits in the A&P. Sammy did not ultimately quit his job to be the hero for three girls who happened to walk into this A&P.
Sammy is stuck in that difficult transition between childhood and adulthood. He is a nineteen-year-old cashier at an A&P, the protagonist in a story with the same name. John Updike, the author of "A&P," writes from Sammy's point of view, making him not only the main character but also the first person narrator. The tone of the story is set by Sammy's attitude, which is nonchalant but frank--he calls things as he sees them. There is a hint of sarcasm in Sammy's thoughts, for he tends to make crude references to everything he observes. Updike uses this motif to develop the character of Sammy, as many of these references relate to the idea of "play."