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A flashback structure on narrative composition
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Daredevil
Narrative
The narrative has an explanatory function (Jean-Francois Lyotard, 1984) and is used in the stereotypical way to of flashbacks explain the back-story of a superhero.
Daredevil starts with a flashback of how he ‘gained his powers’, which was through a car accident and chemical spill which caused him to lose his sight as a child. This is typical of the superhero genre and follows the narrative you would expect as it has been used in so many superhero and marvel films and shows previously to explain the back story to the audience early on to maximise their understanding.
However Barthes argues (1977) although that narrative gives life to a text, it’s the plot, image and sequence which creates its meaning. Daredevil supports this as the
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Arguably the worst portrayed is class, Wilson Fisk, the ‘bad guy’ is shown as lower class as a child and looked down upon. He then reaches the other end of the spectrum by being upper class/rich and is thus isolated from being of a higher class then the shows target audience. On the other hand, Daredevil is working class but shown as working hard. Working class is seen as better then those of benefits, who appear to be doing nothing (Deveraux, 2013). Daredevil is shown to be working both as a superhero and lawyer and therefore is more liked.
Another marginalization is through gender; women are often under represented or misrepresented (Rawok 1990). Although three women have key roles both of which have romantic storylines. Which is not uncommon for marvel films that regularly been accused of marginalizing women characters. (Roz, Kaveney 2008) Despite their moves into more female characters many are still romantically linked to a male character (usually of a higher stance) particularly Vanessa Marianna who’s only role is Wilson Fisk’s love interest with little substance and no
As Kendall notes, “the media portrays people who produce goods and services as much less interesting than those who excessively consume them” (429). Viewers want to be entertained, and simply just don’t care about the struggles of the working class. They overlook “low wages (and) lack of benefits” (429) because through caricature framing the media sways people to believe works to be stupid and reckless. Using this frame, they created people such as Homer Simpson, showing people that the working class doesn’t deserve raises, better healthcare, or any such luxuries because they can’t think for themselves. If that wasn't bad enough, the media often characterizes all workers as wanting to transcend their class (429). Through shows such as Extreme Makeover, they depict people who want to spice up their life and improve themselves as people, and that they need help to get to the next level. The media has undercut all of the hard work of this class, and has made people believe that the working class is unavailable, dumb and needs help to be their best self when in fact they are what allows for the success of
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
Modern day superheroes still reflect the misogynistic and chauvinist society in which they were first created and this will be argued with reference to two of the films studied.
Today’s culture sees a gap between the male and female gender. This is evident in everything from the films we watch, music we listen to, and even in our everyday lives. Historically, this issue has seen an even larger gap, and can be observed in the films that were made during that time. Vertigo and Citizen Kane both show the objectification of women by controlling them, writing them in supportive roles, and placing their value in the way that they look.
The most important events of this film all revolve around the female characters. While there are some male charac...
Today, only 16% of protagonists in movies are female, and the portrayal of these women is
This problem was occurring all the way back into the 1960’s. Why the 1960’s? Well that is when Marvel first started to make its comics, the comics is what the movies go off of. The problem with this is that everything was white back then due to segregation. This is an image I found on Google with that puts in it good words “In the early 1960s, when many of these beloved Marvel characters were introduced, American popular culture was more or less all-white everything. When I found this out I was surprised by this, it makes sense now. If the comics were made today and the movies were made later I would predict the movies and the comics would be much more diverse than they are today. The comics were so dominant with white people that the movies have even incorporated or added in some black characters here and there to make the movies not all white. Here is an example of this from the article titled “Fear of a Black Superhero: Michael B. Jordan and the Importance of Colorblind Casting” the article stated this: “The character of Nick Fury, the mysterious agent of S.H.I.E.L.D. who has a hand in virtually every Marvel movie storyline, was portrayed as a white man for decades in the comic books; but a generation of movie fans know the character as portrayed by African American actor Samuel L. Jackson.” There have been more than this one case. “In Tim Burton's Batman,
There have been major changes to the superhero archetype in comics in these recent years as compared to the past. Along with that arises controversy on the subjects like the new female Thor or a black kid as Spiderman. Many are zealously against such changes for reasons like sexism or racism. While many others are fervently behind such changes because they use it to empower their own political views on today’s topics. These topics are important to today’s society however they should not be so important in comic books because comic books should be value-neutral and gender, ethnicity, sexuality and things of this nature should not matter.
Even in modern media today, strong examples of gender role expectations, gender role socialization, gender inequality, and heteronormativity are expressed. Movies are a prime example of where they can be found. Even though times have changed and gender role expectations have faded slightly from the traditional ones, they are still expressed in media which we surround ourselves with every day. Due to the amount of examples found in films we are subconsciously being socialized without knowing it. Gender roles and expectations will always exist and even if they are hard to notice, they will always be present.
This narrative pattern was first discovered and recognized by a man named Joseph Cambell. He shows this particular pattern in many works of fiction: dramas, books, movies, and TV shows. It describes the typical story of the “hero” and his/her quest to achieve some sort of goal. There are twelve stages in total which starts with “the ordinary world”. Then is followed by “call to adventure”, “refusal of the call”, “meeting with the mentor”, “crossing the threshold”, “tests/allies/enemies”, “approach”, “the ordeal”, “the
...verything around us is made by our actions. Positive or negative they cause an effect that will ultimately lead to a different story base on how we interpret life. Narrative elements are used as a bridge by the directors in their film to create any master plot that is currently known. Any modification at any narrative element used by the director at important moments inside the story can help you portray a different master plot. This used of narrative elements can be best described as an ever changing process that takes place inside an individual’s head. Depending on the individual that may be exposed to those narrative elements can create different meanings. This new interpretation can be different for everyone. We have to be aware that one change in the surface scenery can lead to many ideal outcomes in our minds and that is the main power the audience has.
Feminism is a movement that supports women equality within society. In relation to film, feminism is what pushes the equal representation of females in mainstream films. Laura Mulvey is a feminist theorist that is famous for touching on this particular issue of how men and women are represented in movies. Through her studies, she discovered that many films were portraying men and women very differently from reality. She came up with a theory that best described why there is such as huge misrepresentation of the social status quos of male and female characters. She believed that mainstream film is used to maintain the status quo and prevent the realization of gender equality. This is why films are continuously following the old tradition that males are dominant and females are submissive. This is the ideology that is always present when we watch a movie. This is evident in the films from the past but also currently. It is as if the film industry is still catering to the male viewers of each generation in the same way. Laura Mulvey points out that women are constantly being seen as sexual objects, whether it is the outfits they wear or do not wear or the way they behave, or secondary characters with no symbolic cause. She states that, “in traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote it-be-looked-at-ness.”(Mulvey pg. 715). Thus, women are nevertheless displayed as nothing more than passive objects for the viewing pleasure of the audience. Mulvey also points out through her research that in every mainstream movie, there is ...
This representation is seen more largely in the films than in the comics themselves. Bryan Singer has been involved (with the exception of X-Men: The Last Stand ) in all of the X-Men films in some capacity, whether that be as the director, producer, or writer. Singer is a member of the LGBTQ community and identifies himself as a homosexual. Up until recently, since it’s inception, the LGBTQ community has been marginalized by a large percentage of the public, so much so that anti-LGBTQ organizations exists. In Singer’s adaptation of the X-Men onto the big screen, we can see an allegory for this representation in a number of ways.
There is a large gap in the differences between the middle class of the characters such as Jenny and Dan Humphrey and then the upper class of Blair, Serena, Nate and Chuck. The elite class lives in the upper east side of Manhattan in spectacular penthouses and it always gloried in the show. Then there is the middle class that lives in small stingy apartments in