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Theme in Walt Whitman's poetry
Treatment of death in walt whitman
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In the poem, “When Lilacs Last in the Dooryard Bloom’d” by Walt Whitman, He interrupts the rest of the poem for his bird to belt out a song, a song about death. The speaker of the poem was charmed by the song. Whitman uses this poem to push across a new, unmentioned image of death as the “dark mother always gliding near with soft feet.” Before this point in the poem, Death has been this figure that we cover with images of life, that we separate from ourselves by reminding ourselves that life prevails through death. In our American culture, the figure of death is something that we paint in darkness, we give Him a scythe and paint an image of destruction following his path. During funerals, the pinnacle of our reminder of death, we wear black, we mourn and we prepare the bodies to make them look alive yet asleep. Any disfigurations are taken care of and painted over like a doll. When it comes time to put the bodies in the ground, we all leave before they return to the earth so as not to …show more content…
He shows himself holding hands with death on either side, the “knowledge of death” on one side and “the thought of death” on the other. The mood is not serious, nor is it laughing, but understanding and relaxed. This closeness with death is something that we lack in our culture; Death is closing in on either side of us and we can do nothing to stop Him taking us. But Waltman isn’t pushing us to fear Death more than we already do, he pushes us to celebrate it, to “chant for [Death] the fullest welcome... glorify [Death] above all.” He indirectly argues that death is not some mysterious, shrouded figure that is evil and takes who he likes. The description received is that death is more like a swamp thrush that sings his song for each and everyone of his friends. When our time has come, the world hears our song and remembers with joy our personality and our friendships and our relationships and our quirks and our laughter and our
Death is pictured at the beginning of the poem as a pretty women. Suddenly the picture changes and the narrator explains seeing death coming for him from out far, moving like the wind and cutting down the flowers in her path. Somehow the picture of the grim reaper appears, death is clearly the main topic
My initial response to the poem was a deep sense of empathy. This indicated to me the way the man’s body was treated after he had passed. I felt sorry for him as the poet created the strong feeling that he had a lonely life. It told us how his body became a part of the land and how he added something to the land around him after he died.
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
She personifies death as a gentleman who kindly takes her for a journey in his carriage. She also personifies immortality as a person riding with them in the carriage of the. She uses the paradox “The Cornice on the ground”. Whitman’s language is poetic and realistic. Both poems discuss the view of death, but from different perspectives.
As a prelude to an inquiry into thematic elements of the poem, it is first necessary to draw out the importance of Fearing’s use of experimental form. Fearing “adheres” to the conventional use of strophic poetic construction, making use of epigrammatic style, where the seven stanzas separate the lament into isolated combinations and experiments on language and the content suggests each might stand alone as organic entities. Putting these highly-varied units into a single poem reflects on the incoherence of broader theme of death and the response to death, the dirge, as well as the notion that such a broad topic as death contains many sma...
He begins by looking at the very common views of death that are held by most people in the world, and tells us that he will talk of death as the "unequivocal and permanent end to our existence" and look directly at the nature of death itself (1). The first view that
The two poems, “Do Not Go Gentle into That Good Night”, by Dylan Thomas and, “Because I Could Not Wait for Death”, by Emily Dickinson, we find two distinct treatments on the same theme, death. Although they both represent death, they also represent it as something other than death. Death brings about a variety of different feelings, because no two people feel the same way or believe the same thing. The fact that our faith is unknown makes the notion of death a common topic, as writers can make sense of their own feelings and emotions and in the process hope to make readers make sense of theirs too. Both Dickinson and Thomas are two well known and revered poets for their eloquent capture of these emotions. The poems both explore death and the
First of all, the speaker starts her poem personifying death as a kind gentleman who comes to pick her up for her death journey. It is obvious if the reader looks at “He kindly stopped for me” (2). T...
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
Death is depicted as an individual’s affair, in which, neither one’s closest friends or closest blood relatives can give a hand in. Upon receiving the tragic news Everyman first approaches his friend Fellowship. At first he is hesitant to reveal his sorrow to Fellowship for he considers it too tragic a plight. After cajoling and assurances by Fellowship to stand by him in whatever situation, Everyman finally pours out his sorrow to Fellowship. Upon realizing that Everyman has been summoned by death, fellowship turns his back on Everyman ...
While reviewing "The Funeral" the first thing that became apparent was the title. A funeral is ceremony held in connection with the burial of a dead person. So already just by looking at the title we become aware that we are dealing with a dead body. Death, in some cultures, is the separation of the body from the soul. The soul continues to live and may even find shelter in another body. Again, from the title of the poem we can tell that death will be the main idea. Digging into the first stanza of the poem, we can begin with the analysis of the first few lines. "Whoever comes to shroud me, do not harm nor question much, That subtle wreath of hair, which crowns my arm; the mystery, the sign you must not touch, for `tis my outward soul" (line 1-5) The speaker is telling the people who come to mourn him not to disturb his body. He speaks about the hair that "crowns [his] arm" (line 3) is considered armor to his dead body. The hair is protecting his soul and this is why he must not be disturbed. What is being insinuated is that the soul has become vulnerable after th...
Imagery is a big component to most works of poetry. Authors strive to achieve a certain image for the reader to paint in their mind. Dickinson tries to paint a picture of ?death? in her own words. Thomas A. Johnson, an interpretive author of Dickinson's work, says that ?In 1863 Death came into full statue as a person. ?Because I could not stop for Death? is a superlative achievement wherein Death becomes one of the greatest characters of literature? (Johnson). Dickinson's picture to the audience is created by making ?Death? an actual character in the poem. By her constantly calling death either ?his? or ?he,? she denotes a specific person and gender. Dickinson also compares ?Death? to having the same human qualities as the other character in the poem. She has ?Death? physically arriving and taking the other character in the carriage with him. In the poem, Dickinson shows the reader her interpretation of what this person is going through as they are dying and being taken away by ?Death?. Dickinson gives images such as ?The Dews drew quivering and chill --? and ?A Swelling of the Ground --? (14, 18). In both of these lines, Dickinson has the reader conjure up subtle images of death. The ?quivering an chill? brings to the reader's mind of death being ...
The first quatrain of the poem begins undermining the idea of death by personifying it. Death is personified by Donne throughout the poem as he challenges death by stating that it is not the “mighty and dreadful” aspect of life that people are afraid of, but as an escape from life where people can find peace after death because “nor yet canst thou kill me” (Donne 1100). He argues that death does not really kill those whom it thinks it kills to further beat death into humility. In the opening line of the poem he uses an apostrophe, “Death, be not proud..” to begin with a dramatic tone to argue with death as people’s adversary (Donne 1100). Death is given negative human traits, such as pride, but also inferiority and pretense.
Perhaps the most complicated symbol within the poem "Out of the Cradle Endlessly Rocking" is that of the moon. Each time the moon appears, it appears in a way that is a striking reflection of the love of the bird.The most obvious object Whitman uses to communicate about love is the birds, the "feathered guests from Alabama". While the bird symbols in Lilacs and Cradle may seem very similar, the bird in Lilacs is a symbol of a transcendentalist view of death in the scheme of nature, and the bird in Cradle is a symbol of a much different view of deaththe personal, acute pain of a lover left to mourn. Although the birds love is significant, the boy is also an important theme and the relationship between the two may be key to understanding Whitman's intention. Another object of love is the boy in the poem, which the author's voice allows us to assume is Whitman himself.Another major factor affecting the communication of Whitman's ideas on death is the diction and tone of each poem. In Cradle, death is personal, grieving is acutely painful, and death is presented as an inevitable force oppressing ...
The title of the poem includes the word ?funeral?, immediately indicating death or loss. In the first stanza Auden makes use of works like stop, cut, prevent and silence ? these words all signify ending.