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Courtly love in king arthur books
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Mordred would always be at his most comfortable in the forest, having been raised as a Druid for much of his life. Yet there was something about Camelot he adored above all other places – not the bustling activity that marked its sunny days, but the ethereal silence which blanketed the city late at night, the soft glow of moonlight bathing the towers of the Citadel as its inhabitants slept peacefully beneath the velvet firmament.
In the beginning, Mordred assumed it was the beauty alone that appealed to his senses so much, but after spending quite a few months in Camelot, he realized it was something more than that. He couldn't quite put his finger on it, but it had something to do with possibility… promise… a fleeting glimpse of stillness
This extract emphasises the lonely, outworld feeling that would have been felt living in such settings. This puts into perspective the feeling that will be felt during the coarse of the plot development.
Night is dangerous to all people and even in a fort-like hall, warriors sleep with “each man’s kit kept at hand” (1244). However, the morning relieves all endangered men by unveiling all hidden dangers and monsters. “The hall towered, gold-shingled and gabled, and the guest slept in it until the black raven with raucous glee announced Heaven’s joy, and a hurry of brightness overran the shadows” (1799-1803). The morning renders everyone relieved that light returns and casts them into a safe net of luminescence. Day symbolizes safety and reassurance in the book, an important proponent of everyone’s desire to feel secure. Without shouting or making any noise, light awakens the lands, frightens evil, and protects the unsheltered. Darkness hides danger, thieves, and evil in its black cloaks of hidden malice.
“ I myself fell prey to wanderlust some years ago, desiring nothing better than to be a vagrant cloud scudding before the wind... But the year ended before I knew it... Bewitched by the god of restlessness, I lost my peace of mind; summoned by the spirits of the road, I felt unable to settle down to anything.”
to be more clearly presented. He made the scene of the poem less dream-like and more like an
the trees in the forest. The people of the distant town of Silvery Moon watch
As a child, the unknown spaces of Africa enchanted Marlow. He would often lose himself “...in all the glories of exploration” (Conrad 21). As an adult Marlow, after shining light on those dark unknown spaces of Africa and it was no longer a blank space on a map, but a place of darkness, there was still one river that charmed him, “...a mighty big river, that you could see in a map, resembling an immense snake uncoiled, with its head in the sea, and its body at rest curving afar over a vast country, and its tail lost in the depths of the land” (Conrad 22). The river that charmed Marlow in his boyhood, allowed access into the heart of the African continent. As the main method of the Europeans transportation, travelling along the river enables Marlow to see both sides of the continent, the natives and the evil doings of Mr Kurtz. Marlow is able to see the truths of the evil in the world and where they reign. Marlow went into the Congo as an innocent sailor and after meeting Kurtz and listening to his ideas, “turned to the wilderness, not to Mr Kurtz, who...was as good as buried. And for a moment it seemed to [Marlow] that [he] was also buried in a vast grave of unspeakable secrets. [He] felt an intolerable weight oppressing on [his] breast, the smell of the damp earth, the unseen presence of victorious corruption, the darkness of an impenetrable night” (Conrad
In brief, beauty is something that is aside from you. It is something you do not have to worry about. Nevertheless, we must be afraid of the sublime because we cannot understand it and therefore, is dangerous to us. We must at least decide is it poses as a danger to us. Just as Maureen Rousseau restated from Kant’s “Critique of Judgement” about the notion one can fear God without being afraid of him because we cannot resist God. It makes sense what Maureen Rousseau says when she explains that we can be fearful of the sublime but we can also determine if it something be afraid of. Maybe that is why we have the quest for beauty because we have nothing to fear from beauty. Beauty is ultimately something we admire and want.
This poem helps us to recognize and appreciate beauty through its dream sequence and symbolism. The poem opens with the Dreamer describing this
People often want to ensure that they are loved and often demand to know why they are loved. When one is asked a question like "Why do you love me?" one should think about how to answer for a good while. If a man responds to this question by picking specific attributes of a woman, such as her face or figure, she will usually be dissatisfied with his answer. Indeed, loving a woman because of her physical beauty is not the true love described by Shakespeare. In the sonnet, Shakespeare shows a deeper love that is beyond that of physical attraction. To discover the reasons of why two people love each other, they have to go beyond the physical attributes that they favor, and see the person in the aspect of the personal sense.
The speaker sees this scenery in his mind. As a reader, I can even imagine him standing in a dark room looking at a woman singing and imagining his old days with his mother. Using the picturesque words such as “softly,” “dusk...
Inside the nicely decorated room with taupe walls just the perfect hint of beige, lie colorful accessories with incredible stories waiting to be told. A spotless, uninteresting window hangs at the end of the room. Like a silent watchman observing all the mysterious characteristics of the area. The sheer white curtains cascade silently in the dim lethargic room. In the presence of this commotion, a sleepy, dormant, charming room sits waiting to be discovered. Just beyond the slightly pollen and dust laden screens, the sun struggles to peak around the edges of the darkness to cast a bright, enthusiastic beam of light into the world that lies beyond the spotless double panes of glass. Daylight casts a dazzling light on the various trees and flowers in the woods. The leaves of fall, showcasing colors of orange, red, and mustard radiate from the gold inviting sunshine on a cool fall day. A wonderful world comes to life outside the porthole. Colossal colors littered with, abundant number of birds preparing themselves for the long awaited venture south, and an old toad in search of the perfect log to fall asleep in for the winter.
When my brother and I weren't at "battle," I would lay beneath my oak tree and daydream. As I looked up I could see millions of branches protecting me from everything above. At the end of each branch were hundreds of more leaves that would gently catch the morning dew, and carefully allowed it to make its way to the grass. It was like thousands of stars in the sky as the sun caught the drops and allowed them to sparkle so brightly. This was my heaven, and as I lay there, I could feel the plush grass, like a snuggly old blanket, holding my body gently against the ground.
In Smith’s poems, we do see this, but mostly in this sonnet we see a jealousy of nature. Smith is able to connect with the beauty of Spring on some level; it is something that brings her a small amount of happiness, but she is mournful because she will never be like Spring.... ... middle of paper ... ...
I wandered leisurely along the shadowy paths, enjoying the peaceful surroundings. With only the songs of birds for company, I felt completely isolated from the crowds and traffic as I walked over the deep carpet of leaves. It had begun to rain a litt le when I first started my journey. However, small patches of sunshine soon began to filter through the giant oaks, promising that the rest of may day would be pleasant.
Fortunately, I wake every morning to the most beautiful sun lit house. I sit on my porch sipping coffee, while I drink in an atmosphere that steals my breath away. Rolling hills lay before me that undulate until they crash into golden purple mountains. Oh how they are covered in spectacular fauna, ever blooming foliage, and trees that are heavy with pungent fruit. Green it is always so green here at my house. Here where the air lays heavy and cool on my skin as does the striking rays of the sun upon my cheeks. I know in my soul why I choose to be here every day. Pocketed in all the nooks and crannies of these valleys and hills are stately homes, rich with architecture resplendent. Diversity is the palate here; ...