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Macbeth Act I Questions
What news does Macbeth reveal to Lady Macbeth?
Macbeth summarizes his meeting with the Weird Sisters to Lady Macbeth, especially emphasising the eccentricity of the titles they greeted him with in his letter. The letter begins by Macbeth describing that he met three sisters after the rebellion was quelled and that they were otherworldly in the sense that they knew more than mortal knowledge, evident by the fact that they addressed him with three noble titles, two of which he had never been associated with. Although he wanted to further interrogate the witches for what they mentioned in the conversation, they vanished into thin air, leaving no trace of them behind. While Macbeth stood rapt in wonder, missives from the King greeted him with “Thane of Cawdor.” Until his meeting with the witches Macbeth had no notion of declaring himself Thane of Cawdor, for the Thane of Cawdor, to Macbeth at least,
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How does this change happen so quickly?
Macbeth’s change in mindset in regards to the murder occurs due to his conversation with Lady Macbeth, who challenges his masculinity and calls him a coward. She uses his desires against him, saying that he always wants things, yet when it comes down to it he is not brave enough, nor ambitious enough to go and get it. This idea is emphasized by the lines: “Wouldst thou have that / Which thou esteem’st the ornament of life, / And live a coward in thine own esteem, / Letting ‘I dare not’ wait upon ‘I would.’” Macbeth’s decision is also influenced by his wife’s merciless tauntings that highlight his incompetence and weakness. Lady Macbeth’s ruthlessness, seen especially in the scene in which she describes how she would easily bash a feeding babe’s head if she had sworn to him like Macbeth had previously sworn to the cause, also impacts Macbeth’s decision
Consecutively, his greed impulses him to murderous intentions, “Let not light see my black and deep desires” (1.4. 57-58). Macbeth becomes jealous. The Prince of Cumberland, the king’s son, is in his way, which makes Macbeth think of desires so “black” that even light could be devoured, and or suggesting it will also frighten the audience. Shakespeare also uses this as foreshadowing to Macbeth’s fate and character. In addition, Shakespeare presents Lady Macbeth as the inciter for him to murder the king. Nevertheless, Macbeth is prone to greed, he would have committed murder over time anyhow. Judging by his lethal plans, Macbeth says his reason to kill him, “ I have no spur \ To prick the sides of my intent, but only \ Vaulting ambition, which o'erleaps itself \ And falls on the other-” (1.7.25-28). In this scene, Macbeth expresses his honesty; he knows he has no “spur,” or any real motive to kill the king, the true purpose would be for his own power and “ambition.” In addition, Shakespeare uses a metaphor of a horse-rider representing Macbeth’s ambition, which would be an inexperienced rider, who would “vault” so forcefully, that he will fall on the other side. He realizes his greed for ambition would result in his destruction, including Lady Macbeth. After the bloodshed, they became insane, and both died an agonizing death. They were arrogant, and impatient for success and power that they even killed best friends and families for it. Therefore, the power to rule over another shows to serve as a guilty pleasure for individuals. Furthermore, this correlates to the story of The Wife of Bath Tale, where the women yearn for power, which was caused by oppression. Then in the story, the knight, who commits rape, was set to find women’s true desire to save him from a death sentence. He finally
We start to see Lady Macbeth’s actions have a huge impact on Macbeth’s character as he transforms from a decent being to an overly bitter creature. The cause of his alteration is due to the fact that Lady Macbeth is constantly excreting heartless information into his mind. "Art thou afeard to be the same in thine own act and valour as thou art in desire?" (I;vii;39-41) "And, to be more than what you were, you would be so much more the man." (I;vii;50-51) Lady Macbeth uses these quotes to push her husband beyond limits and is therefore responsible for his dramatic change in attitude. She is constantly feeding his thoughts with negative comments and later on Macbeth realizes that he has another side to him. As he moves along to discover the concealed side of him, Macbeth falls in love with himself and begins to be drawn towards his evil desires. Because Lady Macbeth was the main cause of his new hidden discovery, she is fully responsible for opening up the door and letting the darkness in. This results in Macbeth committing both murders.
Lady Macbeth was “choked with ambition”. Her infatuation to be queen is the single feature that Shakespeare developed far beyond that of her counterpart in the historical story he used as his source. Lady Macbeth persistently taunts her husband for his lack of courage, even though we know of his bloody deeds on the battlefield. At this point in time, with all her will converging towards seizing the throne, she has shown no signs of remorse or hesitance in her actions and hence preventing the events in the narrative from digressing away from imperative themes and climaxes of the play.
Macbeth tells himself to act like a man in the following lines: “Prithee, peace! / I dare do all that may become a man; / Who dares do more is none” (I, vii, 45-47). This quote by Macbeth shows how he wants to be a man by killing King Duncan, but he does not think this would be an act of righteousness. Macbeth is in a controversy with himself in this situation. If he does not kill the king then his wife, Lady Macbeth, will not think he is a man, but if he does kill the king then he will betray his leader’s trust in him. Betrayal would not be seen as an act of manliness. Jarold Ramsey explains the situation in the following sentence: “And, striking more ruthlessly at him, she scornfully implies that his very sexuality will be called into question in her eyes if he refuses the regicide” (288). This quote by Jarold Ramsey explains how Macbeth’s manliness will be determined in the eyes of Lady Macbeth when he makes his decision on whether or not he will kill the king. Lady Macbeth shows her desire of being queen in the following lines: “What beast was’t then / That made you break this enterprise to me? /When you durst do it, then you were a man” (I, vii, 47-49). This quote shows how she wants Macbeth to kill the king. In this situation Macbeth tells himself to be a man and kill the king to please Lady Macbeth. Maria Howell exp...
When she learns Macbeth has been given a fortune of been given thane of cawdor then king and half the prophecy has become true, she knows if Macbeth is king she will be queen. She is willing to do anything to get it. On the night that Macbeth and lady macbeth have planned to kill Duncan. Macbeth is having second thoughts but Lady Macbeth is not letting him back down by saying he is a coward and she would do it if she was in his place by saying ”When you durst do it, then you are a man. And to be more than what you were you would be so much more than a man”. Macbeth is a hearty warrior and feels as though he has to prove to Lady Macbeth he is a man and he is not a coward. Therefore due to Lady Macbeths manipulation Macbeth murders Duncan. On Macbeths return Lady Macbeth is happy but Macbeth is Filled with regret Lady Macbeth tells Macbeth to forget what happened “ A little water clears us of this deed”. Which is Ironique as At the end of the play Lady Macbeth has been in the anxiety and it has finally eaten away at her and she has gone mad and keeps seeing blood on her hands. “Out damned spot out, I say !” which in turn leads to her own suicide and portrays Lady Macbeth as taking her fate into her own hands in an evil manner, However the guilt from doing the evil task highlighted Lady Macbeth was not as manly as she wanted to be and she still had feelings, showing the audience by her suicide as an act showing she was unable to withstand the guilt of being queen knowing the great evil she had to do to get
After Lady Macbeth reads his letter and Macbeth arrives home, she is excited about becoming queen. She asks Macbeth when King Duncan is to be arriving and tells Macbeth to leave the plan up to her, his only job being that he has to look innocent and hide their true intentions. Macbeth seems to be stunned and nervous, telling his wife that they will talk later when she begins to tell him of her plan. In the seventh scene, at the castle, Macbeth speaks of the intense guilt he is feeling even before he is to kill Duncan; “… this even-handed justice/ Commends the ingredients of our poisoned/ Chalice to our own lips…” (1. 7. 10-12) (Shakespeare), “… He’s here in double trust…” (1. 7. 12) (Shakespeare), “… Besides, this Duncan/ Hath borne his faculties so meek, hath been/ So clear in his great office…” (1. 7. 17-19)(Shakespeare) all express Macbeth’s discomfort with murdering Duncan to steal the throne. Not only does he convey these emotions during this monologue, but he does so when Lady Macbeth enters the room, saying “We will proceed no further in this business./ He hath honored me of late, and I have bought/ Golden opinions from all sorts of people…” (1. 7. 32-34) (Shakespeare). To respond to this, Lady Macbeth does what she does best: emasculating her husband. She first articulates her questioning of his manhood after she reads Macbeth’s letter in the first act when she says “Yet do I fear thy nature;/ It is too full o’ th’ milk of human kindness…” (1. 5. 2-3) (Shakespeare), which contrasts with the heroic description the dying Captain gives of Macbeth in the opening scene. After Macbeth tells his wife that he is calling off the plan to kill King Duncan, she
Lady Macbeth negatively guides lots of Macbeth’s behaviour, for instance, when Macbeth hesitates to commit murder, she repeatedly questions his manhood until he feels that he has to do it to prove himself as the man that Lady Macbeth always mentioned; it is also one of the reasons that lead to Macbeth’s downfall, as well as the deaths of the other innocent characters in the text. “[Macbeth does] Like the poor cat i' th' adage? ”(1.7.46) says Lady Macbeth, when Macbeth is hesitating whether kill Duncan or not while he’s in Macbeth’s castle. Lady Macbeth describes Macbeth as a poor cat from old stories to satire Macbeth’s indecision. She degrades Macbeth’s manhood as he doesn’t have the dare to act the way he desires, to pursue the power and glory that he wants. Macbeth replies that he only dares to do what is proper for a man to do. However later in the text, Macbeth’s actions go crazy, he cares his family no more, as well as his friends and subordinates. Lady Macbeth seems to know that she needs to push Macbeth into committing murder, or Macbeth will just let nature take its course. At some points, she wishes that she was not a woman so that she could do the things that man could do by herself, such as the murder, so she won’t see Macbeth lacks in the power of decision and his overtaken by misgivings and fear. In addition, Julia encourages
Macbeth first feels forced externally, the source of it coming from his wife, Lady Macbeth, who wants for Macbeth to kill Duncan so that he can become king. At first, Macbeth feels apprehensive and tells his wife, “We will proceed no further in this business” (1.7.33). Lady Macbeth begins to pressure him further, even going to the extent of questioning his manhood, saying, “Wouldst thou have that/Which thou esteem’st the ornament of life, And live a coward in thine own esteem, Letting ‘I dare not’ wait upon ‘I would’, Like the poor cat i’th’adage?” (1.7.41-45). In her response, Lady Macbeth calls her husband a coward and accuses him of just fantasizing about becoming king without doing anything, instead of killing Duncan to become king right away. She also makes a reference to an old Latin proverb that loosely translates to, “The cat would eat the fish, but does not want to wet her feet”. After hearing th...
In the beginning of the play, Macbeth is portrayed as a courageous and well-respected soldier who is loyal to his King and country. He is described by one of King Duncan's men as “brave Macbeth.” As a result of his bravery on the battlefield, Duncan decides to reward Macbeth with a new title – the Thane of Cawdor – as the last Thane was proven to be disloyal; however, Macbeth is unaware of this, and this creates tension in the audience. The opening scenes show that Macbeth is a powerful and courageous man who is not naturally inclined to do wrong, but is capable of being brutal when he needs to be. The meeting with the witches also reveal that Macbeth is a very ambitious man who craves an even greater power. There is contrast between Macbeth’s and Banquo’s attitudes towards the witches’ prophecies. Whilst Banquo dismissed the witches’ prophecies, Macbeth was “rapt withal.” This shows that Macbeth has thought about being “king hereafter.” Macbeth's first soliloquy reveals his deep desire to be king. His soliloquy also reveals that he would do anything to achieve it.
Lady Macbeth is a very loving wife to Macbeth and she wants to do anything she can for him to achieve his goals. She just takes it a little too far, and she puts too much pressure on Macbeth to commit crimes that he is not sure he wants to do. After Macbeth sends her a letter about the witches’ premonitions, Lady Macbeth is no longer the sweet innocent lady we expect her to be. She turns into a person who is just as ambitious as her husband and she wants to do whatever it takes to help him get Duncan out of the way. She even goes to the point of calling Macbeth a coward, and mocking his bravery when he fails to complete the job. She is even willing to do it herself (plant the bloody knife with the guard). Lady Macbeth is constantly putting the pressure on Macbeth to do things that he is not sure about. She almost turns into a bully who dares Macbeth to go out and do evil things. She even says in a soliloquy that she wants to be released of all her morals and values so that she can help him commit these crimes.
Macbeth’s choice to put his trust in the witches, rather than take heed like Banquo, leads to his own destruction. Macbeth first encounters the three witches after his victory over the Norwegians. When Macbeth passes the three witches on the road, the greet him with, “All hail, Macbeth! Hail to thee, thane of Cawdor!” All hail, Macbeth! Hail to thee, thane of Glamis! All hail, Macbeth, that shalt be king hereafter!” (I,iii,49-51). Macbeth doubts these claims until Ross and Angus soon tell him of his newly acquired title, the Thane of Cawdor. He starts to believe the sisters to be true and that he just might become king. Macbeth jumps to the conclusion that the three sisters are of the supernatural and decides to trust them. He does so despite Banquo’s warning, “ But ’tis strange. And oftentimes, to win us to our harm, the instruments of darkness tell us truths, win us with honest trifles, to betray ’s in deepest consequence...
After struggling with the thought of killing Duncan, Macbeth is reprimanded by Lady Macbeth for his lack of courage. She informs him that killing the king will make him a man, insinuating that he isn’t a man if he doesn’t go through with the murder. This develops Lady Macbeth as a merciless, nasty, and selfish woman. She will say, or do anything to get what she desires, even if it means harming others. It is this selfishness that makes it hard for the reader to be empathetic towards her later in the play, as it is evident in this scene that her hardships were brought on by herself. If she hadn’t insisted on the murder, she would not be driven in...
Lady Macbeth is the first to strategize a way to kill Duncan. As a character foil to Macbeth she juxtaposes their possession of guilt and ruthlessness, which creates irony and excitement to the play. Originally, she is very power hungry and wants to utilize her husband’s position in status to become queen. Macbeth objects to the plan to kill Duncan because he believes Duncan is Macbeth’s kinsman, host, and an overall virtuous ruler (Act. 1 Scene. 7) and thus feels very guilty for taking advantage of Duncan’s trusting quality towards the Macbeth family. She refers to Macbeth as weak and rebukes his manhood (Act 1. Scene 7.) . As the play progresses, Lady Macbeth and Macbeth have a character role reversal of their possession of guilt and ruthlessness. The character foil is extant, however Macbeth’s ruthlessness overcomes his guilt, and Lady Macbeth’s guilt vanquishes her drive for power. In addition to an alteration in character foils, Shakespeare introduces situational irony because now Lady Macbeth succumbs to the weakness Macbeth once possessed and Macbeth is the one who is formidable and ambitious. Macbeth’s ability to transcend his guilt exemplifies his struggle for power and reinforces the theme of evil ambition because Macbeth is able to secure the throne and power only by mass
Lady MacBeth, an power-hungry woman, persuades her husband to return to the plan of murdering their king. The first ploy she used to persuade MacBeth was an emotional appeal, making him feel bad about himself by calling him a coward. She asks him,”Wouldst thou have that, Which thou esteem’st the ornament of life, And live a coward in thine own esteem,” dubbing him a coward for retreating from the plan they originally agre...
The main theme of Macbeth-the destruction wrought when ambition goes unchecked by moral constraints-finds its most powerful expression in the play's two main characters. Macbeth is a courageous Scottish general who is not naturally inclined to commit evil deeds, yet he deeply desires power and advancement. He kills Duncan against his better judgment and afterward stews in guilt and paranoia. Toward the end of the play he descends into a kind of frantic, boastful madness. Lady Macbeth, on the other hand, pursues her goals with greater determination, yet she is less capable of withstanding the repercussions of her immoral acts. One of Shakespeare's most forcefully drawn female characters, she spurs her husband mercilessly to kill Duncan and urges him to be strong in the murder's aftermath, but she is eventually driven to distraction by the effect of Macbeth's repeated bloodshed on her conscience. In each case, ambition helped, of course, by the malign prophecies of the witches is what drives the couple to ever more terrible atrocities. The problem, the play suggests, is that once one decides to use violence to further one?s quest for power, it is difficult to stop. There are always potential threats to the throne?Banquo, Fleance, Macduff?and it is always tempting to use violent means to dispose of them.