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Feminist analysis dracula
Feminist Theory and Dracula
Dracula and women and the new women
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Science has proven that anatomically, women’s physical strength is generally less in comparison to men’s enhanced muscularity. This anatomic disadvantage that women suffer has led to negative stereotypes of gender. Women are considered weaker, or less intelligent than men based on an impression that women are minuscule in comparison to men. In the novel Dracula, Bram Stoker sheds light on gender inequality, establishing that not all women are inferior to men, in fact, they should be seen as equals. Notably, Stoker reveals society’s ambivalence to women’s fortitude by providing an abundance of Victorian gender stereotypes and their inaccuracies throughout the novel. In addition, Stoker downplays female cliché’s, disclosing that women
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As a matter of a fact, when Lucy dies, the men feel great distress and have nowhere else to turn but to Mina. In order not to show weakness in front of the other men, the Englishmen each individually “express [their] feelings on the tender or emotional side,” and confess their anguish for Lucy’s passing (Stoker). To the men, Lucy was only a companion whom they barely knew, but to Mina, Lucy was a lifelong friend. Mina’s loss of Lucy was profound, however, she held her emotions in check and through strength and perseverance she never shed a tear. Moreover, Mina is often portrayed as stronger physically than Jonathan when Dracula emits his wrath upon them. Even though Mina is the one suffering, Jonathan cannot physically handle Dracula’s wrath as he turns “white as death, and shook and shivered,” even though he has yet to sacrifice anything and Mina has sacrificed almost everything and continues to persevere (Stoker). Jonathan’s signs of aging signify that even though Jonathan is a man and supposed to be strong, the stress and anguish derived from the events lately has taken a physical toll on him. However, Mina is the one directly affected by Dracula and aside from the effects of Dracula’s hypnotic spell, Mina was portrayed as happy and youthful. Last but not least, Catherine Eckel, a member of the National Science Foundation and Virginia Polytechnic Institute and State University, conducted a study involving …show more content…
Even though women such as Lucy demonstrate stereotypical female weakness, characters such as Mina defy the conventional submissive female, as an independent woman, a role uncommon of novels in this era. In addition, Mina, in comparison to men, possesses substantially stronger emotional fortitude and controls her emotions, while the men who are supposed to be strong expose emotional weakness and frailty. Ultimately, however, no matter Mina’s intelligence or strengths, the men continually suppress Mina’s vast amount of wisdom in order to maintain their perceived dominance. Nonetheless, Stoker’s messages throughout the novel regarding women silently protest the sexist expectations of the overly limiting Victorian era. Should today’s modern feminists take Stoker’s peaceful approach and protest subtly hoping for long-term change? Or should feminists act with violent protests in hope for prompt change? Gender equality will not happen overnight, however, instead of rushing minuscule modifications with violent protest, society must patiently wait for productive and peaceful change, in order to prevent an even larger
...sitive depiction of their sexual relationship. For Mina, however, renunciation of Dracula's evil must include the renunciation of her own physical needs and desires. The roles played by social mores and conceptions of gender and sexuality are, in the end, more than incidental. Indeed, the difference between Victorian England and 1990s America causes the subtle -- but significant -- valuation of the connections between good and evil and women and sexuality in two in many ways similar texts.
There is a classic "good versus evil" plot to this novel. The evil of course being Count Dracula and the Good being represented by the Harkers, Dr. Seward and Lucy, Arthur, Quincy and the Professor. It is the continuing battle between Dracula and the forces of good. Good in this case is the Christian God. The battle is foretold by the landlady where she says, "It is the eve of St Georges Day. Do you no know that tonight, when the clock strikes midnight, all the evil things in the world will have full sway?" and she hands Harker a crucifix (p 12).
Mina clearly demonstrates her awareness and knowledge of the New Woman movement; whereby she exhibits her familiarity of the debate by referring to the term “New Woman” twice in her journal entries. Grant Allen’s “purity school” New Woman consisted of female characters that expressed particular interest in social problems while still maintaining their propriety. This sense of knowledge is exhibited when Mina attempts to reassure the oversensitive Lucy as they stopped for a “severe tea” (Stoker 141): “I believe we should have shocked the ‘New Woman’ with our appetites. Men are more tolerant, bless them!” (Stoker 141). The New Woman was a common subject of controversy in journalism and fiction (Senf 34). Mina’s preliminary reference merely characterized her as a well-informed young woman of the 1890s. Mina remains neutral and simply suggests her familiarization with the New Woman’s assertion on greater freedom and physical activity. Bicycle riding, badminton playing and bloomer wearing women may have shocked certain conservative people of the 1890s, but they were not enough to worry Stoker’s heroine (Senf 34). Nor was it a shock to her that the New Woman was often characterized as a professional woman who was capable of financially supporting herself. After all, Mina easily fell under this category of the New Woman; her career was not an archetypal Victorian housewife. She was often “overwhelmed with work […] [because] the life of an assistant schoolmistress [was] sometimes trying” (Stoker 83). Mina is able to support herself and by using her note-taking talents she is also able to support her husband too, outside of her domestic role. This notion was revolutionary at the time. Gail Cunningham notes that while independence and in...
Mina is also vastly unlike the contemporary female Gothic tropes due to her financial independence. Although Mina could be described as the ideal Victorian lady, Stoker also managed to include qualities associated with the much feared and controversial New Woman in her. She and Lucy mock the independence of the New Woman and joke that the New Woman will try to introduce the inversion of gender roles that contemporary society feared;
Bram Stoker’s “Dracula,” came to print in 1897, at the height of Nineteenth century Victorian life in Europe, a progressively modern era that saw much medical and technological advancement. This era brought with it the contentious idea of an empowered woman, the “New Woman,” a woman who aspires to be educated as well as sexually and economically independent. Stoker gives a contrasting view of this notion in “Dracula.” While the main characters, Lucy and Mina, are clearly opposite in personality, they are both portrayed as unequal, defenseless objects that are to be protected and desired. However, one woman’s fate is determined by her weakness, while the other is determined by her strength.
In Dracula, Bram Stoker explores the fantastic image of a sexually dominant woman within a patriarchal society. The battle between good and evil within the novel very much hinges upon feminine sexuality: Lucy and Nina are embodiments of the Victorian virtues, which Dracula threatens to corrupt,
Humphrey, Robert. "Ideals of the Victorian Woman as Depicted in ‘Dracula’." The Artifice. N.p., 11 Mar. 2014. Web. 6 May 2014. .
One of the major themes of Bram Stoker’s Dracula is the triumph of the masculine over the feminine, but also the slowly rising influence of female involvement within society. Victorian society had certain expectations of different genders, which were fundamentally different. The traditional
In Bram Stoker’s novel Dracula, Stoker’s use of inverted gender roles allows readers to grasp the sense of obscureness throughout, eventually leading to the reader’s realization that these characters are rather similar to the “monster” which they call Dracula. Despite being in the Victorian era, Stoker’s use of sexuality in the novel contributes to the reasoning of obscureness going against the Victorian morals and values. Throughout the novel the stereotypical roles of the Victorian man and woman are inverted to draw attention to the similarities between Dracula and the characters. Vague to a majority of readers, Bram Stoker uses Dracula as a negative connotation on society being that the values of the Victorian culture are inverted amongst the sexes of characters, thus pointing out the similarities of the characters and the so called “monster” which they call Dracula.
As the saying goes, “Women can do everything Men can do.” In the Gothic Novel Dracula by Bram Stoker, there is a constant theme of sexuality, from both male and females in society. In the Victorian era, the roles of male and females have caused a lot of tension. After reading Dracula, some would argue the roles men and women hold in society. As mentioned in Dr. Seward’s Dairy from Val Halsing., “Ah, that wonderful Madam Mina! She has man’s brain—a brain that a man should have were he much gifted—and a woman’s heart. The good God fashioned her for a purpose, believe me, when He made that so good combination” (Stoker and Hindle, 2003 250). A women’s mind is not the always the first thing on a males mind. Some would overlook what a woman really has to offer.
Similar to almost every piece of literature ever created, Dracula by Bram Stoker has been interpreted many different ways, being torn at from every angle possible. Just as one might find interest in interpreting novels differently, he or she might also find interest in the plot, prose, or theme, all of which ultimately lead to the novels overall tone. Throughout the novel, it becomes blatant that the novel contains an underlying theme of female incompetence and inferiority. Through a true feminist’s eyes, this analysis can clearly be understood by highlighting the actions of Mina and Lucy, the obvious inferior females in the book. Through Stoker’s complete and utter manipulation of Mina and Lucy, he practically forces the reader to analyze the co-existence of dominant males and inferior females in society and to simultaneously accept the fact that the actual text of Dracula is reinforcing the typical female stereotypes that have developed throughout the ages.
Mina Murray was engaged to Jonathan Harker and when Dracula kept him prisoner, the Count wrote letters to Harker’s boss and pretended to be Jonathan and to inform his boss and his fiancé that things were going good with his business trip. The Count was giving Mina and Jonathan’s boss false hope and keeping Harker prisoner at his castle. Dracula would even dress up in Harker’s clothes and mail the letters so it would not arise any suspicion. The Count seemed to only focus on turning women into vampires and he used the men to lure the women into his trap. Therefore, that is why he was keeping Jonathan alive. Everything Dracula did was made with lots of forethought. Such as when Lucy a young woman who also was a friend of Mina was mysteriously getting ill and sleep-walking during the night no one knew what was happening to Lucy because she would get sicker after they discovered she was sleepwalking. Lucy was sleep walking because she had gotten bite by Dracula and every night he called to her so he could feed off her again. He also made sure she was alone and waited a few days before attempting to suck her blood again. Although, Dracula was a smart man in his cunning actions he could not hide the fact that something evil was
This scene sets the basic structure of gender roles in Victorian society. In this scene, Stroker shows Mina as weak and under the influence of men. She is unable to free herself until men come to her rescue. Dracula controls the men by turning their women into vampires. Stoker reflects the idea that women are mere possessions of men. Dracula and other men are fighting to gain control over her. By controlling Mina, Dracula has challenged their masculinity, because they are unable to protect her from Dracula. The fact
Dracula is upfront about his desires. Conforming to the masculine ideal of stoicism does not restrict him. Lucy is much stronger than the individual male. It takes four men to subdue her and ultimately kill her. This monstrous representation of the physically superior, vamped woman represents how the feminine must be controlled. By injecting their blood into Lucy, they are trying to inculcate the patriarchal culture of Victorian society back into her. The only way to bring her back to civilization is to turn her back into a “proper woman” born to raise a family and to serve a man. A transfusion is forced. The image of a needle puncturing into the skin and pushing a fluid into one’s conjures the image of invasion, of foreign forces reconfiguring the natural way of life. The transfusion of blood is of many men, while Dracula’s invasion, in this case, the puncturing of his culture and draining of British culture is done solely by him, showing how the strength of the “primitive” foreigner emasculates the male
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).