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Theme of knowledge in the novel Frankenstein
Theme of knowledge in the novel Frankenstein
Theme of knowledge in the novel Frankenstein
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The events in Frankenstein by Mary Shelley surrounding fire and ice are far from coincidental. From Walton's dream of reaching a country of “eternal light” (Shelley, 51) to the image of the creature drifting off into the darkness on an ice-raft, Frankenstein repetitively revolves around these two opposing elements. Separately, fire and ice symbolize several themes in this novel. To begin, fire symbolizes themes such as knowledge or destruction. For example, knowledge, like fire, can advance us in many ways, but can also harm us if used improperly or pursued too far, which Victor soon realizes. Alternatively, ice can be seen as a symbol of fate, isolation, or revenge. Ultimately Victor’s life becomes focused on the chase and pursuit between …show more content…
him and the creature. His fate turns barren, frigid and cold as ice.
Paired together, fire and ice represent the many dualities found in the story. These dualities can be found in Victor Frankenstein’s contrasting moods as well as the inspiration and termination of his scientific drive. Finally, fire and ice unite in Walton’s suicidal dream of traveling to the north pole in search for a place where he believes “frost and snow are banished” (Shelley, 51). Above all, Shelley uses fire and ice to symbolize opposing aspects and expose the deeper meanings within Frankenstein.
A bonfire is often the centerpiece in the telling of the story, and similarly, many themes in Frankenstein surround fire as well. Fire brings many advantages to humans, but it can also cause our destruction. While it can bring warmth and illumination, it can also cause pain and death. The creature’s initial experience with fire is delightful, although once he comes too close, he quickly learns of its duality. “How strange,” he says, “that the same cause should produce such opposite effects!” (Shelley, 122). When looking at knowledge and innovation in Frankenstein, the same dualism is present. It was Viktor who tried to give knowledge to society, and although
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he had good intentions, his idea of bringing the dead to life became an obsession, causing him to overlook the consequences of his actions. He pursued this idea too far and too quickly, resulting in death and destruction. Fire also links the separation between creator and creation, meaning that it is the only one of the four elements that man can produce himself. A similarity exists between Frankenstein and the story of Prometheus, a myth about a titan who creates the first man. Prometheus steals fire for man and as punishment for his infraction, the gods condemned him to be “tortured daily by an eagle that ate his ever-regenerating liver.” In a way, Viktor is like Prometheus; both interfered with nature, disrupted the separation between creator and creation, and ultimately suffered the consequences. Fire can also be seen as a symbol of destruction or punishment. After being rejected by the Delacey’s, the creature burns down their cottage for revenge. The description of the flames as they “licked” the cottage with “destroying tongues” (Shelley, 151), represented fire as a symbol of destruction. Fire resurfaces as a symbol of self-destruction during the creature’s last words when he informs us of his plans to “exult in the agony of the torturing flames” in order to escape his “burning miseries” (Shelley, 221). On the opposite end of the spectrum, ice symbolizes coldness, frigidity and ridigity.
Ice represents the dangerous and unexplored territory where human life and life in general are threatened. It is coldness, lifeless and loveless. Ice in Frankenstein can be seen as a symbol of the outcome of Viktor’s life. The ending of Viktor’s life is as bleak, barren, frozen and cold as ice. By the end, only in his dreams could he “taste joy” (236). The chase and pursuit between Viktor and the monster is all that is left in his miserable life until he succumbs to the frigid and lonely artic. “Never will I omit my search,” he says, “until he or I perish.” (237). Ice can also be seen as a symbol of isolation. The extreme icy territory of the North Pole is where everyone in this story runs to and the farthest point to which you could possibly run. Robert, Viktor and the creature end up completely alone and completely isolated. Leaving and entering the story alone, the creature is the utmost example of an isolated character. Even satan, he says, had “fellow-devils to admire and encourage him; but I am solitary and detested” (chapter VII). From the moment he is created he is left to his own devices, and finally plans to die in the arctic where he will be “content to suffer alone” (255). Finally, he drifts off alone into the artic sea until he is nothing but a speck in the distance. More so than anything else, ice is a symbol of revenge. As the saying goes, “revenge is a dish best served
cold”. Driven by cold-blooded revenge, the creature will do whatever it takes to gain justice for his mistreatment. “You can blast my other passions,” he says, “but revenge remains- revenge, henceforth dearer than light or food! I may die; but first you, my tyrant and tormentor, shall curse the sun that gazes on your misery.” (192) Whatever heart the creature claims he was born with has now turned to ice, and whether or not it may cause his own death, he will stop at nothing in order to make Viktor feel the same way he does: tormented, empty and alone. By and large, these opposing elements in Frankenstein represent the “romantic synthesis” (2) of fire and ice and the extreme contrasts found within the story. It seems as though the characters in the story are either in heaven or in hell. A good example of this is Viktor Frankenstein, who is either melancholic and sick or energetically determined and obsessive. There is no happy medium when it comes to this character. At one moment, Viktor is defeated and declaring that his “general state of feeling was interrupted by paroxysms of anguish and despair” (210). Later on, he is driven by an ambition that takes over him in his pursuit of the creature. "Again do I vow vengeance; again do I devote thee, miserable wretch, to torture and death. Never will I give up my search until he or I perish" (Shelly, p.195). The extremes of fire and ice coming together in the novel may also be seen as a symbolic representation of Viktor’s scientific drive. It all begins with a strike of lightening; “As I stood at the door, on a sudden I beheld a stream of fire issue from an old and beautiful oak… the oak disappeared, and nothing remained but a blasted stump” (page 22). This act of nature sparks the idea in Victor’s head and soon his experiment comes to life. While fire ignites victor’s passion for learning, ice, which negates fire, causes victor’s destruction and ends his drive for enlightenment. On the verge of death in the cold confines of the north pole, Viktor aches for rest and realizes that he will die before the creature. His scientific drive begins with a strike of lightening and ends surrounded by ice, unable to put a stop to the monster he created. Victor’s character conflicts with these two symbolic opposing elements until ice consumes the fire within him and the elements cease to coexist. One of the most meaningful representations in Frankenstein where fire and ice come together is Walton’s dream- the ultimate dream for a romantic. Walton’s dream is charged by a vision in his head of a place deep in the confines of the north pole where fire and ice meet, where “the sun is forever visible”, where “frost and snow are banished” and where one may waft into “land surpassing in wonders and in beauty” (55). Like any romantic, he is concerned with intensity, far away places, adventure and most of all, uncovering the mysteries of nature. Walton dreams of a place where fire and ice coexist, but his dream is of an incompatible state and is destined for disappointment. Nevertheless, Walton sees the north pole as something unknowable, unpredictable, unfathomable, yet something he must pursue. Whether it is the spark of knowledge, the cold revenge of the creature, or Walton’s search for fire within the ice, these two opposing elements surround every detail in Frankenstein. For such an enduring novel that has held influence for centuries, it is only fitting that such powerful elements be used to uncover the deep meanings within it. Both separately and together, fire and ice can be intense, beautiful, strange, and terrifying all at the same time, which makes for a perfect combination in the eyes of a romantic like Shelley. These opposing elements capture the essence of the novel- a novel about light and darkness, revenge and sympathy, life and death and all these extremes combining to form one dream-like story where the warmth of a good dream meets the chill of a nightmare.
Victor Frankenstein’s recollects his past before his mind in youth was plagued by his self destructive passions later on in his life. By reflecting on his past, he becomes keenly aware of the poor choices he has made which inevitably lead to the decimation of the innocence he used to possess in the past. The simile in this text compares the beginning of when he discovers his passions for natural philosophy, and his eventual demise caused by it, to the flow of a river which source was in the mountains. The serene nature of the mountain and river foreshadows the purity of Frankenstein’s being before the discovery of his passions, and the peak of that mountain symbolizes the height of this innocence. The many sources of water at the peak represents
Although fire is linked to human life, as it is essential for survival, not only its use for food, security and warmth, particularly in the extreme cold weather but also it could harm and smolder entirely. In Mary Shelley 's novel, “Frankenstein,” fire exists
Ice is the opposite of the warmth, and life giving power of fire in the begging of the novel. The introduction of ice in the novel is in the Arctic. This is where Victor is at the point where he is at his life’s end. Ice is cold and unforgiving. The ice is a symbol of the fate of victor's life at this point. Victor is an intelligent man but his obsessive want for knowledge led to his demise. If he moderately practice his power this could have been prevented. He was blinded by his goal and he suffered for his foolishness.
Mary Shelley’s novel, Frankenstein, illustrates the Romantic idea of the sublime naturalworld as an emotional experience for the characters of the novel. Within the text, Shelleyutilizes an allusion to the John Milton’s biblical story, Paradise Lost, to make a parallel betweenthe characters. Within the passage, the monster compares himself, as well as his creator, Victor,to the characters Adam and Satan. He comes to realize that he is more similar to Satan;ultimately, leading him to his reign of terror and the revenge he wishes to impose on Victor. Themonster realizes that he is similar to Adam in Paradise Lost in that they both do not want to bealone. The monster also realizes that there is good in the world that is deeply contrasted with
' As he jumps from the window into the darkness, the reader is left to wonder what will become of him. Is the darkness and extreme cold a metaphor for the 'hell' he is now entering? Mary Shelley has enabled the reader to feel great sympathy with Frankenstein's monster. This was a creature who at first only desired acceptance from his 'master' but received loathing, hatred, and utter rejection. His change from an innocent being into a vengeful beast, we feel is the direct
Mary Shelley’s Frankenstein opens with Robert Walton’s ship surrounded in ice, and Robert Walton watching, along with his crew, as a huge, malformed "traveller" on a dog sled vanished across the ice. The next morning, the fog lifted and the ice separated and they found a man, that was almost frozen lying on a slab of floating ice. By giving him hot soup and rubbing his body with brandy, the crew restored him to his health. A few days later he was able to speak and the stranger, Victor Frankenstein, seemed distressed to learn that a sled had been sighted prior to his rescue from the ice. Then he began to tell his story.
With this passing thought, the monster leaps from the ship into the ice filled sea, and is never seen again. At first it is seen as a story about man and the evils he can do, yet. Frankenstein is actually about the friendship of the soul. Without this basic need, the body either withers away and dies or turns to another source, like murder or drink, to fill the hole. Both fatalities can be seen in the story, with Victor's friendship and the monster's anger.
Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment. Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise.
The syllable of the syllable. Ice symbolizes death and pain or illness in Romantic novels. This shows there is no coincidence in Victor's state of being and the environment they are in at the time. This is also one of those subtle nods towards former works Shelley had read. For anyone who has read "The Rime of the Ancient Mariner" (another Romantic work), his ship.
In Mary Shelley’s novel, Frankenstein, she exercises this movement by painting artistic and literary illustrations of how Victor, as well as the Monster lives through seasonal and surrounding areas. Shelley shows the complex emotional state found in Victor and the Monster.
Since its publication in 1818, Mary Shelley's Frankenstein has grown to become a name associated with horror and science fiction. To fully understand the importance and origin of this novel, we must look at both the tragedies of Mary Shelley's background and her own origins. Only then can we begin to examine what the icon "Frankenstein" has become in today's society.
Victor Frankenstein and his creation are alike in several ways, one of them being their appreciation of nature. Victor embraces the nature for the quick moment that he escapes the creature as it “filled me with a sublime ecstasy that gave wings to the soul and allowed it to soar from the obscure world to light and joy” (Shelley 84). Vict...
Mary Shelley’s gothic novel Frankenstein is a novel narrated by Robert Walton about Victor Frankenstein and the Monster that he creates. Frankenstein grew up surrounding himself with what he loved most, science. He attended Ingolstadt University where he studied chemistry and natural philosophy, but being involved in academics was not enough for him. Frankenstein wanted to discover things, but did not think about the potential outcomes that could come with this decision. Frankenstein was astonished by the human frame and all living creatures, so he built the Monster out of various human and animal parts (Shelley, 52). At the time Frankenstein thought this creation was a great discovery, but as time went on the Monster turned out to be terrifying to anyone he came in contact with. So, taking his anger out on Frankenstein, the Monster causes chaos in a lot of people’s lives and the continuing battle goes on between the Monster and Frankenstein. Throughout this novel, it is hard to perceive who is pursuing whom as well as who ends up worse off until the book comes to a close.
In "Frankenstein" by Mary Shelley, she illustrates the significance of Victor's encounter of the Monster at Mont-Blanc through diction and imagery; Victor's journey to Mont-Blanc becomes a casement of the Monster's and Victor's mental and behavioral pattern towards each other. Mary Shelley utilizes the motifs such as fire, ice, water, doppelgangers, and biblical allusions to Satan and the creation of Adam to present the finite limits of Victor to God.
“Fire and Ice” is a poem that paints a bleak picture of the future in which there are two paths, fire and ice, that both lead to the end of the world. Frost uses language throughout the poem that appears to be simple, but is actually very effective at communicating deeper, insightful meanings. He connects fire and ice to desire and hate and creates multiple levels of complexity. For example, the simple passage “Some say the world will end in fire, / Some say in ice.” (“Fire and Ice” 1-2) introduces the two main symbols in the poem, but, at the same time, pulls the reader in because desire and hate are so personal and such a significant part of human nature. After the symbols are presented, the narrator involves himself or herself in the poem by saying “From what I’ve tasted of desire / I hold with those who favor fire.” (“Fire and Ice” 3-4). A clear decision is made here in favor of fire, implying that the narrator favors desire. Frost believes that the world will eventually be destroyed by destructive and negative human traits: desire, greed, and jealousy. Yet in Frost’s mind, these traits are still preferable to hate. This opinion is demonstrated by the narrator’s choice of fire. Frost prefers the heat of passion and fire to the ...