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When the Astor’s Owned New York: Blue Bloods and Grand Hotels in a Gilded Age.
By Justin Kaplan. (Penguin Group (USA), 2006. Pp. 208. Prologue, content, acknowledgements, sources, index. $13)
Justin Kaplan is an American novelist and editor whom is known for his vast selection of biographies. He even received a Pulitzer Prize For his biography concerning Mark Twain. When the Astor’s Owned New York: Blue Bloods and Grand Hotels in a Gilded Age, is only one example of Kaplan’s many biographical novels. In summary, the novel takes a glance into the Astor family’s rise and fall and their way of making regular people feel luxurious. Overall, Kaplan really focuses on the inconsequentialness of the rich and their appetite to be more superior than anyone. Hence, Their desire to compete to have larger homes, fancier furniture, more expensive yachts, and better hotels. However, the Astor’s even competed within their own family.
The family’s fortune started in a German village called Waldorf by John Jacob Astor, the first Millionaire, whom opened the Astor House and charged patrons to stay in private rooms. In time the family feud started with the two grandsons of John Jacob Astor, John Jacob Astor III and William Backhouse Astor Jr., Whom wanted to rise to the heights of wealth and fame even if it meant competing with one another. In turn, the Brothers latter passed the feud onto each of their offspring. Their sons were John Jacob Astor IV and William Waldorf Astor, cousins, whom broke the family feud and established the Waldorf-Astoria hotel in 1897. In fact, The Waldorf-Astoria hotel was actually two hotels connected together with the ability to cut access between the two if the treaty failed.
William first was defeated in politics,...
... middle of paper ...
...York’s finest buildings. Nevertheless, the novel is able to focus on not only the lives of cousins, John Jacob Astor IV and William Waldorf Astor in the 19th century, but also their family’s history and their social life.
Overall, When the Astor’s Owned New York: Blue Bloods and Grand Hotels in a Gilded Age, is a very interesting, yet knowledgeable biography. In fact, I would recommend it to the average reader and the serious bookworm. The novel is very informative and in my personal opinion one of the best biographies I’ve had the pleasure of reading. Kaplan is a talented biographer, and his works should be used to gain a larger insight on the subjects.
Works Cited
When the Astor’s Owned New York: Blue Bloods and Grand Hotels in a Gilded Age.
By Justin Kaplan. (Penguin Group (USA), 2006. Pp. 208. Prologue, content, acknowledgements, sources, index. $13)
For example, John Livingston, brother to President Jackson’s, Sec of State, own the 41 Thomas St brothel. Men of great wealth and statue were frequent to...
Heinrichs, Jay. Thank You for Arguing. 1st ed. revised. Three Rivers Press: New York, New
... Book 2002. 2002 edition. Volume 11. Chicago, IL: World book inc., 2002. Page344. Print.
Page 98 shows the menu of the male architect meeting at the University Club. This menu includes “Oysters”, wine, “Filet Mignon A la Rossini”, a cigar break, and various other expensive items. This is compared to “the streets of Chicago filled with unemployed men”(206). While the architects eat like kings; men, women, and children are on the streets starving, but the greed of the Gilded Age elites keeps them from helping the masses. Greed is also shown later in the book, when “25,000 unemployed workers converged on the downtown lakefront and heard Samuel Gompers, standing in the back of speakers wagon No. 5 ask, ‘Why should the wealth of the country be stored in banks and elevators while the idle workman wanders homeless about the streets ‘“(315). This contrasts the opening of the Columbian Exposition, where “Every bit of terrace, lawn, and railing in the Court of Honor was occupied, the men in black and gray, many of the women in gowns of extravagant hues-violet, scarlet, emerald-and wearing hats with ribbons, sprigs, and feathers.”(238). The difference between the two meetings is extraordinary: ragged workers seeking only jobs and places to sleep compared with people dressed in elaborate, expensive outfits seeking to spend their time pursuing pleasure in the Columbian Exposition. This brings light to the fact that these societal elites can spend their time and money pursuing grand visions of entertainment for themselves, but can not help those less fortunate than them. This is hammered home in page 130, where “In the city’s richest clubs, industrialists gathered to toast the fact that Carter Henry Harrison, whom they viewed as overly sympathetic to organized labor, had lost to Hempstead Washburne, a Republican” and later, “Every newspaper in the city, other than his own Times, opposed Harrison, as did
raised in a very prestigious, well-to-do family and grows up to be one of New York’s
...g. Ed. X. J. Kennedy and Dana Gioia. 12th ed. New York: Pearson, 2013. 549-51. Print.
Despite their numerous connections, there is great conflict between the different economic classes in The Great Gatsby, those being old money, new money, and the scarcely discussed, no money. Separated by the lake, West Egg and East Egg never cease to oppose one another. Fitzgerald shows the effect excessive capital has on people, emphasizing that money is power. Since Tom Buchanan comes from old money, his family fortune has simply been passed onto him; he doesn’t have to work to achieve his social status. Conversely, Jay Gatsby is required to put in the hard work and go to the extremes to get where he is. Tom Buchanan can easily be compared to the well-known Paris Hilton. What great successes is she truly known for? Solely being related to the founder of Hilton Hotels, she has never truly had to make a name for herself. When it comes to Gatsby, if one is capable of overlooking his illegal means of doing so, he is forced to work for his fortune. Steve Jobs, in comparison, also worked for his money, having originally begun his billion dollar company in his garage.
Hugh Hefner once said, “I looked back on the roaring Twenties, with its jazz, 'Great Gatsby' and the pre-Code films as a party I had somehow managed to miss.” The parties of the Roaring Twenties were used to symbolize wealth and power in a society that was focused more on materialism and gossip than the important things in life, like family, security, and friends. The Great Gatsby, by F. Scott Fitzgerald, portrays the characters of Tom and Daisy Buchanan as the epitome of the era. The reader sees these characters acting selfishly and trying to meddle with others’ lives. On the other hand, Nick Carraway, the narrator, acts more to help others and act honestly. Initially the reader sees Carraway’s views towards Jay Gatsby as negative as Gatsby’s actions are perceived as being like the Buchanan’s. As the novel moves forward, the reader notices a change in Carraway’s attitude towards Gatsby. Carraway sees Gatsby for whom he truly is, and that is a loving person who only became rich to win Daisy’s heart. But in this the reader also sees how corrupt and hurtful Gatsby’s actions were to the love of his life. Gatsby’s relationship with Daisy reveals that just as Gatsby’s dream of wooing Daisy is corrupted by illegalities and dishonesty, the “American Dream” of friendship and individualism has disintegrated into the simple pursuit of wealth, power, and pleasure.
Ed. Lynn Z. Bloom and Louise Z. Smith. 3rd ed. Boston: Bedford/ St. Martin’s, 2011. 494-507. Print.
56, No. 3 (1989), pp. 543-569. The Johns Hopkins University Press. JSTOR. Web. 24 April 2014.
Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 1920s. New York: First Noonday Press, 1995. Print.
Ed. Laurence Behrens and Leonard J. Rosen. 10th ed. New York: Pearson Longman, 2008.610-612. Print.
The distance between the wealthy class and the rest has grown, but so has the idea of noblesse oblige. The Great Gatsby clearly shows all of these issues as they were in the ‘20s, and all of them can be paralleled to show the same issues in today’s times. Works Cited Auchincloss, Louis. A. “The American Dream: All Gush and Twinkle.” Reading on the Great Gatsby.
French, Marilyn. "Introduction." Sand, George. Marianne. New York: Carroll and Graf Publishers, Inc. , 1998. 171.