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When Dr. Vivian Bearing is telling her story, she acts as both the player and the narrator of the play. The plot jumps between a chronological timeline of her finding out about her cancer and her treatment progression, to her commentary of her own life and her past experiences as a teacher. In many ways, the entire play is a flashback, told as though she is already dead to begin with, and is just a ghost recounting various moments leading up to her death, pausing to examine past memories that blend with future events. Chronologically, her story follows that of many cancer patients: diagnosis, treatment, and death. Bearing realizes this to begin with, as one of the opening lines in the play has her comment, in a very meta fashion, how she thinks she’ll die at the end. The plot of the play follows her life as she progressively gets sicker and sicker. Her beginning moments of embarrassment and suffering, for example, having to get a physical exam conducted by a former student, pales in contrast to her losing all her hair and throwing up all the time. Over the course of the play, she is losing physical capacities and …show more content…
Bearing begins to recite her life story when she was waiting for all the scans to finish, describing her research on 17th poetry and her teaching at the university. This recitation is not what is chronologically happening, but rather a moment in time that was important to Bearing. This happens again when Jason and the other doctors begin their grand rounds. As Jason is rapid-fire describing all of the various parts of her body, Bearing is commenting on the moment itself. She describes how the grand rounds remind her of her old courses, only this time the text the students analyze is in fact, her own body. The commentary Bearing provides offers more of a insight to her mind, how she analysis this specific moment in time and connects it to another point in her
...manic depressive state which leads her to her suicide. She no longer has a will to repress any untold secrets from the past or perhaps the past. Since she has strayed far from her Christian beliefs, she has given in to the evil that has worked to overcome her. She believes she is finally achieving her freedom when she is only confining herself to one single choice, death. In taking her own life, she for the last time falls into an extremely low mood, disregards anyone but herself, and disobeys the church.
The second dramatic device in the play is lighting. The play begins in broad daylight and eventually ends in total darkness. The light gradually gets darker as Doris deteriorates more and this creates grief. The darkness at the very end implies the end of her life.
She was seduced at an early age and then fell in love with a preacher, but was overcome by an exciting younger man. She experienced every form of lust and desire as well as loss. Somehow though all the hardship she was able to come out on the other side a more complete woman and ironically did so without any of these
The scenes, which cover thirty years of the characters’ lives from eight to thirty-eight, each revolve around an injury that Doug has acquired through his accident prone life. The play progresses in five year intervals, jumping backwards and forwards, in a nonlinear progression. As they travel and run into each other’s lives, the two characters face new injuries. As the play progresses every five years, a new injury is added to one or both characters. Their lives intersect through these injuries, leading them to compare their wounds, both physical (Doug) and emotional (Kayleen), and drawing them closer together. With each new scene, old injuries and problems may have gotten better or resolved, but some became permanent. Yet, through these experiences, they are bonded together through bloodstains, cuts, and bandages.
Although illness narratives are not novel or new, their prevalence in modern popular literature could be attributed to how these stories can be relatable, empowering, and thought-provoking. Susan Grubar is the writer for the blog “Living with Cancer”, in The New York Times, that communicates her experience with ovarian cancer (2012). In our LIBS 7001 class, Shirley Chuck, Navdeep Dha, Brynn Tomie, and I (2016) discussed various narrative elements of her more recent blog post, “Living with Cancer: A Farewell to Legs” (2016). Although the elements of narration and description (Gracias, 2016) were easily identified by all group members, the most interesting topics revolved around symbolism as well as the overall impression or mood of the post.
In the beginning, Michelle is described as despising being at the hospital. She thinks that “the hospital bed is hard and confining”, while she also recalls the painful procedures she is to go through, as “she’d have to lie there, gritting her teeth, while nurses poke and jab to set another IV”. However, when the nurse, Brenda arrives, she reassures Michelle regarding her case going into remission, by mentioning that “cases like yours go into remission for years, and are able to live a relatively normal life”. This is foreshadowing a bright future, where Michelle could go back to her desired normal life, and is later confirmed by Claude, a middle aged man also battling leukemia, who is still alive, despite fighting the illness for nearly eight years. Another case of foreshadowing is in the beginning of the story, when Michelle is imagining the events happening outside of her window, and she thinks to herself, “sometimes the fog got so thick it looked like you could walk right out the window and keep on going”.
Dr. Bearing, the protagonist of the play undergoes substantial changes in character before the end of the play. As discussed, the flashbacks show how unemotional Vivian was as a teacher. She, however, starts to notice the weaknesses in her character and makes changes to her character very friendly and sociable. This is facilitated by Jason, a doctor at the hospital who behaves the way she used to behave towards her students, and Susie, a nurse who is totally opposite to Jason in character. This change of character has been extensively used by the playwright to build her theme of redemption as Vivian is redeemed from arrogance and rudeness brought about by the excess value she attaches to intellect.
To conclude, the author portrays Blanche’s deteriorating mental state throughout the play and by the end it has disappeared, she is in such a mental state that doctors take her away. Even at this stage she is still completely un-aware of her surroundings and the state she is in herself.
She passionately raves at length about the horrible deaths and her experience of loved ones dying around her; “all of those deaths… Father, Mother, Margaret, that dreadful way!” The horrific visions of bloated bodies and “the struggle for breath and breathing” have clearly cast a permanent effect on Blanche’s mind. She talks of the quiet funerals and the “gorgeous boxes” that were the coffins, with bitter, black humour. The deaths of Blanche and Stella’s family are important to the play as they highlight the desperation of Blanche’s situation through the fact that she has no other relative to turn to. This makes Stella’s decision at the end of the play seem even harsher than if Blanche had just simply shown up on her doorstep instead of going elsewhere.
Our lives are consumed by the past. The past of what we once did, what we once accomplished, and what we once could call our own. As we look back on these past memories we seldom realize the impact these events have on our present lives. The loss of a past love mars are future relationships, the loss of our family influences the choices we make today, and the loss of our dignity can confuse the life we live in the present. These losses or deaths require healing from which you need to recover. The effects of not healing can cause devastation as apparent in the play A Streetcar Named Desire. The theme of A Streetcar Named Desire is death. We encounter this idea first with the death of Blanche and Stella's relationship as sisters. Blanche and Stella had a life together once in Bel Reve and when Stella decided to move on in her life and leave, Blanche never could forgive her. This apparent in the scene when Blanche first arrives in New Orleans and meets Stella at the bowling alley. Stella and Blanche sit down for a drink and we immediately see Blanche's animosity towards Stella. Blanche blames Stella for abandoning her at Bel Reve, leaving Blanche to handle the division of the estate after their parents die. As result of Stella's lack of support, we see Blanche become dependent on alcohol and lose her mental state. Blanche comes to be a a terrible reck through out the play as we learn of the details of her life at Bel Reve. Her loss of the entire estate and her struggle to get through an affair with a seventeen year old student. This baggage that Blanche carries on her shoulders nips at Stella through out eventually causing the demise of her relationship. As Blanche's visit goes on with Stella, the nips become too great and with the help of Stanley, Stella has Blanche committed to a mental hospital, thus symbolizing the death of the realtionship they once had. The next death we encounter in the film is the death of Stella and Stanley's marriage. Our first view of Stanley is of an eccentric man, but decent husband who cares deeply for his wife. However, as as Blanche's visit wears on, we come to see the true Stanley, violent and abusive.
The first principle character in this play is Blanche DuBois. She is a neurotic nymphomaniac that is on her way to meet her younger sister Stella in the Elysian Fields. Blanche takes two 2 streetcars, one named Desire, the other Cemeteries to get to her little sisters dwelling. Blanche, Stella and Stanley all desire something in this drama. Blanche desired a world without pain, without suffering, in order to stop the mental distress that she had already obtained. She desires a fairy tale story about a rich man coming and sweeping her off her feet and they ride away on a beautiful oceanic voyage. The most interesting part of Blanche is that through her unstable thinking she has come to believe the things she imagines. Her flashy sense of style and imagination hide the truly tragic story about her past. Blanche lost Belle Reve but, moreover, she lost the ones she loved in the battle. The horror lied not only in the many funerals but also in the silence and the constant mourning after. One cant imagine how it must feel to lose the ones they love and hold dear but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faced pain.
The theme of the play has to do with the way that life is an endless cycle. You're born, you have some happy times, you have some bad times, and then you die. As the years pass by, everything seems to change. But all in all there is little change. The sun always rises in the early morning, and sets in the evening. The seasons always rotate like they always have. The birds are always chirping. And there is always somebody that has life a little bit worse than your own.
Patients have long lamented that their doctors do not truly listen to them. A new emerging discipline, Narrative Medicine, seeks to rectify this problem by teaching both medical students and doctors alike the value of empathy and through the use of literature how to listen, dissect, and reconstruct patient’s narratives. Although Rebecca Elizabeth Garden and Rita Charon, agree on many aspects of Narrative Medicine, Garden tends be more critical and points out more flaws in her work entitled “The Problem of Empathy: Medicine and the Humanities,” whereas Charon cites the numerous benefits of Narrative Medicine in “Narrative Medicine: Honoring the Stories of Illness.” Although Narrative Medicine is beneficial because it allows doctors to develop empathy, one should also realize the many potential pitfalls and complications that arises.
Blanche Dubois the main character of the play, was an English teacher in Mississippi. She presents herself as a very prim, proper, and prudent person. She once proudly told her sister Stella that her name in French meant white woods. Blanche Dubois is also overly concerned with her appearance, accessories, bathing and age. She was very disturbed by the light, and usually preferred to be in the dark. Many believe it was to prevent people from noticing her real age. Deep inside she was hurt and destroyed. All of this pain was caused by the death of the love of her life. She was married to a young man named Allan, and they loved each other very much. Until one day Blanche found out that Allan was sleeping with another man. Once she confessed to him she knew his secret he committed suicide. Ever since, Blanches’ life was never the same again.
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...